"That's Me", originally titled "Coachman's Farm", is a pop song by the Swedish group ABBA, featured as the seventh track on their fourth studio album, Arrival, released in 1976. Written by Benny Andersson, Björn Ulvaeus, and Stig Anderson, the song highlights the vocal interplay between ABBA's two lead singers, Agnetha Fältskog and Anni-Frid Lyngstad, with recording sessions beginning on 24 March 1976 at Metronome Studio in Stockholm. It was released as a single exclusively in Japan on 25 July 1977, backed by "Money, Money, Money" from the same album, marking one of ABBA's targeted international releases during their rising global popularity.[1][2]The lyrics of "That's Me" depict a self-assured woman named Carrie who boldly introduces her multifaceted personality—sweet yet tough, simple yet complex—challenging a potential suitor to accept her as she is, set against an upbeat arrangement featuring strings, guitars, and banjo for an infectious, energetic feel. Performed live during ABBA's 1978 tour of Japan, the song was showcased in a television special, ABBA in Japan, emphasizing the group's dynamic stage presence with accompanying dancers. Despite not achieving widespread single success outside Japan, it exemplifies ABBA's knack for crafting character-driven tracks that complement their more famous hits like "Dancing Queen" and "Money, Money, Money" on Arrival, an album that topped charts in multiple countries and solidified their international breakthrough.[2][3]"That's Me" gained renewed attention in 1998 when it inspired the title of Agnetha Fältskog's compilation albumThat's Me: The Greatest Hits, which collected her solo work alongside select ABBA recordings, reflecting its personal significance to her as one of her favorite ABBA songs. The song has since appeared on various ABBA compilations, such as the 1994 box set Thank You for the Music and the 2012 The Essential Collection, underscoring its enduring place in the group's discography amid their legacy of an estimated 150 to 400 million records sold worldwide.[1]
Background and development
Song origins
"That's Me" originated during ABBA's songwriting sessions in early 1976, initially bearing the working title "Coachman's Farm" before evolving into its final name as the composition developed.[4] The track was penned amid the group's intensive creative period following the release of their self-titled third album in 1975, as they prepared material for what would become Arrival, their fourth studio album.[5] This phase marked ABBA's deepening international ambitions, with the song conceived as a potential single to capitalize on their rising global profile after hits like "Mamma Mia" and "SOS."[5]The song's music was composed by Benny Andersson, while Björn Ulvaeus handled the lyrics, with Stig Anderson credited as co-writer for the English adaptation—a common practice in ABBA's songwriting collaborations during this era.[6] These sessions reflected the duo's established partnership, where Andersson's melodic structures often intertwined with Ulvaeus's narrative-driven words to create the group's signature pop sound.[7] By March 1976, the piece had progressed to the recording stage, fitting into Arrival's diverse tracklist that blended upbeat anthems with more introspective numbers.[5]
Recording sessions
The recording of "That's Me" took place primarily on March 24, 1976, at Metronome Studio in Stockholm, Sweden, as part of the broader sessions for ABBA's fourth studio album, Arrival, which spanned from August 1975 to September 1976 at Metronome and Glen studios.[5][8] The track, originally titled "Coachman's Farm" during its development phase, was among the early completions in the album's timeline, following work on "Knowing Me, Knowing You" on March 23, 1976, and preceding later recordings such as "Money, Money, Money" on May 17, 1976, before the album's track order was finalized in late 1976 ahead of its October release.[4][8]Lead vocals were shared by Agnetha Fältskog and Anni-Frid Lyngstad, with Benny Andersson arranging the group's characteristic harmonies; no separate overdub sessions for backing vocals are documented beyond the initial March recording date.[2] Instrumentation featured Benny Andersson on keyboards and synthesizer, Björn Ulvaeus on acoustic and electric guitar and banjo, Rutger Gunnarsson on bass, Ola Brunkert on drums, additional electric guitar by Janne Schaffer, and strings arranged by Rutger Gunnarsson.[6][2]Engineer Michael Tretow handled the production, emphasizing post-production overdubs of synthesizers and strings to achieve the song's layered, rhythmic texture within ABBA's polished pop sound.[6][5]
Musical composition
Lyrics and themes
The lyrics of "That's Me" revolve around themes of self-assertion and romantic independence, portraying a narrator who candidly reveals her multifaceted personality to a potential partner, emphasizing her right to emotional variability and freedom over conforming to expectations.[9] The song highlights personal empowerment through lines such as "Ain't it good to be free?" and the chorus declaration "That's me, a bundle of joy and misery," which affirm self-acceptance despite imperfections.[10]Structurally, the verses begin with introspection on self-doubt and unpredictability—"Are you sure you wanna hear more? What if I ain't worth the while"—contrasting with the uplifting chorus that builds to a resolute affirmation of identity, creating a narrative arc from vulnerability to confidence.[9] This progression underscores the song's emotional depth within ABBA's pop framework.The lyrics, credited to Benny Andersson, Björn Ulvaeus, and Stig Anderson, draw from the group's exploration of interpersonal dynamics, aligning with broader 1970s feminist undertones in ABBA's work, such as the themes of relational autonomy in "Knowing Me, Knowing You."[9] Anderson's contributions as a co-writer often refined phrasing for rhythmic flow and international accessibility, enhancing the song's suitability for Agnetha Fältskog and Anni-Frid Lyngstad's delivery.[11]
Musical structure and style
"That's Me" is composed in the key of F♯ major at a moderate tempo of 129 beats per minute (BPM), contributing to its energetic yet accessible feel. The song employs a classic verse-chorus structure, beginning with a brief intro that leads into the first verse, followed by a chorus, a second verse-chorus pair, a bridge for variation, and an outro that fades out, all within a concise runtime of 3:16.[12] This form underscores the track's pop sensibility, allowing the hook-laden chorus—"That's me, hey, that's me"—to drive the momentum while verses build narrative tension.[9]Stylistically, "That's Me" fuses 1970s disco-pop rhythms with rock-infused elements, aligning it closely with the upbeat, multifaceted sound of ABBA's Arrival album.[13] The arrangement highlights prominent electric guitar riffs courtesy of session musician Janne Schaffer, adding a gritty edge to the otherwise polished production, while Benny Andersson's synthesizer layers provide shimmering, atmospheric depth that evokes the era's progressive pop experimentation.[6][14] These instrumental choices create a dynamic contrast between the song's lively instrumentation and its themes of self-assertion, where the protagonist navigates vulnerability with defiance.[13]
Release and commercial performance
Single formats and release
"That's Me" first appeared on ABBA's fourth studio album, Arrival, released on 11 October 1976 in Sweden by Polar Music and later internationally through Epic Records.[15][6]The track was issued as a single exclusively in Japan on 25 July 1977, serving as the fourth and final single from Arrival, with "Money, Money, Money" as the B-side.[16][17]It was released in the standard 7-inch vinyl format (45 RPM) by Discomate under catalog number DSP-115, including picture sleeve editions with bilingual artwork and lyrics.[17] Variations were minimal, primarily limited to promotional pressings in the same market.[18]Polar Music oversaw distribution in Scandinavia, while Epic Records handled international efforts, though the single's release remained confined to Japan amid emphasis on prior singles like "Dancing Queen" and "Knowing Me, Knowing You."[6]Subsequent reissues featured the song on the 1992 compilation ABBA Gold: Greatest Hits, where it appeared as track 9, and on the 2001 remastered edition of Arrival with bonus tracks, alongside 2014 digital remasters via iTunes that preserved the expanded content.[19][20]
Chart positions and sales
"That's Me" was released as a single exclusively in Japan on 25 July 1977, where it debuted and peaked at number 75 on the Oricon Singles Chart, spending 15 weeks on the listing and selling an estimated 40,000 units.[21] Outside Japan, the track was not issued as a standalone single but appeared as the B-side to ABBA's global hit "Dancing Queen," limiting its independent chart performance in markets like the UK, Australia, and the US.[21] In the UK, estimated sales for "That's Me" as a B-side track totaled around 3,000 units, reflecting minimal standalone commercial traction.[22] Similarly, it saw no official chart entry in Australia or the US, where airplay was restricted due to the absence of a single release, though the parent album Arrival provided broader exposure.[23]As a track on ABBA's 1976 album Arrival, "That's Me" contributed to the record's substantial commercial success, with Arrival selling over 10.8 million copies worldwide according to sales estimates. Single sales for "That's Me" remained modest globally, primarily confined to its Japanese release at 40,000 units, underscoring its regional rather than international focus.[24] No specific certifications were awarded to the single itself, though Arrival received gold status in several markets, including the US for 500,000 units shipped.The song experienced renewed interest in the digital era, particularly in Asia where targeted promotion during ABBA's original run fostered enduring popularity. In North America, performance was weaker, with limited radio play and no chart presence beyond album context. By November 2025, "That's Me" had accumulated over 25 million streams on Spotify, highlighting a post-2010s revival driven by streaming platforms and compilations like ABBA Gold.[25]
The official music video for "That's Me" was directed by Lasse Hallström in 1976 during the production of the Swedish TV special ABBA-dabba-dooo!!!, filmed at locations around Stockholm including Viggsö island.[26]The visual style featured close-up shots of Agnetha Fältskog and Anni-Frid Lyngstad delivering their vocals, alongside Benny Andersson and Björn Ulvaeus, emphasizing the band's performance in paired and group formations without narrative elements.[27]Filming occurred in August 1976, with Hallström overseeing the production to align with the song's upbeat rhythm and precise lip-syncing.[28]
Live performances and covers
ABBA first performed "That's Me" live during their 1977 European and Australian tour, where it served as the second song in the setlist following the instrumental opener "Tiger." The debut took place at London's Royal Albert Hall on February 14, 1977, with Agnetha Fältskog delivering the lead vocals alongside harmonies from Anni-Frid Lyngstad.[29][30] The track remained a consistent feature throughout the tour's approximately 23 shows across Europe and Australia, highlighting Fältskog's prominent role in the band's energetic stage presentations.[29]The song was also performed live in the 1978 television special ABBA in Japan, airing on Japanese TV, where it appeared fifth in the setlist following "SOS," as part of promotion for the single release in that market.[31][32] It did not appear in ABBA's subsequent live tours, including the 1979 North American and European outings or their 1980 Japanese tour. The ABBA Voyage concert residency, which opened at London's ABBA Arena on May 27, 2022, and continues through 2025, does not feature the track.[33]"That's Me" has inspired a modest number of covers, reflecting its niche appeal outside ABBA's biggest hits. An early instrumental adaptation appeared on the 1976 album Moog and Guitars, reinterpreting the song's lively rhythm through synthesizers shortly after its recording.[34]Japanese artist Toshio Mori & Blue Coats recorded a vocal version in 1979 on their ABBAtribute album ABBA, The Big Band, aligning with the track's popularity as a single in that market.[35] More recent interpretations include a chiptune rendition by 8 Bit Arcade in 2020 and a symphonic metal cover by Amberian Dawn on their 2022 tribute album Take a Chance: A Metal Tribute to ABBA, which infuses the original's confident lyrics with heavier instrumentation.[34][36] As of 2022, the SecondHandSongs database catalogs four distinct covers, demonstrating the song's lasting but specialized influence among tribute artists.[37]