The Patient
The Patient is an American psychological thriller limited television series created by Joel Fields and Joe Weisberg that premiered on FX on Hulu on August 30, 2022.[1] The ten-episode series stars Steve Carell as Dr. Alan Strauss, a therapist grieving the loss of his wife, who is abducted and confined in the basement of his patient, Sam Fortner (Domhnall Gleeson), a high-functioning serial killer who demands intensive, unorthodox therapy to suppress his murderous impulses.[2] Set primarily in Sam's remote family home, the narrative explores the tense psychological cat-and-mouse dynamic between the two men over the course of one week, delving into themes of morality, redemption, trauma, and the limits of therapeutic intervention.[3] Developed by Fields and Weisberg, the duo behind the acclaimed espionage drama The Americans, The Patient was produced by FX Productions with Carell also serving as an executive producer.[4] The supporting cast includes Laura Niemi as Beth Strauss, his late wife; Andrew Leeds as Ezra Strauss, his estranged son; and David Alan Grier as Charlie Addison, his former therapist.[1] Filming took place in Los Angeles, emphasizing claustrophobic interiors to heighten suspense, with the series drawing inspiration from real-world therapeutic challenges while fictionalizing the extreme scenario of coerced treatment.[5] Upon release, The Patient received strong critical praise for its intelligent scripting, Carell's dramatic performance shifting from his comedic roots, and Gleeson's chilling portrayal of a conflicted killer, earning an 89% approval rating on Rotten Tomatoes based on 63 reviews.[5] Critics highlighted the show's taut pacing and philosophical depth, with NPR describing it as "thoughtful and moving in the manner of a very good drama, while taut and suspenseful like the best thrillers."[6] It garnered a 7.0/10 average rating on IMDb from over 35,000 users and was noted for its exploration of Jewish identity and family reconciliation amid the thriller elements.[1] The series concluded after its single season, solidifying its status as a compelling one-off entry in prestige television.[7]Overview
Premise
The Patient is a psychological thriller miniseries centered on Dr. Alan Strauss, a psychotherapist who is abducted and chained in the basement of his patient, Sam Fortner, a serial killer seeking to control his homicidal impulses.[2] Sam, who presents as an unassuming restaurant health inspector, demands that Alan provide intensive, unconventional therapy within a tight timeframe to suppress his urges.[4][8] The narrative setup highlights Alan's vulnerability, as a recent widower grappling with the death of his wife and strained relationships with his adult son, which intersect with the high-stakes captivity and force him to confront both Sam's psyche and his own unresolved grief.[2] Sam's fractured family dynamic, marked by an overbearing mother and a history of paternal abuse, underscores the seemingly ordinary facade masking his dangerous instability, amplifying the tension in their confined interactions.[9] Structured as a 10-episode limited series, The Patient emphasizes psychological depth through therapy-like confrontations in the basement setting, blending the intellectual rigor of clinical dialogue with the visceral horror of imprisonment and moral ambiguity.[2] This format sustains a claustrophobic atmosphere, focusing on the evolving power dynamics between captor and captive without expansive external action.[6]Themes
The miniseries The Patient delves into the central theme of therapeutic ethics, particularly the blurred boundaries between a therapist's commitment to aiding a patient and the imperative of self-preservation in extreme circumstances. It examines debates over whether to accommodate or directly challenge a patient's destructive impulses, raising profound questions about the efficacy and moral limits of psychotherapy when personal safety is at stake. As reviewer Mike Hale observes, the narrative elevates "to the highest possible level the stakes on the central question of whether analysis actually works," portraying therapy as a high-wire act fraught with ethical dilemmas.[10] Similarly, the series probes the limits of empathy and professional responsibility, forcing confrontations with complicity, culpability, and guilt in the therapeutic process.[11] Family trauma and its intergenerational inheritance form another core exploration, illustrated through the characters' backstories of abuse, loss, and fractured relationships. Sam's upbringing under an abusive father exemplifies cycles of violence passed down through generations, while Alan grapples with grief over his wife's death from cancer and estrangement from his son due to ideological differences, such as tensions between Reform and Orthodox Judaism. These elements underscore how unresolved familial wounds perpetuate emotional and behavioral patterns, as noted in analyses of the show's dual narrative threads connecting personal histories to present conflicts.[12] The portrayal highlights inherited trauma's role in shaping individual psyches, with references to broader historical contexts like Jewish ancestral suffering adding layers to this inheritance.[13] The morality of violence is interrogated through contrasts between vigilante justice—such as targeting abusers—and the ethical constraints of professional duty, using the confinement motif to symbolize internal moral struggles. The series questions the righteousness of extrajudicial retribution against the obligations of therapeutic intervention, avoiding glorification of violence while emphasizing its psychological toll. As one review points out, it tempers depictions of serial killing with melancholy and dark humor to probe deeper ethical implications rather than sensationalism.[14] This thematic tension reflects broader debates on whether personal vendettas can ever align with moral or professional imperatives.[11] Control and power dynamics are central, particularly the inversion and fluidity of therapist-patient roles, which expose the illusion of control in psychological treatment and the potential for manipulation. The forced proximity amplifies these shifts, revealing how power imbalances can foster dependency or resistance in therapeutic exchanges. Reviewers highlight how this setup underscores the precarious nature of authority in confined, high-stakes interactions.[10] The narrative illustrates psychological manipulation as a tool for both survival and influence, challenging assumptions about dominance in interpersonal and professional relationships.[14] Finally, isolation and human connection are metaphorically represented through confinement, serving as a lens for emotional solitude contrasted with coerced intimacy that borders on genuine empathy. The series contrasts physical isolation with the yearning for authentic bonds, using the setup to explore how adversity can either deepen disconnection or spark reluctant understanding. As described, this dynamic fosters "phenomenal conversations" amid claustrophobia, emphasizing therapy's role in bridging human divides despite barriers.[13] The thematic use of seclusion thus critiques modern emotional isolation while affirming the redemptive potential of empathetic engagement.[12]Cast and characters
Main cast
Steve Carell portrays Dr. Alan Strauss, a renowned psychotherapist who is a grieving widower and estranged father grappling with personal loss and professional ethics.[9] As Strauss is abducted and held captive by his patient, Carell depicts the character's intellectual acuity and emotional vulnerability, navigating moral dilemmas such as balancing therapeutic duty with self-preservation amid isolation and despair.[15] His performance highlights Strauss's internal conflicts, including imagined sessions reconciling with his son Ezra and reflections on his Jewish heritage, underscoring the therapist's resilience under duress.[16] Domhnall Gleeson plays Sam Fortner, a serial killer employed as a corrections officer whose outward charm conceals deep-seated rage rooted in a traumatic backstory of childhood abuse.[15] Gleeson's portrayal captures Fortner's guilt-ridden quest for redemption, blending relatability through his genuine desire to curb homicidal urges with an underlying menace that erupts in unpredictable bursts of anger.[17] The character is shown as isolated and psychologically fractured, forcing unfiltered therapy sessions while evading accountability for his crimes.[16] The central dynamic between Strauss and Fortner inverts the traditional therapist-patient relationship, beginning with Fortner's coercive control over the captive Strauss and evolving into a mutual psychological dependency marked by tense interrogations and reluctant empathy.[18] This interplay drives the narrative, as Strauss's probing intellect clashes with Fortner's erratic volatility, fostering a recursive bond where both men confront their traumas in the confined space of captivity.[16] Carell's casting represents a continued pivot from comedic roles, such as in The Office, to dramatic intensity, allowing him to explore profound vulnerability in a thriller format following works like Beautiful Boy.[9] Gleeson, drawing on the brooding intensity of prior performances in films like Ex Machina and Mother!, infuses Fortner with mercurial depth, making the killer's charm and rage convincingly layered.[16]Recurring cast
Linda Emond stars as Candace Fortner, the overbearing mother of Sam Fortner, whose enabling behavior plays a key role in his psychological trauma and dysfunctional family dynamics.[15] Candace is depicted as a devoted fan of therapist Alan Strauss's work, firmly believing in the transformative power of therapy, yet she struggles to reconcile her unconditional love for her son with moral boundaries.[19] Her interactions highlight the enabling aspects of parental dysfunction, appearing in seven episodes to deepen the exploration of Sam's backstory.[20] Andrew Leeds portrays Ezra Strauss, the estranged son of Alan Strauss, who became an Orthodox rabbi, providing an external perspective on family estrangement and religious differences.[21] Ezra's conversion to Orthodox Judaism created tension with his parents, who were more aligned with Reform traditions, and his brief appearances underscore themes of familial disconnect amid Alan's captivity.[22] As a recurring character, he contrasts the isolation of the main protagonists by introducing outside family support and ethical dilemmas related to reconciliation.[9] Laura Niemi appears as Beth Strauss, Alan's recently deceased wife and a cantor, whose flashback roles reveal past marital strains and her lingering influence on the family.[15] Beth's exuberant personality and devotion to Reform Judaism are shown in memories that highlight unresolved issues in Alan's personal life, adding emotional depth to his character without overshadowing the central plot.[21] Her limited but poignant appearances advance subplots concerning loss and legacy, offering a counterpoint to the confined setting of the main narrative.[23] David Alan Grier recurs as Dr. Charlie Addison, Alan's former therapist and colleague, whose guidance continues to influence Alan's approach to his dire situation through recalled sessions.[15] Charlie's empathetic yet challenging demeanor provides professional insight into ethical therapy practices, appearing in key episodes to bolster subplots on mentorship and self-reflection.[21] His role emphasizes contrasts to the protagonists' isolation by representing a supportive external network in Alan's professional world.[24] These recurring characters collectively advance family and ethical subplots, offering glimpses into the protagonists' broader lives and providing narrative relief from the intense central confinement.[19]Production
Development
The Patient was created by Joel Fields and Joe Weisberg, the writing and producing duo best known for the FX series The Americans, with the concept originating from their fascination with the psychological tension inherent in therapist-patient relationships, particularly when involving a serial killer seeking to reform his impulses.[25][26] The idea began as a concise story summary featuring a tragic conclusion, which the creators expanded to explore deeper emotional and moral complexities in a confined captivity scenario.[27] In October 2021, FX greenlit the project straight to series, ordering 10 half-hour episodes under FX Productions for streaming on Hulu, marking a swift commitment to the creators' vision without a pilot.[28] The writing process involved iterating on multiple versions of the narrative arc to achieve an authentic ending that avoided contrived resolutions, drawing on the creators' personal backgrounds—Fields as the son of a rabbi and Weisberg from a Jewish family—to infuse Jewish cultural elements into the therapist character's introspection.[27][26] To ground the therapy sessions in realism, Fields and Weisberg consulted psychotherapist Dennis Palumbo, whose expertise helped shape the portrayal of professional boundaries and patient dynamics without relying on sensationalized tropes.[25] Pre-production progressed rapidly following the announcement, with scripts finalized in early 2022 ahead of filming, emphasizing the series' limited scope as a self-contained miniseries set largely in a single location to heighten intimacy and tension.[29] As of 2025, there are no plans for additional seasons, consistent with its design as a one-off limited series.[30]Casting
In October 2021, Steve Carell was announced as the lead actor for the role of psychotherapist Alan Strauss in the FX limited series The Patient, marking a return to dramatic television following his comedic legacy on The Office.[31] Creators Joel Fields and Joe Weisberg, who also serve as executive producers and showrunners, secured Carell early in development after he expressed interest during the writing process, viewing his involvement as pivotal for the project's intimate psychological dynamic.[32] The following month, in January 2022, Domhnall Gleeson was cast opposite Carell as Sam Fortner, the serial killer patient who holds Strauss captive.[33] At the same time, supporting roles were filled with announcements for Linda Emond as Candace Fortner, Laura Niemi as Beth Strauss, and Andrew Leeds as Ezra Strauss, completing the core ensemble for the 10-episode series.[33] These additions were revealed alongside Gleeson's casting to highlight the familial and relational tensions central to the narrative. Casting presented notable challenges, particularly in securing Carell for a fully dramatic role that demanded vulnerability and intensity beyond his post-The Office comedic persona, requiring Fields and Weisberg to align the script's evolution with his availability and vision.[32] For Gleeson, the selection process emphasized his ability to portray a dual-natured character—outwardly unassuming yet inwardly tormented—through rigorous chemistry tests with Carell to capture the killer's conflicted conscience and potential for empathy.[32] Fields and Weisberg led the casting unaided by a separate department, drawing directly on their experience from The Americans while incorporating showrunner input to ensure seamless interpersonal sparks between leads.[32] The process prioritized actors adept at nuanced psychological performances, avoiding typecasting by focusing on versatility in conveying internal moral struggles and emotional depth rather than stereotypical archetypes.[32] This approach extended to supporting roles, where performers like Emond were chosen for their proven range in complex familial dynamics, contributing to the series' exploration of therapy and trauma without relying on overt diversity quotas but on authentic emotional authenticity.[33]Filming
Filming for The Patient took place primarily in Los Angeles, California, beginning in mid-January 2022.[34] The production utilized the Fox Studio Lot at 10201 West Pico Boulevard for many interior and exterior scenes, allowing for efficient control over the controlled environments needed for the series' confined narrative.[35] The core basement set, where much of the psychological tension unfolds, was constructed on soundstages to replicate a stark, everyday domestic space that doubles as a prison, with set decorator Lisa Son incorporating subtle details like everyday furniture to underscore the character's ordinary facade.[36] Exterior shots for flashback sequences were captured in various urban areas of Los Angeles to evoke the protagonist's family life outside captivity.[34] Direction was handled by Chris Long for five episodes (1, 2, 8, 9, and 10), Kevin Bray for three episodes, and Gwyneth Horder-Payton for two episodes, with Long also serving as an executive producer.[2] Cinematography was led by Dan Stoloff on seven episodes and Moira Morel on six, employing tight framing and low-light techniques to heighten the claustrophobic atmosphere central to the story's themes of isolation and control.[20] Practical effects were prioritized for authenticity, including a real chain and lock used to restrain Steve Carell's character during shoots, avoiding digital enhancements for key physical interactions like injuries and restraints.[37] Production adhered to industry-wide COVID-19 safety protocols in effect during early 2022, which included mandatory vaccination verification, frequent on-site testing, mask requirements in non-filming areas, and social distancing measures to protect cast and crew amid ongoing pandemic risks.[38] These guidelines, outlined by SAG-AFTRA and the Alliance of Motion Picture and Television Producers, helped facilitate a safe return to on-set work following earlier shutdowns.[38]Episodes
Overview
The Patient is an American psychological thriller limited series consisting of 10 episodes, each running approximately 21 to 46 minutes, forming a single continuous story arc that unfolds over the course of one week.[7] The total runtime of the series is approximately 6 hours.[39] The series premiered on August 30, 2022, on FX on Hulu, with the first two episodes released simultaneously, followed by weekly episodes every Tuesday until the finale on October 25, 2022.[7] This release schedule contributed to building anticipation through consistent pacing across its limited run.[2] As a self-contained miniseries, The Patient features escalating tension without cliffhangers intended for future seasons, emphasizing a complete narrative resolution.[40] The episodes were developed as a cohesive unit by creators Joel Fields and Joseph Weisberg, alternating focus between intense therapy sessions in the present and revealing flashbacks to provide deeper context for the characters' motivations.[6][41]List of episodes
The ten-episode limited series The Patient premiered with its first two episodes on August 30, 2022, on Hulu, followed by weekly releases every Tuesday thereafter until the finale on October 25, 2022.[7] All episodes were written by series creators Joel Fields and Joseph Weisberg.[1] Direction was handled by Chris Long for episodes 1, 2, 8, 9, and 10; Kevin Bray for episodes 3, 4, and 5; and Gwyneth Horder-Payton for episodes 6 and 7.[2][42]| No. | Title | Directed by | Written by | Original release date | Brief description |
|---|---|---|---|---|---|
| 1 | Intake | Chris Long | Joel Fields & Joseph Weisberg | August 30, 2022 | Dr. Alan Strauss, a therapist mourning his wife, takes on an enigmatic new client, leading to an intense professional dynamic. |
| 2 | Alan Learns to Meditate | Chris Long | Joel Fields & Joseph Weisberg | August 30, 2022 | Sam delves into the motivations behind his therapy while encountering resistance from Dr. Strauss, alongside revelations about their isolated setting. |
| 3 | Issues | Kevin Bray | Joel Fields & Joseph Weisberg | September 6, 2022 | Sam proposes a therapeutic approach to manage his internal conflicts, as Dr. Strauss introduces a new element to their sessions. |
| 4 | Company | Kevin Bray | Joel Fields & Joseph Weisberg | September 13, 2022 | Sam fulfills a commitment to Dr. Strauss during an emerging crisis, testing the boundaries of their trust with high stakes involved. |
| 5 | Pastitsio | Kevin Bray | Joel Fields & Joseph Weisberg | September 20, 2022 | Sam reaches out to a figure from his past, while challenges mount for Dr. Strauss, Sam, and another individual in their orbit. |
| 6 | Charlie | Gwyneth Horder-Payton | Joel Fields & Joseph Weisberg | September 27, 2022 | Dr. Strauss confronts elements of his situation, as Sam prioritizes practical needs but adheres to therapeutic guidance. |
| 7 | Kaddish | Gwyneth Horder-Payton | Joel Fields & Joseph Weisberg | October 4, 2022 | Both Dr. Strauss and Sam pursue novel interactions in their efforts to achieve some form of resolution. |
| 8 | Ezra | Chris Long | Joel Fields & Joseph Weisberg | October 11, 2022 | Dr. Strauss contemplates his shortcomings, spurred by insights into Ezra that heighten his sense of urgency, while Sam grapples with doubt. |
| 9 | Auschwitz | Chris Long | Joel Fields & Joseph Weisberg | October 18, 2022 | Dr. Strauss engages more candidly in dialogue, as Sam attempts reconnection with Mary and formulates a potential strategy. |
| 10 | The Cantor's Husband | Chris Long | Joel Fields & Joseph Weisberg | October 25, 2022 | Sam's surprising choice indicates therapeutic advancement, though Dr. Strauss presses for deeper change. |