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The Translators

The Translators (French: Les Traducteurs) is a 2019 mystery directed by Régis Roinsard. The story centers on nine elite translators from around the world who are assembled and isolated in a high-tech to simultaneously translate the highly anticipated final volume of a bestselling literary trilogy, but the operation descends into chaos when the opening pages are mysteriously leaked online, turning the group into suspects in a high-stakes . Written by Roinsard alongside Romain Compingt and Daniel Presley, the film draws inspiration from the real-world pressures of simultaneous translation projects for major publishing events. Featuring an international including as the enigmatic publisher, alongside Sara Giraudeau, , Eduardo Noriega, , , and , The Translators blends elements of Agatha Christie-style intrigue with modern corporate suspense. Running 105 minutes, the French-Belgian co-production was theatrically released in on January 29, 2020, following festival screenings in late 2019, and received a limited international release, including in English-speaking markets in 2020. Critics praised its clever screenplay and twisty narrative, though some noted inconsistencies in pacing and character development. Upon release, the film earned a 71% approval rating from critics on based on 17 reviews, with praise for its inventive premise and ensemble performances, while audience scores hovered around 53% as of 2025 (based on fewer than 50 ratings), reflecting divided opinions on its resolution. With a budget of $10.6 million, it grossed approximately €2 million at the (279,035 admissions), marking a modest success for an independent . Roinsard's follow-up to his 2012 debut Populaire, The Translators highlights themes of linguistic isolation, intellectual rivalry, and the commodification of literature in the digital age.

Plot and characters

Plot

Nine international translators, each experts in their respective languages, are recruited by the ambitious publisher Éric Angstrom to a high-tech, secure beneath a luxurious French chateau. Their task is to simultaneously translate the final volume of the globally bestselling Dedalus trilogy, authored under the Oscar Brach, under strict non-disclosure agreements, constant , and isolation from the outside world to prevent leaks ahead of the synchronized worldwide release. The translators hail from diverse backgrounds— including a , a , a , and others—whose cultural perspectives occasionally spark tensions during the intense, deadline-driven process in the equipped with advanced security measures like biometric locks and monitored communications. The dream assignment quickly turns nightmarish when the first 10 pages of the unpublished mysteriously leak online, prompting a blackmailer to demand €5 million to withhold the rest. As the translators continue their work under heightened scrutiny, suspicions arise among the group, with installing additional cameras and interrogating them individually about possible breaches. The demands escalate to €50 million, fueling and accusations, exacerbated by the translators' varied reactions influenced by their personal histories, such as a translator's rigid adherence to protocol clashing with a more free-spirited counterpart. Tensions peak when one translator appears to commit in the , seemingly driven by the pressure, prompting a frantic that uncovers encrypted files and hidden motives among the group. Through flashbacks, it is revealed that the English translator, Alex Goodman, is actually Oscar Brach himself, using a false to infiltrate the project. Brach seeks revenge against , who murdered Brach's close friend—a former collaborator exploited in the trilogy's creation—and has been profiting immensely from the series' success without fair compensation. In the climactic confrontation, Brach exposes Angstrom's corporate greed and the publisher's criminal past during a from the bunker, turning the tables on the surveillance system and ensuring the full manuscript's integrity while bringing justice for his friend. The Dedalus trilogy, reminiscent of Dan Brown-style thrillers in its intricate puzzles and global intrigue, concludes with the translators' work enabling the book's release, though forever marked by the ordeal.

Cast

The film features an international portraying a diverse group of translators from various nationalities, each bringing unique linguistic expertise to the high-stakes project orchestrated by the publisher. This multinational lineup underscores the global nature of the story, with actors from , , , , , the , , and representing characters fluent in their respective languages. Lambert Wilson stars as Éric Angstrom, the ambitious and ruthless publisher who assembles the team in a secure facility to accelerate the translation process. The nine translators include:
ActorCharacterDescription
Alex GoodmanThe buttoned-up English translator, known for his precise and reserved demeanor.
Katerina AnisinovaThe resilient translator, embodying a archetype with a strong, enigmatic presence.
Dario FarelliThe flirtatious Italian translator, characterized by his charismatic and playful personality.
Helene TuxenThe composed Danish translator, depicted as a ice with a cool, professional expertise.
Eduardo NoriegaJavier RamosThe suave Spanish translator, noted for his smooth and sophisticated traits.
Manolis MavrommatakisKonstantinos 'Kostas' KedrinosThe passionate Greek translator, portrayed as a fiery and outspoken individual.
WuThe tech-savvy Chinese translator, highlighted for his innovative and gadget-oriented approach.
Maxence TualBriceThe methodical translator, contributing analytical precision to the group.
Maria LeiteTelma AlvesThe rebellious Portuguese translator, adding a punky and agitator dynamic to the group.
Supporting roles include Sara Giraudeau as , Angstrom's efficient assistant who aids in managing the operation, and minor characters such as security personnel who enforce the protocols.

Production

Development

The of The Translators (Les Traducteurs) began with Régis Roinsard's fascination for the secretive processes behind global book launches, particularly the of translators for high-profile releases. The film's concept drew directly from real-world events in the industry, including the 2013 of Dan Brown's , where 11 translators from six countries were sequestered for two months in a secure basement without internet access to ensure a simultaneous worldwide debut, and the 2017 of Brown's , which involved 26 translators confined in a windowless room in under even stricter security measures, including locked manuscripts and no personal devices. These episodes underscored the intense pressures of coordinating multilingual teams for novels, inspiring Roinsard to craft a that dramatizes such confinement while introducing a fictional leak of manuscript pages, highlighting vulnerabilities in protection. Roinsard served as both and co-writer, collaborating with Romain Compingt and Daniel Presley to develop the , which emphasized ensemble interactions among a diverse group of characters to mirror the collaborative yet tense dynamics of actual teams. The script focused on elements within this isolated setting, transforming the mundane act of into a high-stakes mystery without relying on overt action sequences. This multilingual approach aligned with Roinsard's vision for a piece that explores linguistic and cultural intersections in a format. Production development progressed through a French-Belgian co-production involving companies such as Trésor Films, Artémis Productions, Mars Films, , and , securing a budget of approximately €10 million to support its scope. The project, initiated in the wake of the Origin translation events, culminated in a finalized by late 2017, allowing time for and ahead of . Key decisions during development included prioritizing an international cast to authentically represent global translation teams, featuring actors from multiple nationalities to enhance the film's thematic exploration of collaboration and suspicion. The narrative centered on themes of theft, portraying the translators' bunker as a for while avoiding graphic depictions of the crime's mechanics, thus maintaining focus on psychological tension and realism.

Filming

Principal photography for The Translators took place from January to March 2018, primarily at the Château de Villette in Condécourt, , which served as the exterior location to evoke the isolation of the story's setting. Additional scenes were filmed at the Liragif bookstore in , , from late February to early March 2018, capturing the early sequences involving the manuscript's discovery. Prison scenes were shot at the Maison d’arrêt de Bois-d’Arcy in . Interior environments, featuring high-tech elements, were constructed as purpose-built sets to facilitate the confined, tense atmosphere central to the narrative. Cinematographer Guillaume Schiffman captured the film's visuals, utilizing tight compositions within the sets to heighten the sense of enclosure and interpersonal strain among the characters. The production incorporated scenes in multiple languages to reflect the translators' diverse backgrounds, necessitating on-set interpreters to coordinate dialogue delivery across English, French, Russian, Italian, Danish, and other tongues with the international cast. This multilingual approach added logistical complexity, particularly in ensuring precise accents and cultural nuances during rehearsals and shoots. The original score was composed by , who crafted suspenseful, minimalist motifs to underscore the mystery and escalating paranoia within the bunker sequences. Post-production, including editing by Loïc Lallemand, occurred in , refining the film's intricate plot twists through layered that amplified the isolation and revelations. Filming presented challenges in synchronizing the schedules of a multinational ensemble, including actors from , the , , , and , while maintaining authenticity in language performance amid the script's demand for rapid shifts between suspicion and collaboration.

Release

Premiere

The Translators had its first public screening at the French in on November 23, 2019. The had its French at the on December 14, 2019, where it served as the opening of the 11th edition. The event featured an avant-première presentation with cast members and in attendance, highlighting the film's ensemble of international actors portraying translators from various countries. Following the festival circuit, which included limited appearances at European events in late and early , the official theatrical release occurred on January 29, , debuting in cinemas such as those operated by . Promotional activities around the release involved cast appearances, including and , at press junkets that emphasized the film's multilingual and themes of global literary .

Distribution

The film received a wide theatrical release in on January 29, 2020, distributed by . Its international rollout began in early 2020, with a release in on February 5, 2020, followed by on September 17, 2020, through Palace Films. In the United States, availability was limited primarily to streaming platforms such as , without a traditional theatrical run. Marketing efforts centered on trailers that highlighted the film's thriller aspects and its multinational ensemble cast, including and . Promotional materials also drew connections to real-world challenges in the book publishing industry, such as leaks and simultaneous processes. For home media, the film was released on DVD and Blu-ray in on June 3, 2020, by . Streaming options followed, with availability on platforms like in select regions as of October 2024, increasing its international accessibility. The production was supported by co-financing from , Belgium's , and other partners including Trésor Films, Mars Films, and Cinéma, which emphasized a European-centric strategy prior to broader international distribution. This structure enabled focused in Francophone territories before wider global availability.

Reception

Critical response

The Translators received mixed reviews from critics, with praise centered on its ensemble performances and suspenseful setup, tempered by critiques of its plot convolutions and character portrayals. On , the film holds a 71% approval rating based on 17 reviews, indicating generally favorable among critics. User ratings on average 6.5 out of 10 from over 10,000 votes, reflecting moderate audience appreciation. In , press reviews on averaged 2.9 out of 5 based on 23 critiques, suggesting a more divided response from domestic outlets. Critics frequently lauded the film's ensemble acting, particularly Lambert Wilson's commanding portrayal of the publisher Éric Angstrom, described as "menacing yet smooth-talking." The tense pacing and clever exploration of the industry's were also highlighted, with reviewers noting how the effectively builds intrigue among the multinational . 's coverage of the production emphasized its character-driven elements, drawing from real-world experiences to create entertaining twists. However, some reviews pointed to flaws in the third-act reveals, which were seen as convoluted or overly reliant on predictable turns, straining credibility. critiqued the direction as pedestrian, failing to capture the genre's complexities in its Agatha Christie-inspired setup. Additional notes addressed minor stereotypical depictions of national traits among the characters, which occasionally undermined the ensemble dynamic. Notable among the responses was the Morning Post's assessment: "A gripping multilingual mystery," which underscored the film's intrigue despite its narrative excesses. Overall, the critical consensus positioned The Translators as an engaging but imperfect exercise.

Box office

The Translators was produced on a budget of €10 million. The film earned a worldwide gross of $3.1 million. In its primary market of France, it opened to $763,454 over the January 29–February 2, 2020 weekend across 348 screens, drawing 121,867 admissions and placing in the top 10 at the box office. It maintained a position in the top 10 during its second week as well, with cumulative French earnings reaching $2.02 million by the end of its run, which totaled 279,035 admissions. Internationally, the film's performance was limited, generating approximately $1.1 million from markets outside , including $460,646 in , $271,960 in and , and smaller amounts in countries such as ($71,495) and ($69,457). The , which began disrupting theatrical releases in March 2020 shortly after the film's January debut, contributed to delayed rollouts and curtailed runs in several territories. Relative to its mid-range budget for a thriller, The Translators underperformed financially, recouping roughly 30% of costs at the amid competition from higher-profile releases like during its domestic opening.

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