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The Burning Plain

The Burning Plain is a American-Mexican film written and directed by in his feature-length directorial debut. The film stars as Sylvia/Mariana (adult), a troubled executive; as Gina, a married woman seeking passion; and in her breakout role as young Mariana, Gina's daughter, alongside supporting actors including and . Presented through a non-linear spanning multiple timelines and locations in the American Southwest, it explores interconnected stories of love, , , and triggered by a tragic fire that claims the lives of two lovers. The plot follows the adult Mariana (known as Sylvia) as she grapples with a mysterious confrontation from her past, interweaving with flashbacks depicting her mother Gina's extramarital affair and her own coming-of-age amid family secrets and grief. These seemingly disparate lives converge through themes of betrayal, healing, and the enduring impact of hidden truths, underscored by a score composed by and . for sexuality, nudity, and language, the film runs 107 minutes and blends elements of mystery and romance in its examination of emotional scars. Arriaga, known for scripting films like Babel and 21 Grams, shifted to directing to realize his vision of fragmented storytelling inspired by personal and cultural reflections on loss. The film premiered at the 65th Venice International Film Festival on August 29, 2008, where it competed for the Golden Lion and earned Jennifer Lawrence the Marcello Mastroianni Award for Best New Young Actor or Actress. It received a limited U.S. theatrical release on September 18, 2009, through Magnolia Pictures, grossing modestly at the box office while drawing mixed critical reviews for its ambitious structure and performances. Theron was nominated for a Saturn Award for Best Actress in 2010.

Background and Development

Pre-production History

Guillermo Arriaga made his directorial debut with The Burning Plain, following his acclaimed screenwriting work on Alejandro González Iñárritu's films Amores Perros (2000), 21 Grams (2003), and Babel (2006). The project originated from an idea Arriaga had nurtured for nearly 15 years, with the screenplay completed in 2005 and submitted to producers Walter Parkes and Laurie MacDonald. The film entered development in the mid-2000s, marking Arriaga's transition to directing after he expressed interest in helming the project himself to preserve his vision. Arriaga secured financing from 2929 Productions, the company founded by and , which was drawn to the script's rich characters and intricate storytelling. 2929 Productions president and Marc Butan highlighted the screenplay's unique narrative as a key factor in their involvement. With a of $20 million, early development progressed swiftly, leading to commencing in late 2007 in . Arriaga's decision to direct was driven by his desire to maintain creative control over the film's non-linear structure, which he felt other potential directors might not fully capture, including elements like the "dust, light, [and] desert." Producers Parkes and supported this choice, viewing Arriaga's intimate understanding of the material as essential.

Screenplay and Influences

Guillermo Arriaga began developing the screenplay for The Burning Plain in the mid-2000s, following his work on Babel (2006), with ideas that had been gestating for years based on fragments of personal memories and observations. He drew inspiration from childhood experiences, such as witnessing a devastating at age nine or ten that may have involved people burning alive, which informed the film's central of destruction and haunting aftermath. Additional personal anecdotes, including stories of secret affairs among acquaintances—like two married individuals conducting a relationship in a trailer—shaped the narrative's exploration of hidden family dynamics and emotional concealment. Arriaga's proximity to U.S.- border cultures, informed by his heritage and time spent scouting locations in , further influenced the script's portrayal of cultural intersections and relational tensions. The reflects Arriaga's broader literary influences from Mexican and international authors. Real-life cross-border relationships, observed in border communities, provided a foundation for the script's depiction of intimate connections strained by geographic and cultural divides, echoing events Arriaga encountered or heard about in his life. These elements were woven without formal outlines, relying on instinct to coalesce disparate story ideas around unifying themes like fire as a symbol of . Structurally, the script employs a non-linear format with four tangential storylines that interconnect across timelines and locations, building tension through fragmented revelations of , illicit affairs, and quests for . This approach mirrors Arriaga's signature style, influenced by William Faulkner's multi-perspective narratives in works like (1929), prioritizing over chronological progression. The bilingual nature of the , incorporating English and , underscores the U.S.-Mexico border themes, authentically capturing and linguistic fluidity in interactions as seen in the shooting script. This linguistic duality enhances the script's realism, reflecting the hybrid identities of characters navigating divided worlds.

Production

Casting

The lead roles in The Burning Plain were filled by prominent actresses known for their dramatic prowess. portrayed Sylvia, an affair-obsessed executive grappling with personal turmoil. played Gina, Sylvia's mother in the affair storyline, marking a significant return to dramatic roles after a career hiatus focused on family. , then 17, made her film debut as the young Mariana, a role that served as her breakthrough in the industry. The supporting cast included as Carlos, a key figure in the interconnected narratives; John as John; Danny as Santiago; and Tessa Ia as Maria, contributing to the 's multicultural ensemble. Other notable performers were as Nick Martinez and as Laura, selected to enhance the story's emotional and relational dynamics. Director and writer prioritized actors capable of delivering emotional depth and natural performances, collaborating with casting director Debra Zane to review audition tapes. For Lawrence's role, Arriaga selected her immediately upon viewing her first tape, impressed by her instinctive delivery and ability to blend vulnerability with strength; her audition also impressed Theron, solidifying her casting. The process emphasized actors who could authentically convey complex family bonds and subtle psychological layers without overt theatrics. Casting challenges included securing Theron, who had recently won an Academy Award for in 2004 and was in high demand; Arriaga convinced her through a five-hour meeting, expressing hopes for a long-term collaboration. Basinger's involvement represented a deliberate choice to leverage her experience in intense dramatic work, following a period away from such parts. Principal photography began in November 2007, allowing the cast time for preparation in handling the film's bilingual English-Spanish and interwoven emotional arcs.

Filming Locations and Process

Principal photography for The Burning Plain spanned eight weeks, commencing on November 5, 2007, in the region of , with key locations including Las Cruces and the base of the for rural and desert sequences such as the opening trailer fire and affair scenes. Filming continued through December 21, 2007, before shifting to the , including Depoe Bay, and inland to for Sylvia's storyline, chosen to represent the film's elemental theme of water and provide a contrast to the arid landscapes. Interiors were handled at studios in , to support the production's logistical needs. The shoot employed 35mm captured with under the primary of , who aimed for a crisp, realistic visual style to underscore the borderland desolation; however, scheduling conflicts required to handle the portions. Dan Leigh coordinated a seamless color palette across locations to evoke the film's motifs of earth, air, fire, and water, enhancing the natural environments' role in the storytelling. Challenges included limited pre-production time stemming from work permit delays, which director Guillermo Arriaga overcame through his intimate knowledge of the screenplay, as well as logistical strains from insisting on remote sites like the Oregon cliffs over more accessible options such as Albuquerque. The bilingual nature of the production, featuring diverse casting from the US and Mexico, demanded careful coordination for scenes alternating between English and Spanish to maintain authenticity. Weather conditions in Oregon also posed difficulties, complicating coastal shoots amid variable coastal elements.

Synopsis

Narrative Structure

The narrative structure of The Burning Plain employs a non-linear format that interweaves multiple storylines across different timelines and locations, spanning from to and . The film presents three primary threads: one centered on a young woman's intense culminating in a tragic ; another following a grown daughter's quest to uncover her identity; and a third involving a pregnant teenager navigating complex relationships. These elements unfold through distinct segments that jump between past and present, gradually revealing interconnections without relying on explanatory narration. Presented in a series of vignettes, the structure avoids chronological progression, instead toggling between eras to build suspense and emotional depth. shifts are conveyed through visual cues, such as changes in setting, character appearances, and symbolic motifs like scars, ensuring the audience pieces together the puzzle organically. This approach, characteristic of director Guillermo Arriaga's style, eschews in favor of immersive, action-driven that demands active engagement. Running 107 minutes, the film's plotlines converge in the final act, synthesizing the disparate threads into a cohesive whole while maintaining bilingual in English and to reflect the cross-border dynamics. This convergence heightens the dramatic tension without resolving earlier ambiguities prematurely, emphasizing the enduring impact of past events on the present.

Key Characters and Arcs

The central narrative of The Burning Plain revolves around three interconnected female protagonists, each grappling with personal turmoil in distinct yet overlapping settings along the U.S.- border. , portrayed by , is a poised managing a seaside in , outwardly composed but inwardly haunted by fragmented memories of her past that she has long suppressed. Her emotional arc centers on a reluctant confrontation with these buried truths, triggered by an unexpected encounter that forces her to navigate isolation and vulnerability, ultimately seeking reconciliation with her identity. Gina, played by Kim Basinger, embodies a devoted and housewife in whose life unravels through an intense, forbidden romance that challenges her sense of duty and stability. Her journey explores the exhilarating yet perilous consequences of yielding to , marked by a deepening between desire and the repercussions it imposes on her , leading to a poignant examination of love's destructive potential. Mariana, depicted by as a pregnant teenager in the same New Mexican landscape, faces cultural and familial pressures while discovering her own agency amid upheaval. Her arc unfolds as a path of self-discovery, transitioning from adolescent resentment and confusion to a tentative embrace of maturity and independence, complicated by the weight of inherited secrets and cross-border ties. Supporting characters play crucial roles in propelling these journeys forward. Carlos, portrayed by , serves as a steadfast companion and catalyst for revelation, his loyalty and involvement in rural life drawing him into the unfolding emotional web as a quiet enabler of truth-seeking. Similarly, Santiago, played by , links generational narratives through his own quest for connection and forgiveness, his presence bridging the personal stories of loss and renewal across the border regions. The characters' arcs converge through shared histories of and , illustrating how individual suppressions and revelations ripple across time and geography, from Oregon's coastal detachment to New Mexico's arid expanses and into familial bonds, fostering a collective reckoning with and belonging.

Themes and Style

Central Themes

The Burning Plain delves into family secrets and generational , illustrating how concealed past actions reverberate through relationships, particularly affecting daughters and lovers in profound ways. The 's portrayal of an adulterous affair between characters from different cultural backgrounds underscores the lingering emotional devastation passed down to the next generation, where unspoken truths foster isolation and self-destructive behaviors among the offspring. This exploration highlights the inescapable influence of parental choices on familial bonds, creating cycles of pain that demand eventual confrontation. Central to the narrative is the U.S.-Mexico border dynamics, which manifest through cultural and the challenges of , using forbidden relationships as potent metaphors for societal divisions. Set against the backdrop of a border town, the story examines romances that defy national and ethnic boundaries, symbolizing broader tensions of and belonging in a space where American and Mexican worlds collide. These elements reflect the hybrid lives of characters navigating , , and the quest for connection amid geopolitical divides. Redemption and emerge as pivotal forces, driving characters toward through raw, truth-revealing confrontations that dismantle long-held . The dual nature of —its capacity for destruction and —is contrasted sharply between and maternal ties, revealing how entanglements can unravel lives while familial devotion provides anchors for recovery. Affairs ignite chaos and betrayal, eroding trust and fueling personal turmoil, yet the restorative shines in the enduring, protective bonds between mothers and daughters, which ultimately propel narratives of . The 's non-linear structure aids in unveiling these layered dimensions of over time.

Directorial and Narrative Techniques

Guillermo Arriaga's directorial debut in The Burning Plain prominently features , where post-production assembly interweaves multiple timelines and storylines spanning years and locations, such as and , to build suspense and amplify emotional resonance. This approach, handled adeptly by editor Craig Wood with minimal visual cues between eras, mirrors Arriaga's longstanding preference for fragmented narratives that echo the nonlinear flow of human recollection, as seen in his prior screenplays. By delaying revelations about character connections—such as the links between a fatal trailer explosion and subsequent family traumas—the structure creates a puzzle-like progression that engages viewers in piecing together the past's influence on the present. Visually, Arriaga employs recurring motifs of to evoke destruction and potential rebirth, inspired by a haunting of a neighborhood that left him imagining the of lives lost in flames. This opens with a explosive trailer and recurs throughout, symbolizing irreversible amid the characters' quests for redemption. Complementing this are expansive landscapes of the arid Southwest, captured in striking sun-blasted vistas of deserts, fields, and mountains by cinematographer , which reinforce a sense of isolation and elemental force; contrasting wintry, muted scenes in grays and blues further highlight thematic shifts. The integration of the four classical , , , and —structures the narrative's emotional layers, grounding abstract turmoil in tangible environmental imagery. Arriaga's performance direction prioritizes subtle expressions and restraint over expository dialogue, guiding actors like to portray inner turmoil through elegant, reserved mannerisms that reveal vulnerability gradually. This method fosters intimacy, particularly in long, unflinching takes that allow emotional depth to emerge organically, contributing to the film's central stillness amid chaos. Supporting cast members, including and a breakout , deliver understated performances that align with this vision, emphasizing quiet gestures and facial nuances to convey complex arcs without overt histrionics. The film's bilingual integration seamlessly blends English and dialogue, employing to authentically capture the dual identities of characters navigating cultural and linguistic divides. Written originally in Spanish and translated for natural flow, this approach reflects the hybrid realities of Mexican-American lives, with Spanish portions subtitled to maintain while preserving emotional in family and exchanges. Arriaga's direction ensures the transitions feel organic, avoiding jarring shifts and instead using language as a subtle tool to underscore themes of connection across divides.

Music and Soundtrack

Score Composition

The score for The Burning Plain was a collaborative effort between composers and , blending orchestral arrangements with rock-infused guitar elements to create a distinctive sound palette suited to the 's dramatic intensity. Zimmer, known for his orchestral scores, served primarily as producer, while Rodríguez-López handled much of the composition, incorporating twanging, reverb-heavy guitar melodies that evoked the 's Southwestern U.S. and Mexican border settings. This partnership marked an unusual fusion of Zimmer's classical training and Rodríguez-López's background from , resulting in a that alternated between subtle string sections and rhythmic guitar riffs. Development of the score took place in 2008, coinciding with the film's production timeline, and was recorded at Rodríguez-López's studio in . Sessions involved iterative testing of cues against film footage, with Zimmer assembling musicians from , , and the to add diverse textures, including violin ensembles reminiscent of Beatles-inspired . Rodríguez-López focused on guitar contributions that drew from folk influences without overt ethnic markers, aiming for a timeless quality that avoided specific cultural or temporal anchors. The process emphasized emotional resonance, refining tracks to capture contrasts like isolation in solitary scenes versus fleeting intimacy in relational moments. The score's purpose was to provide sparse, atmospheric underscoring that amplified the film's themes of and underlying , particularly within its non-linear that jumps across timelines and geographies. By maintaining a wistful tone through minimalistic cues—often limited to ambient strings or echoing guitars—it prevented the narrative's heavier dramatic elements from overwhelming the audience, instead heightening the melancholic introspection of the characters' arcs. This restrained approach complemented director Guillermo Arriaga's vision of fragmented storytelling, using music to bridge disjointed sequences without resolving their ambiguities. An original motion picture score album was released in 2010 as a promotional CD in Spain, compiling 13 tracks with a total runtime of approximately 18 minutes; it remains an unofficial and limited edition, not widely commercially available. Key cues, such as the extended "End Credits," showcase the score's blend of brooding and guitar-driven propulsion, encapsulating the film's overall somber yet resilient mood.

Notable Tracks and Contributions

The score for The Burning Plain includes several standout tracks composed by and , which underscore key emotional and visual moments in the film. The , "The Burning Plain," functions as the main theme, featuring Zimmer's lush orchestral strings layered with Rodríguez-López's distinctive riffs to create a tense, evocative atmosphere during the film's pivotal fire sequence. "The Dove," the opening cue, establishes a of fragile through minimalist arrangements with subtle percussion and airy melodies, setting the stage for the story's unfolding mysteries. Guest contributions enrich the 's texture, notably Alana da Fonseca co-writing "" with Ali Theodore and Henry Hey, performed by E. Wilson with haunting vocals that amplify moments of introspection and longing. Traditional elements are incorporated via songs like "Las Golondrinas," written by Palmerín and Luis Rosado and performed by , lending cultural authenticity to scenes rooted in the film's Southwestern U.S. and border settings. Overall, the score's dynamic shifts in and parallel the 's fragmented jumps, heightening the tension and emotional resonance of the characters' paths toward .

Release

Festival Premieres

The Burning Plain had its world premiere at the 65th Venice International Film Festival on August 29, 2008, where it competed for the . The screening marked the directorial debut of , known for his work on films like Babel and . Following Venice, the film screened at the on September 5, 2008, in the Special Presentations section. It continued its festival run with appearances at the AFI Dallas International Film Festival in April 2009, where it served as a centerpiece presentation, and the Film Festival in February 2009. Festival audiences responded positively to the film's emotional depth, with particular buzz surrounding the breakout performance of 18-year-old in the role of Mariana, earning her the for Best New Young Actor or Actress at . Arriaga actively promoted the film through post-screening discussions at these events, emphasizing his shift to directing and the interconnected narrative style central to his vision.

Distribution and Home Media

The Burning Plain received a limited theatrical release in the United States on September 18, 2009, distributed by . Following its festival premieres earlier that year, the film rolled out to select theaters, capitalizing on buzz from events like the . Internationally, the film had an early rollout in through festival screenings in 2008, given its co-production status with Mexican involvement, before wider theatrical availability. In the , it premiered theatrically on March 13, 2009, with versions available in both subtitled English and dubbed formats to accommodate local audiences. For home media, Magnolia Home Entertainment issued the DVD and Blu-ray editions on January 12, 2010, featuring bonus materials such as deleted scenes and director commentary. Digital streaming options emerged in the 2010s, with availability on platforms like starting around 2011. Marketing efforts focused on the film's enigmatic narrative and strong , with trailers underscoring themes of mystery, passion, and redemption centered on Charlize Theron's character. Official posters prominently featured Theron in stark, desolate settings, evoking the story's emotional and geographical isolation.

Reception and Legacy

Critical Reviews

The Burning Plain received mixed reviews from critics, with praise centered on the while the film's narrative structure drew significant criticism. On , the film holds a 38% approval rating based on 79 reviews, with the critics' consensus stating that the "heavily symbolic, melodramatic multi-narrative drama lacks emotional resonance." Similarly, assigns it a score of 45 out of 100 from 18 reviews, reflecting a generally unfavorable reception. Roger awarded the film 2.5 out of 4 stars, commending its emotional depth in exploring fractured family dynamics but noting that the intercut timelines diminished the characters' continuity and overall impact. In Variety, highlighted the film's striking visual style, particularly the capturing New Mexico's stark landscapes and Portland's moody atmospheres, but criticized the narrative for its confusing yo-yo structure between locations and timelines, which lacked emotional payoff. Critics frequently appreciated the acting ensemble, with , , and earning acclaim for their portrayals—Lawrence's performance in particular was noted as a promising debut in a challenging role. However, reviews were mixed on the pacing, often describing it as languorous and self-indulgent, and on the originality of the plot, which was seen as overly convoluted and derivative of screenwriter Guillermo Arriaga's earlier collaborative works. Arriaga's directorial inexperience was also cited as a factor in the film's uneven execution, amplifying the script's complexities without sufficient clarity.

Commercial Performance

The Burning Plain had a of $20 million. Despite this investment, the film grossed $5.64 million worldwide, resulting in a significant loss and marking it as a commercial disappointment. In the United States, the film received a limited release on September 18, , distributed by , opening in just 21 theaters. Its opening weekend earned $58,749, and the domestic total reached only $200,730 over its theatrical run. This modest performance was influenced by the limited release strategy, which restricted its exposure amid competition from other 2009 drama releases. Internationally, the film performed better, accumulating $5.44 million across various markets, with its strongest earnings in . Italy led with $1.82 million, followed by at $1.03 million and at $870,000. In , where the film's cultural themes and Mexican director resonated, it grossed $638,000 upon its July 2010 release, though this was still limited compared to European totals. Overall, the international success failed to offset the budget, highlighting challenges in achieving broad global appeal for the arthouse drama.

Awards and Nominations

At the 65th Venice International Film Festival in 2008, where The Burning Plain premiered in competition, the film was nominated for the for Best Film. received the for Best Young Actor or Actress for her performance as Mariana. In 2010, was nominated for a Saturn Award for from the Academy of Science Fiction, Fantasy & Horror Films for her role as Sylvia. Overall, The Burning Plain garnered one win and three nominations across major awards circuits, including the Venice accolade for Lawrence and the Saturn nomination for Theron, but it did not receive nominations for the or Golden Globes. Lawrence's win provided a crucial boost to her rising profile, paving the way for her breakthrough roles in films like and ultimately .

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