This Is Acting
This Is Acting is the seventh studio album by Australian singer-songwriter Sia, released on January 29, 2016, through RCA Records, Monkey Puzzle, and Inertia.[1] The record primarily comprises songs that Sia had originally penned for other prominent artists, including Adele and Rihanna, but ultimately chose to record herself, embracing a performative approach to her songwriting persona.[2] Produced mainly by Sia alongside collaborators like Greg Kurstin and Jesse Shatkin, the album blends electropop, soul, and R&B elements, featuring bold vocal performances and themes of empowerment and self-expression.[3] Its standard edition includes 12 tracks, such as the lead single "Alive," the chart-topping "Cheap Thrills" (with a remix featuring Sean Paul), and "The Greatest" (featuring Kendrick Lamar on the deluxe version).[4] The album debuted at number four on the US Billboard 200 chart, earning 81,000 album-equivalent units in its first week, marking Sia's highest debut sales at the time.[5] Internationally, it topped charts in Australia and reached the top ten in over 20 countries, including the UK and Canada, while achieving multi-platinum certifications in regions like the US (2× Platinum) and France (3× Platinum), with global sales exceeding 3.4 million copies.[5] Critically, This Is Acting received mixed to positive reviews, praised for Sia's powerful vocals and pop craftsmanship but critiqued for its occasionally disjointed feel as a collection of outtakes; it holds a Metacritic score of 64 out of 100 based on 28 reviews.[6] At the 59th Annual Grammy Awards, the album was nominated for Best Pop Vocal Album.[7] A deluxe edition followed on October 21, 2016, adding seven additional tracks, including new songs and remixes like "The Greatest" feat. Kendrick Lamar, which became an anthem for social causes and peaked at number 18 on the Billboard Hot 100.[1][8] The album's promotion included live performances, such as Sia's Saturday Night Live appearance and the *Nostalgic for the Present* tour, further solidifying her status as a multifaceted artist known for both performing and behind-the-scenes hitmaking.[3]Background and development
Songwriting and concept
Following the commercial success of her sixth studio album, 1000 Forms of Fear in 2014, Sia began developing material for her next project, which would become This Is Acting. In late 2014, she revealed in an interview that she had already completed two full records amid a prolific songwriting period, drawing from her established role as a hitmaker for other artists. Rather than delving into deeply autobiographical content as she had on the previous album, Sia opted for a more detached approach, compiling songs she had originally crafted for various pop performers but which were ultimately rejected. This decision stemmed from her reluctance to expose further personal vulnerabilities after the introspective intensity of 1000 Forms of Fear, allowing her to experiment with a performative lens instead.[9] The album's title, This Is Acting, encapsulates Sia's conceptualization of the songwriting process as "play-acting," where she imagined embodying the personas of the intended artists to tailor the material to their styles and voices. She explained that recording these tracks herself felt like an exercise in vocal acting, simulating how another singer might interpret them while infusing her own emotive delivery. This framework enabled a sense of creative freedom and emotional distance, transforming rejected demos into a cohesive collection that prioritized universal empowerment themes over personal narrative. Specific examples include "Cheap Thrills," initially written for Rihanna at her manager's request for an upbeat track akin to "Diamonds," and "Reaper," another submission for Rihanna's consideration that Sia reclaimed after it was passed over. "Alive," co-written with Adele, was also rejected before finding its place on the album, highlighting Sia's versatility in pitching to high-profile collaborators like Rihanna and Adele.[10][11][12][13] This performative detachment was partly inspired by Sia's ongoing therapy and management of mental health challenges, including struggles with depression, addiction, and bipolar disorder, which she has openly discussed as influencing her need for emotional boundaries in her work. By framing the album as an "acting" endeavor, Sia created a therapeutic outlet that avoided raw self-disclosure, focusing instead on resilient, anthemic narratives that resonated broadly without delving into her private turmoil. The result was a body of work that balanced commercial pop appeal with subtle introspection, setting the stage for the album's production phase.[13]Recording and production
The recording of This Is Acting took place primarily in Los Angeles, California, between 2014 and 2015, with additional work in New York for mastering at The Lodge. Key studios included Echo Studio and Harmony Recording Studios in Los Angeles, where Sia collaborated extensively with producers to shape the album's sound.[14] Jesse Shatkin emerged as Sia's primary collaborator and producer on the majority of tracks, including "Alive," "Broken Glass," "One Million Bullets," and "Reaper," handling production, drum programming, and engineering. Working in Los Angeles studios such as those in Echo Park, Shatkin focused on integrating electronic elements and experimental arrangements, often building tracks around Sia's demos to emphasize bold, theatrical pop structures. For instance, on "Alive," he co-produced with Sia, incorporating dynamic builds to amplify the song's emotional intensity.[15][16] Greg Kurstin contributed production on select tracks, notably "Cheap Thrills," where he crafted an upbeat pop framework centered on steel drum samples for a vibrant, island-infused rhythm, and "Sweet Design" with electronic flourishes.[17] Jesse Shatkin, Jack Antonoff, and Jake Sinclair handled production for "House on Fire," adding layered electronic textures.[18] Sia's vocal recording process emphasized multi-tracked harmonies and ad-libbed takes, with Shatkin refining layers in sessions to create a sense of detached performance, aligning with the album's conceptual "acting" approach.[14]Composition
Musical style
This Is Acting is predominantly characterized by electropop and dance-pop genres, incorporating elements of synth-pop, R&B, and reggae influences.[19][3][20] The album's sound draws from contemporary electronic dance music (EDM) while echoing 1980s pop through its use of synthesizers and electronic beats, creating a high-energy, radio-friendly framework.[21] Tracks like "Cheap Thrills" feature a pseudo-reggae lilt, blending upbeat rhythms with pop hooks to infuse a laid-back yet danceable vibe.[3] Instrumentation centers on heavy synthesizers, pulsating electronic beats, and occasional orchestral swells that build to anthemic climaxes, supporting Sia's powerful vocals.[3][20] Arrangements follow conventional verse-chorus structures typical of pop, with most tracks averaging 3 to 4 minutes in length—for instance, "Alive" at 4:24 and "Unstoppable" at 3:38—allowing for concise, hook-driven compositions.[22] Piano elements appear in slower moments, such as the minor-key runs in "Bird Set Free," contrasting with jazz-infused stabs in R&B-leaning cuts like "Sweet Design."[20] The album exhibits variations across its tracks, ranging from high-octane anthems to more introspective pieces, yet maintains cohesion through dynamic builds and infectious hooks.[3] Upbeat tracks like "Alive," with its military drums and soaring chorus, exemplify the explosive party energy, while "Reaper" incorporates soulful R&B production courtesy of Kanye West.[3][20] Ballads such as "Broken Glass" feature belted key changes that heighten emotional intensity, blending vulnerability with pop grandeur.[3] Overall, the production crafts a "manic edge" in mass-appeal pop, emphasizing theatrical vocal delivery and structural escalation for broad accessibility.[20]Lyrics
The lyrics of This Is Acting revolve around central themes of empowerment, resilience, and the performance of identity, reflecting Sia's approach to songwriting as an exercise in adopting external personas rather than drawing directly from her personal experiences. Many tracks were originally composed for other artists, leading to a sense of emotional detachment where Sia "acts" out narratives of inner strength and self-assertion, as she explained in a 2016 interview, noting that the album's title captures this performative quality in her rejected songs for performers like Adele and Rihanna.[13] This creates universal anthems that encourage listeners to embrace resilience amid adversity, shifting away from deeply autobiographical introspection toward broader, motivational storytelling.[2] Sia's lyrical style on the album features direct, anthemic choruses designed for communal uplift, contrasted with more abstract, persona-driven verses that employ third-person perspectives to foster detachment and universality. For instance, choruses often build to declarative hooks like cries of invincibility, while verses explore fragmented emotions through metaphorical language, allowing Sia to inhabit characters without full personal investment, a technique she described as writing "from the perspective of other people" to maintain artistic distance.[2] This structure amplifies the album's empowering tone, with motifs recurring around fame's pressures, relational complexities, and mental health struggles, often framed as battles to reclaim agency. Specific songs exemplify these elements vividly. "Unstoppable," a deluxe edition track, serves as an anthem of inner strength, with lyrics affirming resilience through imagery of unbreakable momentum—"I'm unstoppable, I'm a Porsche with no brakes"—portraying a facade of power that masks vulnerability yet inspires defiance against personal pain.[23] Similarly, "Cheap Thrills" celebrates non-material excitement, emphasizing simple joys like dancing over wealth, as in the chorus "I don't need dollar bills to have fun tonight," rejecting superficial glamour in favor of authentic, communal thrill.[24] Motifs of toxic dynamics appear in "House on Fire," where the metaphor of an all-consuming blaze depicts an addictive yet destructive relationship—"I'm a house on fire, and I want to keep burning"—highlighting the cycle of harm and the struggle for emotional escape.[25] This lyrical evolution marks a departure from the introspective ballads of Sia's previous album, 1000 Forms of Fear (2014), which delved into her personal battles with addiction and mental health through raw, first-person confessions, toward more "acted" narratives that prioritize universal appeal and emotional performance over confessional depth.[13] By reworking songs intended for others, Sia transformed potential discards into resilient statements of identity, broadening her songwriting to resonate as empowering fiction rather than autobiography.[1]Release and promotion
Initial release and singles
This Is Acting was released on January 29, 2016, by Monkey Puzzle and RCA Records.[26][27] To build anticipation, Sia launched a dedicated Instagram account, @siathisisacting, where she revealed the album's cover art—a digitally altered image of her face emphasizing the "acting" theme—and shared teasers highlighting the concept of songs written as if for other artists.[26] The lead single, "Alive," was released on September 25, 2015, and peaked at number 56 on the Billboard Hot 100.[28][29] "Cheap Thrills" followed as the second single in January 2016, with a remix featuring Sean Paul issued on February 11; the track topped the Billboard Hot 100 for eight consecutive weeks, marking Sia's first number-one hit as a lead artist.[30] Promotion included television appearances, such as performances of "Bird Set Free" on The Ellen DeGeneres Show on February 2, 2016, and "Cheap Thrills" on Jimmy Kimmel Live! in July 2016.[31] Limited physical editions featured artwork designed by Sia and Michelle Holme, with the standard cover showcasing Sia's contoured face to evoke theatrical expression.[32] The original release laid the groundwork for a later deluxe edition that expanded the tracklist.[33]Deluxe edition
The deluxe edition of This Is Acting was released on October 21, 2016, as a digital reissue expanding the original 12-track album with seven bonus tracks appended at the end, resulting in a total of 19 songs and a runtime of 1 hour and 14 minutes.[34][35] This version incorporated hit singles and previously unreleased material to capitalize on the album's growing commercial success, with the bonus content maintaining the electropop and alternative styles of the standard edition while introducing remixes for broader appeal.[36] The added tracks feature collaborations and new productions by the core team, including frequent Sia collaborators like Greg Kurstin and Jesse Shatkin, alongside contributions from Chris Braide on songwriting for "Confetti" and "Midnight Decisions," and Samuel Dixon co-writing "Jesus Wept." Remixes, such as the Alan Walker version of "Move Your Body," added electronic builds and dance-oriented elements for cohesion with the album's energetic sound.[36][37]| No. | Title | Duration | Key Writers/Producers |
|---|---|---|---|
| 13 | Cheap Thrills (feat. Sean Paul) | 3:44 | Sia Furler, Greg Kurstin, Sean Paul / Greg Kurstin |
| 14 | The Greatest | 3:30 | Sia Furler, Greg Kurstin / Greg Kurstin |
| 15 | Confetti | 4:06 | Sia Furler, Chris Braide / Chris Braide |
| 16 | Move Your Body (Alan Walker Remix) | 3:38 | Sia Furler, Greg Kurstin (original) / Alan Walker |
| 17 | Midnight Decisions | 3:43 | Sia Furler, Chris Braide / Chris Braide |
| 18 | Jesus Wept | 5:29 | Sia Furler, Samuel Dixon / Oliver Kraus |
| 19 | The Greatest (feat. Kendrick Lamar) | 3:31 | Sia Furler, Greg Kurstin, Kendrick Lamar / Greg Kurstin |
Tour and live performances
To support the album This Is Acting, Sia embarked on the Nostalgic for the Present Tour, announced on May 16, 2016, marking her first arena tour in five years.[39] The tour's North American leg, comprising 23 dates, commenced on September 29, 2016, at Seattle's KeyArena, with opening acts Miguel and AlunaGeorge.[40] Preceding this, Sia performed at several European summer festivals in August 2016, including Way Out West in Gothenburg, Sziget Festival in Budapest, and Flow Festival in Helsinki.[41] The tour extended into 2017 with stadium shows in Australia and New Zealand, announced on May 28, 2017, featuring supports Charli XCX, MØ, and Amy Shark; these included performances at Melbourne's AAMI Park on November 30 and Sydney's Allianz Stadium on December 2.[42] Across more than 40 dates worldwide, the production highlighted elaborate theatrical staging aligned with the album's "acting" theme, where Sia performed facing away from the audience in her signature oversized wig, backed by a troupe of dancers executing synchronized routines that portrayed emotional narratives through interpretive movement.[43] Setlists emphasized This Is Acting material, including live debuts of "Cheap Thrills," "Alive," "Bird Set Free," and deluxe edition tracks like "The Greatest," interspersed with earlier hits such as "Chandelier" and "Elastic Heart."[44] Dancer Maddie Ziegler, a frequent collaborator, joined for key segments, amplifying the visual storytelling with high-energy choreography.[45] Beyond the tour, Sia showcased album tracks in notable festival and special appearances. At Coachella Valley Music and Arts Festival on April 17, 2016, she delivered a main-stage set blending This Is Acting songs like "Unstoppable" and "Cheap Thrills" with avant-garde dance elements, including wig-clad performers to evoke themes of vulnerability and performance.[46] In September 2016, during an Apple product launch event, Sia performed "The Greatest" and "Chandelier" live, accompanied by Ziegler's choreography that underscored the album's pop-opera intensity.[47] These events reinforced the tour's focus on immersive, non-traditional live spectacles.Critical reception
Reviews
Upon its release in January 2016, This Is Acting received generally positive reviews from music critics, earning a Metacritic score of 67 out of 100 based on 30 reviews, indicating "generally favorable" reception.[48] Critics frequently praised Sia's vocal power and pop craftsmanship, highlighting the album's anthemic energy and infectious hooks. AllMusic awarded it 4 out of 5 stars, commending Furler's "huge but fragile" voice for counterpointing the songs' robust construction and delivering solid songwriting.[49] Rolling Stone gave it 3.5 out of 5 stars, describing it as a record that "overwhelmingly delivers big beats and shout-along choruses straight to the brain’s pleasure center."[4] Reviewers also noted innovation in blending personal detachment—stemming from the album's "acting" concept of reclaiming songs written for others—with broad accessibility, as seen in tracks like "Alive," where Sia's rasping delivery transcends role-playing to forge emotional connection.[50] However, some criticisms focused on perceived lack of emotional depth due to the "acting" approach, resulting in an impersonal feel. Pitchfork rated it 6.8 out of 10, calling it "scattered and forgettable" compared to the more personal 1000 Forms of Fear, though it acknowledged Sia's vocal vitality in formulaic tracks.[3] The Guardian's Alexis Petridis gave it 3 out of 5 stars, praising the "pitilessness with which the songs sink their hooks into you" but critiquing the overuse of formulaic "victim-to-victory" narratives that risked staleness and lacked collective originality.[50]Accolades
This Is Acting earned recognition from several major music awards bodies in the years following its release. At the 30th ARIA Music Awards in 2016, the album won Best Female Artist, while also receiving nominations for Album of the Year, Best Independent Release, Best Pop Release, and Best Video (for "Cheap Thrills").[51] The album was nominated for Best Pop Vocal Album at the 59th Annual Grammy Awards in 2017, pitting it against works by Adele, Ariana Grande, Justin Bieber, and Demi Lovato. Singles from the album also garnered honors. "Cheap Thrills" was nominated for Best Female Video at the 2016 MTV Video Music Awards.[52] The track received a nomination for Top Hot 100 Song at the 2017 Billboard Music Awards.[53] This Is Acting appeared on several year-end critics' lists, ranking at number 20 on Billboard's 50 Best Albums of 2016.[54] NME awarded it a score of 80 out of 100.Commercial performance
Chart performance
This Is Acting debuted at number one on the ARIA Albums Chart in Australia.[55] It entered the UK Albums Chart at number three, where it accumulated 70 weeks on the tally.[56] In Canada, the album reached number three on the Billboard Canadian Albums chart.[57] On the US Billboard 200, it launched at number four with 81,000 album-equivalent units in its first week, marking Sia's highest-charting album in the United States at the time.[58] The album achieved top-ten peaks in more than 20 countries, demonstrating strong international appeal, particularly in Europe and Asia through robust digital sales.[5] The record demonstrated notable longevity, spending 52 weeks on the Billboard 200 and appearing at number 22 on the year-end Billboard 200 chart for 2016.[59]| Chart (2016) | Peak Position |
|---|---|
| Australian Albums (ARIA) | 1[55] |
| Canadian Albums (Billboard) | 3[57] |
| UK Albums (OCC) | 3[56] |
| US Billboard 200 | 4[58] |
Sales and certifications
This Is Acting achieved significant commercial success, selling over 3 million copies worldwide by 2017.[5] In the United States, the album was certified 2× Platinum by the Recording Industry Association of America (RIAA) on October 21, 2022, representing 2,000,000 album-equivalent units.[62] Combined sales in Australia and Europe surpassed 500,000 units, bolstered by strong performance in markets like France and the United Kingdom.[5] The album received 3× Platinum certification from the Australian Recording Industry Association (ARIA), equivalent to 210,000 units. In the United Kingdom, it earned Platinum status from the British Phonographic Industry (BPI) for 300,000 units. Additionally, This Is Acting has been certified Gold or higher in more than 15 countries, including Brazil (3× Platinum), Canada (2× Platinum), France (Platinum), Italy (Platinum), Mexico (Platinum), New Zealand (Platinum), Poland (Platinum), Spain (Platinum), and Sweden (Platinum).[5][63] The album's standout single, "Cheap Thrills" (featuring Sean Paul), was certified 9× Platinum by the RIAA in the United States (as of July 3, 2024), with over 10 million units by May 2025.[64] Its streaming performance contributed substantially to the album's metrics, with the track surpassing 2 billion streams on Spotify by August 2025.[65]Legacy
Reevaluation
In 2022, the track "Unstoppable" from This Is Acting experienced a significant resurgence, driven by its virality on TikTok, where it became a popular empowerment anthem in user-generated content.[66] The song was re-released as an official single in July 2022, debuting at number 98 on the Billboard Hot 100 and later ascending to number 1 on the Adult Pop Airplay chart on October 15, marking its first such peak six years after the album's original release.[67][66] This renewed interest contributed to a broader reevaluation of the album among listeners, as evidenced by updated user scores on Metacritic rising to 7.8 out of 10 based on over 500 ratings, reflecting growing appreciation for its themes of resilience and performance in a digital context.[48] By 2025, This Is Acting had surpassed 5 billion streams on Spotify for its standard edition, with the deluxe version exceeding 7 billion, underscoring the album's enduring appeal and the role of the expanded release in sustaining its longevity through viral moments and streaming platforms.[68]Cultural impact
The track "Unstoppable" from This Is Acting emerged as a powerful anthem for empowerment, particularly through its remixed version featured in Gillette's 2016 Olympic advertisement campaign "Perfect Isn't Pretty," which celebrated female athletes' resilience and challenged traditional beauty standards in sports.[23] The song's themes of inner strength and perseverance have sustained its cultural relevance, with athletes such as hockey player Tess Howard citing it as a motivational staple in her training routines.[69] In April 2025, Sia closed the Breakthrough Prize ceremony with a live performance of the song.[70] Meanwhile, "Cheap Thrills" captured widespread viral attention through its infectious energy, inspiring a proliferation of user-generated covers and parodies that amplified its playful critique of materialism in pop music.[1] The album's innovative concept—Sia "acting" as the intended performers for songs originally written for artists like Rihanna, Beyoncé, and Adele—highlighted the behind-the-scenes craft of pop songwriting, influencing industry perceptions of the songwriter-performer dynamic and encouraging more transparent discussions about creative collaboration in music.[10] This approach extended to Sia's visual aesthetics, where her music videos for tracks like "Elastic Heart" and "Big Girls Cry" employed dancer Maddie Ziegler as a proxy, pioneering a masked, interpretive style of performance that has shaped experimental pop visuals and emphasized emotional expression over personal exposure.[71] In media, "Cheap Thrills" received prominent placement in the 2017 film Pitch Perfect 3, where the Barden Bellas delivered an a cappella rendition during a high-stakes USO performance, integrating the song into the franchise's celebration of vocal harmony and female camaraderie.[72] This Is Acting contributed to the 2010s pop feminism movement by embedding messages of perseverance, self-love, and redemption in its lyrics, aligning with broader cultural shifts toward female empowerment in mainstream music.[73] Reflecting Sia's personal battles with addiction and mental health, the album's raw emotional core has informed ongoing discourse on vulnerability in pop, with tracks like "Unstoppable" serving as touchstones for resilience amid psychological challenges.[2]Track listing
Standard edition
The standard edition of This Is Acting comprises 12 tracks, with a total runtime of 46:34, and was released on January 29, 2016, via digital download and CD formats carrying a parental advisory sticker due to explicit lyrical content.[74][14] The songs were largely written by Sia Furler in collaboration with various co-writers, reflecting her approach to crafting material initially intended for other artists, and produced mainly by Greg Kurstin and Jesse Shatkin.[75]| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 1 | "Bird Set Free" | Sia Furler, Greg Kurstin | Greg Kurstin | 4:12 |
| 2 | "Alive" | Sia Furler, Adele Adkins, Tobias Jesso Jr. | Jesse Shatkin | 4:23 |
| 3 | "One Million Bullets" | Sia Furler, Jesse Shatkin | Jesse Shatkin | 4:12 |
| 4 | "Move Your Body" | Sia Furler, Greg Kurstin | Greg Kurstin | 4:07 |
| 5 | "Unstoppable" | Sia Furler, Christopher Braide | Jesse Shatkin | 3:37 |
| 6 | "Cheap Thrills" | Sia Furler, Greg Kurstin | Greg Kurstin | 3:31 |
| 7 | "Reaper" | Sia Furler, Kanye West, Noah Goldstein, Dominic Jordan, Charles Njapa | Jesse Shatkin, Kanye West | 3:39 |
| 8 | "House on Fire" | Sia Furler, Jack Antonoff | Jesse Shatkin, Jack Antonoff | 4:01 |
| 9 | "Footprints" | Sia Furler, Tyler Matthew Carl Williams, Josh Valle, Nikhil P. Seetharaman | T-Minus | 3:13 |
| 10 | "Sweet Design" | Sia Furler, Greg Kurstin, Jayson DeZuzio | Greg Kurstin | 2:25 |
| 11 | "Broken Glass" | Sia Furler, Jesse Shatkin, Jasper Lekberg | Jesse Shatkin | 4:25 |
| 12 | "Space Between" | Sia Furler, Christopher Braide | Christopher Braide, Cameron Deyell | 4:49 |
Deluxe edition
The deluxe edition of This Is Acting was released on October 21, 2016, as a digital reissue expanding the original 12-track album with seven bonus tracks appended at the end, resulting in a total of 19 songs and a runtime of 1 hour and 14 minutes.[34][35] This version incorporated hit singles and previously unreleased material to capitalize on the album's growing commercial success, with the bonus content maintaining the electropop and alternative styles of the standard edition while introducing remixes for broader appeal.[36] The added tracks feature collaborations and new productions by the core team, including frequent Sia collaborators like Greg Kurstin and Jesse Shatkin, alongside contributions from Chris Braide on songwriting for "Confetti" and "Midnight Decisions," and Samuel Dixon co-writing "Jesus Wept." Remixes, such as the Alan Walker version of "Move Your Body," added electronic builds and dance-oriented elements for cohesion with the album's energetic sound.[36][37]| No. | Title | Duration | Key Writers/Producers |
|---|---|---|---|
| 13 | Cheap Thrills (feat. Sean Paul) | 3:44 | Sia Furler, Greg Kurstin, Sean Paul / Greg Kurstin |
| 14 | The Greatest | 3:30 | Sia Furler, Greg Kurstin / Greg Kurstin |
| 15 | Confetti | 4:06 | Sia Furler, Chris Braide / Jesse Shatkin |
| 16 | Move Your Body (Alan Walker Remix) | 3:38 | Sia Furler, Greg Kurstin (original) / Alan Walker |
| 17 | Midnight Decisions | 3:43 | Sia Furler, Chris Braide / Chris Braide |
| 18 | Jesus Wept | 5:29 | Sia Furler, Samuel Dixon / Oliver Kraus |
| 19 | The Greatest (feat. Kendrick Lamar) | 3:31 | Sia Furler, Greg Kurstin, Kendrick Lamar / Greg Kurstin |
Personnel
Vocals
- Sia – lead vocals, backing vocals (all tracks)[75]
- Sean Paul – featured vocals (deluxe edition track "Cheap Thrills" remix)[75]
- Kendrick Lamar – featured vocals (deluxe edition track "The Greatest")[75]
Production and arrangement
- Greg Kurstin – producer (tracks 1, 4, 6, 10, 14, 19), programming (tracks 1, 4, 6, 10, 14, 19)[75]
- Jesse Shatkin – producer (tracks 2, 3, 5, 7, 8, 9, 11, 15), vocal production (tracks 2, 3, 5, 7, 8, 9, 11, 15), backing vocals (tracks 2, 3, 5, 7, 8, 9, 11, 15), programming (tracks 2, 3, 5, 7, 8, 9, 11, 15)[75]
- Christopher Braide – producer (tracks 12, 15, 17), vocal production (tracks 12, 15, 17)[75]
- T-Minus – producer (track 9), programming (track 9)[75]
- Jack Antonoff – producer (track 8)[75]
- 88-Keys – additional production (track 7)[75]
- Dom Solo – additional production (track 7)[75]
- Jake Sinclair – additional production (track 8)[75]
- Kanye West – additional production (track 7)[75]
- Mark Ralph – additional production (track 7)[75]
- Olivier Rodiel – additional production (track 7)[75]
- Pusher – additional production (track 11)[75]
- Sia – executive producer[77]
Instrumentation
- Greg Kurstin – bass (tracks 1, 4, 6, 10), drums (tracks 1, 4, 6, 10, 14, 19), guitar (tracks 6, 14, 19), keyboards (tracks 1, 4, 6, 10, 14, 19), piano (track 1), mellotron (track 1)[75]
- Jesse Shatkin – bass (tracks 2, 3, 5, 8, 11), drums (tracks 2, 3, 5, 7, 8, 9, 11, 15), guitar (tracks 2, 3), keyboards (tracks 2, 3, 5, 7, 8, 9, 11, 15), piano (tracks 3, 7, 8, 11), synthesizer (tracks 6, 9), percussion (track 2), strings programming (tracks 2, 5, 9)[75]
- Garrett Ray – drums (track 2)[75]
- Erick Serna – guitar (tracks 8, 9)[75]
- Chris Wrays – guitar (track 7), keyboards (track 7)[75]
- Cameron Deyell – bass (track 12), guitar (track 12), keyboards (track 12)[75]
- Tobias Jesso Jr. – piano (track 2), keyboards (track 2)[75]
- Jake Sinclair – percussion (track 8), tambourine (track 8)[75]
- Oliver Kraus – strings (track 18), drums (track 18), viola (track 18)[75]
- Christopher Braide – bass (track 17), drums (track 17), guitar (track 17), keyboards (track 17), percussion (track 17), piano (track 17)[75]
Engineering
- Greg Kurstin – engineering (tracks 1, 4, 6, 10, 14, 19)[75]
- Jesse Shatkin – engineering (tracks 2, 3, 5, 7, 8, 9, 11, 15)[75]
- Julian Burg – assistant engineering (tracks 1, 4, 6, 10, 14, 19)[75]
- Alex Pasco – assistant engineering (tracks 1, 4, 6, 10, 14, 19)[75]
- Jamie Wosk – assistant engineering (various tracks), vocal engineering (track 9)[75]
- Rob Suchecki – vocal engineering (track 9)[75]
- Stuart White – vocal engineering (track 9)[75]
- Christopher Braide – vocal engineering (tracks 12, 15, 17)[75]
- Samuel Dixon – engineering (track 18)[75]
Mixing
- Manny Marroquin – mixing (tracks 1–12, 15)[75]
- Serban Ghenea – mixing (tracks 14, 19)[75]
- Jesse Shatkin – mixing (track 15)[75]
- Erik Madrid – mixing (track 17)[75]
- Oliver Kraus – mixing (track 18)[75]
Mastering
- Tom Coyne – mastering[77]
Additional personnel
- Chloe Weise – A&R[77]
- Keith Naftaly – A&R[77]
- Sia – art direction, design, executive producer, typography[77]
- Michelle Holme – design[77]
- Neal Barr – photography[77]
- Bob McLynn – management[77]
- David Shapiro – management[77]