Straylight Run
Straylight Run is an American indie rock band formed in 2003 in Baldwin, New York, by guitarist John Nolan and bassist Shaun Cooper following their departure from Taking Back Sunday.[1][2] The band's core lineup included Nolan on vocals, guitar, and piano; Cooper on bass; Michelle DaRosa (née Nolan) on guitar, piano, and vocals; and Will Noon on drums.[3][1] The group quickly gained buzz through online demos and Nolan's established reputation, leading to a deal with Victory Records.[3] Their debut single, "Existentialism on Prom Night," earned significant airplay on MTV2, Fuse, and alternative rock radio stations upon its 2004 release.[3] That same year, they issued their self-titled debut album, Straylight Run, which featured piano-driven indie rock with introspective lyrics and emo influences.[2][1] A follow-up EP, Prepare to Be Wrong, arrived in 2005, showcasing their evolving sound with contributions from DaRosa's harmonies and instrumentation.[1] In 2007, after signing to Universal Republic Records, Straylight Run released their second studio album, The Needles the Space, which experimented further with atmospheric elements and electronic touches while maintaining their melodic core.[2][1] DaRosa departed shortly thereafter to pursue solo projects, leaving the band as a trio for two additional EPs: Un Mas Dos in 2008 and About Time in 2009.[1] The group entered an indefinite hiatus in 2010, with Nolan and Cooper rejoining Taking Back Sunday for subsequent releases.[3][1] Straylight Run sporadically reunited in the 2020s with DaRosa rejoining the core lineup, including a 2020 livestream performance of "Existentialism on Prom Night" for Riot Fest At Home and their first full show in 12 years in 2021, opening for Taking Back Sunday.[1] That year, they also released Live at the Patchogue Theatre, a recording of a 2005 performance reissued for charity.[2] The band continued activity with a performance at the When We Were Young festival on October 18, 2025.[4]History
Formation (2003)
Straylight Run was formed in May 2003 in Baldwin, New York, by John Nolan on guitar, vocals, and piano, and Shaun Cooper on bass, following their departure from Taking Back Sunday in 2003 due to internal tensions after the release of the band's debut album.[1][5] This split stemmed from personal and creative differences within Taking Back Sunday, where Nolan and Cooper had been founding members since 1999.[1] The band's name originated from a reference in William Gibson's 1984 cyberpunk novel Neuromancer, specifically its final section, and was suggested by drummer Will Noon upon joining.[6][7] Nolan and Cooper initially recruited Taking Back Sunday's drummer Mark O'Connell for early sessions, but he departed shortly after due to commitments to his original band; Noon, formerly of Breaking Pangaea, then completed the lineup on drums.[1][8] In September 2003, the group self-released a six-track demo recorded at a local studio, featuring songs including "Another Word for Desperate" and "The Tension and the Terror," which were offered as free downloads on the band's website.[9] This demo quickly circulated among fans through online sharing and early shows in the Northeast, building significant buzz due to Nolan and Cooper's prior recognition in the emo and post-hardcore scenes.[3] The momentum from the demo led to the band signing with Victory Records in April 2004, fulfilling contractual obligations from their Taking Back Sunday tenure.[5]Debut and early releases (2004–2005)
Straylight Run released their self-titled debut album on October 12, 2004, through Victory Records. The record featured eleven tracks, including standout songs such as "Existentialism on Prom Night" and "Another Word for Desperate," showcasing a shift toward a piano-driven sound that blended emo and indie elements. This approach marked a departure from the more aggressive post-hardcore style of Taking Back Sunday, the band from which core members John Nolan and Shaun Cooper had originated, allowing for a more introspective and melodic expression.[10][11][6] Critics praised the album for its emotional depth and production, with reviewers highlighting the dual piano contributions from Nolan and Michelle DaRosa as a refreshing evolution in songwriting maturity. The midtempo arrangements, often layered with ambient vocals and subtle electronic touches, earned positive reception for capturing personal narratives without relying on screamed delivery. While not universally acclaimed, the album's blend of pop-rock accessibility and indie introspection helped establish the band's identity within the emo scene.[12][13] The lead single "Existentialism on Prom Night" gained traction on alternative radio stations, contributing to the band's breakthrough in the emo and post-hardcore communities. Its piano-led melody and relatable lyrics resonated with fans, solidifying Straylight Run's presence beyond their predecessors' shadow. Following the album's success, the band issued the Prepare to Be Wrong EP on October 4, 2005, via Victory Records, which included new original tracks like "Hands in the Sky (Big Shot)" alongside a cover of Bob Dylan's "With God on Our Side." The EP expanded on the debut's themes with politically tinged content and experimental edges, receiving acclaim for its bold choices and cohesive sound.[3][14][15] During this period, Straylight Run built a dedicated fanbase through extensive early touring, including opening slots for established acts like Jimmy Eat World on their 2005 U.S. dates and headlining intimate venues across North America. These performances allowed the band to connect directly with audiences, fostering loyalty in the underground emo circuit through live renditions of their piano-infused material.[16]The Needles the Space era (2006–2007)
In early 2007, Straylight Run parted ways with Victory Records and signed with Universal Republic Records, citing creative differences over the band's evolving sound that no longer aligned with the label's focus on emo, punk, and hardcore audiences.[17] The switch was driven by the band's desire to reach listeners beyond those scenes, as Victory's marketing strengths were seen as limited for their shifting direction.[18] This move to a major label allowed greater creative freedom, though it placed the band in a precarious position with their non-conventional style.[18] The band's second album, The Needles the Space, was released on June 19, 2007, through Universal Republic Records.[19] The record incorporated eclectic elements, including horn sections and waltz-like rhythms, as heard in tracks such as the upbeat "Soon We'll Be Living in the Future" and the introspective "Still Alone."[1] Drawing influences from folk rock, indie pop, and Beatlesque melodies, the album marked a stylistic expansion from their 2004 debut's more straightforward indie rock approach.[1] Production was handled entirely by the band members, engineered by Bryan Russell and Mike Sapone, emphasizing a relaxed environment free from label oversight.[20] John Nolan led experimentation with diverse instrumentation during the two-year songwriting and demoing process, aiming to create music unburdened by commercial expectations.[17] Michelle DaRosa took on an expanded songwriting role, contributing nearly equally to Nolan and delivering more lead vocals, which added emotional depth and cohesion to the album.[18][21] This self-directed approach, while fostering innovation, presented challenges in maintaining focus amid the pressures of prior success.[17] The lead single "Soon We'll Be Living in the Future" and follow-up promo single "Still Alone" garnered moderate radio airplay on alternative stations, but the album underperformed commercially compared to the debut's stronger sales on Victory Records.[22][23] This shortfall contributed to the band's eventual release from Universal later that year.[24] To promote the album, Straylight Run embarked on U.S. headline tours, co-headlining runs with acts like The Bravery, and appeared at festivals including Warped Tour and the Rockstar Energy Drink Get A Life Tour alongside The Used.[25][26][27] These outings, spanning late 2007, highlighted the band's live energy but were accompanied by growing internal strains from the creative shifts and commercial pressures.[28]Hiatus and side projects (2008–2020)
In June 2008, co-vocalist and keyboardist Michelle DaRosa announced her departure from Straylight Run to pursue a solo career under the moniker Destry, citing personal artistic goals as the motivation; this reduced the band to its core trio of John Nolan, Shaun Cooper, and Will Noon.[29] Following the underwhelming commercial performance and label challenges from their 2007 album The Needles the Space, the band self-released the EP Un Mas Dos on September 16, 2008, intended as a transitional release bridging their major-label output with potential future work; the three-track effort featured songs such as "Wait and Watch" and "Ten Ton Shoes," available initially via streaming on MySpace and later as a limited-edition coke bottle green vinyl.[30][31] On February 18, 2010, Straylight Run issued a statement announcing an indefinite hiatus, emphasizing that it was not a breakup but a necessary pause due to mounting financial difficulties and unresolved issues with their record label, which had rendered the band unprofitable as a business venture.[32] Shortly thereafter, in March 2010, Nolan and Cooper rejoined their former band Taking Back Sunday, reforming the classic lineup from the group's 2001 debut album and contributing to a self-titled release in 2011.[33] During the hiatus, the members pursued individual endeavors with varying visibility. John Nolan focused on solo recordings, releasing his debut full-length Height in October 2009 via Doghouse Records, followed by Sad, Strange, Beautiful Dream in July 2015 and Abendigo in November 2018, while continuing to contribute guitar and backing vocals to Taking Back Sunday's albums and tours.[34][35] Shaun Cooper maintained a low profile outside of his commitments to Taking Back Sunday, providing bass for their post-reunion releases and live performances without notable side projects.[36] Will Noon engaged in session drumming for various acts, including the indie pop band fun. during their 2012–2013 touring cycle in support of the album Some Nights.[37][38] Fan interest in Straylight Run persisted sporadically through digital re-availability of their catalog on platforms like Bandcamp and occasional retrospective coverage, such as a 2020 discography overview that highlighted the band's influence on indie rock, though no new original material from the group emerged until 2021.[1][39]Reunion and recent activity (2021–present)
The band broke their indefinite hiatus with a virtual reunion livestream in May 2020 for Riot Fest At Home, performing "Existentialism on Prom Night" for the first time since 2009.[40] Straylight Run then returned to in-person performances with their first full show since 2009 on December 8, 2021, opening for Taking Back Sunday at Mulcahy's Pub and Concert Hall in Wantagh, New York.[41] The band followed with additional shows on December 9, 10, and 11, reuniting the original lineup including co-vocalist Michelle DaRosa, who returned after years away from the project.[41] These performances marked a revival for the group, which had entered an indefinite hiatus in 2010. In September 2021, Straylight Run released Live at the Patchogue Theatre, a 16-track album capturing their 2005 performance and serving as their first official output in over a decade, highlighting ongoing interest in their catalog.[42] The band maintained a low profile in the years following, limiting activity to occasional one-offs amid their Taking Back Sunday commitments. Straylight Run returned to the stage for the When We Were Young festival on October 18 and 19, 2025, at the Las Vegas Festival Grounds, delivering full sets of their classic material.[43] Taking Back Sunday frontman Adam Lazzara joined them onstage as a guest during the performances, adding to the nostalgic energy of the event.[4] In September 2025, the band released their first new original song in 15 years, "Anthem," as part of the charity compilation Music for Everyone Volume 2, with proceeds benefiting the ACLU.[44] As of late 2025, Straylight Run continues on indefinite hiatus, focusing on sporadic festival appearances and special events rather than a full tour or new album cycle.[45]Musical style and influences
Musical style
Straylight Run's music is rooted in indie rock, blending emo and indie pop sensibilities, with a distinctive focus on piano and acoustic guitar that supplants the aggressive riffs typical of the genre's punk-leaning variants.[46][47] This approach yields a more introspective and melodic sound, emphasizing emotional depth over high-energy confrontation.[48] The band's debut album exemplifies a fusion of melodic pop-punk arrangements with lyrics that probe introspective themes of relationships and existential uncertainty, as evident in songs reflecting on personal vulnerability and life's fleeting moments.[49][50] By their second album, The Needles the Space, Straylight Run evolved into an eclectic folk rock territory, integrating horn sections for rhythmic buoyancy, waltz-like rhythms for graceful sway, and Beatlesque harmonies for lush vocal layering.[1][51] Central to their sonic identity is the dual vocal interplay between John Nolan and Michelle DaRosa, which introduces conversational, back-and-forth dynamics and textured harmonies that enhance the songs' emotional intimacy.[52] Overall, the band balances a contemporary indie edge with enduring pop melodies and acoustic warmth, deliberately steering clear of the hardcore intensity associated with the members' earlier work in Taking Back Sunday.[18][53] This style persisted in their 2025 single "Anthem," their first new original song in 15 years, which features indie pop and rock elements with introspective themes.[54]Influences
Straylight Run drew its name from the final section of William Gibson's 1984 cyberpunk novel Neuromancer, titled "The Straylight Run," which reflects the band's affinity for science fiction literature and its thematic undertones in their work.[6] The band's sound was shaped by a range of musical influences, particularly those emphasizing introspective songwriting and innovative arrangements. Guitarist and vocalist John Nolan has cited Morrissey of The Smiths as a major inspiration for his lyrics, noting that Morrissey "sets a bar for me as how I want to be as a lyricist" and provides an aspirational standard for emotional depth and precision.[55] Following their departure from Taking Back Sunday, Nolan explained that personal maturation and evolving musical tastes prompted a shift away from punk-infused energy toward a more subdued indie rock approach, allowing exploration of pop sensibilities and broader sonic palettes unburdened by prior emo associations.[56] In a 2021 interview, Nolan and drummer Will Noon highlighted six formative albums from their early years that informed Straylight Run's style. Ben Folds Five's Whatever and Ever Amen (1997) encouraged Nolan to incorporate piano as a central instrument, making it "as cool as playing guitar" and inspiring its use in songwriting.[57] Modest Mouse's This Is a Long Drive for Someone with Nothing to Think About (1996) provided a drum beat sample for the track "It's for the Best," which Noon recreated live.[57] Radiohead's Kid A (2000) influenced ambient guitar textures, synth elements, and electronic percussion in songs like "Hands in the Sky" and "I Don't Want This Anymore," including the use of a Kaoss Pad effect.[57] Wilco's Yankee Hotel Foxtrot (2002) guided their aim to blend accessible pop with dissonant, experimental arrangements.[57] Billy Joel's Greatest Hits Volume 1 & 2 (1985) resonated as a Long Island cultural touchstone, embedding regional storytelling into their music.[57] Finally, Death Cab for Cutie's Transatlanticism (2003) exemplified the indie-pop fusion that aligned with the band's preferences, even becoming a staple in their van after a tour accident.[57] These influences contributed to piano-driven compositions that emphasize melody and introspection over aggressive rhythms.Band members
Current members
The current lineup of Straylight Run includes John Nolan (vocals, guitar, piano), Shaun Cooper (bass), Will Noon (drums), and Michelle DaRosa (vocals, guitar, piano).[58][45] John Nolan, a co-founder and primary songwriter, has been actively involved since the band's inception in 2003, continuing through its hiatus and into the 2021 return as well as the 2025 reunion performances at When We Were Young festival, where he handled lead vocals and guitar duties.[45][59] Shaun Cooper, the other co-founder, has remained a consistent member on bass from 2003 to the present, including the band's recent 2025 shows that featured their first new song in 15 years.[45][59] Will Noon joined as drummer in 2003 and has served as a mainstay through the band's active periods, hiatus, 2021 performances, and the 2025 festival appearances.[45][59] Michelle DaRosa, Nolan's sister, originally contributed vocals, guitar, and piano from 2003 to 2008 before departing; she rejoined for select 2021 shows and participated fully in the 2025 reunion, sharing vocal and keyboard responsibilities during the When We Were Young sets.[45][59]Former members
Straylight Run's former members include drummer Mark O'Connell and multi-instrumentalist Michelle DaRosa, both of whom contributed during the band's early years before departing prior to its extended hiatus. Mark O'Connell, known for his role as drummer in Taking Back Sunday, briefly collaborated with Straylight Run by performing on the band's initial 2003 demo recordings, which featured six original songs posted for free download online.[1] He did not become a full-time member, opting instead to focus on his commitments with Taking Back Sunday.[60] Michelle DaRosa, the sister of guitarist John Nolan, served as the band's co-vocalist, guitarist, and pianist from 2003 to 2008, providing key contributions to their self-titled debut album in 2005 and the follow-up album The Needles the Space in 2007.[1] She departed in June 2008 to pursue a solo career, though she described the move as a hiatus open to future involvement.[61] DaRosa later rejoined for select reunion performances starting in 2021.[62]Discography
Studio albums
Straylight Run's debut studio album, titled Straylight Run, was released on October 12, 2004, by Victory Records. The album features 11 tracks and marked the band's transition from their Taking Back Sunday roots to a more piano-driven indie rock sound. The track listing is as follows:- The Perfect Ending (4:53)
- The Tension and the Terror (3:39)
- Existentialism on Prom Night (4:01)
- Another Word for Desperate (5:20)
- Mistakes We Knew We Were Making (3:39)
- Dignity and Money (3:34)
- Your Name Here (Sunrise Highway) (5:06)
- Tool Sheds and Hot Tubs (3:54)
- It's for the Best (4:21)
- Now It's Done (4:44)
- Sympathy for the Martyr (5:53)[63]
- The Words We Say (3:24)
- The Miracle That Never Came (2:33)
- Soon We'll Be Living in the Future (2:54)
- How Do I Fix My Head (4:49)
- Who Will Save Us Now (3:50)
- Cover Your Eyes (3:25)
- We'll Never Leave Again (5:37)
- Take It to Manhattan (2:52)
- Still Alone (2:43)
- This Is the End (3:36)
- Buttoned Down (3:46)
- The First of the Century (4:50)[64]