Steven Ma
Steven Ma Chun-wai (Chinese: 馬浚偉; born 26 October 1971) is a Hong Kong-born actor, singer, director, producer, and media executive known for his multifaceted career in entertainment spanning over three decades.[1][2][3] Ma launched his career in 1993 by winning first place in an annual singing contest in Hong Kong, which earned him a record deal and led to the release of his debut Cantopop album Lucky for Meeting You later that year.[4][5] He subsequently transitioned into acting, joining Television Broadcasts Limited (TVB) and making his drama debut in File of Justice IV in 1995.[4][3] Over the next decade, he rose to prominence in Hong Kong television with lead and supporting roles in popular series, including portraying Emperor Kangxi in the 1998 TVB adaptation of The Duke of Mount Deer, Cheung Ka Yu in Healing Hands (1998), Si To Lai Sun in Return of the Cuckoo (2000), and Cho Chi Kin in Where the Legend Begins (2002).[6][7][3] His performances earned him recognition, including a record four TVB Anniversary Awards for Most Popular Male Character for roles in series such as Safe Guards (2006).[4] After leaving TVB in 2012, Ma expanded his work to mainland China, appearing in dramas like The Legend of Kublai Khan and Demon Girl II, while also venturing into production and direction.[3] He founded ideaQ, a Hong Kong-based arts and education organization, where he serves as principal, artistic director, and academic director; under this banner, he produced and directed stage plays such as Xu Zhimo (2016 and 2018) and created the TV program Walk with You (2018) to support underprivileged communities.[3] In 2019, Ma made his feature film directorial debut with Till We Meet Again, in which he also starred as Ng Ga Wai, earning the Best Newcomer in Directing award at the 2020 Movie6 Hong Kong Movie Awards.[6][3][8] In recent years, Ma has pursued further education, completing an Executive MBA at Peking University in 2020, a two-year foundation course in Chinese medicine at Hong Kong Baptist University (2020–2022), and a Diploma in Educational Psychology from the Hong Kong Management Association.[3] He briefly led TVB's artiste training department in 2021 and served as creative director at Radio Television Hong Kong before joining Metro Broadcast Corporation in January 2024 as Chief Operating Officer.[7] Just 18 months later, on July 15, 2025, he was promoted to Chief Executive Officer of the company, marking a significant shift toward media leadership while continuing to host programs like Golden Banquet (2022).[7][4]Biography
Early life
Steven Ma was born on 26 October 1971 in Hong Kong.[6] He grew up in a working-class family of seven in public housing, where financial constraints shaped his early years. His father worked long hours as a bus driver for Kowloon Motor Bus, often leaving Ma to assume responsibilities for caring for his siblings and supporting the household from a young age.[9][10] His mother, who worked in the garment industry, played a central role in family dynamics, fostering a close-knit environment despite the hardships.[11] Ma developed a deep interest in music during his youth, viewing it as a constant source of inspiration and comfort amid his family's challenges. This passion culminated in his participation in a singing contest in 1993, marking the beginning of his transition into the entertainment industry.[12] In July 1999, Ma's mother passed away after a 22-year battle with nasopharyngeal carcinoma, an event that profoundly devastated him emotionally. He immediately withdrew, isolating himself and plunging into depression as he grappled with the loss of his primary familial anchor.[13][14]Education
Steven Ma completed his secondary education in Hong Kong but was unable to pursue higher education immediately due to family financial constraints, instead entering the entertainment industry in 1993.[11] In 2018, at the age of 46, Ma enrolled in the two-year Executive Master of Business Administration (EMBA) program at Peking University HSBC Business School, a highly competitive course with an acceptance rate below 10% that required essays, recommendation letters, tests, and interviews.[15] He graduated in April 2020 after submitting a 30,000-word thesis and completing an oral defense, having balanced classes—held Thursdays through Sundays—with his acting commitments and business ventures by traveling between Hong Kong and Beijing.[11][15] Ma pursued the EMBA to fulfill a lifelong dream of formal higher education, enhance his professional knowledge, and better manage his café and other enterprises, viewing the investment of over HK$1 million in fees, travel, and accommodation as worthwhile for personal and career growth.[11][15] Four months after his MBA graduation, in August 2020, Ma enrolled in a part-time Master of Chinese Medicine program at the School of Chinese Medicine, Hong Kong Baptist University, with classes scheduled three times a week.[16] Alongside this, he pursued a Diploma in Educational Psychology – Children Learning and Growth from the Hong Kong Management Association.[3] His motivations for the Chinese Medicine program stemmed from researching dietary options during his late mother's battle with cancer, a desire to help others through traditional healing practices, and fulfilling her last wish; he has expressed interest in applying the knowledge post-retirement by opening an organic farm to grow herbs.[16][17] These academic endeavors, undertaken during a career hiatus, supported Ma's ongoing personal development beyond entertainment.[11]Music career
Debut and early albums (1993–1999)
Steven Ma entered the music industry in 1993 after winning first place in the third Pioneer Laser Karaoke Competition in Hong Kong, performing the song "Li Xiang Lan," which secured him a recording contract with Warner Music Hong Kong.[18] This victory marked his transition from amateur singer to professional artist, following multiple prior attempts in local contests across Hong Kong's districts.[19] His debut album, Lucky for Meeting You (幸運就是遇到你), was released in December 1993 and featured the title track, which topped the Hong Kong charts as a number-one hit.[20] The album received positive initial reception for its fresh Cantopop sound, earning Ma the Bronze Award for Most Promising Newcomer at the 1993 TVB Jade Solid Gold Best Ten Music Awards Presentation. Building on this momentum, Ma released his second album, Heading Towards You Now (這刻向你衝), in August 1994, which included singles that charted moderately but helped establish his presence in the competitive Cantopop scene. A follow-up compilation, Deep Passion (濃情—新歌＋精選), arrived in February 1995, blending new tracks with selections from prior releases and further showcasing his evolving style. Subsequent albums through 1999, including I Was Also Drunk Before (1996), Honey (1997), Loving You More Every Day (1998), and No Matter What (1999), faced challenges in matching the debut's commercial success amid rising competition. Ma adapted to the industry's demands by balancing music with emerging acting opportunities at Television Broadcasts Limited (TVB), which provided greater exposure but highlighted the difficulties of sustaining a prominent singing career.[21]Later releases and hiatus (2000–2009)
In the early 2000s, Steven Ma continued to release music that reflected a maturation in his style, increasingly emphasizing introspective and emotional ballads that explored themes of love, loss, and personal resilience. His 2000 album Lifestyle II continued this trend, followed by the 2001 album Give Me 3'07" which marked a significant milestone, featuring the title track that earned him the Bronze Award for Outstanding Performance at the 2001 Jade Solid Gold Awards. This shift toward heartfelt lyricism was evident in subsequent works, such as the 2002 album Don't Close Your Door, Don't Waste Yourself (別對自己說不 別浪費自己), which included contemplative tracks addressing self-reflection and perseverance. Ma's output during this period also included compilation albums that showcased his evolving artistry, with Greatest Hits Steven in 2002 collecting reinterpreted earlier songs alongside new material, and My Theme Songs in 2003 blending tracks from his television roles with original content for a poignant tone. A sequel, My Theme Songs II, followed later in 2003. Additional releases included Day 'n' Night (2004) and the Cherish trilogy (2005–2007), prioritizing melodic introspection over upbeat pop. By 2008–2009, he contributed to Love Songs from TVB and its 2009 sequel Love Songs from TVB 2. Over the decade, Ma's work contributed to a total of around 18 albums and extended plays by 2009. Live performances remained a key part of Ma's music engagement, including appearances at Hong Kong music events and award shows where he performed these ballads to appreciative audiences, reinforcing his connection with fans through raw emotional delivery. However, as his acting commitments intensified, particularly with demanding TVB roles, Ma scaled back major album releases after 2009 to prioritize his on-screen career, though he resumed with new albums like Cherish in 2013.[2][12][22]Acting career
TVB debut and breakthrough (1993–2003)
Steven Ma joined Television Broadcasts Limited (TVB) in 1993 shortly after his singing debut, signing a per-series contract that positioned him as a multifaceted talent combining acting and musical performances. His victory in a prominent Hong Kong singing contest that year led to a record deal and the release of his debut album, Lucky for Meeting You, which opened doors to television opportunities at TVB, where he initially took on minor supporting roles in dramas such as Twilight Tubes. This hybrid career path allowed Ma to leverage his vocal skills in series soundtracks and promotional events, helping him transition from newcomer to established artist within the network.[23][3] Ma's breakthrough came in 1995 with his supporting role as Dr. Stephen Chan Cheuk-yiu in the legal drama File of Justice IV, the fourth installment of TVB's acclaimed anthology series exploring courtroom cases and personal dilemmas among legal professionals. Portraying a compassionate doctor entangled in the protagonists' lives, Ma's performance brought emotional depth to the ensemble cast, contributing to the series' status as one of the year's most popular TVB productions and marking his first significant recognition among audiences. The show's blend of procedural intrigue and character-driven stories resonated widely, elevating Ma from obscurity to a rising star in Hong Kong television.[24][25] Building on this momentum, Ma starred in prominent roles including Emperor Kangxi in the 1998 historical wuxia The Duke of Mount Deer and Dr. Joe Cheung Ka-yu in the 1998 medical drama Healing Hands, a groundbreaking series depicting the high-stakes world of emergency room doctors and nurses at a fictional Hong Kong hospital. His portrayal of the optimistic, sunny-dispositioned Dr. Joe, navigating romance and professional challenges amid life-or-death scenarios, captured viewers' hearts and helped propel the show to become one of TVB's highest-rated dramas of the era, winning Best Drama at the TVB Anniversary Awards. The series' realistic portrayal of medical ethics and interpersonal dynamics not only boosted Ma's popularity across Hong Kong, Mainland China, and Southeast Asia but also solidified his reputation for charismatic, relatable characters. He further gained acclaim for Si To Lai Sun in Return of the Cuckoo (2000). During this period, Ma briefly crossed into film with a minor role in the 1996 romantic drama Lost and Found, though his primary focus remained on television.[26][27][28][29] Ma's rising acclaim culminated in multiple wins for My Favourite Male Character at the TVB Anniversary Awards, earning the honor three consecutive years from 2001 to 2003 for his versatile performances: horse trainer Kam Yuen in the racing drama On the Track or Off (2001), the devoted warrior Cho Ji in the historical fantasy Where the Legend Begins (2002), and the tormented lover Chow Sai-hin in the emotional thriller Perish in the Name of Love (2003). These awards, voted by audiences, underscored his ability to embody complex, endearing figures that drove high viewership and fan engagement, establishing Ma as a cornerstone of TVB's golden era of dramas.[30][31][32][24]Continued roles and awards (2005–2011)
In the mid-2000s, Steven Ma solidified his position as a leading actor at TVB through a series of demanding roles in period and modern dramas, showcasing his versatility in portraying complex characters amid intricate family and societal dynamics. His performance as Sheung Chi in the 2006 historical drama Safe Guards earned him widespread acclaim for depicting a loyal yet conflicted martial artist navigating loyalty and betrayal during turbulent times, culminating in the My Favourite Male TV Character Award at the 39th TVB Anniversary Awards. This recognition marked a pivotal moment, highlighting Ma's ability to connect emotionally with audiences through nuanced portrayals of honor-bound figures.[33] Ma's breakthrough came with the 2007 modern drama Steps, where he starred as Ching Ka-tsun, a passionate dance instructor and single father striving to rebuild his life after personal setbacks, blending themes of perseverance and redemption in Hong Kong's competitive performing arts scene. The role allowed Ma to explore lighter, inspirational facets of his acting range, contributing to the series' popularity and earning him nominations for Best Actor (Top 10) and My Favourite Male Character at the TVB Anniversary Awards. During this period, Ma's brief hiatus from music releases enabled him to fully immerse in acting, fostering deeper on-screen chemistry with frequent co-stars like Linda Chung, with whom he built a notable partnership starting in A Journey Called Life (2008), where their sibling-like dynamics added emotional depth to family-centric narratives.[34] By the late 2000s and into 2011, Ma continued to take on multifaceted leads, including in A Watchdog's Tale (2010) and Ghost Writer (2010), where he adeptly shifted between romantic leads and comedic elements, further establishing his reliability in ensemble casts. His role as Calvin Yik Cho-on in the 2011 comedy-drama 7 Days in Life represented another high point, portraying a suave professional thief quarantined in a hotel with a group of strangers, whose charm and moral ambiguity drove the series' humorous exploration of human connections under pressure; Ma's charismatic delivery balanced mischief with vulnerability, earning praise for revitalizing his career trajectory at TVB. That same year, Ma received Highly Commended recognition for Best Entertainment Presenter/Host at the 16th Asian Television Awards for his engaging hosting in the culinary variety show Apprentice Chef, demonstrating his adaptability beyond scripted roles.[35][36]Departure from TVB and independent projects (2012–2017)
In March 2012, Steven Ma officially departed from TVB after 19 years, requesting an early termination of his contract, which was set to expire in May, due to disputes over management practices and feeling underutilized in promotions, endorsements, and event engagements.[37][38] This move marked the end of his full-time affiliation with the broadcaster, allowing him to pursue independent opportunities while reflecting on his career trajectory and personal growth.[24] Following his exit, Ma collaborated selectively with TVB on a per-project basis, notably starring as Poon Ka Yeung in the 2014 family drama Storm in a Cocoon, a 32-episode series that aired from February to March and explored themes of reunion and redemption amid corporate intrigue.[39] This role, opposite Tavia Yeung, highlighted his continued appeal in Hong Kong television despite his independent status.[37] In the subsequent years, his acting output remained limited as he navigated a transitional phase, focusing on mainland China ventures to broaden his scope. From 2015 to 2017, Ma's projects were sparse, reflecting a period of selective engagement and personal reflection on artistic direction. He made a special guest appearance as Szto Lai-sun in the 2015 romantic melodrama film Return of the Cuckoo, a sequel to the 2000 TVB series, which revisited themes of enduring love and family ties. In mainland China, he took on supporting roles in historical and fantasy dramas, including Ahai/Sorghum in The Legend of Kublai Khan (2013), a guest role as the Black Demon King Mo Yuan in the 2016 web series Demon Girl II, broadcast on Mango TV, and a role in the 2015 mainland drama Yuanyang Pei. These opportunities in China provided creative outlets but contributed to his lower profile in Hong Kong media, as he prioritized introspection and selective collaborations over high-volume output.[40][3][29]Comeback series and TVB return (2018–2023)
After a hiatus from major TVB productions, Steven Ma made a notable return to the network in 2018, starring as the male lead in the historical palace drama Deep in the Realm of Conscience. In this sequel to the 2009 series Beyond the Realm of Conscience, Ma portrayed Li Longji, the Prince of Ping who ascends to become Emperor Xuanzong of Tang, embodying a mature, strategic leader entangled in court conspiracies and power struggles.[41] The series, which aired from May to July 2018, achieved solid viewership ratings, averaging around 25 points and peaking at 28.6, reflecting strong audience reception for its intricate plotting and Ma's commanding performance in a role that highlighted his depth in depicting authoritative yet conflicted figures.[42] Ma's comeback emphasized his evolution toward more seasoned characters, drawing on his extensive experience to deliver nuanced portrayals that earned praise for authenticity and emotional range, particularly in scenes exploring ambition and loyalty amid betrayal. This project not only revitalized his on-screen presence at TVB but also aligned with the network's push for high-profile historical epics, positioning Ma as a reliable lead for mature narratives that resonated with viewers seeking sophisticated storytelling. Although he took on fewer acting roles immediately after, his involvement in Deep in the Realm of Conscience solidified his status and opened doors to advisory contributions within the industry. In early 2021, Ma deepened his ties to TVB by accepting the position of principal at the TVB Artiste Training Class, a role that underscored his commitment to mentoring the next generation of performers. Invited by TVB executive Virginia Lok in February 2021, he was tasked with designing the curriculum, recruiting instructors in areas like acting, dance, and pronunciation, and personally teaching select sessions for the intensive 3-month program, which attracted over 1,000 applicants for its two cohorts of 30 students each.[43] This 6-month commitment allowed Ma to impart his 28 years of industry insights while balancing his ongoing studies in traditional Chinese medicine. By December 2023, amid growing fatigue from multifaceted public and professional demands, Ma announced a temporary withdrawal from on-screen work and his resignation from Radio Television Hong Kong (RTHK), where he had served as creative director since 2021. Citing burnout and the need to recharge, he submitted his resignation in November 2023 and shared the news publicly on December 16, 2023, after his final hosting appearance, signaling a pause to focus on personal well-being and undisclosed career shifts.[44]Executive roles and industry contributions (2024–present)
Following his December 2023 announcement of departing Radio Television Hong Kong (RTHK) and temporarily retiring from on-screen work, Steven Ma shifted focus to executive leadership in broadcasting.[44] Ma was appointed Chief Operating Officer (COO) of Metro Broadcast Corporation Limited, which operates Metro Radio, on January 10, 2024.[45] In this role, he oversaw daily operations, spearheaded marketing and programme development, and aligned departments toward strategic objectives, leveraging his media expertise to enhance the station's commercial viability.[45] Under his guidance, Metro Radio revitalized its programming by reinstating veteran hosts and establishing new partnerships to broaden revenue streams.[7][46] On June 19, 2025, Ma's promotion to Chief Executive Officer (CEO) of Metro Broadcast Corporation was announced, effective July 15, 2025, after just 18 months as COO, recognizing his demonstrated business acumen and leadership impact.[7] Prior to Metro Radio, Ma had served as Creative Director at RTHK since 2021, where he directed programming efforts, including content for RTHK TV 31, to foster innovative and engaging broadcasts until his departure in late 2023.[47][48][49] Ma has also contributed to the development of new talent through mentorship and training initiatives at TVB, drawing on his experience as head of the artiste training department since 2021 to guide emerging actors and performers.[50][51] These efforts emphasize practical skills and industry readiness, supporting the broader Hong Kong entertainment ecosystem.[7]Other professional activities
Radio and management positions
In 2021, Steven Ma assumed the role of principal at TVB's Artiste Training Center, where he was responsible for course design, recruiting instructors, and teaching classes in drama, dance, pronunciation, and discipline.[43] Drawing on his eight years of experience managing an education and tutoring center, Ma collaborated with TVB executives Virginia Lok and Eric Tsang to conduct applicant interviews starting in mid-April 2021, resulting in over 1,000 applications for just 30 spots across a maximum of two classes.[43] The three-month program provided aspiring performers with practical training and potential casting opportunities, contributing to the development of new talent in Hong Kong's entertainment industry.[43] Later that year, in May 2021, Ma joined Radio Television Hong Kong (RTHK) as Creative Director in a part-time capacity, with an annually renewable contract focused on conceiving programs for RTHK TV 31.[52] His responsibilities included developing content centered on social welfare, information, culture, education, and music, with program ideas subject to RTHK's approval by senior leaders.[52] Ma emphasized that his scope avoided current affairs or political programming, distinguishing it from other creative roles in the sector.[52] By December 2023, after over two years in the position, Ma resigned to pursue further studies and new professional commitments.[49] Through these management positions, Ma influenced Hong Kong's media landscape by fostering emerging artists at TVB and enhancing public broadcasting content at RTHK, promoting educational and culturally relevant programming that supported the broader creative ecosystem.[43][48] His RTHK tenure, in particular, built on his training expertise to shape innovative program development, paving the way for his subsequent executive opportunities in broadcasting.[7]Stage performances and concerts
Steven Ma made his stage debut in theater with a leading role in the Chinese adaptation of Shakespeare's Hamlet, titled Wangzi Fuchou Ji (王子復仇記), performed from November 22 to 25, 2007, at the Hong Kong Academy for Performing Arts Opera Theatre. In this production, directed by Mai Chiu, Ma portrayed Prince Liu Huan, delivering six performances that showcased his dramatic range beyond television roles. The play, a modern reinterpretation blending classical tragedy with contemporary elements, highlighted Ma's ability to tackle complex Shakespearean themes of revenge and introspection.[53] Building on this experience, Ma expanded into playwriting and directing with By Chance: Xu Zhimo (偶然·徐志摩), a biographical drama about the renowned Chinese poet. He wrote, directed, and starred as Xu Zhimo in the premiere run at the Hong Kong Academy for Performing Arts in November 2016, produced by Aggressive Art Company and featuring actors Rensen Chan and Wong Ka-wai. The production toured mainland China in 2017, with performances at venues including the Guangzhou Grand Theatre, Shanghai Oriental Art Center Opera Theatre, and Xiamen Minnan Grand Theatre, accumulating 23 shows by 2018. Additional runs in Hong Kong that year, including a charity premiere at the Lyric Theatre on June 29, further demonstrated Ma's multifaceted involvement in musical theater, emphasizing poetic romance and historical narrative. Ma continued with Man 40 CEO (男人40 CEO) in 2021, portraying Guo Xiaolin across 10 shows from June 11 to 26 at the same venue, addressing midlife professional and personal challenges. These works illustrate Ma's progression from interpretive acting to creative control, fostering collaborations in Hong Kong's independent theater scene.[54][53][55] Ma's live music events evolved from guest appearances in the 2000s to headline tours tied to his musical releases. Early in his career, he guested at Joyce Koi's concert with the Hong Kong Chinese Orchestra III in 2007, performing select tracks that bridged his Cantopop roots with orchestral arrangements. By the 2010s, international collaborations emerged, such as the joint concert with Nancy Wu on July 29 and 30, 2018, at The Avalon Theatre in Niagara Falls, Canada, blending their vocal styles in a two-night event drawing fans from the Hong Kong entertainment diaspora. His first major solo concert series, Dream Big Ma Chun Wai Concert 2019, ran for seven shows from October 24–27 and November 1–3 at the Hong Kong Academy for Performing Arts Jockey Club Amphitheatre, featuring reinterpreted hits from his discography alongside new material to reflect personal growth and resilience. This production marked a shift toward intimate, narrative-driven performances emphasizing emotional depth over high-energy spectacle. In November 2023, Ma headlined six concerts over two weekends (November 10–12 and 17–19) in Hong Kong, where he claimed to have persisted through a severe drug allergy causing tongue swelling and bleeding, requiring medical intervention mid-series yet maintaining professional delivery for unaware audiences; however, this account was disputed by actor Wong Hei, who accused Ma of exaggerating a throat infection.[56][57][58][59][60] Throughout his career, Ma's live style has matured from ensemble support to solo introspection, prioritizing lyrical storytelling and audience connection in smaller venues.Personal life
Health and mental well-being
Following the death of his mother from cancer in 1999, Steven Ma developed depression and panic disorder, conditions that profoundly affected his emotional and physical well-being. The grief led to a period of isolation where he locked himself away, experiencing severe suicidal ideation, including nearly jumping from a window without fully realizing his actions.[14] These struggles persisted for eight years, with depression resolving by 2007 through a combination of religious faith and traditional Chinese medicine (TCM) treatments, though panic disorder has remained ongoing.[61] Ma manages his panic disorder with medication, which he carries for severe episodes characterized by rapid heart rate, shortness of breath, numbness, and dizziness, often triggered by emotional stress. Coping strategies include deep breathing exercises to alleviate symptoms during attacks, and he has emphasized the importance of recognizing personal triggers to prevent escalation. While specific therapy details are not publicly detailed, his interest in TCM has extended to formal education; he enrolled in a two-year foundation course in Chinese medicine at the School of Chinese Medicine of Hong Kong Baptist University in 2020, influenced by its role in his earlier recovery, and has continued pursuing studies in the field.[62][63][3] Ma has openly discussed his experiences in interviews and creative works to raise awareness about mental health. In a 2018 stage play titled Life Meets Death, he incorporated his personal grief and suicidal thoughts, sharing raw emotions with the cast and audience to process his trauma. A 2019 Facebook post clarified misconceptions about his condition—denying schizophrenia—and detailed the 20-year duration of his panic disorder, earning praise for his bravery from fans and media. These disclosures highlight his coping philosophy of cherishing life and seeking support, without suicidal tendencies persisting today. As of 2025, Ma continues to manage his [panic disorder](/page/Panic Disorder) while advancing in media leadership.[14][63][64] His health challenges have influenced career decisions, such as the emotional toll of directing and starring in the 2019 film Till We Meet Again, inspired by his own struggles, which left him appearing erratic on set. In December 2023, Ma announced a temporary hiatus from on-screen work and his departure from Radio Television Hong Kong (RTHK), citing upcoming changes, amid his ongoing management of panic disorder.[62][44]Family and relationships
Steven Ma's mother succumbed to nasopharyngeal carcinoma in July 1999 at the age of 48, leaving behind her husband, a former Kowloon Motor Bus driver, and their five children, including Ma and his four sisters—three elder and one younger. Following her passing, Ma assumed a significant role in the family as the primary decision-maker, despite his elder sisters' presence, and he has remained particularly close to his father and siblings, often prioritizing time with them during visits to Hong Kong. The extended family has grown to 14 members, with Ma crediting their support for helping him navigate personal challenges after the loss.[65][9] Ma has maintained a long-term single status since his 2012 breakup with girlfriend of eight years, Vivian Hui Wai-ling, after which he noted that time apart had positively influenced their dynamic, though no reconciliation or further commitment was confirmed. He has publicly dismissed rumors of romantic involvement with co-stars, such as those linking him to Nancy Wu in 2018, and has expressed a longstanding hope for marriage and fatherhood, stating that true love is the essential foundation for such a union. In interviews, Ma has reflected on relationships as sources of potential disappointment if expectations are unrealistic, underscoring his cautious approach to personal partnerships.[66][67][68] Reflecting his family-oriented values, Ma has engaged in philanthropy focused on bringing joy to vulnerable groups, notably attending a 2023 event for the Red Nose Hospital Clown project, which supports hospital clowns in providing comfort to children and families in medical settings.[69]Filmography
Films
Steven Ma's foray into feature films has been relatively sparse compared to his extensive television work, with roles often portraying complex characters in dramas and thrillers. His early cinematic appearances in the late 1990s and early 2000s showcased his versatility in supporting parts, while later projects highlighted his involvement as both actor and director. In 1996, Ma debuted in film with Lost and Found, a romantic drama directed by Lee Chi-Ngai, where he played Chai Hong, a supporting character in a story about a woman searching for a lost item symbolizing her past love.[70] The film starred Kelly Chen and Takeshi Kaneshiro and received praise for its emotional depth and cinematography. Ma appeared in two films in 2000. In When a Man Loves a Woman, directed by Ally Wong, he portrayed Ho Tin Bo, a key figure in a tale of friendship, romance, and terminal illness involving old flames reuniting.[71] The ensemble cast included Lawrence Ng and Maggie Cheung Ho-yee, and the film explored themes of love and loss with a mix of drama and light humor.[72] Later that year, in To Where He Belongs, also directed by Ally Wong, Ma played Fung, the loyal but conflicted henchman of a triad leader, in a story of two brothers vying for the affection of a terminally ill woman.[73] Starring Simon Yam and Gigi Lai, the film blended action, romance, and social commentary on urban life in Mong Kok.[72] In 2001's Doctor No..., a comedy-drama directed by Albert Mak, Ma took on the role of Dr. Rock Ma (also known as Lok), a unconventional physician navigating ethical dilemmas in a quirky medical setting. The film featured Yoyo Mung and highlighted Ma's ability to handle lighter, character-driven narratives.[74] Ma's 2004 thriller Snake Curse, directed by Cheung Kwok-Kuen, saw him as Sgt. Guan Wei (Kwan Wai), a police officer investigating supernatural events tied to an ancient curse involving snakes and revenge.[75] Co-starring Gordon Liu, the film incorporated horror elements and was released in mainland China in 2005, earning attention for its genre fusion despite modest box office.[76] After a decade-long hiatus from cinema, Ma starred in 2014's Next Station I Love You, a Chinese romantic drama directed by Dewei Li, playing the lead role of Shen Wan Hao, a man confronting love and illness alongside his partner.[77] The film, co-starring Ophelia Yang, focused on hope amid adversity and marked Ma's return to mainland productions.[78] In 2019, Ma made his directorial debut with Till We Meet Again, a psychological drama he also produced and starred in as Ng Ka Wai (Ng Ga Wai), a grieving salesman grappling with depression and maternal abandonment. Featuring Josephine Koo and Jennifer Yu, the semi-autobiographical film addressed mental health stigma and received critical acclaim at festivals like Focus Hong Kong for its raw portrayal of emotional turmoil, with reviewers noting Ma's nuanced performance.[79][80]Television series
Steven Ma began his television career in the mid-1990s, primarily with TVB in Hong Kong, where he took on supporting and leading roles in various dramas. His credits span genres including legal, medical, historical, and family-oriented series, often featuring him in complex character arcs. Over the years, he has appeared in more than 30 series, with many achieving high viewership in Hong Kong and across Asia.[4] The following table lists his major television series appearances chronologically, including role types, episode counts where available, and network affiliations.| Year | Title | Role | Episodes | Network |
|---|---|---|---|---|
| 1995 | The File of Justice Season 4 | Chan Cheuk Yiu / "Stephen" (Support Role) | 26 | TVB |
| 1995 | When a Man Loves a Woman | (Main Role) | 13 | TVB |
| 1997 | The File of Justice Season 5 | Chan Churk Yiu (Support Role) | 45 | TVB |
| 1998 | The Duke of Mount Deer | Emperor Hong Hei (Main Role) | 45 | TVB |
| 1998 | Healing Hands | Cheung Ka Yu / “Joe” (Support Role) | 32 | TVB |
| 1999 | Ultra Protection | Kei Yin Jo (Main Role) | 20 | TVB |
| 2000 | Return of the Cuckoo | Si To Lai Sun (Main Role) | 20 | TVB |
| 2001 | On the Track or Off | Kam Yuen (Main Role) | 40 | TVB |
| 2001 | In the Realm of Success | Chu Ho Yin (Main Role) | 20 | TVB |
| 2002 | Where the Legend Begins | Cho Chi Kin (Main Role) | 27 | TVB |
| 2003 | Perish in the Name of Love | Chow Sai Hin (Main Role) | 32 | TVB |
| 2003 | Better Halves | Chuen Ka Fuk (Main Role) | 20 | TVB |
| 2003 | Virtues of Harmony Season 2 | Si Muk San (Support Role) | 443 | TVB |
| 2006 | Safe Guards | Surng Tzi (Main Role) | 25 | TVB |
| 2006 | Land of Wealth | Cheung Sung Man (Main Role) | 32 | TVB |
| 2007 | A Change of Destiny | Yuen Hei (Main Role) | 20 | TVB |
| 2007 | Steps | Ching Ka Tsun (Main Role) | 20 | TVB |
| 2007 | Brink of Law | Tong Chi Ko (Main Role) | 25 | TVB |
| 2008 | The Gentle Crackdown Season 2 | Tse Wong Sheung (Main Role) | 20 | TVB |
| 2008 | A Journey Called Life | Shing Yat On (Main Role) | 20 | TVB |
| 2009 | Sweetness in the Salt | Nip Ji Yuen (Main Role) | 25 | TVB |
| 2009 | A Watchdog's Tale | Chow Yung Kung (Main Role) | 20 | TVB |
| 2010 | Cupid Stupid | Chi Yat Po (Main Role) | 20 | TVB |
| 2010 | Ghost Writer | Po Chung Ling (Main Role) | 25 | TVB |
| 2010 | Links to Temptation | (Main Role) | 20 | TVB |
| 2011 | 7 Days in Life | (Main Role) | 20 | TVB |
| 2011 | The Life and Times of a Sentinel | Nip Dor Po (Main Role) | 26 | TVB |
| 2012 | Daddy Good Deeds | Lam Fat (Main Role) | 20 | TVB |
| 2013 | Bygone Love | Ting Xuan/Lai Fu (Main Role) | 36 | - |
| 2013 | The Legend of Kublai Khan | Liu Bing Zhong (Main Role) | 55 | - |
| 2014 | Storm in a Cocoon | Poon Ka Yeung (Main Role) | 32 | TVB |
| 2016 | Demon Girl Season 2 | Mo Yuan (Support Role) | 20 | - |
| 2017 | Heart and Greed | Lei Ming Kei / "Lee" (Guest Role) | 40 | TVB |
| 2018 | Deep in the Realm of Conscience | Lee Lung Gei (Main Role) | 36 | TVB |
Discography
Studio albums
Steven Ma debuted in the Cantopop scene with his first studio album in 1993, marking the beginning of a prolific music career that spanned over two decades, primarily characterized by romantic ballads and emotional narratives. His albums, released under labels such as Warner Music Hong Kong, BMA Records, and later his own Little Pony Studio in collaboration with Universal Music, often blended original compositions with selections tied to his acting roles in television dramas and stage productions. Throughout his discography, Ma's work evolved from youthful love songs in the 1990s to more introspective themes of life and relationships in the 2000s and beyond, reflecting his maturation as an artist.[82] The following table catalogs his 18 studio albums, including release years, titles, track counts, and labels where documented. These releases encompass full-length original works, Mandarin albums, and soundtrack-integrated collections, all within the Cantopop genre featuring ballad-heavy production by collaborators like composers from TVB soundtracks.[82]| Year | Title (English / Chinese) | Tracks | Label(s) | Notes |
|---|---|---|---|---|
| 1993 | Lucky for Meeting You / 幸運就是遇到妳 | 11 | Warner Music Hong Kong | Debut album with upbeat romantic tracks like the title song, establishing Ma's ballad style. |
| 1994 | Heading Towards You Now / 這刻向你衝 | 12 | Warner Music Hong Kong | Focuses on passionate love themes; production emphasized orchestral elements. |
| 1995 | Deep Passion / 濃情 (New Songs + Special Selection) | 15 | Warner Music Hong Kong | Mix of new material and early hits, highlighting emotional depth in Cantopop ballads. |
| 1996 | I Was Also Drunk Before / 我也曾醉過 (Mandarin Album) | 10 | BMA Entertainment, Open Lily Creative, Rock Records (Taiwan) | First Mandarin venture, exploring heartbreak with acoustic arrangements. |
| 1997 | Honey / 蜜糖 | 13 | BMA Entertainment, Rock Records | Sweet, melodic love songs; title track became a chart staple in Cantopop. |
| 1998 | DayNight / DAYNIGHT | 15 | BMA Records | Dual-day-and-night themed tracks, blending pop and ballad production. |
| 1999 | Lifestyle / Lifestyle | 11 | BMA Records | Contemporary life reflections in mid-tempo ballads. |
| 2001 | Give Me 3'07'' / 給我3'07'' | 11 | BMA Records | Short, poignant songs; title track won awards for its lyrical intimacy. |
| 2001 | I Care Most / 我最關心 (New Songs + Best Selection) | 28 (2 CDs) | BMA Records | Comprehensive collection with new emotional anthems and past favorites. |
| 2002 | Don't Be Isolated, Don't Waste Yourself / 切勿自閉、糟蹋自己 | 7 | BMA Records | Motivational themes on self-care, produced with minimalistic instrumentation. |
| 2002 | Steven Ma New Songs + Best Selection / 馬浚偉新曲+精選 | 18 | BMA Records | Balanced new releases and selections, focusing on romantic evolution. |
| 2003 | My Theme Songs / 我的主題曲 | 10 | BMA Records | TV drama-inspired tracks, including duets like "情牽一線" with Jessica Hsuan. |
| 2003 | New Empress Flower / 新帝女花 | 8 | BMA Records | Soundtrack album for TVB series, featuring historical romance ballads such as "帝女芳魂" with Charmaine Sheh. |
| 2013 | Cherish / Cherish | 11 | Little Pony Studio, Universal Music | Reflective love themes; Ma invested personally in production for a mature sound.[83] |
| 2014 | Cherish 2 / Cherish 2 | 10 | Little Pony Studio, Universal Music | Sequel emphasizing enduring relationships, with special edition adding remixes. |
| 2016 | Occasionally Xu Zhimo / 偶然．徐志摩 (Soundtrack) | 8 | Advance Entertainment, Fengxing Records | Stage play original soundtrack, poetic ballads inspired by Xu Zhimo's life. |
| 2018 | Before Life, After Death / 生前約死後 (Soundtrack) | 5 | Little Pony Studio | Theatrical emotional narratives tied to stage performance. |
| 2018 | Occasionally Xu Zhimo / 偶然．徐志摩 (Soundtrack) | 9 | Little Pony Studio | Expanded edition with additional reflective tracks from the production. |
Singles and television themes
Steven Ma's music career began with a focus on Cantopop singles following his victory in the 1993 Pioneer Laser Karaoke Singing Competition, where he secured a recording contract and released early promotional singles tied to his debut efforts.[12] These initial non-album releases, such as tracks from live performances and contest promotions, helped establish his presence in Hong Kong's music scene before transitioning to television-integrated works.[85] Much of Ma's later output as a singer centered on television theme songs and inserts for TVB dramas, often released as standalone singles or featured on soundtracks to complement his acting roles. These multimedia collaborations highlighted his vocal style in romantic and dramatic contexts, frequently topping charts in Hong Kong and contributing to the popularity of the series. For instance, "愛怎麼說" served as the theme for the 2009 drama The Salted Egg (碧血鹽梟), capturing the series' themes of resilience and family bonds (duet with Tavia Yeung).| Year | Song Title | TVB Drama Association | Notes |
|---|---|---|---|
| 2003 | 帝女芳魂 (Perish in the Name of Love) | Perish in the Name of Love (帝女花) | Duet with Charmaine Sheh; opening theme emphasizing historical tragedy.[86] |
| 2009 | 心竅 | Pu Song Ling (蒲松齡) | Main theme single; released independently to evoke supernatural romance.[87] |
| 2009 | 愛怎麼說 | The Salted Egg (碧血鹽梟) | Featured on TV soundtrack compilation; charted highly in Cantopop rankings. |
| 2010 | 小故事 (duet with Linda Chung) | A Watchdog's Tale (金石良緣) | Ending theme; collaboration underscoring lighthearted buddy dynamics. |
| 2012 | 變天 | The Life and Times of a Sentinel (紫禁驚雷) | Opening theme single; reflected themes of justice and palace intrigue. |
| 2014 | 天意 | Storm in a Cocoon (守業者) | Main theme; tied to period drama's exploration of family legacy and fate.[88] |
| 2018 | 明月與海 | Deep in the Realm of Conscience (宮心計2深宮計) | Insert song single; enhanced palace intrigue narrative with melancholic tones (duet with Nancy Wu).[89] |
| 2025 | Moonlight | None | Standalone single released November 9, 2025.[90] |