Time & Space
Time & Space is the second studio album by the American punk rock band Turnstile. It was released on February 23, 2018, through Roadrunner Records, marking the band's major label debut. The album is the first by Turnstile to feature rhythm guitarist Pat McCrory. Produced by the band alongside Will Yip, it was recorded in 2017 and consists of 13 tracks blending hardcore punk with elements of skate punk and post-hardcore.[1] The album received critical acclaim upon release, earning an average score of 81 out of 100 on Metacritic based on 12 reviews, with praise for its energetic riffs and emotional depth.[2] Commercially, it debuted at number one on the US Billboard Heatseekers Albums chart and number fifteen on the Top Hard Rock Albums chart, selling 2,800 copies in its first week.[3][4]Development
Background
Following the release of their debut album Nonstop Feeling on January 13, 2015, through the independent label Reaper Records, Turnstile embarked on extensive tours that solidified their growing reputation within the underground hardcore punk scene. The album's propulsive, old-school hardcore sound, drawing from influences like 7 Seconds and Inside Out, resonated with enthusiasts, positioning the band as one of the most prominent acts in the genre by mid-decade. Their independent ethos continued with the self-released EP Move Thru Me on September 16, 2016, via their own Pop Wig Records imprint, which featured three new tracks and further honed their live energy amid nonstop touring.[5] This period marked a surge in underground popularity, as the Baltimore-based outfit became a staple at DIY shows and festivals, fostering a dedicated following through raw, communal performances.[6] In early 2016, Turnstile signed with Roadrunner Records, marking their major label debut and providing resources to expand beyond the indie circuit.[7] This move came amid lineup adjustments that refreshed the band's dynamics: following tours in support of Nonstop Feeling, original guitarist Sean Cullen departed, and he was replaced by Pat McCrory from fellow Maryland hardcore band Angel Du$t.[8] McCrory's addition as rhythm guitarist injected new collaborative energy, leveraging the interconnected Baltimore scene to enhance songwriting cohesion and experimental leanings without disrupting their core intensity.[9] The initial writing process for what would become Time & Space began in 2016, evolving organically from these tours and personal milestones. Vocalist Brendan Yates drew from the rigors of constant travel, reflecting on relationships and shifting surroundings that shaped introspective themes, while the band refined riffs in live settings to capture a sense of propulsion and emotional release.[10] As Yates noted, songs truly came alive through performance, allowing the group to layer diverse elements like percussion and keyboards amid their punk roots.[11] This pre-production phase emphasized what felt authentic, setting the stage for broader sonic exploration. The full recording process followed later, building on these foundations.[10]Recording
The recording sessions for Turnstile's album Time & Space spanned from late 2017 to early 2018 at Studio 4, a facility owned by producer Will Yip in Conshohocken, Pennsylvania.[12][13] This location, situated in a basement beneath a nondescript bar outside Philadelphia, provided an intimate environment conducive to the band's evolving sound.[8] Will Yip, renowned for producing albums by punk and rock acts including Title Fight's Hyperview (2014) and Code Orange's Forever (2017), took the lead on production.[13] His method focused on preserving Turnstile's visceral live energy, encouraging the band to let ideas emerge organically over a dedicated month in the studio.[12] Yip's hi-fi techniques amplified the group's dynamics, incorporating elements like three-part harmonies and diverse instrumentation to expand beyond traditional hardcore constraints while retaining a sense of immediacy.[8][14] The timeline began with initial tracking in the fall of 2017, allowing the band—fresh off their 2016 signing to Roadrunner Records—to refine songs developed through prior live performances.[12] Overdubs and mixing followed into early 2018, culminating in a polished yet primal record that clocked in at just over 25 minutes.[12][14] Throughout the process, Turnstile encountered challenges in harmonizing their raw punk aggression with experimental flourishes, such as psychedelic guitar textures, handclaps, and R&B-style interludes.[14][8] Frontman Brendan Yates noted that slower, more melodic tracks like "I Don't Want to Be Blind" tested this balance, requiring adjustments to ensure the material translated effectively to the mosh pit.[12] Yip's guidance helped navigate these tensions, resulting in an album that fused hardcore intensity with broader sonic explorations.[14]Musical content
Style and influences
Time & Space represents a significant evolution in Turnstile's sound, fusing their hardcore punk foundations with elements of hard rock, metal, grunge, progressive rock, emo, and alternative rock to create a dynamic alternative rock melting pot. This genre blending expands on the band's earlier, rawer aggression seen in their 2015 album Nonstop Feeling, which emphasized bouncy riffs and mosh-pit energy, toward a more textured and cohesive approach that incorporates brighter melodies and varied tempos.[15][16][11] The album introduces experimental additions that broaden its sonic palette, including psychedelic melodies, jazzy and hip-hop-esque interludes—such as those in "Real Thing" and "Disco"—along with R&B influences evident in the 25-second sketch "Bomb," which echoes The Gap Band's "You Dropped a Bomb on Me." Melodic hooks are enhanced by tuneful backup vocals, tambourine, and handclaps, particularly in tracks like "Generator," adding a layer of accessibility to the intensity. These elements draw from the "corona groove" style—a danceable strain of 1980s hardcore originating in Queens with Latin and hip-hop infusions—as well as 1990s alternative acts like Red Hot Chili Peppers, Deftones, Rage Against the Machine, Perry Farrell's Jane's Addiction, and Alice in Chains harmonies.[15][17][16][11] Produced by Will Yip, known for his work with acts like Title Fight and Circa Survive, the album maintains a clean, polished edge that contrasts Turnstile's prior rawness while emphasizing high-energy tracks averaging under two minutes across its 13 tracks, totaling about 25 minutes. Dynamic shifts and abrupt changes in pace and style provide contour, allowing the music to appeal beyond hardcore circles by balancing ferocity with melodic lift and experimental flourishes.[17][15][16]Lyrics and themes
The lyrics of Turnstile's Time & Space explore themes of personal growth, positivity, relationships, and existential reflection, often drawing from frontman Brendan Yates' experiences with touring and self-examination. Songs emphasize disconnecting from unfulfilling situations, embracing authenticity, and finding joy in the present, as Yates described the album's overarching motif as reflecting "personal time and relative space to the things I surround myself with," influenced by the band's constant movement. For instance, "Generator" delves into self-motivation through out-of-body experiences that reveal one's true self amid life's chaos, portraying a drive to persist despite darkness: "I'm hanging on to what I got left / Picking up all the pieces in the dark." Similarly, "Real Thing" addresses authenticity by critiquing how idealized memories can obscure genuine happiness, with Yates noting the track captures "the way you imagine perfection from your past can blind you to real beauty and happiness in the present." These motifs promote positivity and relational introspection without delving into aggression, aligning with the band's aim to "impart that positivity to others" through honest expression.[11][18][19] Brendan Yates' vocal delivery enhances these themes by blending aggressive shouts with clean, melodic singing, creating emotional depth that mirrors the lyrics' introspective tension. His high-pitched yelps and choirboy-like melodies convey vulnerability and resilience, as heard in the harmonious refrains of "Real Thing," where layered vocals underscore deferred dreams and self-doubt. This mix allows for a balance of fury and introspection, evolving from earlier hardcore roots to more pronounced singing that amplifies the album's focus on progression and feeling good.[8][10] Songwriting on Time & Space arose from collaboration among band members, with Yates and guitarist Brady Ebert often leading lyric and melody development, refined through collective rehearsals to ensure cohesion. The process prioritized brevity and punchy delivery to complement the music's intensity, resulting in concise tracks that pack emotional punch—such as the rapid-fire verses in "Generator"—while incorporating diverse influences like R&B interludes for thematic flow. This group dynamic fostered natural growth, as Yates emphasized wanting "to allow myself to naturally grow" without self-imposed limits.[8][11][10] Unique elements like the reversed slow-motion video for the title track "Time + Space" / "Disco" interlude tie into the album's lyrical abstraction, visualizing crowd dives in reverse to evoke distorted perceptions of time and reality, echoing motifs of reflection and altered states without leaning on traditional hardcore imagery.[20]Release and promotion
Singles and videos
Prior promotional singles built anticipation for Time & Space, starting with "Real Thing" on November 2, 2017, which introduced the album's energetic sound and featured an official music video directed by Mortis Studio, showcasing surreal visuals aligned with the track's themes of authenticity and intensity.[21] This was followed by "Generator" on December 14, 2017, which accompanied the album's official announcement and introduced psychedelic elements blending hardcore with funk-infused grooves. Directed by Mortis Studio, its video employs abstract, mind-bending animations to evoke out-of-body experiences, aligning with the song's lyrical focus on self-discovery amid chaos. "Generator" received praise for signaling Turnstile's shift toward more experimental territory, garnering attention from outlets like NPR for its "psychedelic-hardcore head rush."[18][22] The lead single, "I Don't Wanna Be Blind", was released on February 7, 2018, just weeks before the album's full launch, serving as a high-energy preview of the band's evolving sound. The track, produced by Will Yip, features blistering riffs and vocalist Brady Ebert's urgent delivery, capturing themes of existential struggle and escape. Accompanying the single was an official music video directed by Atiba Jefferson and shot by Ty Evans, which intercuts live performance footage with dynamic, chaotic visuals to emphasize Turnstile's raw stage intensity.[23][24] The album Time & Space was first revealed on December 15, 2017, via Roadrunner Records, with subsequent singles like "Moon" on January 11, 2018, further tying into tour promotions that hyped the record's release. Post-album, promotional visuals continued with the November 29, 2018, video for "Disco / Time + Space," the closing tracks, directed by Atiba Jefferson and Ty Evans; it showcases reversed slow-motion footage of crowd dives and abstract performance sequences, highlighting the band's live dynamism and the album's thematic exploration of rhythm and disorientation.[25][26] These singles and videos were lauded as effective teasers for Time & Space's experimental pivot from Turnstile's earlier straight-edge hardcore roots, incorporating jazz interludes, R&B influences, and broader sonic palettes while retaining mosh-pit urgency; critics noted how tracks like "Real Thing," "I Don't Wanna Be Blind" and "Generator" encapsulated this bold evolution, boosting pre-release buzz without major commercial chart breakthroughs in mainstream territories.[27][15]Touring
To promote their second studio album Time & Space, Turnstile embarked on a headlining U.S. tour in spring 2018, supported by Touché Amoré, Culture Abuse, and Razorbumps.[28][29] The tour commenced on April 9 in Cleveland, Ohio, at the Agora Theatre and Ballroom, following select earlier dates, and continued through May 7, spanning the East and West Coasts with stops in cities including Chicago, Illinois; Los Angeles, California; and Philadelphia, Pennsylvania.[23][30] The itinerary kicked off with a record release show on April 5, 2018, at All Souls Unitarian Church in Washington, D.C., serving as the pre-show for the Damaged City Festival and marking the album's live debut.[23][30][31] Performances during this U.S. leg heavily featured material from Time & Space, blending the album's energetic post-hardcore tracks with selections from prior releases to engage audiences.[28] Following the domestic run, Turnstile extended their promotion internationally with a European leg from June 14 to July 13, 2018, supported by Fury on select dates and incorporating festival appearances.[32] The tour included headlining shows in venues such as Schlachthof in Wiesbaden, Germany, and Bibelot in Dordrecht, Netherlands, alongside performances at major events like Outbreak Festival in Leeds, United Kingdom, on June 16; Copenhell in Copenhagen, Denmark, on June 20; Hellfest in Clisson, France, on June 23; 2000 Trees Festival in Cheltenham, United Kingdom, on July 12; and Resurrection Fest in Viveiro, Spain, on July 12.[32][33] In October 2018, Turnstile returned to the United Kingdom for a dedicated headline tour supporting Time & Space, with Wicca Phase Springs Eternal and Big Cheese as opening acts on most dates.[34][35] The five-date run visited The Globe in Cardiff on October 23, The Classic Grand in Glasgow on October 24, The Mill in Birmingham on October 25, House of Vans in London on October 26, and Rebellion in Manchester on October 27, drawing enthusiastic crowds noted for high-energy mosh pits and stage dives.[34][36] Post-release touring continued into 2019, with Turnstile co-headlining a North American spring tour alongside Turnover from April 5 to May 12, featuring Reptaliens as additional support and showcasing Time & Space tracks alongside newer material.[37][38] These efforts, including festival slots at events like Welcome to Rockville in April 2018 and TID The Season in December 2018, helped elevate the band's visibility within the hardcore and punk scenes.[39][37]Formats and history
Time & Space was released on February 23, 2018, by the American hardcore punk band Turnstile through Roadrunner Records, marking their major label debut.[40][41] The album was issued in multiple physical formats, including compact disc (CD) and vinyl LP. The standard edition featured black vinyl, while initial pressings included limited colored variants such as baby pink (500 copies), light blue (200 copies), burnt orange (400 copies), white (1,200 copies for Europe), and red opaque (numbered edition, with 200 for record release and 700 tour-exclusive). These colored variants were primarily available through independent record stores and exclusive channels to cater to collectors.[40] Digital formats encompassed download and streaming options, made available simultaneously with the physical release on platforms including Spotify, Apple Music, and Qobuz. By November 2025, the album had accumulated over 101 million streams on Spotify alone.[42][43] Subsequent to the original 2018 pressing, Roadrunner Records issued vinyl represses in 2021 and 2023 across the USA and Europe, maintaining the standard black variant without significant alterations or new editions. No major reissues or expanded variants have occurred as of 2025.[40]Reception and legacy
Critical reception
Time & Space received widespread critical acclaim upon its release, earning a Metacritic score of 81 out of 100 based on 12 reviews, indicating "universal acclaim" for its high-energy execution and forward-thinking approach within hardcore.[44] Critics frequently praised the album's explosive energy and innovative genre-blending, which fused elements of hardcore, punk, and melodic rock into a concise 26-minute burst. Pitchfork noted some enhanced "melodic lift" in elements like tuneful backup vocals, tambourine accents, and handclaps that added texture and contour to the band's aggressive sound, though the review critiqued the overall experimentation as "hesitant and unfocused," resulting in a score of 5.4 out of 10.[15] Kerrang! awarded a perfect 5 out of 5, lauding its mind-blowing intensity and evolution of hardcore conventions, later naming it their Album of the Year for 2018.[45] SPIN described it as a "bracing aggro-pop dance party," emphasizing the precision and power in blending disparate influences like Deftones-inspired riffs and soulful interludes.[46] While the album's relentless pace and positive vibe were celebrated, some reviewers pointed to its niche appeal and occasional over-polishing as drawbacks. Drowned in Sound noted that its one-note ferocity might limit accessibility for listeners outside the hardcore scene, despite the polished production elevating its impact to career-best levels.[47] Pitchfork critiqued the experimentation as "hesitant and unfocused," resulting in a "punishingly familiar" clash of retro crossover rock and modern hardcore.[15] Specific tracks drew minor criticisms for derailing the momentum; for instance, the soulful outlier "Moon," featuring bassist Franz Lyons on lead vocals, was seen as lacking the same visceral punch as the surrounding aggression, feeling somewhat out of place amid the album's fury.[15][48] Contemporary reviews from 2018 outlets like Alternative Press and Noisey echoed the consensus, applauding the band's raw vitality and boundary-pushing creativity while acknowledging its specialized intensity.[44]Commercial performance
Upon its release in February 2018, Time & Space sold 2,800 copies in its first week in the United States, debuting at No. 1 on the Billboard Heatseekers Albums chart, No. 15 on the Top Hard Rock Albums chart, and No. 4 on the Vinyl Albums chart.[49][50][51] Internationally, the album peaked at No. 12 on the UK Rock & Metal Albums chart and No. 89 on the German Albums Chart in 2018.[52][53] As of 2025, Time & Space has not received any certifications from the RIAA or equivalent bodies for sales or streaming equivalents.[54] Following Turnstile's breakthrough with their 2021 album Glow On, the band experienced significant growth in popularity, which boosted streaming for earlier works including Time & Space; for instance, the track "Generator" had accumulated over 14 million Spotify streams by late 2025.[55][56] No major commercial updates for the album occurred in 2025, though its performance remained tied to the band's rising profile.[57]Accolades
Time & Space received widespread critical recognition through inclusions in numerous year-end lists, highlighting its influence within the hardcore and punk scenes. It ranked #3 on Revolver's 30 Best Albums of 2018, praised for Turnstile's genre-defying approach as leaders of a new hardcore generation.[58] The album topped BrooklynVegan's 20 Best Punk & Emo Albums of 2018, where it was lauded as a gigantic leap forward for modern hardcore, solidifying the band's status as one of its biggest acts.[59] It also appeared at #34 on the site's broader Top 50 Albums of 2018.[60] Further accolades included a #15 placement on Loudwire's 30 Best Hard Rock Albums of 2018, recognizing its role in revitalizing the genre alongside emerging acts.[61] While the album garnered no major award wins, its critical acclaim contributed to Turnstile's breakthrough status in 2018, earning them increased visibility and honors as a rising force in rock and hardcore.[55]Cultural impact
Time & Space played a pivotal role in Turnstile's trajectory toward mainstream success, laying the groundwork for their 2021 album Glow On, which marked the band's breakthrough by expanding hardcore's reach into alternative and rock audiences through its blend of melodic elements and polished production.[62][63] The album's innovative fusion of aggressive riffs with accessible hooks demonstrated hardcore's potential for broader appeal, influencing subsequent releases and collaborations that drew in listeners beyond traditional punk circles.[9] The record's emphasis on rhythmic drive and melodic integration helped shape the "corona groove" style—a danceable, groove-oriented strain of hardcore rooted in New York scenes of the 1980s but revitalized by Turnstile's approach—impacting younger bands experimenting with punk's melodic side.[17] Acts such as Militarie Gun have drawn from this, incorporating pop-infused hooks and energetic rhythms in their work, crediting Turnstile's evolution as a model for blending genres without diluting intensity.[64] Similarly, bands like High Vis have hailed Time & Space and its follow-up as transformative, with the former described as a "leveling up" in production and ambition that encouraged ambitious songwriting among peers.[65] In 2025 retrospectives, Time & Space is viewed as a defining "leveling up" moment for Turnstile, with its experimental structures gaining renewed attention through 2020 remixes by electronic producer Mall Grab, which reimagined tracks like "Generator" and "Real Thing" for dancefloors and introduced the album to electronic music fans.[65][66] These remixes, released as the EP Share a View, highlighted the album's versatility and contributed to its enduring relevance amid the band's post-pandemic resurgence.[67] Turnstile's legacy from Time & Space remains deeply tied to the Baltimore hardcore scene, where the album solidified their status as local icons and elevated the city's underground circuit to national prominence through festival appearances and sold-out shows.[68] By 2025, this foundation has fueled the band's touring dominance, with headline runs across arenas and festivals drawing diverse crowds and reinforcing hardcore's communal energy on a global scale.[69][64]Credits
Track listing
The standard edition of Time & Space features 13 tracks with a total runtime of 25:15. All tracks were written by the members of Turnstile and produced by Will Yip, with additional production by Diplo on "Right to Be".[70][71]| No. | Title | Duration |
|---|---|---|
| 1. | "Real Thing" | 1:56 |
| 2. | "Big Smile" | 1:29 |
| 3. | "Generator" | 3:14 |
| 4. | "Bomb" | 0:24 |
| 5. | "I Don't Wanna Be Blind" | 2:04 |
| 6. | "High Pressure" | 1:56 |
| 7. | "(Lost Another) Piece of My World" | 1:51 |
| 8. | "Can't Get Away" | 3:02 |
| 9. | "Moon" | 1:53 |
| 10. | "Come Back for More/H.O.Y." | 2:55 |
| 11. | "Right to Be" | 2:05 |
| 12. | "Disco" | 0:46 |
| 13. | "Time + Space" | 1:40 |