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TV Times

TV Times is a weekly television listings magazine published in the United Kingdom by Future Publishing Limited. Launched on 22 September 1955 to coincide with the launch of Independent Television (), it provides programme schedules, celebrity interviews, features on popular shows, and entertainment news, serving as the primary guide for ITV viewers for decades. Originally produced as a regional for the London transmission area with an initial print run of 350,000 copies, TV Times was promoted by to highlight ITV's programming and aims. Its circulation grew rapidly, reaching 1 million copies by September 1956, 3 million by October 1958, and over 4 million weekly by 1960, making it one of Britain's top-selling magazines at the time. From May 1960, it was managed by TV Publications Ltd., and multiple regional editions were introduced, such as the edition in October 1959. On 3 September 1968, TV Times expanded to a single national edition, unifying listings across all ITV regions. A key milestone came in November 1969, when it became the first magazine to publish full-colour listings to mark ITV's launch of colour . Between 3 October 1981 and 6 October 1984, it was rebranded as TV Times Magazine to emphasize its expanded content beyond mere schedules. Circulation peaked in the millions during the late , reflecting 's central role in British culture, though it has since declined to around 70,000 copies weekly as of mid-2025 amid shifts to digital viewing.

History

Launch and Early Years

The TV Times was founded on 22 September 1955 by , the inaugural ITV franchise holder for weekdays in the London region, as the official listings magazine coinciding with the launch of services in the . This debut aligned precisely with 's first broadcast at 7:15 p.m. that evening, marking the introduction of commercial television to Britain after years of monopoly. The magazine's initial purpose was to provide comprehensive programme schedules exclusively for ITV's London output, covering on weekdays and (ATV) on weekends, thereby filling a gap left by the BBC-owned , which did not include commercial channel details. Early issues emphasized accessibility for viewers in the area, navigating a regulatory landscape shaped by the Independent Television Authority (ITA), which oversaw ITV's operations and ensured the magazine served as the sole authorized source for full ITV listings amid the established duopoly with the BBC. Operationally, the TV Times began under Associated Rediffusion's direct oversight before production shifted to its subsidiary, Television Publications Ltd, in May 1960, which handled printing and distribution from facilities. This transition supported growing demand while maintaining the magazine's role as the definitive guide, distinct from the ' focus on public service broadcasting. The first issue, dated 20 September 1955 and spanning 40 pages, featured a cover with actress , star of the serial , alongside glimpses of to evoke glamour. Content blended straightforward seven-day schedules with engaging supplementary material, including celebrity interviews (such as with and ), black-and-white photographs of stars like and , and articles on television technology and behind-the-scenes production to broaden appeal beyond mere listings. This style, which highlighted personalities like newsreader Barbara Mandell—Britain's first female in the role—helped cultivate a readership eager for ITV's innovative programming. By the late 1960s, the TV Times transitioned to national coverage starting 21 September 1968, extending its reach beyond London.

National Expansion

The expansion of the TV Times from a patchwork of regional publications to a unified national magazine marked a pivotal phase in its development, driven by regulatory shifts in the commercial television sector. Following the ITV franchise renewals of 1967–1968, the Independent Television Authority (ITA), under chairman Lord Hill, mandated the creation of Independent Television Publications (ITP) as a joint venture among ITV companies to consolidate programme listings. This addressed the fragmentation caused by multiple regional magazines, standardizing content while allowing for regional variations through inserts. The national TV Times debuted on 21 September 1968, achieving a circulation of approximately 3 million copies and covering all ITV regions except the Channel Islands, where local publications persisted due to economic constraints. These renewals not only reshaped ITV's regional structure but also enabled the joint publication of listings, overcoming earlier barriers to among competing broadcasters and enhancing in a growing market. By centralizing production under ITP, the magazine could incorporate national features alongside tailored regional schedules, reflecting the ITA's push for a cohesive network identity amid expanding viewership. This unification transformed the TV Times into the primary guide for independent television, boosting its accessibility and commercial viability. Further growth occurred with the launch of on 2 November 1982, when the TV Times incorporated listings for the new channel, along with S4C in , extending its scope beyond ITV for the first time. This adaptation aligned with the Broadcasting Act 1981, which established as a complement to , and required ITP to include the schedules to serve viewers comprehensively. The addition diversified the magazine's content, capturing the era's multichannel expansion while maintaining its focus on commercial and public service programming. The most significant regulatory breakthrough came with the , which deregulated television listings effective 1 March 1991, dismantling the long-standing duopoly where the BBC's and the TV Times held exclusive rights to their respective networks' schedules. This ended the broadcasters' monopoly on detailed programme information, permitting the TV Times to include BBC1 and BBC2 listings alongside ITV, , and . The change spurred innovation in the listings market, heightening competition with the and prompting both publications to enhance features and distribution to retain subscribers.

Ownership Changes and Modern Era

In 1968, following its national expansion, TV Times was published by Independent Television Publications (ITP), a company jointly owned by the ITV franchise holders, until 1989 when it was acquired by IPC Magazines for an undisclosed sum. IPC Magazines, which had previously published the magazine under license, integrated it into its portfolio of consumer titles. The ownership evolved further as IPC became Time Inc. UK in 2014 following its acquisition by Time Inc., and was rebranded as TI Media in 2018. In April 2020, Future plc completed its £140 million acquisition of TI Media, bringing TV Times under the control of the specialist media publisher and expanding its digital distribution capabilities. Following the of television listings in March 1991, TV Times adapted by incorporating comprehensive multi-channel schedules, including BBC1, BBC2, , and for the first time starting from 1 March 1991. This shift ended the previous monopoly-like restrictions and positioned the magazine as a fuller guide amid the growing availability of cable and satellite services. As launched in the UK in 1998 with ONdigital (later ), followed by Freeview in 2002, TV Times responded by progressively expanding its listings to cover dozens of additional digital channels, ensuring relevance in an era of fragmented viewing options. In March 2022, TV Times implemented a significant layout refresh, adopting a cleaner, more navigable design similar to competitors like and , which included the reintroduction of radio schedules after their removal in 2006. These updates also enhanced coverage for contemporary viewing habits, integrating listings and previews for streaming platforms such as , , Disney+, and alongside traditional broadcast channels. The changes aimed to streamline for multi-platform audiences, with expanded daily previews and ratings for key programs across 56 pages of content. Marking its 70th anniversary in 2025, TV Times celebrated with special editions featuring historical retrospectives, exclusive photoshoots recreating iconic covers, and a promotional one-year subscription offer priced at £70. The anniversary issue for 20–26 highlighted the magazine's evolution while reaffirming its role in guiding viewers through seven decades of television .

Editions and Distribution

Regional Editions

Prior to the national unification of television listings in 1968, various ITV franchise holders produced their own independent regional magazines to provide programme schedules tailored to local broadcasts. For instance, in the South West of England published Look Westward, a weekly guide that included details of both network and regional content, costing 5d per issue in its early years. Similarly, issued The Viewer, which served as the primary listings source for viewers in central until 1968. In , Ulster Television's TV Post offered comprehensive coverage of local programming alongside ITV network shows, achieving significant circulation among the region's 160,000 television households by 1960. in the also maintained its dedicated Channel Viewer, launched on 1 September 1962 to coincide with the start of transmissions, focusing on island-specific schedules. This fragmented system of multiple pre-1968 regional magazines evolved into a centralized national publication following the Independent Television Authority's decision to standardize listings across the ITV network. On 21 September 1968, the TV Times transitioned from its initial London-centric and partial regional formats to a unified weekly magazine distributed nationwide, incorporating localized inserts or supplements for each ITV franchise area to highlight regional programming variations. This shift addressed the inefficiencies of producing and distributing dozens of separate titles, though it required ongoing customization to reflect differences in local output from companies like those in the and North. In the , the TV Times maintains four primary regional editions to accommodate ongoing variations in ITV scheduling: one for (covering multiple sub-regions including the ), (tailored for STV), (with bilingual elements for Welsh-language content on and ), and (adapted for UTV). These editions feature customized programme grids that prioritize local channels while retaining core national and listings, ensuring relevance to geographic audiences. The edition, for example, integrates a pull-out supplement called Sbec—Welsh for "peek"—which has provided dedicated bilingual listings for since the channel's launch in 1982. Regionalization has presented logistical challenges, particularly in coordinating content from diverse franchises such as in and Yorkshire Television, which required precise of printing schedules and editorial inputs to produce differentiated inserts without delaying national distribution. These efforts involved complex production processes, including separate page proofs for local opt-outs and features, to balance uniformity with regional specificity amid varying broadcast timings. Despite technological advancements, such continues to demand close collaboration between the publisher and regions to maintain accuracy in an era of fragmented viewing habits.

Circulation and Formats

The TV Times achieved its highest circulation figures during the mid-20th century, reflecting the rapid growth of commercial television in the UK. By 1960, the magazine was selling approximately four million copies per week, capitalizing on the expansion of programming and limited alternatives for viewers seeking detailed listings. In the 1970s, circulation remained robust at around 3.125 million copies weekly, establishing it as one of Britain's most widely read color magazines with a readership exceeding 10 million. These peaks in the 1970s and 1980s underscored the magazine's essential role in an era before widespread electronic programme guides (EPGs), though sales began to soften as multichannel TV proliferated and free listings emerged in newspapers post-1991 . Circulation has since declined sharply due to the rise of digital alternatives, including online TV schedules, streaming services, and built-in EPGs on modern televisions, which reduced the need for printed guides. Audited figures from the Audit Bureau of Circulations (ABC) show 197,153 total copies (print and digital editions) for the period January to June 2016, marking a continued downward trajectory from earlier highs. By 2024, this had fallen to 71,984 average copies per issue, a 10% year-on-year drop, amid broader shifts toward on-demand viewing and app-based content discovery that have eroded print media's dominance in TV guidance. Distribution has adapted to these changes, maintaining weekly print issues sold primarily through newsstands and direct subscriptions, which account for a significant portion of remaining sales (around 27% subscriptions in recent data). Digital editions became available in the early to counter the slump, offered via platforms such as Pocketmags for individual subscriptions, Readly for unlimited all-you-can-read access, and Zinio as a newsstand-style digital retailer, allowing readers to purchase or subscribe to issues on tablets and smartphones. The magazine's physical format has evolved to enhance appeal and usability over time. Initially launched in a compact tabloid style on cheaper paper in 1955, it transitioned to a larger magazine-sized format by the late 1950s and 1960s, increasing page counts and incorporating higher-quality production to include more features alongside listings. In the , issues briefly featured supplementary content tied to the era's home entertainment boom, such as DVD review sections and rental guides, aligning with the popularity of video stores and early . A 2022 redesign under Future Publishing emphasized improved readability with cleaner layouts, larger fonts, and better navigation for programme highlights, aiming to retain older demographics while adapting to contemporary print standards.

Content and Features

Programme Listings

The TV Times has served as the primary weekly guide for television schedules in the United Kingdom since its launch on 22 September 1955, initially providing comprehensive seven-day listings exclusively for ITV programmes. This focus on ITV continued until November 1982, when listings for were added alongside those for the Welsh-language service , reflecting the expansion of terrestrial broadcasting options. A major shift occurred on 1 March 1991, following the of the UK television listings market, which ended the previous monopoly where TV Times covered only ITV and while the BBC's handled public service channels; from this date, TV Times began including and schedules, broadening its scope to encompass all major terrestrial broadcasters. In the , the magazine adapted to the rise of multi-channel television, incorporating listings for newly launched services such as from March 1997, as well as satellite and cable channels like those from BSkyB, in response to growing and the proliferation of pay-TV options. By the early , this extended to and Freeview channels, with the publication now covering over 70 channels daily to accommodate the shift toward terrestrial and the fragmentation of viewing audiences. These historical changes transformed TV Times from a single-network guide into a comprehensive resource for diverse platforms, aligning with broader industry trends toward multi-channel accessibility. The listings are typically presented in a grid-based format, organized by day and time slot across channels, allowing readers to scan schedules efficiently. Each entry includes detailed synopses summarizing programme content, key and information, and details for ongoing series, with full-colour printing introduced for schedule pages on 7 1989 to enhance . Additional elements such as age ratings, content warnings for violence, language, or nudity (in line with guidelines), and viewer advisories are integrated to inform family viewing choices. To aid navigation in an increasingly crowded schedule, TV Times features curated sections like double-page highlights introduced on 11 February 2006, which spotlight editor-selected "top picks" of standout programmes, premieres, and must-watch events across genres, providing concise recommendations to guide viewers. These elements emphasize the magazine's role in not only documenting broadcasts but also curating accessible viewing experiences amid expanding channel options.

Supplementary Material

Beyond its core programme listings, TV Times has long incorporated supplementary editorial content to engage readers with the . Regular features include exclusive interviews, where writers speak directly to stars, production teams, and insiders about the creative processes behind major shows. stories provide insights into set dynamics and filming challenges, often highlighting the efforts of crews on popular series. updates deliver weekly spoilers, character developments, and off-screen gossip for ongoing dramas like , maintaining reader loyalty through timely narrative recaps. Film reviews and previews, tied to televised airings, offer critical assessments and recommendations to guide viewing choices. Visual elements have been integral to the magazine's appeal, featuring high-profile photo shoots that capture stars in promotional poses. For instance, a 2025 anniversary shoot paired actors and to commemorate the publication's 70th year, blending nostalgia with contemporary glamour. has evolved significantly since the , when designs emphasized glamorous portraits of television personalities, such as actress in a striking 1965 issue, reflecting the era's star-centric allure. Later decades shifted toward more dynamic compositions incorporating multiple images and bold typography, while modern covers maintain a focus on current talent but with cleaner, promotional layouts suited to retail displays. To enhance retention, special sections were introduced in later years, including puzzles like crosswords that tie into , as seen in issues featuring "Puzzles & Stars" alongside quizzes. Horoscopes, provided by astrologers such as Wendy Bristow, offer monthly predictions tailored to viewers' signs, often linking cosmic influences to on-screen events. Competitions invite readers to win prizes related to featured programmes, such as signed memorabilia or tickets, fostering interactivity through entry forms in each issue. Recipes occasionally appear in tie-ins with cooking shows, providing simple dishes inspired by on-air demonstrations to extend engagement beyond viewing. In the digital era, post-2010 app versions have expanded these elements with enhanced , including searchable archives of interviews and updates delivered via mobile notifications. Streaming recommendations integrate into previews, suggesting content for non-broadcast viewings, while interactive features like reader polls on favourite episodes encourage community participation within the digital edition. These additions complement the foundational listings by bridging traditional print with modern viewing habits.

Awards and Legacy

TV Times Awards

The TV Times Awards, an annual reader-voted celebration of British television, were launched in the magazine's 1969 Christmas edition with the inaugural category for "Top Television Person," won by singer . The awards expanded in subsequent years, introducing additional categories such as Most Compulsive TV Character in 1971, won by Street's , and later encompassing genres like Best Soap, Best Drama, Best Actor/Actress, Favourite Comedy, and Favourite New Drama. By the 2000s, categories had evolved to include lifetime honors, such as All-Time Favourite Actor ( in 2005) and All-Time Favourite Soap Star ( in 2005), reflecting the magazine's growing emphasis on viewer favorites across decades of programming. Voting for the awards has traditionally relied on , beginning with postal ballots in the and evolving to include online submissions via the TV Times website or app, with registration and voting periods typically spanning several weeks in the autumn. Readers select nominees from shortlists across approximately 14 categories in recent years, such as Favourite Actor (Drama), Favourite , and Favourite Entertainment Show, with results tallied to determine winners announced in a special issue. Post-2010, the awards adapted to the rise of streaming platforms by incorporating eligible content from services like and into categories like Favourite New Drama, broadening participation beyond traditional broadcast television. Notable trends highlight the dominance of longstanding British soaps, with securing multiple wins, including Favourite Soap in 2023 amid a year of high-drama storylines, underscoring the awards' role in recognizing viewer loyalty to serialized content. Broadcaster achieved a record seven consecutive victories in the Top Television Person category during the 1970s and 1980s, exemplifying the awards' early focus on charismatic personalities. In recent iterations, such as 2024, winners like for Favourite Actor (Drama) in Mr Bates vs The Post Office reflect a shift toward acclaiming impactful factual dramas alongside entertainment staples. The awards' presentation has historically featured glamorous ceremonies, particularly when televised by from the 1970s to 1980s, drawing 18-19 million viewers and hosted by celebrities including Richard O’Sullivan in 1976, in 1984, and Eamon Andrews in 1974, with occasionally presenting. In the , while live broadcasts have ceased, announcements occur through special magazine issues and online reveals, often accompanied by celebrity interviews, photo shoots for covers, and promotional features that tie winners to upcoming content. This format maintains the awards' connection to the magazine's promotional ecosystem, celebrating viewer choices in a reader-centric event.

Cultural Impact

The TV Times played a pivotal role in shaping from its launch in , becoming a household staple that guided viewers through ITV's programming and highlighted emerging stars and cultural events, thereby influencing programme popularity and scheduling preferences during an era when ownership surged. With peak weekly circulation exceeding 4 million copies by 1960, the magazine's features on icons like and coverage of milestones such as the 1969 embedded it in everyday family routines, fostering a shared national viewing culture centered on commercial 's entertainment focus. The end of the BBC's listings in 1991 marked a significant shift, as allowed the TV Times to include BBC programmes alongside ITV and listings, intensifying with the in what became known as the "listings wars." This rivalry underscored the TV Times' emphasis on commercial 's vibrant, advertiser-driven content—contrasting the ' public orientation—while boosting overall media diversity and viewer access to comprehensive schedules, though circulation for both magazines remained robust with the TV Times selling around 4 million copies weekly at its height compared to the ' 7 million. The ultimately democratized , encouraging in magazine formats and features to capture audience loyalty. In the digital age, the TV Times transitioned to online listings and digital editions, contributing to the broader decline of print amid rising streaming services, yet it endures as a in TV with weekly issues available via apps and subscriptions as of 2025. Its 70th anniversary in September 2025 reflected on these cultural shifts, celebrating the evolution from appointment viewing of soaps like to modern and streaming, while special editions and photoshoots with stars like and highlighted the magazine's lasting role in documenting television's transformation. This pivot underscores the TV Times' adaptation to fragmented viewing habits, maintaining relevance through archival insights into Britain's landscape.

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