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The Rolling Stone Album Guide

The Rolling Stone Album Guide is a series of reference books published under the Rolling Stone Press imprint, offering professional reviews, star ratings, and biographical overviews of thousands of popular music albums spanning genres such as rock, pop, soul, country, blues, jazz, gospel, and more.^[1]^[2] Originally launched as The Rolling Stone Record Guide in 1979, the inaugural edition—edited by Dave Marsh and John Swenson and published by Random House—provided critiques and ratings for nearly 10,000 albums then available on the market, serving as a comprehensive resource for music enthusiasts navigating the expanding landscape of recorded sound.^[2]^[3] The second edition, titled The New Rolling Stone Record Guide and released in 1983 by the same publisher and editors, expanded coverage to approximately 12,000 albums released through mid-1982, incorporating updates and new entries to reflect evolving tastes in rock, soul, blues, country, folk, and gospel music.^[3]^[4] By the third edition in 1992, published again by Random House under the revised title The Rolling Stone Album Guide—edited by Anthony DeCurtis, James Henke, and Holly George-Warren—the series adapted to the dominance of cassettes and CDs over vinyl records, delivering completely new reviews for over 12,000 essential albums and artists, with a focus on every major figure in popular music history.^[5] The fourth and final edition, The New Rolling Stone Album Guide in 2004, edited by Nathan Brackett and Christian Hoard and issued by Fireside (an imprint of Simon & Schuster), featured 930 pages of 70% new material, including fresh updates on established acts and hundreds of entries on 1990s and early 21st-century innovators like Beck, OutKast, and the White Stripes, alongside a new introduction addressing shifts in the music industry.^[1] Renowned for its authoritative voice in music criticism, the guide has influenced generations of listeners and collectors by assigning one- to five-star ratings based on artistic merit, cultural impact, and innovation, while emphasizing the album as the central unit of musical expression.^[1]^[2] Although no further editions have been published since 2004, the series remains a cornerstone of rock journalism, bridging historical context with contemporary analysis across diverse musical traditions.^[1]

Introduction

Background and Purpose

The Rolling Stone Album Guide originated in the late 1970s as a project spearheaded by [Rolling Stone](/page/Rolling Stone) editor Dave Marsh, who sought to compile a centralized reference for evaluating rock and related albums during an era when the vinyl record industry was expanding rapidly, with physical formats dominating over 70% of music sales by the decade's end.^[6] This initiative addressed the absence of a unified resource amid the proliferation of recordings, as Marsh noted in the guide's introduction: "In rock's twenty-five-year existence, hundreds of books have attempted to define the music or some part of the experience of hearing it... but there has never been a single source of information about the records that have been made."^[7] First published in 1979 by Random House under the title The Rolling Stone Record Guide, the book encompassed reviews and one- to five-star ratings for nearly 10,000 currently available albums spanning rock, pop, soul, country, blues, jazz, and gospel. Designed as a practical tool for record buyers navigating an increasingly crowded market, it drew on contributions from Rolling Stone writers to standardize assessments and assist in purchasing decisions.^[7] At its core, the guide aimed to deliver authoritative, succinct critiques that embodied Rolling Stone's distinctive editorial voice on rock, pop, and nascent genres, setting it apart from the magazine's more transient, issue-specific reviews by offering enduring, consolidated insights for both enthusiasts and professionals.^[7] This foundational approach emphasized accessibility and reliability, positioning the publication as an essential companion to the burgeoning consumer landscape of recorded music. Over time, it evolved through revised editions to refine its coverage and methods.^[7]

Scope and Methodology

The Rolling Stone Album Guide utilizes a consistent entry format that features concise artist biographies, album-by-album summaries highlighting key tracks and themes, and a five-star rating system to evaluate recordings. Five stars signify indispensable classics essential to any comprehensive collection, four stars denote excellent works of substantial merit and innovation, three stars indicate solid but unexceptional efforts, two stars mark fair albums with notable flaws, and one star represents poor quality overall.^[8] This system prioritizes artistic merit, creative innovation, and cultural impact over mere commercial performance, providing readers with guidance on enduring value rather than transient popularity.^[9] The guide's methodology involves compilation by a collaborative team of music critics, who employ a consensus-driven approach to assess albums based on their availability and influence in the U.S. market. Entries focus on domestically released recordings accessible through major retailers, with inclusion determined by an artist's lasting contribution to popular music rather than sales metrics alone; for example, extended coverage is given to pivotal figures in blues and jazz like B.B. King and Miles Davis.^[9] Later editions incorporate input from numerous contributors to ensure diverse perspectives, as seen in the 2004 volume, where 72 writers produced about 70% new material across its 944 pages.^[9] Coverage has evolved from a rock-centric foundation to a more expansive scope encompassing diverse genres. The 1979 edition, serving as the starting point, reviewed nearly 10,000 albums in rock, pop, soul, country, blues, jazz, and gospel.^[2] By the 1992 edition, this grew to over 12,000 reviews across more than 2,500 artist entries, integrating emerging forms like rap and folk while compressing genre sections for broader accessibility.^[10]^[11] This progression continued into the 2000s, with inclusions of hip-hop, world music, funk, reggae, and even comedy albums, reflecting the diversification of popular music and expanding the total to over 12,000 entries by 2004.^[9]

Rock and Pop Editions

First Edition (1979)

The first edition of The Rolling Stone Album Guide, published under the title The Rolling Stone Record Guide, marked the inception of a landmark series in music criticism. Released in November 1979 by Random House, the 631-page paperback was edited by Dave Marsh and John Swenson, with Marsh authoring a substantial portion of the content. It encompassed reviews and ratings for nearly 10,000 albums across rock, pop, soul, country, blues, jazz, and gospel, with a primary emphasis on rock releases dating from the 1950s onward, reflecting the genre's evolution up to the late 1970s.^[12]^[2]^[13] The guide's structure was designed for accessibility, organizing entries alphabetically by artist name, supplemented by comprehensive indexes for albums, performers, and musical styles. A foreword by Dave Marsh offered a historical overview of rock music's development, setting the contextual stage for the reviews that followed. Each album assessment ranged from 50 to 200 words, providing concise yet insightful commentary on artistic merit, cultural impact, and listenability. The project drew on a core team of more than 20 critics, including prominent figures such as Marsh, Lester Bangs, Greil Marcus, Robert Christgau, and Jon Landau, whose diverse perspectives enriched the volume's authority.^[14] Central to the guide was its straightforward five-star rating system, ranging from one star for "poor" efforts to five stars for "essential" classics deemed indispensable for their replay value and lasting influence; notably, half-stars were not used, ensuring clear, binary judgments on quality. This methodology prioritized albums' enduring appeal over transient trends, though it extended to highlight innovative works in emerging styles. As the inaugural comprehensive reference of its kind, the edition pioneered systematic album evaluation in print, devoting significant attention to the punk and new wave movements gaining traction in the late 1970s, such as entries on The Ramones and Blondie that underscored their raw energy and subversive edge.^[15]^[16]

Second Edition (1983)

The second edition of the guide, titled The New Rolling Stone Record Guide, was edited by Dave Marsh and John Swenson and published in October 1983 by Random House/Rolling Stone Press.^[17] This revision expanded the book's scope to 648 pages, reviewing and rating over 12,000 albums released through mid-1982, adding approximately 2,000 new entries focused on post-1979 releases compared to the first edition's coverage of nearly 10,000 albums.^[3]^[15] The expansion reflected the rapid evolution of popular music in the early 1980s, incorporating contemporary releases while maintaining a focus on rock, pop, soul, country, blues, folk, and gospel.^[4] The table of contents retained the alphabetical organization by artist from the previous edition, with dedicated sections for major genres including Rock, Soul, Blues, Country, Gospel, and Pop.^[3] This structure allowed for improved navigability, aided by enhanced indexes that facilitated cross-referencing across artists and styles. Emerging trends of the era, such as new wave acts like The Clash and Talking Heads, as well as early hip-hop pioneers including Grandmaster Flash, were integrated into the rock and pop categories, providing critical assessments of these developing scenes.^[18] The edition's reviewer team was broadened to include a mix of established critics and new voices, balancing in-depth coverage of veteran rock artists with evaluations of rising contemporary performers.^[19] The rating system continued to employ a five-star scale, where five stars denoted indispensable records essential to any collection, four stars indicated substantial merit, three stars marked recommended listens, two stars signified average efforts, one star represented poor quality, and zero stars labeled outright duds.^[20] This framework, carried over from the 1979 edition, emphasized evaluative consistency across entries. Notably, the guide prioritized albums that were currently available for purchase, marking the first instance of minor omissions for out-of-print titles to streamline recommendations for readers seeking accessible recordings.^[15]

Third Edition (1992)

The third edition of The Rolling Stone Album Guide, published in 1992 by Random House, marked a significant expansion and revision, edited by Anthony DeCurtis and James Henke with Holly George-Warren, comprising 838 pages and providing completely new reviews for over 12,000 albums across rock, pop, soul, country, blues, folk, and gospel, with increased coverage of 1980s and early 1990s releases.^[11]^[10] This edition built on the foundation of the 1983 second edition by modernizing content to reflect the rise of grunge and hip-hop.^[16] The guide's table of contents followed an alphabetical organization by artist, supplemented by genre appendices, and incorporated dedicated sections for hip-hop and alternative rock while improving cross-references between related artists and eras.^[10] It introduced half-star increments to the established 1-5 star rating system, allowing for more nuanced evaluations, with five stars designated for landmark works that demonstrated substantial cultural relevance.^[21]^[10] Contributions came from a core team of critics including Mark Coleman, J.D. Considine, Paul Evans, and David McGee, who handled the bulk of the reviews, alongside additional writers to ensure broad coverage.^[10] Due to space constraints in this comprehensive volume, the edition prioritized influential and enduring acts, notably omitting some 1960s one-hit wonders in favor of artists with lasting impact on music history.^[22]

Fourth Edition (2004)

The fourth edition, titled The New Rolling Stone Album Guide: Completely Revised and Updated, was edited by Nathan Brackett with contributions from Christian Hoard and published by Fireside, an imprint of Simon & Schuster, on November 2, 2004.^[23]^[1] Spanning 930 pages, it represented a significant expansion from the 1992 edition, incorporating approximately 70 percent new material to address musical developments through the 1990s and into the early 2000s, including emerging genres like indie rock and electronica.^[23]^[24] The book featured thousands of album reviews, organized alphabetically by artist, with each entry providing biographical overviews, complete discographies, ranked "best of" selections, and critical assessments of key releases.^[1]^[24] The edition's structure emphasized chronological and genre-based context, including timelines of artistic evolution within broader musical movements to highlight influences and innovations up to the early 21st century.^[1] It employed a refined five-star rating system, incorporating half-star increments to evaluate albums on criteria such as artistic merit, cultural impact, and relevance in the digital age, with five stars reserved for works of enduring influence and indispensability.^[25] Reviews often considered factors like the availability of digital downloads and remastered editions, reflecting shifts in music consumption.^[23] Unlike the third edition, which relied on just four primary authors, this volume drew from 72 contributors, blending established critics with emerging voices to offer diverse, global perspectives on rock, pop, and related genres.^[24]^[26] The collaborative approach ensured comprehensive coverage while prioritizing influential recordings over exhaustive catalogs from niche or defunct labels, a decision influenced by the rise of digital distribution.^[24]

Jazz and Blues Editions

Jazz Record Guide (1985)

The Rolling Stone Jazz Record Guide, edited by John Swenson, was published in 1985 by Random House as the magazine's inaugural foray into a dedicated jazz compendium, distinct from its rock-oriented volumes by emphasizing improvisational traditions and historical depth over pop culture narratives.^[27] Spanning 219 pages, it provided critical assessments of more than 4,000 jazz albums spanning from the 1920s to the 1980s, focusing on recordings that captured the genre's evolution through collective improvisation and innovative sideman interactions rather than solo stardom or commercial appeal.^[28] This departure from rock formats allowed for a nuanced exploration of jazz's subgenres, positioning the guide as an essential reference for enthusiasts seeking context on overlooked improvisational masterpieces. The book's structure was organized alphabetically by artist.^[29] The rating system adapted Rolling Stone's familiar 1-5 star scale specifically for jazz, with one star indicating marginal efforts and five stars reserved for "masterpiece" sessions that exemplified transcendent improvisation, ensemble synergy, and the vital roles of sidemen in shaping landmark recordings.^[30] Contributions were drawn from over 30 jazz specialists with deep expertise in subgenres like avant-garde and hard bop, ensuring authoritative insights into improvisational techniques and historical significance. Notable among them were critics Gary Giddins, known for his analyses of jazz's narrative arcs, and Stanley Crouch, whose polemics on the genre's cultural roots informed entries on pivotal eras. The guide particularly spotlighted underappreciated releases from iconic labels such as Blue Note and Impulse!, underscoring their role in preserving improvisational jazz's raw energy and diversity.

Jazz & Blues Album Guide (1999)

The Rolling Stone Jazz & Blues Album Guide, edited by John Swenson, was published in 1999 by Random House as a comprehensive reference bridging the jazz and blues genres.^[31] Spanning 781 pages, it reviews over 10,000 albums, encompassing core jazz and blues recordings alongside fusions such as soul-jazz, while emphasizing historical depth from the 1920s origins with artists like Louis Armstrong to late-20th-century figures including Branford Marsalis and Cassandra Wilson.^[31] This edition expands on the earlier Rolling Stone Jazz Record Guide (1985), which Swenson also edited, by integrating blues coverage and updating entries to reflect 1990s developments in both genres.^[32] The guide's table of contents employs a dual organization, grouping entries alphabetically by artist within dedicated jazz and blues sections.^[33] It prioritizes seminal works through a 1-to-5-star rating system, where five stars denote exceptional, influential albums; this approach heavily considers live recordings, reissues, and contemporary revivals to guide listeners toward essential listening.^[33] Reviews are concise yet incisive, providing biographical context and critical evaluations that highlight African American contributions central to both genres' evolution.^[33] Contributions came from 52 experts in music criticism, including Swenson, Geoffrey Himes, and Ashley Kahn, who brought specialized insights into jazz improvisation, blues traditions, and underrepresented voices such as women artists in the fields.^[34]^[35]

Reception and Legacy

Critical Reception

Upon its release, the first edition of The Rolling Stone Record Guide in 1979 received acclaim for its comprehensive scope and user-friendly format, offering star ratings and concise reviews for nearly 10,000 albums across rock, pop, soul, and related genres. The New York Times described it as "absolutely irresistible for browsing," highlighting its appeal to dedicated fans through pithy commentary that democratized access to professional music criticism previously scattered in magazines.^[14] This accessibility positioned the guide as an authoritative reference, praised for consolidating expert opinions from 34 contributors into a single, portable volume. Critics, however, pointed to inherent biases reflecting Rolling Stone's editorial preferences, particularly an elevation of rock icons like Bruce Springsteen while undervaluing pop and other genres—a phenomenon later termed "Rolling Stone disease" in discussions of rockist criticism.^[36] The 1992 edition drew scrutiny for its introduction of half-star increments in ratings, which amplified perceptions of subjectivity amid the guide's expansion to over 10,000 entries written by just four principal critics. Subsequent editions, such as the 2004 update, were lauded in Publishers Weekly for refreshing 70% of the content with entertaining and informative reviews from 72 authors, though inconsistencies in tone and notable omissions (e.g., George Harrison's solo work) were noted as drawbacks.^[9] By the 2010s, the guide's focus on commercially available physical releases rendered it increasingly outdated in an era dominated by streaming platforms and digital distribution. The jazz and blues editions also garnered mixed but generally positive contemporaneous feedback. The 1985 Rolling Stone Jazz Record Guide, covering over 4,000 titles, was valued for its depth in surveying jazz history from traditional to avant-garde, serving as a foundational text for enthusiasts. Its 1999 successor, The Rolling Stone Jazz & Blues Album Guide, which merged the prior jazz content with expanded blues coverage, was commended by All About Jazz for clear, beginner-friendly annotations and solid blues entries but critiqued for uneven jazz selections, including omissions of key figures like Gene Harris while including lesser-known artists.^[33]

Influence and Omissions

The Rolling Stone Album Guide has played a key role in shaping the rock music canon through its compilation of expert reviews, which have informed consumer purchasing decisions and broader discussions of album quality and cultural significance.^[37] By assigning star ratings to thousands of recordings, the guide contributed to establishing hierarchies of artistic merit, influencing how albums are perceived in popular and critical contexts.^[16] Its structured evaluations have also found use among music enthusiasts and scholars as a foundational resource for exploring genre histories and artist discographies.^[38] Critics have highlighted systemic omissions in the guides, particularly the underrepresentation of women and non-Western artists, which reflect broader biases in rock journalism.^[39] For instance, female singer-songwriters like Karla Bonoff were entirely excluded from early editions, limiting visibility for underrepresented voices in the canon.^[40] Non-Western acts, such as the Afro-rock band Osibisa, were marginalized by being categorized under "ethnic music" rather than integrated into the main rock framework, perpetuating a Eurocentric narrative.^[41] In the 1992 and 2004 rock editions, space constraints led to the exclusion of numerous indie and alternative releases, narrowing coverage of emerging scenes. The jazz and blues volumes, while authoritative, were critiqued for notable absences—such as pianist Gene Harris—and incomplete documentation of reissues, rendering them less exhaustive than rivals like The Penguin Guide to Jazz.^[33] These gaps have contributed to perceptions of the jazz editions as underappreciated relative to the more commercially successful rock counterparts.^[33] The absence of revisions after the 2004 edition has positioned the guide as increasingly outdated for analyzing post-millennial music, with no official explanation provided by publishers.^[26] Despite this, the series retains modern relevance as a print-era benchmark for album evaluation amid streaming dominance, and special editions like the 2025 Bob Dylan Complete Album Guide offer in-depth discography coverage with interviews and photos.^[42] No full editions of the main series have been published since 2004, as of November 2025.

References

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### Summary of Rolling Stone Special Bob Dylan The Complete Album Guide 2025