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State and Main

State and Main is a 2000 American screwball comedy film written and directed by David Mamet. The story follows a cash-strapped Hollywood film crew that arrives in the small Vermont town of Waterford to shoot a period drama titled The Old Mill, only to face a series of production disasters, including a missing mill set, a scandal-plagued leading actor, and conflicts with idealistic locals. Starring William H. Macy as the harried director Walt Price, Philip Seymour Hoffman as the screenwriter Joseph Turner White, Alec Baldwin as the philandering star Bob Berrenger, Sarah Jessica Parker as the producer Shari, and Rebecca Pidgeon as the town bookseller Ann Black, the film satirizes the clash between show business excess and small-town values. Released by Fine Line Features with a runtime of 106 minutes, it premiered at the Toronto International Film Festival in September 2000 before a limited theatrical release on December 22, 2000, and wide release on January 12, 2001. Critically acclaimed for its sharp and performances, State and Main earned an 84% approval rating on based on 115 reviews, with critics praising its witty lampoon of the movie industry reminiscent of and . The film highlights Mamet's recurring themes of deception and morality through interconnected subplots, such as the crew's manipulations and budding romances, culminating in a chaotic yet redemptive resolution for the characters.

Film overview

Production background

David Mamet wrote and directed State and Main, drawing inspiration from his personal experiences in independent filmmaking, which informed the film's satirical portrayal of a chaotic movie production invading a small town. The , reflecting Mamet's observations of the industry's moral ambiguities and logistical hurdles, was completed in late 1999 after several revisions during that summer. Development of the project involved producers Sarah Green and David Yarnell, who collaborated closely with Mamet to shape the ensemble-driven comedy-drama. Financing was secured through Filmtown Entertainment, Green/Renzi, and , with handling the release and presentation. In , key decisions included , where the team opted for sites in —such as Manchester-by-the-Sea and Beverly—over the setting depicted in the script, due to more suitable architecture and coastal scenery for the story's vibe. Casting announcements began in mid-1999, highlighting Mamet's preference for a mix of established actors and newcomers to capture the film's ensemble dynamic.

Release details

Principal photography for State and Main occurred from to 1999, primarily in several towns that stood in for the film's fictional setting, including Manchester-by-the-Sea, Beverly, Dedham, and Waltham. The production team adapted to these authentic small-town environments, navigating logistical hurdles such as the absence of a period-appropriate historical central to the story, which required creative set adjustments and to maintain narrative integrity without major builds. In , the was edited by Barbara Tulliver, a frequent collaborator with director , whose precise cuts contributed to the movie's rhythmic pacing and satirical tone. The original score was composed by , blending orchestral elements with subtle, wry motifs to underscore the comedic chaos of the invasion. State and Main had its world premiere at the on August 26, 2000, and its North American premiere at the on September 8, 2000, generating early buzz for its and Mamet's sharp . handled distribution, with a in the United States on December 22, 2000, and a on January 12, 2001, as part of a targeted emphasizing festival exposure and limited arthouse rollout to build critical momentum for the independent comedy.

Narrative and themes

Plot summary

A Hollywood film crew descends upon the small Vermont town of Waterford to shoot their period drama The Old Mill after fleeing their previous location in New Hampshire due to a scandal involving lead actor Bob Barrenger's advances toward underage girls. The production, led by director Walt Price, quickly encounters logistical hurdles when the crew discovers that the town's historic mill—central to a key scene—had been destroyed in a fire in 1960, necessitating urgent script revisions by writer Joe White. Amid the chaos, co-star Claire Wellesley balks at performing a nude scene without extra pay, pressuring producer Marty Rossen to negotiate amid budget constraints. Barrenger's misconduct escalates as he pursues local teenager Carla Taylor, who caters for the crew; their encounter culminates in a crash that injures both and destroys the town's , leading Rossen and Price to orchestrate an cover-up to avoid further delays. Meanwhile, Joe White, stranded without his , forms a romance with Ann Black, the principled owner of the local bookstore, as he races to rewrite the script. The central conflicts intensify with ethical dilemmas surrounding the underage involvement and fraudulent schemes, forcing the crew to confront the production's moral compromises. , inspired by Ann, completes the revised script, exposing the hypocrisies within the team. Through a series of improvisations and concessions—including staging the mill scene elsewhere—the film wraps production, leaving the town forever altered by the intrusion of .

Themes and style

State and Main serves as a pointed of 's moral compromises, depicting the film industry as a force that prioritizes profit and self-preservation over ethics, often at the expense of integrity and human decency. The narrative contrasts the invasive, exploitative nature of a production team with the wholesome values of the small town of , , highlighting how erodes bonds as the crew bribes locals and manipulates situations to keep filming on schedule. This clash underscores themes of versus , where the town's initial gives way to disillusionment as 's disrupts local life. Central to the film's is the theme of in art, embodied by Joe White, who grapples with altering his to accommodate production demands, such as fabricating a nonexistent set, symbolizing the dilution of creative vision under industry pressures. Gender dynamics and issues of emerge through subplots involving the leading lady Claire Wellesley's for compensation to perform a nude scene and the actor Bob Barrenger's predatory pursuit of an underage local, critiquing the exploitative power imbalances inherent in Hollywood's culture. These elements collectively satirize the industry's moral shortcuts, where lies are reframed as "gifts for fiction" to justify ethical lapses. David Mamet's stylistic approach amplifies these themes through dialogue-heavy scenes characterized by rapid, overlapping exchanges in his signature "Mametspeak," which captures the chaotic, self-serving banter of the film crew while blending sharp comedy with underlying dramatic tension. The structure weaves multiple character arcs into a cohesive portrayal of the process, using the setting—standing in for a fictional town—to heighten ironic contrasts between Hollywood's artificiality and small-town authenticity. This meta-commentary on production mishaps, such as set shortages and scandals, reinforces the by mirroring real-world industry absurdities within the film's narrative framework.

Cast and crew

Principal cast

The principal cast of State and Main is anchored by William H. Macy as Walt Price, the scheming Hollywood director who bends rules and fabricates solutions to keep the low-budget film on track amid mounting disasters. Macy, a longtime collaborator with director David Mamet on projects like Homicide (1991) and The Spanish Prisoner (1997), infuses the character with frantic energy and moral ambiguity. Sarah Jessica Parker stars as Claire Wellesley, the leading actress who grows increasingly hesitant about the production's chaos, particularly a last-minute nude scene added to the script. Her performance captures the diva's vulnerability and frustration in the face of the crew's improvisations. Alec Baldwin portrays Bob Berrenger, the philandering male star whose reckless pursuit of a local girl sparks a potential involving statutory issues. Baldwin's charismatic yet sleazy depiction highlights the actor's entitlement and disregard for consequences. Philip Seymour Hoffman plays Joe White (full name Joseph Turner White), the earnest screenwriter whose integrity is tested as he is pressured to alter the story for budget reasons and to cover up mishaps. As an emerging talent in 2000 following roles in The Talented Mr. Ripley (1999) and Flawless (1999), Hoffman provides the film's emotional core through his portrayal of artistic compromise. Rebecca Pidgeon, Mamet's wife and frequent collaborator in films such as and (2001), appears as Ann Black, the idealistic local bookseller who shares a budding romance with the screenwriter and represents small-town wholesomeness. Julia Stiles, another rising star at the time after 10 Things I Hate About You (1999), plays Carla, the naive local teenager drawn into the star's orbit, embodying the disruptive influence of on innocent youth. Notable supporting performances include as Marty Rossen, the ruthless studio executive handling financial and legal fixes for the production's liabilities. as Sherry Bailey, the opportunistic local realtor eager to capitalize on the film's presence.

Key crew members

served as both director and writer for State and Main, infusing the film with his characteristic sharp, rhythmic and tightly structured that satirizes the while exploring small-town dynamics. His direction emphasized ensemble interplay and verbal wit, drawing from influences like to maintain a brisk pace throughout the production chaos depicted on screen. The primary producer was Sarah Green, who oversaw the film's development and execution, with co-producers including Mark Ordesky and Rachel Horowitz, and executive producers such as Jon Cornick and contributing to financing and logistical support. Green's role ensured the project's alignment with Mamet's vision, facilitating a modest in that captured authentic locales. Cinematographer Oliver Stapleton handled the film's visuals, employing a precise, unobtrusive color palette to evoke the quasi-picturesque charm of the Vermont-inspired setting, enhancing the contrast between intrusion and rural simplicity. Editor Barbara Tulliver, a frequent Mamet collaborator, managed the ensemble-driven pacing with sinuous cuts that kept the multi-threaded story fluid and engaging. Composer provided a whimsical, light-hearted score that underscored the film's humorous tone and improbable scenarios, adding an effective layer of irony to the satirical elements. Gemma Jackson created sets that authentically recreated a quaint , including adaptations for the in-film movie production, to ground the story's dual layers of reality. Susan Lyall outfitted the characters to reflect their personalities and the film's period-blending aesthetic, from small-town locals to self-absorbed filmmakers.

Reception and legacy

Critical response

Upon its release, State and Main garnered generally positive reviews from critics, who appreciated its satirical take on the film industry. On , the film holds an approval rating of 84% based on 115 reviews, with an average rating of 7.3/10; the site's critics consensus highlights it as "State and Main offers plenty of wit and laughs in its lampoons of the movie industry." On , it received a weighted average score of 75 out of 100 from 26 critics, reflecting "generally favorable reviews." Many reviewers praised David Mamet's witty script, the ensemble cast's chemistry, and the film's incisive satire of excess. awarded it three-and-a-half out of four stars, describing it as a "playful" and "lighthearted" comedy that showcases Mamet's skill with , noting, "Mamet in a lighthearted mood, playing with , repeating phrases just because he likes them, and supplying us with a closing line that achieves, I think, a kind of greatness." The critic emphasized the film's farcical energy and character-driven humor, calling it a delightful ensemble piece. Some critiques were mixed, pointing to uneven pacing and underdeveloped subplots amid the ensemble format. In , commended the "populist laugh riot" and screwball elements reminiscent of but observed that certain plot strands, involving characters like the and supporting actors, promise more depth than they ultimately deliver, resulting in some formulaic tropes. In retrospective assessments since 2000, the film has been lauded for its enduring of industry ethics, with its depiction of a scandal-plagued actor and production cover-ups viewed as prescient in light of the #MeToo movement's exposure of abuses. A Deep Focus Review gave it four out of four stars, hailing it as "the sharpest of all satires" for capturing the chaotic creativity and moral compromises of . Similarly, a January 2025 article spotlighted it as an underseen gem starring , underscoring its approval and continued relevance as a biting industry critique.

Box office and financial performance

State and Main was released in limited theatrical distribution on December 22, 2000, by , opening in 72 theaters and earning $580,163 during its first weekend. The film gradually expanded its release, reaching a widest point of 462 theaters on January 19, 2001. Over its entire domestic run, it grossed $6,944,471, reflecting a modest performance for an independent comedy-drama amid the competitive holiday season, where it competed against major studio releases like and . Internationally, State and Main received limited distribution, contributing $2,261,808 to its totals. This brought the film's worldwide earnings to approximately $9.2 million. The picture's art-house appeal, characterized by its satirical take on filmmaking, helped sustain interest in select markets but restricted broader mainstream success, with domestic earnings accounting for about 75% of the global total.

Accolades

State and Main premiered at the on September 8, 2000, generating positive buzz for its satirical take on filmmaking. At the 15th Fort Lauderdale International in November 2000, the film won the Jury Award for Best Film, with receiving the award for Best . The selected State and Main as one of the Top Ten Independent Films of 2000 and honored its ensemble cast—including , , Jim Frangione, , Vincent Guastaferro, Michael Higgins, , , , , , , , and Joseph Turner—with the award for Best Acting by an Ensemble. The awarded the film its prizes for Best (David Mamet) and Best Ensemble Cast in 2000. The nominated David Mamet for Best . At the 5th in 2001, State and Main received nominations for Best Motion Picture – Comedy or Musical, Best Supporting Actress in a Comedy or Musical (), and Best Original (David Mamet). The recognized the film's casting director with the Artios Award for Outstanding Achievement in Casting for a Contemporary in 2001.

Cultural impact

State and Main has been recognized as an exemplar of satires within independent cinema, contributing to David Mamet's exploration of Hollywood's underbelly through witty, character-driven narratives that blend farce with incisive commentary on the film industry. Its structure and tone have echoed in subsequent works, including Mamet's own later films like (2001), which build on similar themes of and in professional settings. The film is frequently grouped with satires such as (1999) in analyses of meta-Hollywood comedies, highlighting its role in critiquing production chaos and ethical lapses without descending into outright cynicism. The film's prescient portrayal of industry misconduct has drawn retrospective references in media discussions of Hollywood scandals, with commentators noting parallels to the power dynamics exposed during the #MeToo movement, though Mamet's own controversial views have sometimes overshadowed these connections. In academic analyses of Mamet's oeuvre, State and Main is examined as a unique satire of film mechanics, emphasizing its egalitarian view of human corruptibility and its place within his broader humanistic critiques across media. Home media releases have sustained its availability, beginning with a DVD edition from in 2001, followed by a limited Blu-ray from Warner Archive in 2021, which offers improved video quality for modern viewers. As of 2025, it streams on platforms including Prime Video and is available for rent on Amazon Video and , with recent inclusions on the Criterion Channel in 2024 as part of ensemble cast retrospectives. Retrospective screenings and analyses have revived interest, such as its feature in the Channel's 2024 programming alongside films like , underscoring its enduring appeal in festival-like collections focused on 2000s ensemble works. Twentieth-anniversary pieces in 2020 and 2021 highlighted its cynical yet tender , positioning it as a prescient commentary on industry ethics that resonates amid post-2017 reckonings with Hollywood's systemic issues.

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