The Empty Pockets is a Chicago-based American rock band formed in the mid-2000s, renowned for their fusion of Americana, folk, rock 'n' roll, and roots soul, characterized by tight vocal harmonies and original storytelling.[1] Originally known as Josh & The Empty Pockets, the quartet evolved from an earlier incarnation that released their debut album Under the Bed in 2006, before expanding with the addition of keyboardist Erika Brett and rebranding in the 2010s.[2] The current lineup consists of Josh Solomon on guitar and vocals, Erika Brett on keyboards and vocals, Nate Bellon on bass and vocals, and Adam Balasco on drums, a configuration honed through relentless touring across the United States and collaborations with artists such as Al Stewart, Kenny Loggins, and Simon Kirke of Bad Company.[1]The band's discography spans multiple critically acclaimed releases, including early works like The Ten Cent Tour (2015) and Voices (2017), holiday album Snow Day (2018), and live recording Live In Seattle (2019), which showcased their dynamic stage presence.[1] Their breakthrough came with Outside Spectrum in 2022, which topped the Billboard Blues Albums chart and achieved top rankings on the Americana/Folk and Heatseekers charts, followed by Gotta Find the Moon in 2023—recorded at Abbey Road Studios—that also achieved #1 status on the Billboard Blues Albums chart.[3][4][5] In addition to their original material, The Empty Pockets have gained recognition for high-profile joint projects, such as the 2024 live album Al Stewart & the Empty Pockets Live and a Beatles tribute featuring tracks like "Oh! Darling," earning praise from outlets like Goldmine Magazine for their interpretive depth.[6] Beyond music, they partner with Will’s Place in Skokie, Illinois, to support employment opportunities for adults with disabilities, reflecting a commitment to community impact.[7] As of 2025, the band continues an active touring schedule, including holiday specials and tributes, and released the live album Live in Buffalo in May, solidifying their reputation as a versatile live act.[8][9]
History
Origins as Josh & The Empty Pockets
Josh & The Empty Pockets formed in the summer of 2006 in Chicago, Illinois, when childhood friends Josh Solomon (guitar and lead vocals), Nate Bellon (bass and vocals), and Danny Rosenthal (drums)—all hailing from the nearby suburb of Lincolnwood—decided to channel their longstanding musical collaboration into a formal band.[10][11][12] The trio drew from their shared influences in rock, folk, and Americana, aiming to create original material alongside covers that reflected their roots-oriented sound.In their initial years, the band built a local following through performances at Chicago venues, including shows at Subterranean in late 2007 and headlining slots at the Double Door in 2008.[13][14] A pivotal early opportunity came when Solomon was cast as Buddy Holly in the 2006–2007 Chicago production of Buddy: The Buddy Holly Story at the Mercury Theater, where Bellon also contributed musically; this role not only honed their stage presence but directly inspired their debut recording project.[15]The band's first release was the 2007 tribute album Not Fade Away: A Tribute to Buddy Holly, a self-produced collection of 11 covers serving as their inaugural recording and a nod to Holly's profound influence on their style. Key tracks included "That'll Be the Day," "Peggy Sue," "Rave On," and the title song "Not Fade Away," capturing the raw energy of Holly's rock 'n' roll catalog in a straightforward, harmony-driven arrangement. Released digitally, it marked their entry into recording and helped solidify their reputation in Chicago's indie scene as interpreters of classic American songcraft.[16][17]Following the tribute's momentum, Josh & The Empty Pockets recorded and self-released their debut full-length album of original material, Under the Bed, in 2008 on an independent basis with no major label backing. Produced at Breakthrough Audio in Chicago, the 11-track effort explored themes of youth, relationships, and personal growth, featuring Solomon's introspective lyrics over the trio's tight instrumentation; notable songs included "Fall Right Now" (appearing in both full and radio edit versions), "Monsters," "Missteps," and "Let Go," the latter two showcasing guest vocals from Erika Brett, who would soon join the band permanently. The album's track listing was:
Initial reception praised its melodic pop/rock craftsmanship and harmonious vocals, with critics noting its radio-friendly appeal and substance; Daily Vault described it as "intelligent, well-crafted pop/rock with substance," while Collected Sounds highlighted the band's talent for "melodic and interesting" songs that worked seamlessly as a unit.[18][19][20][21] This era established the core sound that would evolve as the band expanded.
Formation of The Empty Pockets
In 2008, the band, which had begun as a trio known as Josh & The Empty Pockets, expanded its lineup with the addition of Erika Brett on keyboards and vocals, leading to an official renaming as The Empty Pockets.[1] This change marked a shift toward a more balanced quartet dynamic, enhancing their harmonic capabilities and stage presence.[22]That same year, The Empty Pockets recorded and released their debut holiday single, a medley of "Baby It's Cold Outside" and "Baby Please Come Home," capturing a festive theme with duet vocals between Josh Solomon and Erika Brett.[23] The track, produced during the band's transitional phase, highlighted their emerging pop-rock style blended with seasonal warmth and received airplay on adult contemporary stations.In late 2009, The Empty Pockets signed with veteran manager David Spero, whose prior clients included artists like Joe Walsh and Cat Stevens, providing crucial guidance for national exposure and career development.[1] This partnership facilitated professional advancements, including wider distribution deals and increased booking opportunities.[24]Key early milestones under this management included a performance at the South by Southwest (SXSW) music festival in Austin, Texas, in March 2009, which helped build industry connections.[1] The following year, on October 5, 2010, the band played at the House of Blues in Chicago for Michigan Avenue Magazine's second anniversary celebration, solidifying their rising profile in the local and regional scene.[1]
Key releases and developments
In 2011, The Empty Pockets released their debut EP, Introducing The Empty Pockets, featuring six original tracks including "All I Need," "Let Go," "The Way," "Take Me," "Home," and "Dirt." This self-produced recording served as an introduction to the band's core lineup of Josh Solomon, Erika Brett, Nate Bellon, and Danny Rosenthal, showcasing their blend of rock and pop influences while promoting their live performances in the Chicago area.[25][26]Later that year, the band issued the holiday-themed EP A Holiday Staycation with The Empty Pockets, a five-track collection comprising covers like "Baby It's Cold Outside," "Holly Jolly Christmas," "What Christmas Means to Me," and "Run Run Rudolph," alongside an original song, "Snow Shoes." The release emphasized festive, upbeat arrangements to capture seasonal spirit, aligning with the band's growing local holiday show tradition.[27][28]In early 2018, following the release of Voices (2017), drummer Danny Rosenthal departed the band, and Adam Balasco joined as the new drummer, refreshing the rhythm section and contributing to the group's evolving live dynamic.[14][29]The band's first full-length album as The Empty Pockets, The Ten Cent Tour, arrived in 2015, self-recorded at MT Pockets Studios with all instrumentation handled by the members. Spanning 11 tracks such as "Find or Fail," "Leaving Jackson," "Tractor Song," and "Nay Says and Maybes," the album explored themes of Americana roots rock, drawing on storytelling elements of travel, relationships, and rural life.[30][31][32]In 2017, The Empty Pockets released Voices, an eight-song collaborative effort that highlighted their multi-part vocal harmonies and marked a maturation in songwriting, with tracks like "Voices in My Head," "I'll Follow You," "The Bubble," and "Need to Know" reflecting deeper emotional introspection and band interplay. Described by the group as their boldest work to date, the album underscored their growth toward more ambitious, harmony-driven compositions.[33][34][35]
Recent years
In 2022, The Empty Pockets released their album Outside Spectrum on August 12, featuring 11 tracks that blended experimental blues-rock elements with high-energy performances and imaginative songwriting.[36] The album was produced and engineered by Daniel McCormick, emphasizing the band's industrious spirit through blistering guitar work and soulful arrangements.[37] Later that year, the band made their international debut in Israel, opening for Al Stewart with performances at Hangar 11 in Tel Aviv on November 8 and Karmiel Amphitheater on November 10, where audiences responded enthusiastically to their roots-infused set, describing the final show as "magical."[38]The band's collaboration with Al Stewart, which began with U.S. tours in 2019, expanded globally during this period, solidifying their role as his backing band. In 2023, The Empty Pockets released Gotta Find the Moon on September 8, a 14-track album of original roots rock songs and covers recorded at Abbey Road Studios in London, capturing a thematic focus on personal introspection and rhythmic drive influenced by classic Americana and folk traditions akin to Al Stewart's style.[39][5] No notable guest musicians appeared on the record, but its production highlighted the quartet's harmonious vocals and angular guitar rhythms.[4]In June 2024, the band issued the single "Oh! Darling," a cover of The Beatles' track from Abbey Road, recorded in Studio 3 using Paul McCartney's 1958 microphone; their arrangement infused the song with retro soul and bluesy rock flair, extending its runtime to over three minutes with layered harmonies and driving percussion.[40][41] This was followed by the live album Al Stewart & The Empty Pockets Live on August 9, a double CD compiling 19 tracks from their joint tours, including Stewart's hits like "Year of the Cat" and "Time Passages" with guest guitarist Peter White on select songs; the selection drew from performances spanning 2019–2023, showcasing the band's tight instrumentation supporting Stewart's lyrical storytelling.[42][43]In 2025, The Empty Pockets released their live album Live In Buffalo on May 2, capturing a high-energy concert from their hometown region, while embarking on the "Snow Day: Blues Rock for the Holidays" tour, with dates including Skokie, Illinois on November 22 and St. Louis, Missouri on November 30, marking continued U.S. expansion amid ongoing collaborations.[9][8]
Band members
Current members
As of 2025, The Empty Pockets consists of four core members who have shaped the band's signature blend of Americana, blues, and rock through their instrumental roles and collaborative songcraft.[1][44]Josh Solomon serves as the band's guitarist and lead vocalist, having co-founded the group in 2006 alongside Nate Bellon as longtime friends and jamming partners.[45][10] As the primary songwriter, Solomon drives much of the band's original material, including tracks like "Gotta Find The Moon" from their 2023 self-released album, which reached #1 on the Billboard Blues chart.[4] His contributions emphasize storytelling lyrics and melodic hooks that anchor the quartet's rootsy sound.[44]Nate Bellon plays bass and provides lead vocals, joining as co-founder in 2006 and forming the rhythmic backbone with Solomon from the outset.[45] Bellon's harmonic vocals contribute to the band's rich, layered choruses, evident in recordings like their 2024 cover of The Beatles' "Oh! Darling," where his robust bass lines support dynamic interplay.[45][9]Erika Brett handles keyboards and vocals, having joined shortly after the band's formation in 2006 upon meeting Solomon and Bellon during a Chicago production of The Buddy Holly Story, where she enlisted as the key arranger.[46][45] Brett focuses on intricate arrangements and soaring backing harmonies that elevate the group's polished yet organic style, as highlighted in their 2023 album Gotta Find The Moon with its crisp, thoughtful melodies.[5][22]Adam Balasco rounds out the lineup on drums, having joined in late 2017 to replace departing percussionist Danny Rosenthal.[45] His tight, energetic drumming influences the band's live dynamics, providing propulsion for high-impact performances captured on their 2025 live album Live in Buffalo.[9][47]
Former members
The band's original drummer and co-founder, Danny Rosenthal, served from its inception in 2006 through late 2017.[46][45]A childhood friend of guitarist and vocalist Josh Solomon, Rosenthal contributed drums to the group's formative recordings, including the 2008 debut album Under the Bed (released under the name Josh & The Empty Pockets).[2][48]Rosenthal left the band in late 2017 and was replaced by drummer Adam Balasco.[45]No other former full-time members are documented in available sources, though the band has occasionally featured session contributors on recordings.
Musical style and influences
The Empty Pockets' music is characterized by a fusion of Americana, folk, rock 'n' roll, blues, and roots soul, often described as a "joyful friction" between these genres with 1970s-inspired soulful grooves and exploratory elements.[1][49] Their sound features tight, hypnotic vocal harmonies, particularly between Josh Solomon and Erika Brett, and emphasizes original storytelling through personal narratives in their lyrics.[1]The band's influences draw from classic rock, blues, and folk traditions, evident in their covers of artists like Eric Clapton and Fairport Convention, as well as their collaborations with 1970s icons such as Al Stewart, Gary Wright, Simon Kirke, and Kenny Loggins.[1] They also pay homage to the Beatles and Motown soul, blending these with Midwestern soul and Chicago blues roots to create a dynamic, genre-defying style.[50][45][51]
Touring
Early performances
The Empty Pockets began their live career with local performances in Chicago starting in 2006, initially as Josh & The Empty Pockets, focusing on building a presence in the city's music scene while supporting early material leading up to their debut album Under the Bed in 2008. These gigs took place at various intimate venues, allowing the band to refine their sound and connect with audiences through original songs blending rock, folk, and soul influences. Over 2006–2008, attendance at these shows grew steadily as word spread in the local community, establishing a foundational fanbase.[52][53]A pivotal early milestone came in March 2009 when the band debuted at the South by Southwest (SXSW) music festival in Austin, Texas, performing at unofficial showcases that expanded their visibility beyond Chicago. This appearance facilitated key networking with industry professionals and other artists, contributing to broader recognition and opportunities in the independent music circuit. Later that year, in June 2009, they performed at Chicago's Millennium Park during the WTMX Party in the Park, drawing a larger outdoor crowd and further solidifying their local appeal.[53][54]In 2010, The Empty Pockets marked a breakthrough with their headline performance at the House of Blues Chicago on October 5, as part of Michigan Avenue Magazine's second anniversary celebration. This high-profile local show, shared with other acts, showcased their evolving stage presence and energetic delivery, attracting a diverse audience and affirming their rising status in the Chicago rock scene. The event highlighted their transition from smaller clubs to more prominent venues.[53][55]From 2011 to 2014, the band expanded into regional tours across the Midwest, performing in cities like Milwaukee, St. Louis, and Madison to promote their early EPs and grow their following. These tours, often spanning multiple states over weekends, emphasized consistent live energy and helped cultivate a dedicated regional fanbase through repeat shows and grassroots promotion. Venues during this period included mid-sized clubs and festivals, where the quartet honed their harmonies and audience interaction, laying the groundwork for national expansion.[52][53]
Major tours and collaborations
Following the release of their debut full-length album The Ten Cent Tour in 2015, The Empty Pockets embarked on a promotional tour across the United States, focusing primarily on Midwest and East Coast venues to build their audience. Key stops included an album release performance at Uncommon Ground in Chicago, Illinois, on May 29, 2015.[56]In support of their 2017 album Voices, the band continued extensive U.S. touring, routing through the Midwest and Northeast with performances opening for Al Stewart, such as on October 15, 2017, at The Pageant in St. Louis, Missouri. Other stops encompassed East Coast and Midwestern cities, including shows in New York and Ohio, emphasizing their growing presence in Americana and roots rock circuits.[57]The Empty Pockets began opening for Al Stewart in the early 2010s, a partnership that evolved into a full backing band role by the late decade, leading to international tours. This collaboration culminated in a 2022 tour that included their Israeli debut at Hangar 11 in Tel Aviv on November 8, 2022. The joint performances from these tours were captured on the 2024 live album Al Stewart & the Empty Pockets Live, released on August 9, 2024, featuring 19 tracks recorded over a decade of shows.[58][59]The band also collaborated with Simon Kirke of Bad Company and Free, including live performances such as a March 10, 2016, show at City Winery in Chicago, and contributing to Kirke's 2017 solo album All Because of You, recorded in Chicago.[60][61]Promoting their 2023 album Gotta Find the Moon, released on September 8, 2023, The Empty Pockets toured extensively from 2023 to 2025, with highlights including a headline show at The Vogel in Red Bank, New Jersey, on August 9, 2023. The tour extended into a 2024 holiday run across multiple U.S. cities, followed by 2025 announcements encompassing dates like November 22 at North Shore Center in Skokie, Illinois; November 30 at City Winery in St. Louis, Missouri; and December 2 at The Ark in Ann Arbor, Michigan, often alongside Al Stewart's farewell engagements.[4][29][8]
Discography
Studio albums
The Empty Pockets' debut studio album, Under the Bed, was released in 2006 by the band then known as Josh & the Empty Pockets, featuring 11 original tracks with a runtime of approximately 39 minutes.[62] The album focuses on early rock influences, blending pop/rock elements with themes of growing up and transitioning into adulthood, as evidenced by songs like "Monsters" and "Meaningless Words." Self-produced by the band, it captures their initial raw sound before the full current lineup solidified, with Erika Brett contributing vocals to two tracks.[63]In 2015, the band released The Ten Cent Tour, their first full-length album under the name The Empty Pockets, comprising 11 tracks that explore themes of journey and Americana through upbeat, rootsy narratives.[11] Key songs include "Find or Fail," "Leaving Jackson," and "Tractor Song," emphasizing storytelling and road-trip motifs with a runtime of about 34 minutes.[31] Self-recorded at the band's MT Pockets Studios without external guest musicians, the production highlights their hands-on approach to classic rock and folk-infused arrangements.[64]Voices, issued on September 1, 2017, marks a vocal-centric evolution with 8 tracks totaling 32 minutes, showcasing collaborative songwriting and bold harmonies central to the album's identity.[65] Tracks such as "Voices in My Head," "I'll Follow You," and "You Be the High" emphasize emotional depth and roots rock infused with introspection, produced in-house at Chicago facilities like MT Pockets Studios.[35] This self-produced effort represents their most ambitious work at the time, prioritizing vocal interplay over instrumental complexity.[66]Tanglewoods, released on January 25, 2019, is a 10-track album exploring themes of humanconnection and adversity, with a runtime of approximately 40 minutes, blending roots rock with introspective storytelling.[67] Recorded at MT Pockets Studios, it features tracks like "Papergirl" and "Tanglewoods," highlighting the band's evolving sound.[68]The 2022 album Outside Spectrum features 11 tracks spanning 41 minutes, incorporating experimental edges through technicolor-toned arrangements and innovative mixing that strips away modern cynicism for an industrious, heartfelt vibe.[69] Standout songs include the title track and contributions with guest guitarist Laurence Juber, blending blues-rock with imaginative production techniques.[36] Released on August 12, it achieved the band's first #1 ranking on the Billboard Blues Albumschart, underscoring its modern production polish.[70]Gotta Find the Moon, released on September 8, 2023, is a roots-oriented collection of 12 original songs plus two covers, totaling 14 tracks and emphasizing Chicago blues-rock with harmonious vocals and angular rhythms.[71] Recorded at Abbey Road Studios in London with producer Julian Saldierna, it includes notable collaborations like covers of Al Stewart and The Beatles, highlighting the band's evolution toward soulful, '90s alternative-infused roots music.[50] The album reached #1 on the Billboard Blues chart, building on their Americana foundation with fresh, collaborative energy.[4]
Live albums
Live in Seattle, released in 2019, is a 7-track live recording capturing the band's dynamic performances of songs from The Ten Cent Tour and Voices, with a runtime of about 30 minutes.[72]Al Stewart & the Empty Pockets Live, released on August 9, 2024, is a collaborative live album featuring performances with Al Stewart, spanning multiple tracks from their joint tours.[73]Live In Buffalo, released in 2025, is a live album highlighting the band's energetic stage presence, with tracks recorded during a performance in Buffalo.[74]
Extended plays
The Empty Pockets' extended plays represent key early milestones in the band's discography, particularly during their 2011 rebranding and initial foray into thematic releases. Following the transition from their original moniker, Josh & The Empty Pockets—a change that solidified the quartet's lineup and direction after years of demos and albums under the prior name—the band issued Introducing The Empty Pockets as a foundational EP.[75][76] This self-titled six-track effort, clocking in at approximately 21 minutes, introduced listeners to the group's harmonious rock and roll sound through original compositions emphasizing melodic hooks and vocal interplay between Josh Solomon and Erika Brett.[25] The EP's tracks, including "All I Need," "Let Go," "The Way," "Take Me," "Home," and "Magic," highlighted themes of personal longing and resilience, helping to establish the band's identity post-renaming and paving the way for subsequent full-length projects.[77]Building on this momentum, the band closed out 2011 with A Holiday Staycation, a five-track EP designed to capture the holiday market through a mix of festive covers and originals. Released as a compact disc on their own label, the 15-minute collection featured spirited renditions of classics like "Baby It's Cold Outside," "Holly Jolly Christmas," and "What Christmas Means to Me," alongside original tracks such as "Snow Shoes" and "Typhoid Mary," which infused seasonal cheer with the group's witty, upbeat style. This EP marked an early diversification into holiday-themed material, originating from the band's tradition of Christmas singles, and demonstrated their versatility in blending covers with bespoke compositions to engage audiences during the yuletide season.[78] By targeting this niche, A Holiday Staycation not only boosted seasonal visibility but also underscored the band's adaptability during a transitional phase, contributing to their growing regional presence in Chicago's music scene.Snow Day, released in 2018, is a six-track holiday EP with a runtime of 24 minutes, featuring originals and covers like "Silent Night" and "Snow Day," blending blues-rock with festive themes.[79]Party at the North Pole, released on December 9, 2022, is a nine-track holiday album with originals and seasonal favorites, totaling 30 minutes, showcasing the band's holiday tradition with upbeat arrangements.[80]
Singles
The Empty Pockets' earliest standalone single was the 2008 Christmas release "Baby It's Cold Outside/Baby Please Come Home," a medley combining Frank Loesser's "Baby, It's Cold Outside" and Darlene Love's "Baby Please Come Home" in a rock-infused arrangement performed by the then-named Josh and the Empty Pockets with new vocalist Erika Brett. Issued as a double-sided holiday track, it captured a spirited, seasonal energy and achieved commercial airplay success, reaching No. 51 on the Mediabase Adult Contemporary chart during the 2008 holiday season.[81][82]In 2024, the band issued several non-album singles, beginning with their cover of The Beatles' "Oh! Darling" on June 18. Recorded live in Studio 3 at Abbey Road Studios, the track features a raw, organic arrangement emphasizing vocal harmonies and piano-driven intensity, eschewing digital polish for an authentic, analog warmth that pays homage to the original's soulful plea while infusing blues-rock vigor. Released to coincide with Paul McCartney's birthday, it served as a transatlantic tribute and included a music video premiere highlighting the band's dynamic performance.[83][41][40]Later that year, on November 15, 2024, The Empty Pockets released "In Brooklyn," a cover of Al Stewart's 1969 track from his album Love Chronicles, featuring longtime Stewart collaborator Peter White on nylon-string guitar. Also recorded at Abbey Road Studios, the single delivers a tender, folk-inflected reinterpretation with Erika Brett's emotive vocals at the forefront, evoking urban longing through acoustic layers and subtle string accents. It marked a collaborative nod to Stewart's songwriting legacy amid the band's ongoing touring schedule.[6][84][85]
Reception
The Empty Pockets have garnered positive critical reception for their blend of rock, blues, and Americana, with praise centered on their vocal harmonies, songwriting, and live energy. Their 2015 debut The Ten Cent Tour earned a nomination for the LA Music Critics Award.[22]The 2022 album Outside Spectrum received acclaim from Illustrate Magazine, which described the performances as "explosive" and "brimming with cathartic" energy, highlighting the band's seamless fusion of blues, jazz, rock, and pop.[86]Gotta Find the Moon (2023), recorded at Abbey Road Studios, was rated 8 out of 10 by the Illinois Entertainer, commending the "impressive vocal harmonies, bright arrangements, [and] thoughtful melodies."[5]In 2024, Goldmine Magazine praised their covers of Al Stewart's "In Brooklyn" and The Beatles' "Oh! Darling," noting the singles' "quality" and the "analog warmth" captured during Abbey Road sessions.[6]Live performances, particularly collaborations with Al Stewart, have been well-received, with reviewers highlighting the band's dynamic stage presence and storytelling.[87]