Still Searching
Still Searching is the second studio album by American post-hardcore band Senses Fail, released on October 10, 2006, through Vagrant Records.[1] The record serves as a concept album, following the narrative arc of a protagonist confronting a crisis of faith, emotional turmoil, heartbreak, and descent into despair, ultimately culminating in themes of loss and reflection.[2] Produced at Bearsville Sound Studios in New York, Still Searching features a mix of post-hardcore, emo, and screamo elements, with reduced emphasis on screaming compared to the band's debut, allowing for more melodic and introspective song structures.[3] The album comprises 12 tracks, including standout singles like "Can't Be Saved" and "Calling All Cars," which blend aggressive riffs, catchy choruses, and introspective lyrics addressing personal struggles and existential doubt.[4] Key songs such as "Bonecrusher," "Still Searching," and "All the Best Cowboys Have Daddy Issues" highlight the album's dark, resonant tone and risk-taking approach for a sophomore release.[2] Upon release, Still Searching debuted at number 15 on the US Billboard 200 chart, marking Senses Fail's highest-charting album to date and demonstrating the band's growing commercial appeal within the post-hardcore scene.[5] It also peaked at number 9 on the UK Independent Albums Chart and number 10 on the UK Rock & Metal Albums Chart, with a total of five and three weeks on those charts, respectively.[6] Critically, the album received generally favorable reviews for its ambitious storytelling and emotional depth, though some noted inconsistencies in cohesion among tracks; it holds an average user rating of 3.8 out of 5 on Sputnikmusic, praised as a "dark as hell concept album" that resonates despite its risks.[2] The record's enduring popularity led to a full-album performance tour in 2017, underscoring its status as a fan favorite in the band's discography.[7]Background and Development
Lineup Changes
In September 2005, Senses Fail's rhythm guitarist Dave Miller departed the band by mutual agreement, prompting a search for a replacement to maintain momentum following the success of their debut album Let It Enfold You, which has sold over 500,000 copies in the United States.[8] Miller's exit, announced officially on September 6, 2005, led the remaining members—vocalist Buddy Nielsen, bassist Mike Glita, drummer Dan Trapp, and lead guitarist Garrett Zablocki—to continue forward without delay.[9] Heath Saraceno, formerly the guitarist and vocalist of Midtown, joined Senses Fail as Miller's replacement that same month, bringing a fresh dynamic to the lineup and facilitating a smoother transition into the pre-production phase for their sophomore album.) Saraceno's integration occurred rapidly during intensive rehearsals and initial songwriting sessions, where his contributions helped refine the band's evolving sound and reinvigorated group cohesion after the upheaval.[10] Band members later described the change as a positive turning point, noting how Saraceno's experience complemented the stable core of Nielsen, Glita, Trapp, and Zablocki, who had carried over from the previous record and provided continuity amid the shift.[10]Songwriting and Concept
The songwriting for Still Searching was shaped by vocalist Buddy Nielsen's intense personal struggles, including severe anxiety, crises of faith, and challenges in his relationships, which occurred amid a period of mental health turmoil in the mid-2000s. Nielsen has described this time as one of profound instability, marked by a mental breakdown that left him feeling he had "basically gone crazy," prompting him to channel raw honesty into the lyrics as a means of processing his experiences.[11] These themes emerged during the band's writing sessions following extensive touring for their debut album and lineup adjustments, with Nielsen drawing directly from his battles with heavy drinking and emotional confusion to craft introspective narratives.[12] The album adopts a concept album structure, tracing a fictional character's harrowing journey through heartbreak, depression, alcoholism, and eventual suicide, serving as an allegorical exploration of despair and loss. This narrative arc reflects Nielsen's own introspections while amplifying broader emo and post-hardcore motifs of vulnerability, self-doubt, and the search for meaning amid suffering.[13] The addition of guitarist Heath Saraceno to the lineup in 2005 brought new creative energy to the process, enhancing songwriting with good melodies.[10]Production
Recording Sessions
The recording sessions for Still Searching took place over six weeks starting in May 2006 at Bearsville Studios in Woodstock, New York.[14][15] Producer Brian McTernan oversaw the process, engineering the tracks and directing the band toward a more melodic approach with reduced emphasis on screaming vocals compared to their prior work.[16][17] This shift encouraged collaborative experimentation in the studio, where vocalist Buddy Nielsen drew on the album's themes of anxiety to inform raw, emotive vocal deliveries.[18] The sessions were notably intense, involving extended tracking periods to refine the band's evolving post-hardcore sound under McTernan's guidance.[19] A 40-minute "making of" documentary capturing the studio dynamics and creative process was included on the deluxe edition DVD and featured in Alternative Press magazine.[20]Mixing and Mastering
Following the recording sessions at Bearsville Studios, which provided the raw multitrack material, the album's sound was refined through mixing by Chris Lord-Alge at Resonate Music in Burbank, California, a Grammy-winning engineer renowned for his work with prominent rock acts including Green Day's American Idiot, My Chemical Romance's The Black Parade, and Muse's Absolution.[21][22][23] Lord-Alge's mixing process emphasized balancing the album's aggressive post-hardcore and screamo elements with its melodic layers, resulting in a polished sonic profile that toned down the intensity of screamed vocals compared to the band's prior releases for greater accessibility.[3] Assisted by Keith Armstrong,[23] this phase contributed to the record's broader textural depth. The mixed tracks were then mastered by Ted Jensen at Sterling Sound in New York City, a facility celebrated for its role in shaping high-fidelity rock and alternative releases. Jensen's mastering optimized the dynamic range to ensure clarity and punch suitable for radio airplay and live performances, preserving the album's emotional intensity while achieving commercial loudness standards of the era.[22][24][25] This final stage unified the production, enhancing overall cohesion without over-compressing the source material.Composition
Musical Style
Still Searching exemplifies a fusion of post-hardcore, emo, and screamo genres, incorporating melodic hardcore elements that distinguish it within the mid-2000s scene.[26] The album's sound draws on aggressive guitar riffs and driving rhythms typical of post-hardcore, while integrating the emotional intensity and melodic hooks associated with emo and screamo.[27] Compared to the band's debut Let It Enfold You, Still Searching introduces a more mature, pop-inflected approach with reduced reliance on harsh screaming, favoring cleaner production and accessible structures.[28] Vocally, frontman Buddy Nielsen emphasizes clean singing and soaring, anthemic choruses over the frequent screamed passages of prior work, creating a more polished and radio-friendly vibe while retaining occasional bursts of intensity.[28] This shift allows for greater emotional delivery, particularly in tying melodic lines to themes of depression and self-doubt. The album spans 12 tracks with a total runtime of 40:43, featuring dynamic contrasts from high-energy riffs in opening cuts to haunting, introspective closers that slow the pace with subdued arrangements. These transitions highlight the record's evolution toward broader sonic palettes, blending raw aggression with reflective moments.[29]Lyrical Content
Still Searching functions as a concept album, tracing the emotional descent of a protagonist grappling with profound personal turmoil and a quest for redemption. The narrative arc unfolds through the protagonist's unraveling life, beginning with initial shocks of loss and betrayal, progressing to cycles of self-sabotage, and culminating in fleeting glimpses of hope amid despair. This structure draws from frontman Buddy Nielsen's own experiences, including unprocessed grief from his grandmother's death, which influenced the album's raw exploration of inner conflict.[30] Central themes revolve around faith crises, romantic betrayal, self-destructive behaviors such as alcoholism, and suicidal ideation, all interwoven to depict a man's struggle with identity and purpose. The protagonist's loss of faith in religion and humanity emerges as a core motif, symbolizing a broader existential void that propels the story forward. Romantic betrayal manifests as a catalyst for emotional collapse, while self-destructive patterns, including alcohol abuse, exacerbate the isolation and regret. Suicidal ideation permeates the lyrics as a recurring shadow, representing the nadir of the protagonist's descent before any potential redemption. These elements combine to create a vulnerable, confessional tone that underscores the album's post-hardcore introspection.[31][32] In "Calling All Cars," the lyrics capture the protagonist's regret over a fractured relationship, with lines like "Calling all cars, we've got another victim / 'Cause my love has become an affliction" portraying self-blame and the irreversible damage of betrayal. Nielsen has described this as reflecting a desperate plea for escape from relational chaos, emphasizing the theme of romantic fallout as a trigger for broader decline. Similarly, "Shark Attack" delves into guilt and suicidal ideation, detailing a misguided therapy session leading to a near-fatal overdose: "I've spent the last year paying a stranger to listen / To childhood thoughts about the love I am missing." Nielsen confirmed this track draws from his personal encounter with improper medication prescription, highlighting the guilt tied to self-inflicted harm and failed attempts at healing. Through these examples, the lyrics prioritize emotional authenticity, using the melodic shifts to amplify the protagonist's vulnerability without resolving the search for redemption.[33][34]Release
Initial Release
Still Searching was released on October 10, 2006, through Vagrant Records.[1] The album had been announced on July 25, 2006, and was initially offered in CD, digital download, and a limited CD+DVD edition formats.[23] The standard edition utilized a jewel case packaging, with cover artwork featuring abstract imagery—a man partially obscuring his face amid bottles of pills and alcohol—symbolizing themes of search and inner turmoil.[22] The singles rollout commenced with "Calling All Cars."[22]Deluxe Edition
The deluxe edition of Still Searching was released on November 13, 2007, by Vagrant Records as a two-disc set that includes the original 12-track album plus six bonus tracks and a companion DVD.[35][36] This enhanced version arrived approximately one year after the album's initial release, incorporating additional material to expand on its content.[37] The bonus tracks consist of B-sides and previously unreleased songs, such as "Battle Hymn," "Champagne," "Stretch Your Legs to Coffin Length," "Mason's Revenge," "Cinco de Mayo," and a cover of The Cranberries' "Salvation."[35] These additions provide fans with fresh material that complements the album's themes, including covers and thematic outliers like the holiday-inspired "Cinco de Mayo." The DVD offers over 88 minutes of behind-the-scenes tour footage, documenting the band's experiences during promotion of the original release.[35][37] Packaged with updated artwork featuring a glossy cardboard sleeve and red accents, the deluxe edition was designed to appeal to collectors and dedicated listeners, bundling the expanded audio and visual content for a more immersive experience.[35]Promotion and Touring
Singles and Music Videos
The lead single from Still Searching, "Calling All Cars", was released on September 12, 2006, and received immediate radio play on modern rock stations to build anticipation for the album. The accompanying music video presents a narrative of pursuit, depicting a tense chase that mirrors the song's urgent themes of desperation and escape.[38] This visual accompaniment emphasized the track's high-energy post-hardcore style, helping to introduce the album's darker, more introspective direction to fans. The second single, "Can't Be Saved", followed on February 26, 2007, further extending the album's promotion into the new year.[39] The single was certified Gold by the RIAA in 2007. Its music video portrays a story of emotional isolation, with the protagonist grappling with inner turmoil in desolate settings, aligning with the song's lyrics about personal redemption and struggle. The video achieved significant rotation on MTV, broadening the band's reach within the emo and post-hardcore scenes.[40] Promotional strategies for the singles relied heavily on digital platforms and print media to generate buzz, including features in Alternative Press that highlighted the tracks' raw intensity and the album's conceptual depth.[26] MySpace played a key role in fan engagement, where Senses Fail shared snippets, behind-the-scenes content, and direct interactions to foster a dedicated online community around the release. The singles' lyrics also briefly reflected broader album themes of searching for meaning amid chaos and self-doubt.Concert Tours
To promote Still Searching, Senses Fail joined the Vans Warped Tour from June to August 2006, performing on multiple dates across North America to audiences of thousands at outdoor amphitheaters and venues.[41] During this pre-album-release run, the band debuted several tracks from the record, such as "Still Searching" and "Lady in a Blue Dress," which became staples in their sets alongside earlier material.[42] The band then participated in the Taste of Chaos tour across 2006 and 2007, providing international exposure in regions such as Australia, the UK, and Europe in late 2006, followed by a North American leg in early 2007.[43][44] Co-performers on the 2006 international dates included Taking Back Sunday, Thursday, Underoath, and Saosin, allowing Senses Fail to share stages with prominent post-hardcore acts while showcasing Still Searching songs to diverse crowds.[45] The 2007 North American edition featured The Used and 30 Seconds to Mars as co-headliners, with additional support from Saosin, Aiden, and Chiodos, extending the tour's reach to arena-sized venues.[46] In October and November 2007, Senses Fail co-headlined a U.S. tour with New Found Glory, spanning 33 cities from Las Vegas to San Diego, with Set Your Goals and Hellogoodbye as openers.[47] Setlists during this run heavily emphasized Still Searching material, with tracks like "Calling All Cars" frequently serving as openers to highlight the album's energetic punk influences.[48]Reception
Critical Reception
Upon its release, Still Searching received generally positive reviews from critics, who praised the album's evolution in songwriting and production compared to Senses Fail's debut. AllMusic awarded it 4 out of 5 stars, noting that the record felt "tighter, fuller, and more honest" than 2004's Let It Enfold You, with a focus on tense emo-rock that showcased the band's maturing sound.[3] Alternative Press gave the album a perfect 5 out of 5 rating, commending its "enormous riffs" and "desperate fury" that conveyed substantial emotional depth.[49] Reviewer Brendan Manley described tracks like "The Rapture" and "The Priest and the Matador" as delivering intense purpose and growth, positioning Still Searching as a significant step forward for the band in exploring themes of heartbreak and faith with greater maturity.[49] Some reviews offered mixed assessments, acknowledging the album's strengths in concept while critiquing a perceived dip in raw intensity relative to the debut. Punknews.org rated it 3 out of 5 stars, calling it a "solid release" that improved on Let It Enfold You's clichés and uneven screaming, yet noted that the shift toward pop-punk elements with only "a tad of hardcore influences" resulted in less aggressive energy overall.[28] The outlet praised the lyrical maturity and conceptual cohesion, however, as evidence of the band's risk-taking in crafting a darker, more narrative-driven sophomore album.[28]Commercial Performance
Still Searching debuted at number 15 on the US Billboard 200, selling 49,000 copies in its first week.[50] The album achieved strong genre chart performance, peaking at number 2 on the Independent Albums chart after 12 weeks on the tally.[51] By 2010, total US sales for the album exceeded 200,000 units, though it received no RIAA certifications.[8] The lead single "Can't Be Saved" contributed to the album's initial chart momentum by garnering radio airplay and video exposure. Internationally, it peaked at number 9 on the UK Independent Albums Chart (spending 5 weeks) and number 10 on the UK Rock & Metal Albums Chart (3 weeks).[6]Legacy
Critical Reappraisal
Over time, critical opinions of Still Searching have shifted from the mixed reception it received upon its 2006 release, where reviewers noted its ambitious concept but critiqued its occasional lack of cohesion, to widespread retrospective acclaim for its emotional depth and genre impact.[28] In modern analyses, the album is frequently praised as a pivotal work in the emo revival, blending post-hardcore intensity with raw explorations of inner turmoil that influenced subsequent bands in the genre's evolution during the 2010s.[52] Its inclusion on the 2012 compilation Follow Your Bliss: The Best of Senses Fail underscores this reappraisal, featuring key tracks like "Can't Be Saved," "Shark Attack," "Calling All Cars," and "The Priest and the Matador" as enduring highlights from the band's early catalog.[53] The album's 2012 vinyl reissue, limited to 800 coke bottle clear copies, further amplified collector interest, with copies now commanding median prices around $50 and a substantial wantlist demand reflecting its status as a sought-after artifact among fans and archivists.[54] Post-2010 perspectives position Still Searching as a crucial bridge in Senses Fail's discography, transitioning from the raw aggression of their debut to a more mature sound while retaining heavier elements that appealed to core listeners.[2] Its thematic focus on depression, trauma, and mortality—particularly in the closing suite addressing suicide and redemption—continues to resonate in contemporary mental health discussions, with frontman Buddy Nielsen later describing it as an unresolved narrative that informed the band's later works.[31] This enduring relevance is evident in its high user ratings, averaging 3.8 out of 5 from over 1,200 reviews, highlighting its sustained cultural footprint.[2]Anniversary Events
In 2017, Senses Fail marked the band's 15th anniversary with a headlining North American tour that featured full playthroughs of the Still Searching album across various U.S. venues. The tour, which began on March 3 in San Diego, California, and included stops in cities like Chicago, Toronto, and Los Angeles, showcased the entire 2006 record in sequence, highlighting tracks such as "Buried a Lie" and "Calling All Cars" to enthusiastic crowds. This celebration emphasized the album's role in the band's evolution, drawing fans nostalgic for its post-hardcore intensity.[55][56] On October 19, 2024, Senses Fail delivered a complete performance of Still Searching at the When We Were Young Festival in Las Vegas, Nevada, commemorating the album's 18th anniversary. The setlist adhered closely to the original track order, incorporating high-energy renditions that captivated the large festival audience and underscored the enduring appeal of songs like "Can't Be Saved." Frontman Buddy Nielsen's dynamic stage presence further amplified the event's celebratory atmosphere, positioning it as a key milestone in the band's live repertoire.[57][58] In 2025, amid heightened band activity including the announcement of the co-headlining Scream Team Tour with Story of the Year, supported by Armor for Sleep—set to kick off on November 17 in Atlanta, Georgia—Senses Fail sustained momentum from prior anniversary events.[59]Track Listing and Personnel
Track Listing
The standard edition of Still Searching features 13 tracks with a total runtime of 40:42. All tracks were written by Senses Fail, with lyrics primarily by Buddy Nielsen.[22][60]| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1 | "The Rapture" | Senses Fail | 1:57 |
| 2 | "Bonecrusher" | Senses Fail | 2:33 |
| 3 | "Sick or Sane (Fifty for a Twenty)" | Senses Fail | 2:45 |
| 4 | "Can't Be Saved" | Senses Fail | 3:07 |
| 5 | "Calling All Cars" | Senses Fail | 3:23 |
| 6 | "Shark Attack" | Senses Fail | 2:53 |
| 7 | "Still Searching" | Senses Fail | 4:18 |
| 8 | "To All the Crowded Rooms" | Senses Fail | 3:05 |
| 9 | "Lost and Found" | Senses Fail | 3:50 |
| 10 | "Every Day Is a Struggle" | Senses Fail | 3:04 |
| 11 | "All the Best Cowboys Have Daddy Issues" | Senses Fail | 4:05 |
| 12 | "Negative Space" | Senses Fail | 1:21 |
| 13 | "The Priest and the Matador" | Senses Fail | 4:21 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 14 | "Battle Hymn" | Senses Fail | 3:43 |
| 15 | "Champagne" | Senses Fail | 3:23 |
| 16 | "Stretch Your Legs to Coffin Length" | Senses Fail | 3:02 |
| 17 | "Mason's Revenge" | Senses Fail | 4:26 |
| 18 | "Cinco de Mayo" | Senses Fail | 2:58 |
| 19 | "Salvation" | Dolores O'Riordan, Noel Hogan | 2:19 |