Sultan + Shepard (stylized as Sultan + Shepard) is a Grammy-nominated Canadian-American electronic music duo consisting of producers Ossama Al Sarraf and Ned Shepard, renowned for their melodic house and progressive house productions that blend intricate soundscapes with emotionally charged vocals.[1] They met by chance in Montreal's after-hours club scene in the mid-2000s and formed the duo in 2010, quickly developing a signature style through collaborative songwriting, remixing, and original compositions that emphasize melodic depth and atmospheric progression.[2][3]Al Sarraf, of Palestinian descent and raised across Kuwait, Cyprus, and Egypt before moving to Montreal in 1996 to study mechanical engineering at McGill University, brings a global perspective to their work, while Shepard, a Canadian native with Jewish-American roots, contributes expertise honed in the local electronic scene.[2] Their breakthrough came in the early 2010s with high-profile remixes, including a 2013 reworking of Bruno Mars' "Locked Out of Heaven" that earned them a Grammy nomination for Best Remixed Recording, Non-Classical.[4][5]Over the years, Sultan + Shepard have collaborated with artists such as Tiësto, Kaskade, Dirty Vegas, Ed Sheeran, and Coldplay, releasing notable singles like "Assassin" and albums including Something, Everything (2021)[6], EPs such as Communicate (2025) on the This Never Happened label, which has become a key platform for their evolving sound.[7][8] Their discography also features full-length albums such as Forever, Now (2023),[9] showcasing their growth from club remixes to immersive, festival-ready anthems that have solidified their influence in the global electronic music landscape.[10]
Biography
Background and formation
Sultan & Shepard is the stage name of the Canadian electronic music production duo consisting of Ossama Al Sarraf, known professionally as Sultan, and Ned Shepard. Al Sarraf, of Palestinian heritage, spent his early life in Kuwait, Cyprus, and Egypt, where he experienced significant historical events including the Gulf War. He relocated to Montreal in 1996 to pursue studies in mechanical engineering and business at McGill University, during which he developed an interest in music as a hobby, particularly DJing.[11][2]Shepard, of Jewish-American heritage, began musical training at a young age, focusing on jazz, blues, and classical piano. He discovered electronic music around age 14 through tracks like Underworld's "Born Slippy" and exposure at European festivals, prompting him to purchase a synthesizer and shift toward production and DJing by age 16. Shepard attended Full Sail recording school in Orlando, Florida, and studied in Montreal, where he formed an early project called Digital Witchcraft with collaborator Marcus Andrews.[12][2]The duo met in 2002 at an after-hours club in Montreal, where Shepard handed Al Sarraf a promotional CD after one of his DJ sets; impressed, Al Sarraf contacted him the next day, leading to a friendship built on mutual feedback and shared enthusiasm for progressive house. Their collaboration began shortly thereafter, with Shepard remixing one of Al Sarraf's tracks, and they adopted the alias Jiva for their initial joint project. Their early partnership, initially under names like Sultan + NedShepard and Jiva, resulted in their first signing to John Digweed's Bedrock Records label, marking the start of their professional trajectory in progressive house and electronic music.[13][14][11]
Early career
Ossama Al Sarraf, professionally known as Sultan, grew up in the Middle East listening to pop music before transitioning to grunge and metal influences such as Pearl Jam and Metallica during his teenage years. He began playing drums at age 11 and guitar at 16, eventually forming and touring with a rock band that secured a record deal and performed for approximately ten years. Upon moving to Montreal for university studies, Al Sarraf immersed himself in the local electronic scene, discovering progressive house through artists like Deep Dish and Sasha & Digweed, which prompted him to start DJing and producing in the late 1990s.[15][8]Ned Shepard, born to a Jewish-American family, started classical piano training at age 5, later exploring jazz and blues while developing an interest in synthesizers after encountering electronic music at 14 during a trip to France, where he was inspired by acts like Fatboy Slim and Underworld. Drawing from New York City roots including Lou Reed and Wu-Tang Clan, Shepard pursued music production as a college student in Montreal, creating demos influenced by melodic electronic sounds.[15][8]In 2004, they released their debut track "Strange Dimensions" on John Digweed's Bedrock Breaks imprint, an atmospheric breaks production that highlighted their melodic style and marked their entry into the international electronic music circuit.[2][15][8][16][17]By 2008, having built a rapport through remixes and original productions, Sultan and Shepard formally established Harem Records, a digital label based in Montreal dedicated to progressive house releases. The imprint served as a platform for their early work, including EPs like "Tomorrow Never Dies" with Maher Daniel and edits such as "American Flash" by Dean Cohen, allowing them to refine their sound within Montreal's vibrant club scene before expanding to broader audiences. This period solidified their partnership, blending Al Sarraf's DJ experience with Shepard's production finesse, while they continued gigging locally and contributing to compilations in the progressive genre.[18][19][20]
Breakthrough period
The breakthrough period for Sultan + Shepard began in 2012 with the release of their single "Walls" featuring Quilla on Harem Records, which garnered significant attention in the electronic dance music scene and led to high-profile performances at festivals such as Ultra Music Festival, Tomorrowland, and Mysteryland, as well as a residency at Wynn Las Vegas.[3] This track marked a shift toward broader recognition, establishing their signature melodic progressive house sound and paving the way for international touring.[13]In 2013, the duo received a Grammy nomination for Best Remixed Recording, Non-Classical, for their remix of Bruno Mars' "Locked Out of Heaven," highlighting their production prowess in the mainstream crossover space.[4] Building on this momentum, they co-wrote and co-produced "Bad" with David Guetta and Showtek, featuring vocals by Vassy, released in 2014; the track achieved multi-platinum status worldwide, including double platinum certification in several markets, and earned them the SOCAN Music Award for International Song of the Year in 2015.[21][7]The duo's profile escalated further in 2016 when they signed an exclusive deal with Armada Music, resulting in the release of "Love Me Crazy" featuring Gia, which peaked at number one on the U.S. Mediabase chart and number four on the Billboard Dance Chart.[3] This partnership facilitated a string of successful singles, including "Almost Home" featuring Nadia Ali and iRO in 2017, which reached number one on the U.S. Mediabase chart, number four on the Billboard Dance Chart, and earned a 2018 Juno Award nomination for Dance Recording of the Year.[3] These achievements solidified Sultan + Shepard's status as rising stars in melodic house and progressive electronic music during this era.
Recent activities
In 2024, Sultan + Shepard released their album Endless, Dawn on March 1 via This Never Happened, featuring collaborations with artists such as Elderbrook, Panama, and Julia Church, marking a continuation of their melodic house sound with emotionally driven tracks like "I'll Be Here" and "Back Through You."[22][23] Later that year, on October 30, they dropped the singles "Hyper Cycle" and "Looking For," exploring deeper soundscapes and signaling a fresh phase in their production.[24]Entering 2025, the duo expanded their output with the Mio / Mainline EP on April 17, including the track "Before The Storm" in collaboration with Rinzen, emphasizing instrumental progressive elements.[25] This was followed by the dual single release "Postcards / All Access" on April 24, blending melodic introspection with club-ready energy.[26] On April 29, they issued the Communicate EP, a return to club-oriented roots with multiple tracks designed for DJ sets, available exclusively as a physical CD.[27]Alongside these releases, Sultan + Shepard launched the Communicate Tour in summer 2025, focusing on DJ sets to promote the EP, with performances including September dates in Phoenix and San Francisco, an August show in Nashville, and appearances at festivals like Seismic Dance Event in Austin (November 14-16) and Hulaween in Live Oak (October 30-November 2).[28][29] The tour extended internationally to Johannesburg on November 29 alongside Lane 8, highlighting their growing global presence in the electronic scene.[1] On November 19, they released a remix of Lane 8 and Arctic Lake's "Say The Word," further showcasing their collaborative prowess in melodic house.[30] In an April interview, the duo discussed balancing instrumental EPs with fuller albums moving forward, underscoring their evolving approach to production and live performances.[31]
Musical style and influences
Genre evolution
Sultan + Shepard's musical journey began in the early 2000s with a focus on progressive house, rooted in their initial collaborations and remixes signed to John Digweed's Bedrock label, a prominent imprint for underground progressive and techno sounds.[13] Their early output emphasized intricate builds, atmospheric layers, and club-oriented grooves, reflecting the duo's immersion in Montreal's after-hours scene where they first met in 2002.[13] This period established their foundation in electronic dance music, with releases that blended subtle pop sensibilities into driving progressive structures, as seen in their contributions to compilations like Tiësto's In Search of Sunrise 4.[32]By the mid-2010s, the duo expanded into broader EDM territories, incorporating elements of electro house, moombahton, and vocal-driven anthems through high-profile collaborations and remixes. Works like their remix of Bruno Mars' "Locked Out of Heaven," which earned a Grammy nomination in 2013, and partnerships with artists such as Dillon Francis and Tiësto, showcased a shift toward more commercial, festival-ready productions with catchy hooks and energetic drops.[13][2] Their 2019 debut album Echoes of Life on Armada Music further illustrated this evolution, featuring diverse tracks with collaborators like Nadia Ali and Showtek that fused progressive builds with electro and trance influences, appealing to a wider mainstream audience.[2]In the early 2020s, Sultan + Shepard returned to their progressive roots while embracing melodic house, signing to Lane 8's This Never Happened label in 2020 for a more introspective and emotionally resonant sound. Albums such as Something, Everything (2021), Forever, Now (2023), and Endless, Dawn (2024), along with the Communicate EP (2025), highlight this phase, with tracks emphasizing lush soundscapes, organic textures, and narrative-driven compositions that prioritize depth over high-energy peaks—exemplified by singles like "Never" featuring Nathan Nicholson.[13] This shift marked a deliberate reconnection to their foundational influences, incorporating deeper, more cinematic elements amid the evolving landscape of electronic music.[13][2][33]
Key influences
Sultan + Shepard's musical style draws from a broad spectrum of influences spanning rock, pop, hip-hop, and electronic genres, reflecting the diverse backgrounds of duo members Ossama "Sultan" Al Sarraf and Ned Shepard. Al Sarraf, who grew up partly in the Middle East before moving to Canada, cites early pop icons such as Michael Jackson, Cyndi Lauper, and Maxi Priest as formative listens, which instilled a sense of melodic accessibility in his work. During his high school and college years, he gravitated toward rock acts including Pearl Jam, Metallica, Guns N' Roses, Soundgarden, and Tool, influences that later informed the guitar-driven elements in their productions. His entry into DJing was shaped by progressive and deep house pioneers like Deep Dish, Sasha & John Digweed, and Danny Tenaglia, whose extended sets emphasized emotional builds and immersive atmospheres.[15]Shepard, raised in New York City, was initially inspired by the city's eclectic scene, including artists like Lou Reed, The Velvet Underground, Brian Eno, U2, Blondie, and Madonna, alongside hip-hop groups such as Wu-Tang Clan, Biggie, Nas, A Tribe Called Quest, De La Soul, and Beastie Boys. His passion for electronic music ignited during a trip to France at age 16, leading to key influences from Underworld, Faithless, Moby, The Chemical Brothers, Fatboy Slim, Paul Oakenfold, BT, and Sasha & John Digweed—acts known for blending big-room energy with introspective soundscapes. These electronic trailblazers profoundly impacted Shepard's approach to layering synths and driving rhythms.[15]The duo shares several pivotal inspirations that bridge their individual tastes and underpin their signature progressive house sound, including The Chemical Brothers for their innovative sample-based electronica, Underworld for hypnotic grooves, Faithless for emotive vocal integrations, Sasha & John Digweed for seamless mixing techniques, Daft Punk for polished production and funk-infused beats, and Deep Dish for fusion of global house elements. Fatboy Slim's playful, sample-heavy style remains a touchstone from their early career, evoking the duo's remix of his track "Gangster Tripping." More recently, they have drawn from melodic house contemporaries like Rufus du Sol, appreciating the genre's fusion of organic instrumentation and deep emotional narratives, as heard in their own symphonic string arrangements and vocal-driven tracks.[34][11][15][35][36]
Discography
Studio albums
Sultan + Shepard's studio albums represent a progression in their melodic house and progressive sound, beginning with their debut project on Armada Music and shifting to deeper, more introspective productions on This Never Happened. Their discography emphasizes collaborative tracks and atmospheric builds, often featuring guest vocalists and instrumental pieces that blend emotional depth with dancefloor energy.[37]Their first full-length release, Echoes of Life: Day, arrived on November 1, 2019, via Armada Music, showcasing radio-friendly tracks with uplifting melodies and features like Nadia Ali on "Almost Home."[38] This was followed immediately by Echoes of Life: Night on November 8, 2019, also on Armada, which leaned into club-oriented, nocturnal vibes with darker, more rhythmic compositions.[39] Together, these companion albums marked their debut as a duo in long-form releases, compiling years of singles into a cohesive narrative split between daytime optimism and nighttime intensity.[40]In 2021, they transitioned to Lane 8's This Never Happened imprint for Something, Everything, released on March 12, featuring 14 tracks that returned to their progressive house roots with collaborations including Nathan Nicholson on "Naama."[37] The album received acclaim for its melodic depth and emotional resonance, blending deep house elements with soaring synths.[41]Forever, Now, their third studio album, emerged on February 17, 2023, again via This Never Happened, with 12 tracks exploring themes of presence and connection, highlighted by "Making Time" alongside Lane 8.[9] It built on prior works by incorporating more organic instrumentation and guest appearances from artists like Panama, emphasizing a live-band-like production style.[42]Their most recent effort, Endless, Dawn, was released on March 1, 2024, on This Never Happened, comprising 11 tracks that evoke renewal and vast landscapes, with standout vocal features from Elderbrook on "I'll Be Here" and Tishmal on "Back Through You."[22] This album solidified their evolution toward immersive, cinematic soundscapes while maintaining danceable grooves.[43]In November 2024, Circle In Time: The Trilogy compiled Something, Everything, Forever, Now, and Endless, Dawn into a single retrospective package on This Never Happened, including bonus tracks, but it functions more as a collection than a new studio album.[44]
Extended plays
Sultan + Shepard's extended plays represent a significant portion of their discography, particularly since signing with Lane 8's This Never Happened label in 2020, where they have explored deeper, more introspective melodic house soundscapes across several multi-track releases. These EPs typically feature 3 to 5 original tracks, emphasizing emotional depth and progressive builds that align with the duo's signature style. Earlier in their career, under the Sultan & Ned Shepard moniker, they released a few EPs on independent labels, but their output shifted toward more polished, label-backed projects post-breakthrough.The Kochi EP, their debut on This Never Happened, was released on February 20, 2020, and includes three tracks—"Kochi," "Tayrona," and "Ayla"—that mark a return to their progressive roots with lush, atmospheric production.[45]The Guaba EP followed on July 23, 2020, comprising three instrumental tracks—"Guaba," "Vahé," and "Banya"—known for their rhythmic drive and exotic melodic influences.[46]Kelam, released November 12, 2020, expands to five tracks, featuring collaborations like "Never" with Nathan Nicholson, blending vocal elements with intricate percussion.[47]In 2021, the duo issued the Break Your Fall EP on September 9, which includes four tracks such as the title track featuring Liz Cass and HRRTZ, highlighting emotive vocals over pulsating basslines.[48]The Indigo EP arrived on December 9, 2021, with three tracks including "More Than You Ever Know" featuring Angela McCluskey, noted for its hazy, dreamlike textures.[49]More recently, the Postcards / All Access EP was released on April 24, 2025, containing five tracks like "Postcards" and "All Access," incorporating collaborative elements with Rinzen on "Before The Storm."[50]The Communicate EP, their latest as of 2025, dropped on April 29 and features seven tracks, including new originals "Sigh" and "Communicate," alongside remixes and continuations from prior singles, presented in both individual and continuous mix formats.[51]
Singles
Sultan + Shepard's singles discography spans from their early progressive house releases in the late 2000s to contemporary melodic house and techno tracks, often featuring collaborations with vocalists and fellow producers. Their output emphasizes melodic builds and emotional depth, with many singles charting on Beatport and garnering support from major DJs like Tiësto and Armin van Buuren. Key early works include "Call My Name" featuring Nadia Ali (2011), which showcased their vocal-driven style on Harem Records, and "In the Air" with Morgan Page and BT (2011), a crossover hit blending trance elements.[52][19]Breakthrough singles in the mid-2010s elevated their profile on larger labels. "No Good" with Fedde Le Grand (2013) became a festival staple on Spinnin' Records, peaking at number one on Beatport's progressive house chart and exemplifying their high-energy drops. Similarly, "When We Were Young" alongside Dillon Francis featuring Chain Gang of 1974 (2014) marked their entry into mainstream EDM via Columbia Records, with over 10 million streams on Spotify by 2015. "Make Things Right" ft. Tegan & Sara (2015) further demonstrated their pop-infused approach, released on Spinnin' and praised for its uplifting production. These tracks highlighted a shift toward broader accessibility while retaining melodic integrity.[52][19]In later years, their singles evolved toward deeper, more introspective sounds on labels like This Never Happened and Anjunadeep. "Almost Home" featuring Nadia Ali and Iro (2017) on Armada Music reunited them with Ali for a poignant progressive house anthem, amassing millions of streams and radio play. The 2018 release "Head Over Heels" showcased their solo production prowess, while collaborations like "We Found Love" with Showtek (2019) bridged big-room and melodic styles. Recent highlights include "Memories" with The Kite String Tangle (2024), a reflective track from their album cycle, and "1973" with Colyn (2025, This Never Happened), blending organic house elements for a fresh evolution. These singles underscore their adaptability, with consistent chart performance on platforms like Beatport, where several topped subgenre lists.[52][19][53][54]
This selection represents their most influential releases, prioritizing those with verifiable chart data and widespread adoption in electronic music scenes.[52][19]
Production and remixes
Production credits
Sultan + Shepard have garnered production credits across a range of collaborative tracks in the electronic music scene, often blending progressive house elements with contributions from established artists. Their involvement typically includes co-production roles, where they handle arrangement, sound design, and mixing to craft emotive, melodic soundscapes.[19]A pivotal early credit came in 2011 with "In the Air," co-produced alongside Morgan Page and BT for Nettwerk Records, marking their entry into mainstream EDM collaborations and showcasing layered synth progressions over vocal hooks.[55] This track highlighted their ability to integrate deep house influences into broader electronic productions.The duo's partnership with Fedde le Grand stands out as particularly prolific, yielding multiple productions between 2011 and 2013. Notable among these is "Running" featuring Mitch Crown, released on Net's Work International, which fused high-energy drops with uplifting melodies and achieved significant play in club sets.[56] Follow-up efforts like "Long Way from Home" on Flamingo Recordings and "No Good" on Spinnin' Records further demonstrated their skill in crafting festival-ready anthems with punchy basslines and dynamic builds.In 2014, Sultan + Shepard co-produced "When We Were Young" with Dillon Francis for Columbia Records, a track that emphasized emotional depth through piano-driven intros and soaring choruses, contributing to its crossover appeal in both EDM and pop circuits.[57] That same year, they teamed with Junior Sanchez on "Deeper Love" for Size Records, incorporating tech-house grooves that underscored their versatility in subgenre experimentation.Later collaborations include the 2017 "Breaking Borders EP" with Morgan Page and Gabriel Ananda on Armada Digital, a multi-track release exploring ambient and progressive textures that reflected their evolving production philosophy toward more introspective sound design. These credits illustrate Sultan + Shepard's role as sought-after producers who enhance collaborative projects with their signature melodic flair and technical precision.[58]
Notable remixes
Sultan + Shepard have produced remixes for a diverse array of artists across pop and electronic genres, often infusing their signature progressive house and melodic elements into the originals. Their remix work has earned critical recognition, including a Grammy nomination in 2013 for Best Remixed Recording, Non-Classical, for their take on Bruno Mars' "Locked Out of Heaven," which transformed the reggae-infused pop track into an uplifting electronic anthem with layered builds and euphoric drops.[13][59]Early in their career, they contributed to high-profile pop remixes, such as Madonna's "Give Me All Your Luvin'" featuring Nicki Minaj and M.I.A. in 2012, where they amplified the track's energetic vibe with pulsating basslines and festival-ready drops, making it a staple in EDM sets.[60] Similarly, their 2011 remix of Lady Gaga's "The Edge of Glory" from the Born This Way: The Remix album elevated the power ballad with soaring synths and rhythmic drive, preserving the emotional core while adding dancefloor appeal.[61]In the 2010s, Sultan + Shepard expanded into mainstream collaborations, remixing Coldplay's "A Sky Full of Stars" in 2014 to heighten its anthemic quality with intricate breakdowns and melodic progressions, featured on the official remix package via Parlophone.[62] They also reworked Rudimental's "Lay It All on Me" featuring Ed Sheeran in 2015, blending the drum and bass original with deep house grooves and emotive builds that extended its crossover success.[63]Within the electronic music community, their remixes for fellow producers have been particularly influential. The 2022 remix of Lane 8's "Survive" featuring Channy Leaneagh introduced subtle atmospheric layers and driving percussion, enhancing its introspective mood for This Never Happened label sets.[64] In 2022, they reimagined Shallou's "Pacifica" with ethereal pads and rhythmic pulses, amplifying its chillwave essence into a melodic house journey.[65] More recently, in 2025, their remix of Above & Beyond's "Quicksand (Don't Go)" featuring Zoë Johnston brought progressive trance elements to the Anjunabeats release, earning praise for its emotional depth and club energy.[66]
Live performances and tours
Major tours
Sultan + Shepard have undertaken several headline tours since 2023, primarily supporting their album releases and marking a shift toward live performances alongside their traditional DJ sets. These tours have showcased their evolution in the electronic music scene, emphasizing melodic house and progressive elements with immersive production.[67]The Forever, Now Tour in 2023 was their first extensive headline run, promoting the albumForever, Now. Spanning North American cities including Chicago, Los Angeles, and Washington, D.C., the tour featured DJ sets blending tracks from the album with earlier hits like "Something, Everything." Notable stops included a March 3 performance at Sound-Bar in Chicago and a March 31 show at Academy LA, drawing crowds with high-energy sets that highlighted their collaborative soundscapes.[68][69]In 2024, the duo launched their inaugural live tour, Endless, Dawn Tour, to support the album Endless, Dawn. This 10-date North American outing marked a significant milestone, transitioning from DJ booths to full live band setups with live instrumentation and visuals. Kicking off in March, it included performances at venues like The Ogden Theatre in Denver on March 15 and The Regency Ballroom in San Francisco on April 5, often with support from artists such as Ashibah and Rinzen. The tour received acclaim for its emotional depth and technical execution, solidifying their reputation for innovative live shows.[70][71][67]The Communicate Tour in 2025 focused on DJ sets, promoting their EP Communicate and revisiting fan favorites. This run, starting in summer, covered key U.S. cities and extended internationally as of November 2025, with highlights including an August 16 performance at The Ritz Ybor in Tampa, an October 11 show at Magic Stick in Detroit, and November dates at Seismic Dance Event in Austin, Texas (November 14–16), Theatre in Johannesburg, South Africa (November 29), and in Cape Town (November 30). Emphasizing connection and dancefloor energy, the tour featured extended mixes and remixes, attracting dedicated followers of the This Never Happened label.[72][73][1]
Festival appearances
Sultan + Shepard have been regular performers at major electronic music festivals since the early 2010s, transitioning from high-energy EDM events to more intimate, melodic house gatherings that align with their evolving sound. Their breakthrough appearances in the progressive house scene helped establish them as collaborators with artists like Fedde le Grand, leading to joint sets at prominent festivals.[74][13]In 2012, the duo made their debut at Ultra Music Festival in Miami, where they performed original tracks and remixes that showcased their production style, drawing crowds with anthemic drops. This performance marked a pivotal moment, coinciding with the release of their single "Walls," which propelled their international visibility. The following year at Ultra, Fedde le Grand featured their track "No Good" in his set, emphasizing their role in the festival's mainstage energy.[75][7]Their 2013 schedule included Electric Daisy Carnival (EDC) New York, where they delivered a high-octane DJ set blending house and electro elements, and Tomorrowland in Belgium, a highlight that captured their global appeal through a full recorded mix. Additional stops that year at Mysteryland in Chile further solidified their presence in the festival circuit, with sets focusing on melodic builds and crowd interaction.[76][77][78][7]By the 2020s, Sultan + Shepard shifted toward festivals emphasizing emotional, progressive soundscapes. In 2024, they performed at Electric Forest in Rothbury, Michigan, delivering a set that integrated live elements from their album Endless, and Project GLOW in Washington, D.C., where their performance highlighted euphoric transitions suited to the event's daytime vibe. The duo continued this trajectory in 2025 with appearances at CRSSD Festival in San Diego, Lightning in a Bottle in Bakersfield, California, and Hulaween in Live Oak, Florida, each showcasing their signature blend of deep and progressive house.[79][80][81][82]These festival outings underscore Sultan + Shepard's adaptability, from peak-time EDM anthems in the early career to immersive, narrative-driven sets in recent years, often featuring collaborations and live instrumentation to enhance the communal atmosphere.[13]
Awards and nominations
Grammy recognitions
Sultan & Shepard received their sole Grammy nomination at the 56th Annual Grammy Awards in 2014 for Best Remixed Recording, Non-Classical, for their remix of Bruno Mars' "Locked Out of Heaven."[4][83] The nomination recognized the duo's production work on the track, which featured an energetic electronic reinterpretation of the original hit single from Mars' albumUnorthodox Jukebox.[84] Although they did not win the category—awarded instead to Disclosure for their remix of "Summertime Sadness" by Lana Del Rey—the recognition highlighted their rising prominence in the electronic dance music remixing scene.[85] This accolade marked a significant milestone for the Canadian duo, affirming their technical skill and creative impact within the broader music industry.[4]
Juno and other awards
Sultan + Shepard have earned two nominations for the Juno Award for Dance Recording of the Year, recognizing their contributions to Canadian electronic music. In 2018, their track "Almost Home," featuring Nadia Ali and IRO, was nominated in this category, highlighting the song's melodic house elements and collaborative production.[86] The duo did not win that year, with the award going to Nick Fiorucci feat. Laurell for "Closer."[87]In 2020, Sultan + Shepard received another nomination for Dance Recording of the Year for their collaboration with Showtek on "We Found Love," a reimagined electronic version of the Rihanna hit that showcased their progressive production style.[88] The nomination underscored their ability to blend nostalgia with modern dance sounds, though they again did not take home the award, which was presented to Felix Cartal feat. Lights for "Love Me."[89]Beyond the Junos, Sultan + Shepard have been honored by the Society of Composers, Authors and Music Publishers of Canada (SOCAN). In 2016, they won the SOCAN Music Award for International Song of the Year for co-writing and co-producing "Bad," a multi-platinum track alongside David Guetta, Showtek, and Vassy, which achieved widespread global success.[3] This recognition affirmed their songwriting prowess in the international electronic scene.