Three Sixty
Three Sixty is a greatest hits compilation album by the American rock supergroup A Perfect Circle, released on November 19, 2013, through Virgin Records.[1][2] The album features 10 remastered tracks selected from the band's first three studio albums—Mer de Noms (2000), Thirteenth Step (2003), and eMOTIVE (2004)—alongside three newly recorded songs, marking the group's first new material since their 2004 release.[3] These include the original composition "By and Down," a studio cover of John Lennon's "Imagine," and a cover of Led Zeppelin's "When the Levee Breaks."[4][3][5] A Perfect Circle, formed in Los Angeles, California, in 1999 by guitarist Billy Howerdel and Tool vocalist Maynard James Keenan, is known for its alternative rock and art rock sound, blending intricate melodies with heavy riffs and introspective lyrics.[6][7] The band achieved commercial success with their debut Mer de Noms, which peaked at number four on the Billboard 200, and followed with critically acclaimed releases that explored themes of addiction, spirituality, and human emotion.[7] After entering a hiatus in 2005, A Perfect Circle resumed touring in 2010, leading to the compilation Three Sixty as a career retrospective ahead of their eventual return to studio work with 2018's Eat the Elephant.[7] The release of Three Sixty was accompanied by a deluxe edition featuring six additional live tracks, including performances of "3 Libras," "Gravity," and a live version of Depeche Mode's "People Are People," providing fans with a comprehensive overview of the band's evolution from their aggressive early sound to more experimental covers and live energy.[5][8] While some critics viewed the album as unnecessary given the band's limited discography, it underscored A Perfect Circle's enduring influence in the rock genre and reignited interest ahead of future projects.[9]Background
Band reformation
A Perfect Circle was formed in 1999 in Los Angeles by guitarist and producer Billy Howerdel and vocalist Maynard James Keenan, initially as a side project for Keenan alongside his primary band Tool.[10] The group quickly gained prominence with their debut album Mer de Noms in 2000, which debuted at number four on the Billboard 200, followed by the sophomore release Thirteenth Step in 2003 and a covers album eMOTIVe in 2004.[11] Following the release of eMOTIVe, the band entered an indefinite hiatus in 2005, primarily due to Keenan's increasing commitments with Tool—including their 2006 album 10,000 Days—and the launch of his multimedia project Puscifer.[12] Howerdel pursued solo work with his band Ashes Divide during this period, while other members scattered to various projects.[13] The band reformed in 2010, beginning with a surprise television performance on Jimmy Kimmel Live! on October 27, which marked their first public appearance in six years and reignited fan interest.[14] This led to the announcement of a fall reunion tour in September, featuring multi-night stands in select cities with full-album playthroughs, and retention of core members including drummer Josh Freese alongside newcomers like bassist Matt McJunkins and guitarist James Iha.[13] In 2011, they expanded with a summer U.S. tour, highlighted by a headline show at Red Rocks Amphitheatre on August 2.[15]Compilation concept and announcement
In 2013, A Perfect Circle decided to compile a greatest hits album in response to sustained fan demand following the band's successful 2011 tour dates. The compilation marked their first new studio material since the 2004 album eMOTIVe.[16] This decision came after the band's reformation in 2010, reigniting interest in their catalog.[17] The album, titled Three Sixty, was officially announced on September 17, 2013, through the band's official website and social media channels, positioning it as a complete retrospective collection spanning the group's career from 1999 to 2013.[18] Guitarist Billy Howerdel and vocalist Maynard James Keenan, the band's core creative forces, were deeply involved in the process, drawing on their longstanding personal connection and musical intuition to select tracks that captured the essence of their collaborative dynamic.[17] Conceived as a bridge between the band's past achievements and potential future endeavors, Three Sixty incorporated three newly recorded songs—one original and two covers—alongside live recordings in the deluxe edition to illustrate the group's artistic evolution within the art rock genre.[18] Howerdel described the curation as an effort to create a cohesive narrative of growth, honoring their history while signaling openness to new material.[16]Production
Track selection process
The track selection for Three Sixty centered on curating 10 core hits drawn from A Perfect Circle's first two studio albums: Mer de Noms (2000) and Thirteenth Step (2003), with one track from eMOTIVe (2004).[19] This approach ensured a representative overview of the band's early catalog, with four tracks from Mer de Noms (including "Judith" and "3 Libras"), five from Thirteenth Step (such as "The Package" and "Blue"), and one from eMOTIVe ("Passive").[19] Selections prioritized fan favorites and commercial singles to capture the band's commercial peak, exemplified by tracks like "The Hollow" from Mer de Noms, which peaked at No. 7 on the Billboard Mainstream Rock chart, "Weak and Powerless" from Thirteenth Step, a No. 1 Mainstream Rock hit, and "Passive" from eMOTIVe, another top-10 single. These choices highlighted enduring popularity, with "The Hollow" and "Weak and Powerless" frequently cited as staples in live sets and fan polls.[7] To distinguish Three Sixty from prior releases, the curation deliberately avoided redundancy with aMOTION (2005), which compiled B-sides, remixes, and video content rather than core studio material.[20] Instead, the focus remained on essential studio recordings, excluding remixed versions or rarities to provide a streamlined retrospective of the band's primary output.[17] Inclusion criteria emphasized commercial singles that drove chart success, critically acclaimed "darling" tracks like "Orestes" and "Rose" for their artistic depth, and songs illustrating the band's evolution from the aggressive alternative metal of Mer de Noms to the more introspective art rock elements in Thirteenth Step and the experimental elements in eMOTIVe.[7] This curation underscored the genre shift, blending heavy riffs and atmospheric textures to reflect the collaborative dynamic between guitarist Billy Howerdel's production style and vocalist Maynard James Keenan's lyrical intensity.[7] The process was a collaborative effort led by Howerdel and Keenan, with input from Virgin Records executives, to balance representation across the 2000–2004 era while maintaining chronological flow.[17] This ensured equitable coverage of each album's highlights without overemphasizing any single phase. The compilation also incorporates three new studio tracks—"By and Down," "Imagine" (John Lennon cover), and "When the Levee Breaks" (Led Zeppelin cover)—plus a live recording of "People Are People" (Depeche Mode cover), to bridge the retrospective with fresh material.[17]New material recording
Following the band's 2011 reunion tours, A Perfect Circle entered the studio in 2013 to record new material for the greatest hits compilation Three Sixty, including their first new original composition in nearly a decade, "By and Down," alongside new studio covers of "Imagine" (John Lennon) and "When the Levee Breaks" (Led Zeppelin); a live version of "People Are People" (Depeche Mode) was also added. The sessions took place at The Fortress in Los Angeles—guitarist and producer Billy Howerdel's personal studio—and Ollywood Studios in Hollywood, California. This marked a deliberate pivot from the compilation's focus on reselecting and repackaging earlier material, allowing the group to introduce contemporary output amid their retrospective project.[19][21] The original song "By and Down" emerged from a collaboration between Howerdel and vocalist Maynard James Keenan, who co-wrote the music and lyrics. Howerdel initially conceived the melody improvisationally on piano, capturing an early demo on his phone before refining the structure. Clocking in at 5:33, "By and Down" features Howerdel on guitar, keyboards, and backing vocals alongside his production duties, with Keenan delivering the lead vocals; the track was augmented by drummer Jeff Friedl and bassist Matt McJunkins. Performed live during the 2011 tours with a different lineup, the 2013 studio rendition incorporated polished arrangements distinct from those early versions. The new covers followed a similar collaborative process, reinterpreting the songs with updated arrangements to fit the band's evolved sound.[19][22][16] "By and Down" was issued as a digital single on October 14, 2013, available for download and streaming, ahead of Three Sixty's full release the following month. This rollout tied into broader promotion for the compilation, highlighting the band's return to original songcraft after years of dormancy.[21][23]Remastering and live recordings
The remastering of all tracks for Three Sixty was conducted by Howie Weinberg at Masterdisk in New York, with a focus on improving clarity and dynamics to better suit 2013 digital formats.[3] The live tracks included in the deluxe edition were sourced from the band's July 12, 2011, concert at Red Rocks Amphitheatre in Morrison, Colorado, chosen for its high energy and setlist variety.[24] Specific live inclusions comprised eight tracks, such as "3 Libras," "Magdalena," and "The Hollow," which were mixed to preserve the raw audience interaction.[5] Production oversight was provided by Billy Howerdel to ensure the live versions complemented the studio originals without overshadowing them.[25] As part of the broader production, the new studio tracks were integrated alongside these elements.[3]Release and promotion
Album formats and editions
The standard edition of Three Sixty was released as a single CD or digital download, featuring 9 remastered tracks selected from the band's previous albums along with 4 newly recorded tracks.[3] This version includes cover art with a white background and a silhouette of the band members, designed by longtime collaborator Steven Gilmore.[26] The deluxe edition expands on the standard release with a double CD set containing 19 tracks total: the 13 studio recordings plus six live performances captured during the band's 2011 concert at Red Rocks Amphitheatre.[27] A digital bundle of the deluxe content was also offered.[28] Both editions feature enhanced packaging, including a 16-page booklet with liner notes penned by guitarist Billy Howerdel, archival photographs spanning the band's career from 1999 to 2011, and a visual timeline of key milestones.[29] The album was distributed worldwide on November 19, 2013, through Virgin Records and Universal Music Enterprises, with certain deluxe bundles—such as a Best Buy exclusive box set—available only in the United States.[30]Singles and marketing campaigns
"By and Down" served as the sole single from Three Sixty, representing A Perfect Circle's first original song in nearly a decade and released digitally on October 18, 2013, ahead of the album's launch.[31] However, as of 2025, "By and Down" has been removed from major streaming services and is no longer widely available digitally outside of physical copies of the album.[32] The track was featured exclusively on the compilation, underscoring the project's role in marking the band's return following their 2010 reformation.[25] The marketing campaign for Three Sixty emphasized the band's reunion narrative, with Virgin Records positioning the release as a celebratory "return" anthology through targeted promotions. Teaser content, including artwork previews, was shared on YouTube starting in early October 2013, building anticipation via view-based unlockable clips.[33] Social media efforts involved countdowns and updates across platforms, while retailers like Best Buy featured exclusive deluxe editions with in-store displays to drive physical sales. Promotional interviews, such as those in Rolling Stone, highlighted the emotional reflection of compiling hits and the significance of new material amid the group's intermittent activity since 2011.[25] Tie-in activities extended to limited-edition merchandise tied to the album's release. Additionally, email newsletters were sent to the fan database established since the 2011 reunion shows, providing updates on the compilation and encouraging pre-orders.[34]Commercial performance
Chart positions
Three Sixty debuted and peaked at number 38 on the US Billboard 200 chart in December 2013.[35] The compilation also achieved placements on genre-specific rankings, including the Alternative Albums and Top Rock Albums charts.[36] Internationally, the album peaked at number 32 on the UK Albums Chart.[37] It experienced modest performance on early digital platforms, including Spotify.[35] The album's chart performance was influenced by its release timing during the holiday season, as well as the band's dedicated fan base.| Chart (2013) | Peak Position |
|---|---|
| US Billboard 200 | 38 |
| UK Albums (OCC) | 32 |
Sales figures and certifications
Specific sales figures for Three Sixty are not widely documented. The album did not receive any RIAA certifications.[38] In comparison to prior albums, Three Sixty's performance was lower than Mer de Noms, which debuted with 188,000 units.[39]Critical reception
Initial reviews
Upon its release in November 2013, Three Sixty received generally positive reviews from critics, who praised the remastered tracks for their enhanced clarity and the inclusion of the new song "By and Down" as a mature addition to the band's catalog.[3] Echoes and Dust lauded the collection as a compelling overview of the band's art rock progression, particularly commending the live recordings for capturing their dynamic energy on stage.[40] Renowned for Sound echoed this sentiment, noting the vocal experimentation and layered production in "By and Down" as a thoughtful evolution from the band's earlier intensity.[41] Some reviewers offered minor critiques regarding the track selection. Louder appreciated the overall curation but noted the unbalanced selection, such as the omission of tracks from the latter half of Mer de Noms, and questioned whether the emphasis on eMOTIVe covers on the second disc overshadowed the original material.[42] Sputnikmusic similarly highlighted the strong representation of hit singles while criticizing the eMOTIVe covers as a weaker segment in the retrospective.[43] The album holds an average critic score of 73 out of 100 on Album of the Year, based on a limited aggregation of two early reviews, with the consensus affirming its value as a solid career-spanning retrospective.[44]Retrospective evaluations
In the years following its release, Three Sixty has been reevaluated as a pivotal compilation that bridged A Perfect Circle's creative hiatus, encapsulating the band's evolution while introducing fresh material amid Maynard James Keenan's multifaceted career. A 2025 retrospective in Revolver magazine highlights the album's role in sustaining momentum during the gap before the 2018 return with Eat the Elephant, particularly praising the new track "By and Down" as "heavily layered with echoes of the Cure and led by Keenan’s soaring vocals," which has since gained appreciation as an underrated gem in the band's discography.[45] Fan-driven assessments on music aggregation platforms reflect a solid but mixed retrospective regard, with an average user rating of 3.74 out of 5 on Rate Your Music based on over 120 evaluations, where it is often commended for its accessible entry point into the band's catalog through curated singles and covers, though some critiques note the absence of deeper rarities or unreleased material.[46] This perception aligns with broader fan nostalgia, positioning the deluxe edition's live recordings as a valued archival component for long-time listeners. Within analyses of contemporary rock and art rock, Three Sixty is contextualized as a key artifact in understanding Keenan's "multi-project ecosystem," illustrating his ability to balance A Perfect Circle with Tool and Puscifer during periods of dormancy, as explored in band histories that emphasize thematic continuity across his endeavors.[45] The album's presence on streaming platforms has further amplified its retrospective impact in the 2020s, boosting plays for older tracks like "Judith," which has exceeded 180 million streams on Spotify, while the deluxe edition's live versions frequently appear in user-curated playlists dedicated to alternative rock and progressive influences.[47] This digital resurgence contrasts with initial 2013 critical scores averaging in the 70-85% range, underscoring a shift toward appreciating its role in the band's enduring legacy.[44]Track listing
Standard edition
The standard edition of Three Sixty features 13 tracks, comprising 10 remastered selections from the band's first three studio albums—Mer de Noms (2000), Thirteenth Step (2003), and eMOTIVE (2004)—plus three newly recorded studio tracks ("By and Down," "Imagine," "When the Levee Breaks") and one new live recording ("People Are People"). The tracks are arranged to highlight key singles and fan favorites, not strictly chronologically, with songwriting credits to Billy Howerdel and Maynard James Keenan for originals, and original writers for covers. The compilation has a total runtime of 58:16 and focuses on studio material except for the live "People Are People."[17][3]| No. | Title | Duration | Writer(s) | Original source |
|---|---|---|---|---|
| 1 | "The Hollow" | 2:58 | Howerdel, Keenan | Mer de Noms (2000) |
| 2 | "Judith" | 4:06 | Howerdel, Keenan | Mer de Noms (2000) |
| 3 | "Orestes" | 4:47 | Howerdel, Keenan | Mer de Noms (2000) |
| 4 | "3 Libras" | 3:39 | Howerdel, Keenan | Mer de Noms (2000) |
| 5 | "Weak and Powerless" | 3:15 | Howerdel, Keenan | Thirteenth Step (2003) |
| 6 | "The Noose" | 4:53 | Howerdel, Keenan | Thirteenth Step (2003) |
| 7 | "The Outsider" | 4:15 | Howerdel, Keenan | Thirteenth Step (2003) |
| 8 | "Blue" | 4:07 | P. R. Reed | eMOTIVE (2004) |
| 9 | "When the Levee Breaks" | 5:58 | Bonham, Jones, Page, Plant | New studio recording (2013) |
| 10 | "Imagine" | 4:49 | Lennon | New studio recording (2013) |
| 11 | "Counting Bodies Like Sheep to the Rhythm of the War Drums" | 5:58 | Howerdel, Keenan | eMOTIVE (2004) |
| 12 | "Passive" | 4:10 | Howerdel, Keenan, Eustis, Reznor | eMOTIVE (2004) |
| 13 | "By and Down" | 5:33 | Howerdel, Keenan | New original (2013) |
Deluxe edition – Disc 1
The first disc of the deluxe edition compiles 10 remastered studio recordings from Mer de Noms (2000), Thirteenth Step (2003), and eMOTIVE (2004), providing a broader retrospective than the standard edition by including additional album tracks like "Rose" and "The Package." Released on November 19, 2013, by Virgin Records, this disc emphasizes the band's evolution through introspective and dynamic compositions. The sequencing mixes early hits from Mer de Noms (e.g., "The Hollow," "Judith") with selections from Thirteenth Step (e.g., "Weak and Powerless," "The Outsider") and concludes with the eMOTIVE cover "Blue," prioritizing thematic flow.[3]| No. | Title | Writer(s) | Length | Original album |
|---|---|---|---|---|
| 1 | "The Hollow" | Howerdel, Keenan | 2:58 | Mer de Noms (2000) |
| 2 | "Rose" | Howerdel, Keenan | 3:24 | Mer de Noms (2000) |
| 3 | "Judith" | Howerdel, Keenan | 4:04 | Mer de Noms (2000) |
| 4 | "Orestes" | Howerdel, Keenan | 4:45 | Mer de Noms (2000) |
| 5 | "3 Libras" | Howerdel, Keenan | 3:35 | Mer de Noms (2000) |
| 6 | "The Package" | Howerdel, Keenan | 7:40 | Thirteenth Step (2003) |
| 7 | "Weak and Powerless" | Howerdel, Keenan | 3:11 | Thirteenth Step (2003) |
| 8 | "The Noose" | Howerdel, Keenan | 4:54 | Thirteenth Step (2003) |
| 9 | "The Outsider" | Howerdel, Keenan | 4:06 | Thirteenth Step (2003) |
| 10 | "Blue" | P. R. Reed | 4:09 | eMOTIVE (2004) |
Deluxe edition – Disc 2
The second disc of the deluxe edition features 9 tracks, blending four newly recorded studio pieces with five live recordings from the band's 2010-2011 reunion tour, including performances at Red Rocks Amphitheatre on July 12, 2011, and other 2010 shows. These selections serve as fan bonuses, highlighting live energy and new material like the original "By and Down" and re-recorded covers. The recordings were mixed by Billy Howerdel to capture audience interaction.[30][3]-
"Imagine" – 4:47
Written by John Lennon; new studio recording (2013). -
"Passive" – 4:10
Written by Howerdel, Keenan, Eustis, Reznor; from eMOTIVE (2004), remastered. -
"People Are People" (live, 2011) – 3:44
Written by Gore; cover, new live recording from Red Rocks Amphitheatre. -
"Counting Bodies Like Sheep to the Rhythm of the War Drums" – 5:59
Written by Howerdel, Keenan; from eMOTIVE (2004), new context/recording note. -
"When the Levee Breaks" – 5:54
Written by Bonham, Jones, Page, Plant; new studio recording (2013). -
"By and Down" – 5:33
Written by Howerdel, Keenan; new original studio recording (2013). -
"3 Libras" (live, 2010) – 6:11
Written by Howerdel, Keenan; from Mer de Noms (2000). -
"Gravity" (live, 2010) – 5:10
Written by Howerdel, Keenan; from Mer de Noms (2000). -
"Fiddle and the Drum" (live, 2010) – 3:31
Written by Mitchell; cover of Joni Mitchell, from live tour performance.