Susan Heyward
Susan Heyward (born November 19, 1982) is an American actress best known for portraying Sister Sage in the fourth and fifth seasons of the Amazon Prime Video series The Boys and its spin-off Gen V, as well as Tamika Ward in the final seasons of Netflix's Orange Is the New Black.[1] A classically trained performer, she has built a career spanning theater, television, and film, with breakthrough roles highlighting her versatility in dramatic and action-oriented parts.[2] Heyward was born in Atlanta, Georgia,[3] where she developed an early interest in acting and attended the South Carolina Governor's School for the Arts and Humanities, graduating from its drama program in 2001.[4] She later earned a Bachelor of Fine Arts in Drama from Carnegie Mellon University in 2005, where she received a scholarship to hone her craft.[2] Complementing her formal education, she trained at the Moscow Art Theatre School under Anatoly Smeliansky and studied at the Freedom Theatre, emphasizing classical techniques.[5][6] Heyward began her professional career in theater, making her Broadway debut in 2013 as a cast member in the revival of The Trip to Bountiful opposite Cicely Tyson.[7] She later appeared as Rose Granger-Weasley in the original Broadway production of Harry Potter and the Cursed Child.[1] Transitioning to screen work, her feature film debut came in 2013 as Monica in the independent drama Mother of George, followed by her television breakout as the lead Detective Deena Pilgrim in the 2015 PlayStation Network series Powers.[8] Subsequent notable television roles include Cece in HBO's Vinyl (2016), Betty Porter in Apple TV+'s Hello Tomorrow! (2023), and her turn as the intelligent supervillain Sister Sage in The Boys (2024) and Gen V (2025).[1]Early life and education
Early life
Susan Heyward was born on November 19, 1982, in Atlanta, Georgia.[9] Heyward grew up primarily in Atlanta and Philadelphia as the daughter of two preachers, which instilled a strong religious foundation in her early years.[10] This Southern upbringing, marked by her family's pastoral roles, exposed her to themes of faith and community that later influenced her worldview.[11] From a young age, Heyward developed an interest in performing arts, discovering acting as an outlet for expression amid her structured home environment.[10] Her early experiences in Atlanta's cultural scene, combined with familial expectations, shaped her formative years before she transitioned to formal training.Education
Heyward first pursued formal training in acting at the South Carolina Governor's School for the Arts and Humanities, graduating from its drama program in 2001.[12] She later attended Carnegie Mellon University School of Drama on scholarship, where she earned a Bachelor of Fine Arts (BFA) in Drama in 2005.[2][13] The program's intensive curriculum emphasized practical skills in acting, voice, movement, and ensemble work, preparing students for professional theater through a conservatory-style approach that integrated classroom study with frequent stage productions. During her time at Carnegie Mellon, Heyward participated in campus performances that honed her skills, notably portraying identical twins reunited after 36 years in the School of Drama's repertory production of Slide Glide, the Slippery Slope in 2005, one of three American plays staged that season.[14] This hands-on experience exemplified the program's focus on collaborative theater-making and character development. Complementing her BFA coursework, Heyward studied at the Freedom Theatre, emphasizing classical techniques, and at the Moscow Art Theatre School under director Anatoly Smeliansky, gaining exposure to Stanislavski-based techniques.[6][5] Leaving her roots in Atlanta, Georgia, for Pittsburgh marked a significant step in her commitment to professional acting education.[15]Career
Early career
Susan Heyward began her professional acting career shortly after graduating from Carnegie Mellon University with a Bachelor of Fine Arts in Drama in 2005.[13] Her first television role was as Lindsey, the office assistant, in the short-lived Comedy Central series Michael & Michael Have Issues in 2009, appearing in four episodes.[16] Later that year, she appeared as Alicia Rodriguez in an episode of Law & Order, playing a supporting role in a procedural drama centered on criminal investigations. The following year, in 2010, she guest-starred as Feyonce in 30 Rock, embodying a satirical character in the show's signature absurd humor. These roles provided early exposure on network television, building on her theatrical foundation without yet leading to recurring parts. Her stage debut came in 2010 with the title role of Sabrina in a revival of Samuel A. Taylor's Sabrina Fair at Ford's Theatre in Washington, D.C., where she portrayed the object of affection in a romantic comedy exploring class and racial dynamics.[17] Critics praised her performance for its sparkle and pert reasoning through the character's dilemmas, marking an early showcase of her comedic timing and emotional depth.[18] A significant breakthrough arrived in 2013 with her Broadway debut in Horton Foote's The Trip to Bountiful at the Stephen Sondheim Theatre, where she performed in the ensemble opposite Cicely Tyson, Vanessa Williams, and Cuba Gooding Jr. The production, a revival of the poignant family drama, ran for 136 performances and earned acclaim for its emotional resonance, positioning Heyward as an emerging talent in New York's theater scene.[19] That same year, Heyward made her feature film debut as Monica in Andrew Dosunmu's Mother of George, a drama about Nigerian immigrants in Brooklyn starring Danai Gurira and Isaach De Bankolé. The film premiered at the 2013 Sundance Film Festival and received positive reviews for its visual poetry and intimate portrayal of cultural tensions, with a Metacritic score of 77 indicating strong critical reception.[20] Heyward's supporting performance contributed to the ensemble's authenticity, earning notice amid the film's festival buzz.[21]Television career
Heyward began securing recurring television roles in the mid-2010s, starting with a guest appearance as Jenny in the Fox thriller series The Following during its second season in 2014.[22] Her breakthrough came in 2015 when she landed the lead role of Deena Pilgrim, a rookie detective partnering with a former superhero to investigate crimes involving superhumans, in the PlayStation Network series Powers, which ran for two seasons through 2016 and marked her first major television series.[22] In the show, Pilgrim's arc evolves from a skeptical newcomer navigating a gritty, superpower-filled world to a more hardened investigator confronting moral dilemmas in a corrupt system, contributing to the series' exploration of superhero accountability.[23] The following year, Heyward portrayed Cece, the efficient personal secretary to record executive Richie Finestra (played by Bobby Cannavale), in HBO's music industry drama Vinyl.[24] Cece's role highlights the racial and gender dynamics of the 1970s rock scene, as she balances professional demands and personal ambitions while supporting Finestra's chaotic leadership amid the label's turbulent rise.[25] From 2018 to 2019, Heyward appeared as Tamika Ward, initially a compassionate correctional officer who rises to warden of Litchfield Penitentiary's maximum security wing, in the final two seasons of Netflix's Orange Is the New Black.[26] Ward's character arc underscores the systemic pressures of prison administration, as she grapples with budget cuts, inmate unrest, and personal bonds—particularly her friendship with Taystee Jefferson—adding depth to the series' critique of the U.S. correctional system.[27] Heyward continued with recurring roles, including Demetria Barnes, a bold attorney associate, in the 2021 OWN legal drama Delilah, where her character supports the protagonist in high-stakes cases involving civil rights and family secrets.[28] In 2023, she played Betty Porter, the anxious wife of a salesman in a retro-futuristic setting, in Apple TV+'s Hello Tomorrow!, emphasizing her character's emotional strain amid the show's themes of deception and unfulfilled dreams.[29] Heyward's prominence in the superhero genre surged with her portrayal of Sister Sage (also known as Jessica Bradley), a brilliant and manipulative supe with vast intellect, introduced as a new member of The Seven in season 4 of Amazon Prime Video's The Boys in 2024 and set to reprise the role in season 5, the series' final season, scheduled for release in 2026.[30][31] Sage's arc positions her as a strategic antagonist orchestrating corporate and political chaos within Vought International, challenging the show's anti-hero dynamics and elevating Heyward's profile in satirical superhero narratives.[32] She reprised the role in two episodes of Gen V season 2 in 2025, crossing over into the spin-off's college supe storyline to influence events at Godolkin University and tie into broader threats against Homelander.[33]Film career
Heyward's film debut came in 2006 with an uncredited role as a church attendee in the short indie film Sofia for Now, directed by an independent filmmaker, which follows a young Latina girl's journey to find her mother.[34][35] She gained notable recognition for her supporting performance as Monica in the drama Mother of George (2013), directed by Andrew Dosunmu, where she portrayed a friend navigating cultural tensions within a Nigerian immigrant family in Brooklyn.[36] The film premiered in the U.S. Dramatic Competition at the 2013 Sundance Film Festival, earning widespread critical acclaim for its cinematography by Bradford Young, which won the festival's Excellence in Cinematography Award, and an overall Metacritic score of 77 indicating positive reviews.[20] Oscilloscope Laboratories acquired distribution rights following the premiere, highlighting the film's impact on the indie circuit.[37] In 2015, Heyward transitioned to a wider commercial release with her role as Sophie, a member of the paranormal investigation team, in Gil Kenan's remake of Poltergeist.[38] Playing alongside Jane Adams and Jared Harris, she contributed to the film's tense supernatural sequences, drawing on the original 1982 classic's legacy of suburban horror. In a post-production interview, Heyward described the set experience as technically demanding, emphasizing the coordination required to build suspense through lighting, sound, and effects, though she noted feeling more intrigued than frightened by the process, even incorporating personal prayers for focus.[39] Heyward's film work continued to diversify with her appearance as Jerusa, a supportive friend to the protagonist, in the Netflix romantic comedy The Incredible Jessica James (2017), directed by James C. Strouse.[40] The film, which premiered at the 2017 Sundance Film Festival, received positive comedic reception for its witty portrayal of post-breakup resilience and artistic ambition, earning an 88% approval rating on Rotten Tomatoes and praise for its ensemble dynamics.[41][42] Critics highlighted the film's lighthearted tone and authentic New York City vibe, with Heyward's role adding to the supportive circle around lead Jessica Williams' aspiring playwright.[43]Theatre career
Heyward's theatre career gained momentum following her Broadway debut in the 2013 revival of Horton Foote's The Trip to Bountiful, where she joined the ensemble and understudied the role of Thelma.[44] In 2016, she took on an Off-Broadway role as Monique in Adam Rapp's The Purple Lights of Joppa Illinois at the Atlantic Theater Company, portraying a teenage visitor whose high-octane energy contributes to the play's tense atmosphere of unease and familial dysfunction.[45][46] Heyward's most prominent stage role came in 2018, when she originated the part of Rose Granger-Weasley—daughter of Hermione Granger and Ron Weasley—in the Broadway production of Harry Potter and the Cursed Child at the Lyric Theatre, performing through March 2019.[47] This two-part play, adapted from J.K. Rowling's story and recognized as one of the most defining pop culture events of the 21st century, showcased Heyward's ability to embody a key figure in the wizarding world's next generation amid groundbreaking illusions and storytelling.[48] As markers of her professional standing in the industry, Heyward holds membership in Actors' Equity Association and SAG-AFTRA.[6] No major stage productions featuring Heyward have been documented since 2019.Filmography
Film
| Year | Title | Role | Director |
|---|---|---|---|
| 2012 | Busted on Brigham Lane | Momo | Talibah Lateefah Newman[49] |
| 2013 | Mother of George | Monica | Andrew Dosunmu[50] |
| 2015 | Poltergeist | Sophie | Gil Kenan |
| 2017 | The Incredible Jessica James | Jerusa | Jim Strouse[51] |
| 2017 | The Light of the Moon | Grace | Jessica M. Thompson |
| 2018 | Radium Girls | Etta | Lydia Dean Pilcher, Ginny Mohler[52] |