Tei Shi
Tei Shi is the stage name of Valerie Teicher Barbosa, a Colombian-Canadian singer-songwriter, record producer, and DJ known for her sultry indie electronic music that fuses dream pop, R&B, synth-pop, and Latin influences. Born in Buenos Aires, Argentina, to Colombian parents, she was raised between Bogotá, Colombia, and Vancouver, Canada, which shaped her cross-cultural identity and sound. A Berklee College of Music alumna, Tei Shi has built a career marked by artistic autonomy, self-releasing her recent works after experiences with major labels, and advocating for independence in the music industry.[1][2][3] Tei Shi's musical journey began with her debut EP Saudade in 2013, followed by Verde in 2015, which experimented with genre-blending indie pop.[1][4] Her first full-length album, Crawl Space (2017), marked her major-label debut on Downtown Records and Interscope, earning praise for its transformative synth-pop exploring personal growth.[2][5] This was followed by La Linda (2019), a reflective R&B-infused work recorded after her move to Los Angeles, featuring collaborations like Devonté Hynes (Blood Orange) on tracks such as "Even If It Hurts" and bilingual songs like "Matando."[2] She continued with EPs Die 4 Ur Love (2020), delving into themes of heartache, and Bad Premonition (2023), refining her stylish, introspective pop.[6][7] In recent years, Tei Shi has embraced self-production and release, dropping the album Valerie in 2024, which channeled years of emotional depth, and her fourth studio album Make Believe I Make Believe on August 29, 2025, a 10-track self-released project created in Vancouver with producers Tommy English and Noah Beresin.[8][9][10] The latter emphasizes joy, liberation, and local British Columbia textures, with standout tracks like "Best Be Leaving," "Nanaimo," and "Montón," and supports a 12-city tour starting in Los Angeles in September 2025.[11][12] Now based in Los Angeles, she draws from diverse influences including classic rock (The Beatles), pop icons (Whitney Houston, Mariah Carey), indie rock, electronic, hip-hop, and her Latin heritage, evolving her whispery vocals and precise songwriting over a decade of touring and recording.[1][10] Her collaborations, such as on Blood Orange's "Hope" from Negro Swan (2018), highlight her versatile contributions to contemporary music.[2]Early life and background
Childhood and family heritage
Valerie Teicher Barbosa, known professionally as Tei Shi, was born on October 4, 1989, in Buenos Aires, Argentina, to Colombian parents.[13] Her family relocated to Bogotá, Colombia—her parents' homeland—when she was two years old, where she spent her early childhood immersed in Latin American culture.[14] Within the household, Spanish was the primary language spoken, and traditions such as listening to Latin music, dancing, and preparing Colombian cuisine reinforced a strong sense of Latinx heritage despite the family's international moves.[15] Tei Shi's family also maintains a Jewish background, which contributed to her multicultural identity.[15] At the age of eight, her family emigrated to Vancouver, British Columbia, Canada, marking a significant shift in her upbringing.[14] This relocation exposed her to a predominantly non-Latinx environment, where she often felt like the "odd one out" due to her combined Colombian and Jewish heritage, contrasting sharply with the vibrant cultural continuity she experienced at home.[15] During this period in Vancouver, she began writing songs as early as six or seven years old, drawing from her nomadic experiences.[16] At fifteen, Tei Shi briefly returned to Colombia for a year, reconnecting with her extended family and roots in Bogotá before moving back to Canada.[14] This cross-continental childhood, spanning Argentina, Colombia, and Canada, profoundly shaped her perspective, blending influences from her Colombian-Jewish lineage with the diverse settings of her youth.[15]Relocation and early musical interests
At fifteen, Teicher briefly returned to Colombia for a short stint before moving back to Vancouver to complete high school, further highlighting the back-and-forth nature of her upbringing between South America and North America. These relocations fostered a sense of adaptability and bilingual fluency in English and Spanish, influences that would later permeate her music. Despite the instability, Vancouver provided a stable base during her formative teenage years, where she began exploring her artistic inclinations more seriously.[14][17] From a young age, Teicher exhibited strong artistic interests, beginning ballet lessons at age two and continuing until fifteen, which cultivated her appreciation for performance and movement. By six or seven, she was privately writing songs and poems in diaries, often drawing from personal emotions and observations. Her family's love for music played a pivotal role; with all her sisters singing and their home filled with diverse sounds from her parents' record collection, Teicher and her siblings frequently put on impromptu shows. This environment nurtured her innate connection to music, which she has called a constant presence throughout childhood. At around ten years old, she began making cassette recordings that captured her youthful introspections and doubts, marking her early experimentation with songwriting and recording.[16][14][18]Music career
2013–2016: Debut releases and early recognition
In 2013, Tei Shi, the stage name of Valerie Teicher, emerged on the indie music scene with her debut single "M&Ms," an R&B-inflected indie pop track featuring layered vocal loops that she uploaded to music-sharing platforms.[19] The song quickly gained traction in the blogosphere, earning her an initial fanbase and marking her transition from anonymous online uploads—where she described her early work as "mermaid music"—to a more public presence.[20] Later that year, on November 12, she self-released her debut EP Saudade, a six-track collection that explored themes of longing and emotional intimacy through ethereal, looped vocals and minimalist production.[21] Critics praised the EP for its innovative sound; VICE premiered it in full, highlighting its "soul-crushingly beautiful" melancholy, while PopMatters noted its range from "sticky sweet to bitingly tart," signaling the arrival of a promising talent.[22][23] Building on this momentum, Tei Shi made her live performance debut at the 2013 CMJ Music Marathon in New York, where she showcased material from Saudade to industry audiences, further solidifying her footing in the city's vibrant indie circuit.[24] By 2015, she released her follow-up EP Verde on April 14 through Mom + Pop Music, a five-track project that refined her signature style with tracks like the lead single "Bassically," a sultry, bass-driven anthem that amassed over 12 million streams and became her breakout hit.[25][26] Pitchfork lauded Verde for its atmospheric depth, describing its opening track "Can't Be Sure" as emerging from "low light" with a haunting vocal presence, and the EP's overall production as a step forward in blending alt-R&B with electro-pop elements.[4] Other singles from the EP, such as "Get It," continued to build buzz, with the release accompanied by a limited-edition cream marble vinyl pressing that underscored her growing cult following.[27] From 2015 to 2016, Tei Shi's early recognition expanded through high-profile festival appearances and collaborations, positioning her as an indie darling. She performed at events like Electric Forest in 2015 and made her Coachella debut in 2016 at the Gobi Tent, where her set drew attention for its intimate, vocal-forward energy.[28] That year, she also opened for Grimes during festival dates, earning endorsements from peers in the alt-pop scene and amplifying her profile ahead of a full-length album.[29] These milestones, coupled with features in outlets like W Magazine—which dubbed her an "indie darling"—highlighted her rapid ascent, driven by a DIY ethos that transitioned into broader industry validation.[28]2017–2018: Crawl Space
In 2017, Tei Shi released her debut studio album, Crawl Space, on March 31 through Downtown Records and Interscope Records.[30] The album's title draws from Tei Shi's childhood practice of entering a crawl space to confront her fear of the dark, a metaphor that underscores themes of personal vulnerability, love's complexities, and self-discovery throughout the record.[31] Recorded across studios in Los Angeles, New York, Montreal, and Philadelphia, the 15-track album blends alternative R&B, dream pop, and synth elements, featuring interludes of Tei Shi's childhood voice recordings that add an intimate, reflective layer.[32] Production was primarily handled by Gianluca Buccellati, who co-wrote and engineered most tracks, with additional contributions from Tei Shi herself on select songs, alongside collaborators like Noah Breakfast, Steve Nalepa, and John Hill.[30] Leading up to the release, Tei Shi issued two singles from the album: "Keep Running" on January 27, described as a mind-blowing opener with slinky R&B grooves and layered vocals, and "How Far" on February 24, a track exploring emotional distance in relationships.[33][34] Standout tracks like "Creep," featuring saxophone and electric guitar accents, and the Spanish-language "Como Si" highlight her multicultural influences and breathy, seductive delivery, evoking comparisons to artists such as Chairlift and Little Dragon.[31] In July 2018, she released "Crawl" as a single, accompanied by a music video that emphasized the album's themes of intimacy and unease.[35] Crawl Space received generally favorable critical reception, earning a Metascore of 80/100 based on seven reviews, praised for its innovative blend of R&B-infused pop, sultry atmospheres, and emotional depth.[36] Publications highlighted its contemplative nature and vocal hooks, with The Guardian calling it a "seductive debut" marked by glacial sultriness and subtle surprises like horn sections, while Exclaim! noted its dreamy R&B opener and hefty bass lines.[31][37] User scores averaged 8.0/10, reflecting appreciation for its diverse, well-produced sound.[36] To promote the album, Tei Shi embarked on an extensive North American tour in fall 2017, performing at venues including U Street Music Hall in Washington, DC, on September 8 and Larimer Lounge in Denver on October 24, alongside festival appearances like Hopscotch in Raleigh.[38] She also announced Canadian dates starting September 26, 2017, via Arts & Crafts, extending her live support into early 2018 with select shows.[39] In 2018, amid ongoing promotion, Tei Shi contributed vocals to "Hope" on Blood Orange's album Negro Swan, featuring Puff Daddy, further elevating her profile in indie and R&B circles.[35]2019–2020: La Linda and Die 4 Ur Love
In 2019, Tei Shi released her second studio album, La Linda, on November 15 via Downtown Records.[40][41] The 10-track project marked a sonic evolution from her debut, blending alternative R&B with spacious production and lush instrumentation that highlighted the nuances of her vocal delivery.[2] Drawing from personal experiences of emotional turmoil and recovery, the album delves into themes of toxic relationships, obsession, and the pleasures and pains of love, often luxuriating in the comedown of excess.[42][43] Standout tracks include the lead single "Even If It Hurts," featuring a collaboration with Blood Orange, which explores vulnerability in intimacy, and "Addict," an opener that sets a tone of sensual introspection with trap-influenced beats.[44][45] Critics praised its elegant, airy production and Tei Shi's self-assured performance, with Pitchfork awarding it a 7.3 out of 10 for its immersive emotional depth.[2] The album's release was preceded by singles like "Alone in the Universe" and promotional efforts that emphasized Tei Shi's growing confidence in her artistry, including a sense of closing negative chapters from her past.[45] However, La Linda faced challenges post-release; in July 2021, it was removed from streaming platforms due to disputes with her label, Downtown Records, which Tei Shi cited as stemming from contractual issues and a desire to reclaim control over her work.[46] Despite its temporary unavailability, the project solidified her reputation for introspective, genre-blending R&B.[47] Following the label fallout, Tei Shi transitioned to independent releases with the Die 4 Ur Love EP, issued on July 17, 2020, comprising five tracks of upbeat electro-pop crafted during the early COVID-19 quarantine.[48][49] The EP represents a deliberate shift toward chaotic yet fun dance music, contrasting the mellower tones of La Linda, as Tei Shi sought to channel personal loss and apocalyptic feelings into escapist energy.[6] Themes of devotion amid ruin permeate the project, with the title track portraying obsessive love in a crumbling world through slick synths and retro-infused hooks.[50][51] Other highlights include "OK Crazy," blending playfulness with abandonment, and "Johnny," which oscillates between lighthearted beats and darker introspection.[52] Produced with collaborators like Daniel Ledinsky, the EP's breezy, intense vibe was designed as a soundtrack for uncertainty, earning acclaim for its resilience and pop accessibility—Pitchfork rated it 7.2 out of 10, noting how it shakes off prior resentments with vibrant, forward-moving tracks.[6][48] This period underscored Tei Shi's adaptability, as she self-directed the title track's video from her home and embraced indie autonomy amid global isolation.[53]2021–2023: Transition to independence and BAD PREMONITION
Following the release of her EP Die 4 Ur Love in 2020, Tei Shi encountered significant challenges with her record label, including unpaid advances dating back to 2019 and a lack of creative control that stalled her output.[54] In July 2021, she pulled her debut album La Linda (2019) from streaming platforms due to these unresolved financial disputes with the label.[54] This period of frustration culminated in her departure from two restrictive label deals, marking a deliberate shift toward full independence as an artist.[16] To regain her footing, Tei Shi took a three-month hiatus in fall 2021, focusing on mental health through practices like meditation, yoga, and time in nature, which helped her overcome creative blocks and rebuild confidence.[55] In summer 2021, while in New York, Tei Shi began channeling her experiences into new music, starting with the single "Grip," written as a direct response to the exploitative dynamics she faced in the industry.[54] Released independently on June 16, 2022, "Grip" served as her first output under full self-direction, featuring gritty pop production and lyrics confronting feelings of being trapped and demanding accountability from labels.[54] The track's raw energy and themes of liberation highlighted her return to the DIY ethos of her early career, allowing her to assemble her own team and trust her instincts without external approvals.[54] Building on this momentum, Tei Shi developed material for her next project during early 2021, emphasizing self-growth and empowerment through a DIY approach with close collaborators.[56] The resulting EP, BAD PREMONITION, was released independently on March 17, 2023, comprising six tracks that blend reflective pop with Spanglish elements and genre fluidity.[16] Self-produced with contributions from Noah Beresin and Alexander Flockhart, the EP explores breaking personal cycles, self-observation, and reclaiming power, as seen in the title track's introspective spark and the assertive "QUIÉN TE MANDA?".[16] Critics noted its punchy, emotive sound but critiqued its somewhat uniform palette, praising Tei Shi's refined style amid her newfound freedom.[7] The EP's release propelled Tei Shi into an active 2023 touring schedule, including a six-week support slot for Kimbra and her own headline tour concluding in San Francisco.[56] She also expanded beyond music, debuting at New York Fashion Week in Elena Velez's show and launching custom merch, signaling a broader embrace of creative autonomy.[16] This period solidified her independence, with Tei Shi describing the control as "amazing" after years of constraints.[16]2024–present: Valerie, Make Believe I Make Believe, and ongoing tours
In 2024, Tei Shi, born Valerie Teicher Barbosa, released her third studio album Valerie on April 19, independently through her own label, marking her first fully self-managed project after parting ways with major label affiliations. The album blends electro-pop, R&B, and Latin influences such as reggaeton and bachata, featuring collaborations with producers like Noah Breakfast, Mikey Freedom Hart, Nick Hakim, Knox Fortune, Dave Sitek, and Patrick Wimberly. It incorporates six new tracks alongside selections from her 2023 Bad Premonition EP, exploring themes of love, betrayal, recovery, and artistic autonomy, with bilingual elements in songs like "MONA LISA" and the reggaeton-infused "¿QUIÉN TE MANDA?". Critics praised its cohesive emotional depth and melodic hooks, positioning it as a bold reclamation of creative control.[57] To promote Valerie, Tei Shi embarked on "The Valerie Tour – Part One," a nine-city North American headline run that began on May 1 in Boston at The Sinclair and included stops in Toronto, Chicago, Los Angeles at Teragram Ballroom on May 11, and concluded in New York. The performances highlighted her live band's dynamic arrangements, blending the album's introspective tracks with earlier hits, and received acclaim for their intimate energy and vocal prowess. A European leg followed later that year, including a show at London's KOKO on May 28.[58][59] Building on this momentum, Tei Shi announced her fourth studio album, Make Believe I Make Believe, on April 30, 2025, via The Orchard, with a release date of August 29. Recorded during a week-long retreat on Vancouver Island in fall 2024—supported by a British Columbia government grant—the album was co-produced with Noah Beresin and Tommy English in a wooded studio setup, allowing for unfiltered creative freedom without external pressures. It delves into subconscious reflections inspired by reconnecting with family and roots in Colombia and Canada, featuring singles like "Drop Dead" (released April 30) and "Best Be Leaving." The record's intimate, dream-pop sound expands her artistry, emphasizing vulnerability and familial bonds.[60][9] Supporting Make Believe I Make Believe, Tei Shi launched a 12-city North American headline tour on September 26, 2025, in Los Angeles, with opening act Marem Ladson for select dates, extending into Canada and Mexico. By November 2025, the tour had progressed through stops including Philadelphia's Milkboy on October 20, Cleveland's Beachland Ballroom on October 23, Chicago's Sleeping Village on October 30, and Mexico City's Foro Indierocks! on November 8. Ongoing performances continued with Vancouver's Biltmore Cabaret on November 18, San Francisco's The Independent on November 20, Seattle's Madame Lou's on November 21, and Portland's Mississippi Studios on November 23. The tour showcases the new album's material alongside fan favorites, emphasizing her evolving live presence. Plans for a European extension in early 2026 include dates in London, Manchester, Dublin, Paris, Brussels, Warsaw, Berlin, Madrid, and Barcelona from February 18 to March 2.[61][62][63]Musical style and artistry
Core elements and influences
Tei Shi's musical style is defined by a fusion of electronic, R&B, soulful jazz, and pop elements, creating a sound that is both introspective and accessible.[64] Her work often features dreamy, sultry tones with mid-tempo grooves, sultry synths, jazzy guitar chords, and breathy soprano vocals layered with tasteful harmonies, emphasizing thoughtful singer-songwriter introspection alongside rhythm-centric production.[65] This blend draws from '00s dream pop, '90s trip-hop, and '80s sophistipop, resulting in tracks that balance vulnerability and empowerment, such as explorations of heartbreak and personal defiance.[65] Central to her artistry is a multicultural identity shaped by her Colombian heritage and Canadian upbringing, which manifests in seamless shifts between English and Spanish lyrics, incorporating Latin genres like bachata while maintaining a pop framework that defies strict categorization.[66] A core element of Tei Shi's music is its thematic depth, often channeling universal emotions like abandonment, loss, and self-discovery through relatable, catchy structures that contrast heavy subjects with danceable energy.[67] She prioritizes minimal, dry pop production with playful synths and grainy basslines, allowing her voice and message to take precedence, as seen in songs that serve as anthems of resilience and emotional release.[68] Her songwriting process typically begins with lyrics or melody ideas, evolving into full instrumentation that reflects observational inspirations from urban environments and personal journals, fostering a chameleon-like adaptability in her sound.[64] This approach underscores a commitment to community and collaboration, evident in partnerships with producers like Mikey Freedom Hart and Rodrigo Amarante, which enhance her independent creative freedom.[66] Tei Shi's influences span a wide array of artists and cultural touchstones, rooted in her childhood exposure to diverse sounds across Bogotá and Vancouver.[67] Early inspirations include Kate Bush, whose innovative style profoundly shaped her artistic vision, alongside Whitney Houston, Celine Dion, Björk, Shakira, and bossa nova icons like Astrud Gilberto, blending jazz, pop, and Latin rhythms.[67] She also draws from noughties pop figures like Britney Spears.[68] Nature, meditation, and instrumental works like Beverly Glenn-Copeland's Keyboard Fantasies further inform her evolving palette, while high-fashion and film aesthetics weave into her multifaceted expression of poetry, dance, and global connectivity.[68][66]Thematic evolution
Tei Shi's thematic concerns have evolved from introspective explorations of personal identity and fear in her early work to more outward-facing narratives of empowerment, surreal romance, and joyful liberation in her recent releases. Her debut EP Saudade (2013) drew heavily on her bicultural Colombian-Canadian heritage, reflecting a sense of longing and displacement shaped by her upbringing between Bogotá and Vancouver.[69] This foundational motif of cross-cultural identity carried into singles like "Nevermind The End" (2015), which evoked wistful introspection about self-discovery and emotional vulnerability in an indie pop framework.[70] With her debut album Crawl Space (2017), Tei Shi shifted toward confronting internal obstacles and phobias, using the title as a metaphor for overcoming childhood fears of the dark through deliberate exposure.[31] Lyrically, the record delved into resilience in love and personal growth, blending autobiographical elements like self-recorded childhood tapes with themes of relational perseverance amid life's challenges.[31] This marked an evolution from passive longing to active self-excavation, as she later described the album as unearthing former identities to transform her present self.[71] Subsequent works amplified romantic and emotional complexities. On La Linda (2019), themes centered on the intertwined nature of love and pain, portraying relationships as surreal, fantastical realms where sacrifice and obsession lead to emotional excess.[2] Tracks like "Even If It Hurts" and "When He’s Done" highlighted self-worth amid heartbreak, evolving the earlier focus on personal fears into a broader examination of romantic disillusionment and the beauty in letting go.[2] The EP Die 4 Ur Love (2020), written amid pre-pandemic pessimism, introduced apocalyptic undertones, blending impending doom with escapism through danceable tracks that processed loss, abandonment, and resentment from professional betrayals.[6] This darker phase transitioned into assertions of agency during her move to independence. The EP BAD PREMONITION (2023) explored deceit, repeated mistakes, and reclaiming control after industry setbacks, with lyrics emphasizing self-worth and liberation from toxic dynamics.[7] Themes of breaking free from darker emotional cycles recurred, signaling a pivot toward empowerment.[16] Her third album Valerie (2024) furthered this by using love and heartache as lenses for processing betrayal, with songs like "GRIP" and "BAD PREMONITION" asserting autonomy against external control, while the title track offered self-compassion amid personal reinvention.[57] Tei Shi's most recent album, Make Believe I Make Believe (2025), represents a marked turn toward optimism and sensual freedom, manifesting joy after years of introspection and struggle.[12] Tracks such as "Montón" celebrate surrendering to love and lust without boundaries, evoking playful intimacy and emotional presence, while the overall record closes the chapter on past sadness with confident, genre-blurring exuberance.[12] This evolution underscores a progression from identity-driven vulnerability to empowered, celebratory narratives, reflecting her growth as an independent artist.Discography
Studio albums
Tei Shi's discography includes four studio albums, each marking distinct phases in her evolution as an independent artist blending alternative R&B, synthpop, and Latin influences. Her debut, Crawl Space, established her introspective style, while subsequent releases like La Linda explored themes of emotional turmoil and recovery. Following a label dispute that temporarily removed La Linda from streaming platforms in 2021, Tei Shi transitioned to self-releasing her later works, Valerie and Make Believe I Make Believe, emphasizing artistic autonomy and personal narrative.[5][45]| Title | Release date | Label | Tracks | Runtime | Notes |
|---|---|---|---|---|---|
| Crawl Space | March 31, 2017 | Downtown / Interscope | 15 | 46:53 | Debut full-length album featuring singles like "Keep Running" and "How Far"; received positive reviews for its innovative alternative R&B sound and emotional depth, with critics praising tracks such as "Baby" for their sultry production.[72][36][73] |
| La Linda | November 15, 2019 | Downtown | 11 | 40:00 | Second album delving into obsession and heartbreak, highlighted by collaborations and tracks like "Even If It Hurts" featuring Blood Orange; Pitchfork noted its contrasting takes on emotional ruin, earning acclaim for its alt-pop maturity despite later distribution issues.[2][74] |
| Valerie | April 19, 2024 | Tei Shi (self-released) | 10 | ~35:00 | Third album reclaiming her real name, Valerie Teicher, with bilingual tracks like "QQ (Quédate Queriéndome)" and "No Falta"; reviewers lauded its empowerment themes and production, marking her full independence after label conflicts.[57][75] |
| Make Believe I Make Believe | August 29, 2025 | Tei Shi LLC (self-released) | 10 | 32:17 | Fourth album offering intimate, abstract reflections with songs like "Drop Dead" and "Best Be Leaving"; co-produced with Tommy English and Noah Beresin and released amid ongoing tours, it was celebrated for its raw vulnerability and synth-driven energy in early critiques.[76][9][77] |
Extended plays
Tei Shi's extended plays represent key milestones in her early career and later independent phase, showcasing her evolution from introspective alt-pop to more experimental electronic sounds. Her debut EP, Saudade, was released on November 12, 2013, and features six tracks including "M&Ms," "Nevermind the End," "Adder(f)all," "Sickasfuck," "Nature vs Nurture," and "Heart-Shaped Birthmark."[78] Initially self-released digitally, it was later issued on limited-edition vinyl by Turntable Kitchen in January 2015, limited to 500 hand-numbered copies.[79] The EP draws on themes of longing and emotional vulnerability, produced in collaboration with Gianluca Buccellati.[80] Her second EP, Verde, arrived on April 14, 2015, via Arts & Crafts, comprising five tracks: "Can't Be Sure," "Bassically," "See Me," "Go Slow," and "Get It."[81] Co-produced by Tei Shi and Buccellati, it blends synth-pop and R&B elements, with "Bassically" serving as the lead single and earning praise for its '80s-inspired balladry.[4] The release marked her signing with the label and built anticipation for her full-length debut.[82] In 2020, amid the COVID-19 lockdowns, Tei Shi self-released Die 4 Ur Love on July 17 through her imprint Diktator Records, a five-track EP written over six days that explores heartache and resentment.[6] Tracks include "Johnny," "Die 4 Ur Love," "Disappear," "OK Crazy," and "Goodbye," with the title track highlighting her shift toward edgier electro-pop.[83] A deluxe edition followed on November 12, 2020, adding remixes by Empress Of, Still Andy, and Buscabulla.[84] Tei Shi's most recent EP, BAD PREMONITION, was issued independently on March 17, 2023, featuring six songs: "FAMILIAR," "Bad Premonition," "¿Quién Te Manda?," "Mona Lisa," "Grip," and "Color" (featuring Donna Missal).[85] The EP refines her reflective pop style with a uniform electronic palette, addressing themes of familiarity and foreboding, and was supported by tour dates.[7][86]Singles
Tei Shi's singles have played a pivotal role in introducing her ethereal, bilingual blend of indie pop, R&B, and dream-pop, often released as precursors to her albums and EPs or as standalone tracks during transitional periods. Her early singles, such as "Bassically" in 2015, marked her emergence with synth-pop production and introspective lyrics, gaining traction through platforms like SoundCloud before formal label support.[5] By 2017, tracks like "Keep Running" showcased a more polished sound, aligning with her debut album Crawl Space.[5] In the late 2010s and early 2020s, singles like "A Kiss Goodbye" (2019) and "Die 4 Ur Love" (2020) highlighted her growing confidence in themes of love and vulnerability, with the latter serving as the title track for her EP and featuring collaborations that expanded her sonic palette.[5] Post-2020, Tei Shi shifted toward self-released material, evident in singles such as "Grip" and "Bad Premonition" (both 2022), which explored darker, premonitory motifs amid her independent phase.[5] Recent releases in 2024 and 2025, including "No Falta," "QQ (Quédate Queriéndome)," "Drop Dead," and "Best Be Leaving," reflect a return to Spanglish elements and upbeat energy, promoting her albums Valerie and Make Believe I Make Believe.[5][87] These tracks, often accompanied by remixes like "Montón (Remix)" and "Drop Dead (Remix)," demonstrate her evolving artistry and direct engagement with fans via streaming platforms.[87] The following table summarizes her major singles, focusing on those that achieved notable visibility or promotional significance:| Year | Title | Notes/Association |
|---|---|---|
| 2014 | Bassically | Debut single; self-released, foundational for her early mixtape Saudade era.[5] |
| 2017 | Keep Running | Lead single for album Crawl Space; Downtown Records.[5] |
| 2019 | A Kiss Goodbye | Pre-La Linda release; explores closure themes.[5] |
| 2020 | Die 4 Ur Love | Title track for EP; Diktator Records, peaked in indie charts.[5] |
| 2022 | Grip | Self-released; part of independent transition.[5] |
| 2022 | Bad Premonition | Self-released; introspective, tied to EP BAD PREMONITION.[5] |
| 2024 | No Falta | Lead from Valerie; self-released, bilingual focus.[5] |
| 2024 | QQ (Quédate Queriéndome) | From Valerie; emphasizes emotional retention.[5] |
| 2025 | Drop Dead | Promoting Make Believe I Make Believe; Tei Shi LLC.[5][87] |
| 2025 | Best Be Leaving | From Make Believe I Make Believe; includes sped-up versions.[5][87] |
| 2025 | 222 | Standalone single; collaborative with Loyal Lobos.[63][87] |
Guest appearances
Tei Shi has contributed guest vocals to various tracks by other artists, often blending her ethereal style with electronic, indie, and alternative productions. Her features span from early indie collaborations to more recent pop-infused works, showcasing her versatility as a vocalist. The following table lists her notable guest appearances:| Year | Artist | Song Title | Release Details |
|---|---|---|---|
| 2014 | Glass Animals | Holiest | Gooey EP [88] |
| 2015 | luca | Best On | Best On (feat. Tei Shi) - Single [89] |
| 2015 | Shy Girls | Arrest Me | 4WZ mixtape; Noah Breakfast Remix single [90] |
| 2018 | Blood Orange | Hope (feat. Puff Daddy & Tei Shi) | Negro Swan [91] |
| 2020 | BAYNK | TESSELLATE | A Study in Movement (No. 4): TESSELLATE - Single [92] |
| 2023 | Ella Vos | Salty | SUPERGLUE [93] |