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Super Show

The Super Show was the first Asia-wide concert tour by South Korean boy band Super Junior, held from February 22, 2008, to March 7, 2009. Launched five months after the release of their second studio album Don't Don, the tour featured performances of tracks from their debut album Super Junior and Don't Don, alongside subgroup hits like "Rock This Party" by Super Junior-K.R.Y.. It comprised 10 concerts in South Korea (Seoul), Thailand (Bangkok), and China (Shanghai, Nanjing, Chengdu), drawing 86,000 attendees and marking the group's international breakthrough, including the first solo concert by a Korean artist in Nanjing. The production included innovative elements like a "standing" stage in China and special guests, contributing to Super Junior's rising global popularity in the late 2000s K-pop scene.

Background

Super Junior's Formation and Early Success

Super Junior was formed in 2005 by the founder of , , as a 12-member boy group initially named Super Junior 05, with the intention of featuring rotational members to allow for diverse activities, though this concept was later abandoned. The group consisted of members (who served as leader), Heechul, , , , , Sungmin, , Donghae, Siwon, Ryeowook, and Kibum, selected from SM's trainee pool to represent a versatile "super" junior generation of idols. In 2006, the lineup expanded to 13 members with the addition of Kyuhyun, who joined after the group's initial debut activities. The group made their official debut on November 6, 2005, performing on SBS's with singles from their first , Super Junior 05 (TWINS), released on December 5, 2005, through . The , featuring the "Twins (Knock Out)," was positioned to appeal to the Asian market, particularly , marking an early focus on expansion beyond . Following their debut, began Korean promotional activities, building momentum with their second single "U," released on 7, 2006, as a 13-member group. "U" achieved significant success, topping the monthly Industry Association of (MIAK) chart in 2006 and maintaining strong sales with over 83,000 copies sold by July 2007, while charting for 35 weeks. By 2007, Super Junior was preparing their second studio album, Don't Don, released on September 20, which solidified their domestic popularity and set the stage for broader promotional efforts, unaffected by Hangeng's contract lawsuit against SM Entertainment filed in December 2009. To diversify their appeal, the group formed several subgroups during this period: Super Junior-K.R.Y. in late 2006, consisting of Kyuhyun, Ryeowook, and Yesung, focused on ballad performances; Super Junior-T in February 2007, with Leeteuk, Heechul, Kangin, Shindong, Sungmin, and Eunhyuk, specializing in trot music; and Super Junior-M in 2008, including Hangeng, Siwon, Donghae, Ryeowook, Kyuhyun, and additional members, targeting the Mandopop market in China and Taiwan. These subunits allowed Super Junior to explore genre-specific niches while maintaining their core group's momentum. The Super Show tour served as a key promotional tie-in for Don't Don, highlighting their evolving stage presence.

Don't Don Album and Lead-up Promotion

Don't Don, Super Junior's second studio album, was released on September 20, 2007, by , marking the group's first full-length release as a 13-member lineup following the addition of Kyuhyun. Originally planned for late 2006, the album's release was delayed due to a car accident on August 19, 2007, that injured several members, including leader , , , and Kyuhyun. The album features 10 tracks blending pop, R&B, and rock elements, with the "Don't Don" (돈 돈!) serving as the lead single. This up-tempo rock-influenced song, co-written by , explores themes of and youthful defiance against societal pressures centered on , symbolized through its playful on Korean terms for "money" and "don't." Key tracks include the ballad "Sapphire Blue" (소원이 있나요), which offers introspective lyrics about wishes and longing, and "You're My Endless Love" (말하자면), a mid-tempo R&B piece emphasizing emotional depth in relationships. The repackaged version, released on November 5, 2007, incorporated a new version of "Marry U" from their previous mini-album, alongside additional tracks like "Hate U, Love U" (미워), enhancing the album's romantic and . Earlier in 2007, the subgroup contributed to the group's momentum with their trot album Rok 10, released on June 6, featuring the "Rok 10," which showcased their versatility in traditional Korean styles. Promotion for Don't Don began immediately after release, with Super Junior's debut performance of the title track on KBS's Music Bank on September 21, 2007, followed by appearances on SBS's Inkigayo on September 30 and Mnet's M! Countdown. These music show stages, characterized by energetic choreography and live vocals, were complemented by fan meet-and-greet events and broadcast interviews throughout September and October, fostering direct engagement with fans (known as ELF). The album achieved strong commercial success, selling over 60,000 copies on its first day and totaling 164,058 units by year-end, ranking among the top-selling K-pop albums of 2007. The promotional activities surrounding Don't Don played a pivotal role in elevating Super Junior's live performance profile, with discussions and teasers for upcoming concerts emerging during late 2007 broadcasts, such as at the /KM Music Festival on November 17 where the group secured multiple awards. This momentum from the album's rock-edged energy and hit tracks directly paved the way for their transition to arena-scale shows, heightening anticipation among fans for dynamic stage presentations.

Planning and Development

Announcement and Initial Seoul Preparations

On January 10, 2008, SM Entertainment issued a press release announcing Super Show as Super Junior's first major Asia tour across 9 cities, coming five months after the release of their second studio album Don't Don. The tour was positioned to showcase the group's hit songs, individual member talents, powerful choreography, and engaging fan interactions, marking their debut solo concert series and expansion across Asia. The Seoul kickoff performances were scheduled for February 23–24, 2008, at the Olympic Fencing Gymnasium (also known as the Olympic Gymnastics Arena), with approximately 13,000 total tickets available across the shows. Tickets for these initial dates went on sale January 22, 2008, at 5 p.m. through Auction Ticket, generating significant early buzz due to the group's rising popularity. Reports indicated rapid sell-outs, underscoring the high demand, though specific scalping issues were more prominently noted in later international stops. Preparations for the shows emphasized high-production values, fully backed by to create an immersive experience. The focus included integrating elements from the group's subgroups for diverse performances, with rehearsals commencing in January to refine the show's structure. A on February 20, , further built anticipation by previewing the tour's innovative format.

Expansion to International Markets

The Super Show tour, announced as an Asia-wide venture in January 2008, included initial stops beyond such as , , on July 12, 2008, and , , on November 22, 2008, at the Shanghai Grand Stage, marking the group's first major push into international markets. This expansion was facilitated by SM Entertainment's strategic partnerships with local promoters in the region, aimed at capitalizing on the group's rising popularity. Subsequent additions to the tour itinerary reflected ongoing negotiations and adaptations to local markets, with shows in , , on January 17 and 18, 2009, at the Nanjing Olympic Sports Center Gymnasium, and , , on March 7, 2009, at the Chengdu Longquanyi Football Stadium. These stops highlighted SM Entertainment's efforts to navigate the country's entertainment regulations through collaborations with local entities. To appeal to Chinese audiences, the tour incorporated performances by , the Mandarin-language subgroup formed in April 2008 specifically to penetrate the market, including songs in to foster cultural resonance. Ticket pricing was adjusted for regional affordability, such as in where prices ranged from 1,000 to 2,500 THB, while overall international attendance reached approximately 86,000 fans across the Asian legs. Logistical challenges, including visa processing for group members and ticket scalping in , were addressed through prioritized pre-sales for official fan club members, ensuring smoother access for genuine supporters.

Production Elements

Stage Design and Technical Features

The stage design for Super Show 10 featured a distinctive X-shaped protruding stage, symbolizing the tour's numerical title and enabling closer fan interaction across multiple angles in arena venues. This setup included an aerial platform elevated to 5 meters, equipped with mechanisms for lifting and tilting to facilitate dynamic performer movements during high-energy segments. Large LED screens were integrated throughout the , displaying video interludes (VCRs) that narrated the group's 20-year and enhanced transitions, such as during performances of early like "Don't Don." These screens provided immersive visuals, including fan-submitted content and thematic graphics aligned with the anniversary motif. added explosive emphasis to opening numbers and upbeat tracks, while cannons punctuated encores for celebratory climaxes. Lighting elements contributed significantly to the atmosphere, with systems on the aerial creating synchronized motion effects, red floodlights bathing the venue in intense hues, and white beams cutting through the space for dramatic reveals. Spotlights and group formations during key numbers, ensuring precise illumination for the nine-member . Hydraulic lifts allowed members to descend dramatically at the show's start, heightening the entrance's impact. The concerts adopted a segmented format lasting approximately three hours, structured into acts blending group anthems, subunit nods, and encores, with seamless VCR breaks for pacing and costume shifts—such as from sleek modern attire to playful animal-themed outfits during lighter segments. This design, overseen by Entertainment's in-house production team, prioritized tight synchronization to support complex formations despite the reduced lineup.

Personnel and Crew

The Super Show 10 tour featured the nine active members of : , , , , , Donghae, Siwon, Ryeowook, and Kyuhyun, all of whom participated in the main performances. Subgroup segments highlighted , led by vocalists , Ryeowook, and Kyuhyun, who focused on and elements; , with and directing trot-style routines; and, for the China-exclusive stops, , featuring and Zhou Mi to cater to Mandarin-speaking audiences. The production team, overseen by managers, included in-house choreographers such as and for core dance sequences, supported by 10-15 backup dancers per show to enhance synchronized formations. Specific contributions included overseeing the setlist and performances, directing VCRs, handling audience interaction, Heechul on instruments, and on styling. Vocal direction was handled internally by SM's performance staff to ensure harmonious live renditions.

Concert Content

Main Setlist

The main setlist of Super Junior's Super Show tour centered on high-energy performances of the group's early hits, showcasing synchronized choreography by all 13 members and drawing heavily from their 2007 album Don't Don, which comprised approximately 60% of the core songs. The concert typically opened with the upbeat "Twins (Knock Out)" to energize the crowd, immediately transitioning into "Rock This House" and the title track "Don't Don," the latter featuring dramatic and intricate dance formations that highlighted the group's dynamic stage presence. These opening numbers set a fast-paced tone for the first act, emphasizing the full group's precision in group dances and vocal harmonies. Following the initial dance-heavy segment, the setlist shifted to a mid-show portion, including emotional tracks like "A Man In Love," "," and "You're My Endless Love," which allowed for more intimate fan interactions and vocal showcases amid the high-production visuals. Later in the performance, after brief transitions to sub-unit segments, the group returned for fan favorites such as "Marry U," "U" (their 2006 breakthrough hit), "One Love," and "," blending pop-rock elements with crowd-chanting moments during "Rock This House" remixes. The encore often revisited "U" and "" for an uplifting close, with the full set spanning 20-25 songs overall. Variations occurred across cities, with the Seoul shows—recorded for the official live album—featuring extended versions of "U" and additional ments for local audiences, while international stops like incorporated minor adjustments to pacing for cultural resonance without altering the core structure. This format prioritized conceptual flow from high-energy openers to reflective mid-sections and celebratory encores, establishing Super Show as a benchmark for .

Sub-unit Performances and Guests

Super Junior's sub-units provided diverse intermissions throughout the Super Show tour, each segment lasting 15-20 minutes and designed to showcase the members' versatility beyond the main group's unified performances. These acts transitioned smoothly from the core setlist, offering moments of vocal depth, energy, and adaptations tailored to regional audiences. The ballad-focused sub-unit , comprising vocalists Kyuhyun, Ryeowook, and , delivered emotional tracks including "" and "Georeumeul Meomchugo (Stop Walking)" in and across all tour stops, emphasizing their harmonious and piano-accompanied style. , the trot sub-unit featuring , Heechul, , , Sungmin, and , performed upbeat tracks such as "Rokkugo!!!" and "First Express", with added comedic skits and audience interaction that heightened the playful atmosphere, particularly during the concerts. In the Chinese legs of the tour, Super Junior-M presented Mandarin renditions of "U" and "Me (Cha Cha Cha)", highlighting the sub-unit's cultural adaptation and serving as the debut stage for violinist Henry Lau and vocalist Zhou Mi alongside core members Han Geng, Siwon, Donghae, and Ryeowook. Guest appearances added variety to select shows; Zhang Liyin performed "I Will" and "The Left Shore of Happiness" as opening act in Chengdu, while TRAX member X-Mas guested in Chengdu, providing guitar for Heechul's solo "Crazy", though the Nanjing concert featured no special guests.

Tour Execution

South Korean Shows

The South Korean shows of Super Junior's inaugural Super Show tour took place over three consecutive days from February 22 to 24, 2008, at the Olympic Fencing Gymnasium in Seoul. These performances served as the debut of the tour's full production, featuring elaborate stage setups and a setlist drawn from the group's albums Twins and Don't Don, including hits like "U" and "Miracle." With the venue's capacity of approximately 7,000, the sold-out concerts attracted around 21,000 attendees in total, reflecting the group's growing domestic fanbase following their 2007 releases. The events were marked by high energy, with fan chants often dominating the audio mix during the opening night, creating an immersive atmosphere that highlighted the devotion of Super Junior's fandom, E.L.F. Media coverage emphasized the group's dynamic stage presence and the tour's innovative elements, such as synchronized dances and , positioning it as a milestone in live performances. No major incidents were reported, though the rapid sell-out—tickets went on sale in and vanished within minutes—underscored the demand. Encore performances were held in Seoul on January 3–4, 2009, at the same venue, drawing approximately 13,000 attendees. These Seoul concerts had significant local impact, solidifying Super Junior's reputation as a leading stadium-level act in Korea despite the indoor venue, and contributing to their transition from television idols to concert headliners. The tour's success correlated with a surge in fan activism; in early March 2008, supporters launched the "One Fan One Stock" campaign, purchasing over 58,000 shares of to hold 0.3% of the company and protest the addition of new members to the group. This event not only boosted SM's visibility but also demonstrated the economic influence of fandoms, with the company's stock seeing positive momentum amid the hype.

Thai and Chinese Stops

The Super Show tour marked Super Junior's initial foray into international markets beyond , beginning with a performance in on July 12, 2008, at the Impact Arena in . This concert represented the group's first overseas show, captivating local fans with high-energy performances and interactive elements that resonated in the Thai market. The tour proceeded to for four additional concerts, adapting to local audiences through the use of in MC segments by Chinese member Hangeng, which enhanced fan engagement. The stop occurred on November 22, 2008, at the Shanghai Grand Stage, where approximately 10,000 attendees experienced a dynamic show featuring the group's signature and hits from their Don't Don album. This performance highlighted Hangeng's connection to his home country, adding a layer of cultural significance. Subsequent shows took place in at the Nanjing Olympic Sports Center Gymnasium on January 17 and 18, 2009, followed by the tour's final international date in at the Chengdu Longquanyi Football Stadium on March 7, 2009. These Chinese legs emphasized logistical adaptations, such as venue configurations to accommodate large crowds, contributing to the overall success of Super Junior's expansion in Asia. The international portion of the tour, comprising five concerts, underscored the group's growing regional popularity.

Recordings and Releases

Live Album Production and Track Listing

The live album Super Show: Super Junior The 1st Asia Tour Concert Album captures performances from Super Junior's inaugural concert at the Olympic Fencing Gymnasium in Seoul, South Korea, held from February 22 to 24, 2008. Produced by SM Entertainment, the album features arrangements by several in-house producers, including Kenzie for select tracks, with mixing on select recordings, including by Namgoong Jin for one track. It was released on May 19, 2008, in South Korea as a two-disc set documenting the full concert experience. The album spans 36 tracks across two CDs, totaling approximately 128 minutes, encompassing the main setlist, sub-unit showcases, and encore performances. Representative tracks include live renditions of "Don't Don," "U," K.R.Y.'s "Seven Years of Love," Super Junior-T's "Rokkuko," and encores such as "Miracle." Post-concert editing emphasized preserving the live energy, including audience interactions and applause, to replicate the atmosphere of the event. Available in standard 2-CD format, digital download, and a limited edition bundled with a photo booklet featuring concert images, the release served as an audio companion to the concurrent DVD production. In its debut month, the album sold 15,016 copies in , debuting at number one on the MIAK monthly album chart.

DVD Release and Commercial Performance

The DVD release of Super Junior's Super Show concert captured the full performance from their Seoul shows at the Olympic Fencing Arena, along with behind-the-scenes footage and exclusive interviews with the members. Released on October 1, 2008, by , the package is a two-disc set featuring subtitles in Korean, English, and Chinese to cater to international fans. In addition to the main concert visuals, the DVD includes multi-angle viewing options for key dance sequences, allowing viewers to appreciate the choreography from different perspectives, as well as bonus clips highlighting sub-unit performances. Produced concurrently with the live audio album, the DVD emphasizes visual elements, using the album's tracks as its synchronized audio soundtrack. The release sold over 15,000 copies in its first week. In the , it became available for streaming on Entertainment's digital platforms, extending its accessibility to newer audiences.

Reception and Impact

Critical and Media Reviews

media outlets provided positive coverage of Super Junior's Super Show , praising the group's innovative choreography and dynamic stage transitions. International press highlighted the tour's appeal and cultural crossover success, particularly in and , where performances resonated with local audiences through high-energy pop and fan interactions. In , Hangeng's prominence helped draw large crowds during the stop. Expert analyses in media have credited Super Show as an early model that influenced multi-city logistics and fan engagement for subsequent acts. Reviewers lauded the tour's overall energy and spectacle.

Attendance Figures and Fan Legacy

The Super Show tour achieved significant attendance success, drawing a total of 86,000 fans across its 10 performances from February 2008 to March 2009. The South Korean shows, centered in at the Olympic Fencing Gymnasium, accounted for 33,000 attendees over multiple dates: 20,000 in February 2008 and 13,000 in January 2009. International stops contributed 53,000 attendees, including , (13,000); , (10,000); , (20,000, marking the first solo concert by a Korean artist there); and Chengdu, China (10,000), with an average of about 10,600 fans per show highlighting the group's early regional appeal. These figures marked a milestone for a second-generation act embarking on its first major tour. Fan engagement played a pivotal role in the tour's triumph, with Super Junior's official fandom, ELF (Everlasting Friends), mobilizing swiftly to secure sold-out venues despite the group's relatively nascent international profile. The dedication of ELF members not only ensured rapid ticket sales but also fostered a vibrant community atmosphere, evident in organized fan chants and lightstick displays that created the iconic "Sapphire Blue Ocean" effect. Following the tour's conclusion, the enthusiasm strengthened the bond between artists and supporters. The tour's legacy solidified Super Junior's position as a leading in , directly paving the way for Super Show 2 in and establishing a blueprint for scalable concert branding. By blending high-energy performances with subunit showcases, Super Show influenced the of , demonstrating how structured tours could bridge domestic and international markets effectively. Retrospectives on the group's , such as a 2025 Korea Times article, credit its role in elevating Super Junior's profile amid evolving industry dynamics. In the long term, Super Show inspired subsequent tours by groups under , emphasizing diverse member talents to sustain fan interest. The shared experience bolstered group cohesion during challenging periods, including Hangeng's departure in 2011, which tested but ultimately reinforced their collective resilience.

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