Trixter
Trixter is an American hard rock and glam metal band formed in 1983 in Paramus, New Jersey, by guitarist Steve Brown and bassist P.J. Farley.[1][2] The band rose to prominence in the early 1990s with their self-titled debut album, released in 1990 on MCA Records, which achieved RIAA gold certification and included hit singles such as "Give It to Me Good", "One in a Million", and "Surrender".[3] Originally comprising lead vocalist Pete Loran, lead guitarist Steve Brown, bassist P.J. Farley, and drummer Mark Scott, the band embodied the high-energy, anthemic style of the era's hair metal scene, drawing influences from acts like Kiss and Poison.[1] Trixter toured extensively across the United States, Canada, and Japan, sharing stages with major rock outfits and appearing on platforms like MTV and VH-1, which later ranked them #29 on its list of the "Top 40 Hair Bands of All Time."[3] Their music featured catchy hooks, guitar-driven riffs, and themes of youthful rebellion and romance, contributing to their moderate commercial success amid the shifting rock landscape of the time. Following the release of their second album, Hear! in 1992, Trixter disbanded in the mid-1990s due to changing musical trends but reunited in 2008 for performances and new material.[2] Key later releases include the 2012 comeback album New Audio Machine on Frontiers Records and the 2015 effort Human Era, which revisited their '90s sound while incorporating modern production techniques under Steve Brown's guidance as producer.[3][4] After a split in 2017, the band reformed in 2021 with Brown handling lead vocals alongside Farley and new drummer Ben Hans. As of 2025, Trixter continues touring and is working on a new studio album. The band's enduring appeal lies in their nostalgic role within glam metal history, with a tight-knit dynamic sustaining their legacy over four decades after formation.[3][5]History
Formation and early career (1983–1989)
Trixter was formed in June 1983 in Paramus, New Jersey, by guitarist Steve Brown and bassist Doug "Dougie C." Cowie as the group Rade. Initially, the lineup included drummer Mike Pane and vocalist Pete Loran, but after only one performance, Pane was replaced by drummer Mark "Gus" Scott, prompting the band to change its name to Trixter shortly thereafter. Further shifts occurred in the mid-1980s, solidifying the core group around Brown, Loran, Scott, and Cowie by 1986. The band quickly immersed itself in the local music scene, performing regularly at New Jersey clubs and building a dedicated following within the emerging glam metal circuit. By 1986, Trixter had become a fixture on the regional club circuit, honing their energetic live shows and drawing crowds influenced by the 1980s hair metal wave, including acts like Bon Jovi and Mötley Crüe. Their early sets emphasized high-energy hard rock anthems, primarily penned by Brown in collaboration with bandmates, focusing on catchy hooks and guitar-driven melodies that captured the era's party-rock ethos.[6] To attract industry attention, Trixter recorded their first demo tape in 1986, packaging it professionally and selling copies at shows, which helped generate buzz.[7] A follow-up demo, titled Just Having Fun, was cut in 1988 at Bear Tracks Studios, showcasing polished tracks that highlighted their songwriting strengths.[7] These efforts paid off when bassist P.J. Farley replaced Cowie in November 1988, leading to increased label interest; in May 1989, the band signed a deal with Mechanic/MCA Records, marking the end of their independent grind and the start of their major-label journey.[8]Debut album and breakthrough (1990–1991)
Trixter's self-titled debut album was released on May 29, 1990, through MCA Records.[9] Produced by Bill Wray, the record captured the band's high-energy glam metal sound, featuring tracks like "Give It to Me Good" and "One in a Million" that highlighted their melodic hooks and anthemic choruses. The album's polished production and radio-friendly songs positioned Trixter as a promising act in the late-1980s hard rock scene. The album achieved significant commercial success, peaking at No. 28 on the Billboard 200 chart and spending 54 weeks on the listing.[10] It was certified gold by the RIAA on March 25, 1991, for sales exceeding 500,000 copies in the United States.[11] Lead single "Give It to Me Good" reached No. 65 on the Billboard Hot 100 and No. 26 on the Mainstream Rock chart, while follow-up "One in a Million" climbed to No. 75 on the Hot 100 and No. 33 on Mainstream Rock.[10] The music video for "Give It to Me Good" gained heavy rotation on MTV's Headbangers Ball, boosting the band's visibility among heavy rock audiences.[12] To promote the album, Trixter embarked on an extensive tour across the United States and internationally, beginning with support slots for acts like Stryper in late 1990.[12] The band opened for major headliners including Kiss on their 1992 Revenge Tour and the Scorpions during their February 1991 Crazy World Tour dates, performing in arenas to large crowds.[12] These high-profile gigs solidified Trixter's live reputation for tight musicianship and crowd engagement. The core lineup during this breakthrough period consisted of vocalist Pete Loran, guitarist Steve Brown, bassist P.J. Farley, and drummer Mark "Gus" Scott.[13]Hear! era and disbandment (1992–1995)
Trixter released their second studio album, Hear!, on October 13, 1992, through MCA Records.[14] Produced by James Barton, the album featured a mix of hard rock tracks with continued emphasis on melodic hooks and guitar-driven energy, but it marked a commercial downturn compared to their self-titled debut, which had peaked at No. 28 on the Billboard 200.[15] Hear! entered the chart at No. 109 and failed to produce significant radio hits, though singles such as "Road of a Thousand Dreams" and "Somebody Told Me" were promoted.[15] Sales were hampered by the rising dominance of grunge acts like Nirvana and Pearl Jam, which shifted industry priorities away from glam metal, alongside MCA's limited promotional support for the record.[15][16] The band supported Hear! with a U.S. tour in late 1992, sharing stages with acts like Slaughter, Warrant, and Kiss, performing tracks from both albums to enthusiastic but diminishing crowds amid the changing musical landscape.[17] Live shows highlighted their high-energy style, including extended guitar solos by Steve Brown and vocal harmonies, yet growing internal frictions—particularly over creative direction and personal dynamics—began to surface, reducing the band's momentum.[15] By 1993, activity slowed as MCA dropped Trixter following the album's underperformance, severing ties with their management and leaving the group without major-label backing.[13][16] In 1994, as a final effort under MCA's subsidiary Backstreet Records, Trixter issued the covers album Undercovers on November 15, compiling rock staples like AC/DC's "Dirty Deeds Done Dirt Cheap" and the Beastie Boys' "(You Gotta) Fight for Your Right (To Party!)," reinterpreted in their signature style.[18] The EP received minimal attention and no chart success, reflecting the band's fading relevance. A brief supporting tour followed in late 1994 and early 1995, with performances at venues like the Roxy Music Hall and The Main Event.[17] Tensions escalated when drummer Mark "Gus" Scott quit in January 1995, citing frustrations with the band's direction and industry challenges, prompting the remaining members to disband later that year after completing outstanding tour dates.[19] Members then pursued individual projects, effectively ending Trixter's initial run.[15]Hiatus period (1996–2007)
Following the band's final album release in 1995, Trixter entered a full hiatus with no official tours, recordings, or group activities for the next 13 years, as members shifted focus to personal lives and individual musical endeavors amid the broader decline of the glam metal scene.[20] Guitarist and founder Steve Brown pursued several side projects during this period, forming and leading bands such as Throwin' Rocks and Soaked in the late 1990s, followed by the melodic rock outfit 40 Ft. Ringo, which released the independent album Funny Thing in 2004.[21] In these ventures, Brown handled guitar, vocals, songwriting, and production duties, maintaining his creative output outside the Trixter name.[22] Vocalist Pete Loran released his solo album Be of This Time in 1999 on Aezra Records, a 10-track effort that showcased a more introspective rock sound compared to Trixter's high-energy style.[23] He also contributed guest vocals to Christian rock band Liberty n' Justice's releases, including their 2004 album Welcome to Tomorrow.[24] Bassist P.J. Farley remained active in the rock scene by joining other acts, including stints with alternative rock band Ours, hard rock group RA, and touring with Lita Ford, allowing him to adapt to evolving musical trends while honing his skills.[25] Drummer Mark "Gus" Scott focused on session drumming and local performances, though specific projects from this era remain less documented. By the mid-2000s, persistent fan interest—fueled by online communities, nostalgia-driven festivals, and successful acoustic gigs like Farley's collaborations with Eric Martin of Mr. Big—sparked informal reunion discussions among the core members, setting the stage for their return without any formal band output in the interim.[20]Reunion and New Audio Machine (2008–2012)
Following a period of dormancy driven by persistent fan demand for a comeback, Trixter announced their reunion in December 2007 with the original lineup of vocalist Pete Loran, guitarist Steve Brown, bassist P.J. Farley, and drummer Mark "Gus" Scott.[26] This revival culminated in the "Give It to You Good" tour, which kicked off in 2008 and featured the band performing their classic hits across the United States.[26] To mark the reunion, Trixter released the live album Alive in Japan on May 29, 2008, exclusively through their official website.[27] The recording captured performances from their 1993 Japanese tour at CLUB CITTA in Kawasaki/Tokyo, showcasing 12 fan-favorite tracks such as "Give It to Me Good" and "One in a Million," alongside two newly recorded songs: the upbeat rocker "You Got It" and the ballad "When You Close Your Eyes."[27] The album highlighted the band's enduring stage energy and served as a bridge between their past catalog and renewed activity. The tour schedule expanded throughout 2008–2012, with appearances at major U.S. festivals including Rocklahoma in Pryor, Oklahoma; Rock Fest in Cadott, Wisconsin; and the Hi-Pines Music Festival, helping to rebuild their fanbase through high-energy club and festival shows.[27] By 2012, the band extended their reach to Europe for their first shows on the continent, including dates that supported the promotion of new material and further solidified their international presence.[28] In April 2012, Trixter released their first studio album of original material in 20 years, New Audio Machine, via Frontiers Records.[26] Produced by Chuck Alzakian, the 12-track effort revived their signature melodic hard rock sound with big guitar hooks, anthemic choruses, and contributions from collaborators like Skid Row's Snake Sabo and Rachel Bolan on songwriting.[26] Tracks like "Drag Me Down" and "Dirty Love" exemplified the album's blend of classic influences and modern production, earning praise for recapturing the band's early-1990s vibe.[26] During this phase, the original lineup remained intact, with no reported adjustments to the core members, allowing Trixter to focus on consistent performances and creative output.[29] The reunion era thus revitalized the band's career, setting the stage for sustained touring and fan engagement.Human Era and interim years (2013–2020)
Following the momentum from their 2012 reunion album New Audio Machine, Trixter continued their resurgence with the release of Human Era on June 5, 2015, in Europe and June 9, 2015, in North America via Frontiers Records.[30] The album, featuring all original members, blended the band's classic hard rock sound with modern production techniques, including polished guitar riffs and Pete Loran's signature vocals.[31] The title track "Human Era" served as a reflective closer, while the lead single and video "Rockin' to the Edge of the Night" highlighted their energetic party-rock style.[32] Critics praised the record for its maturity and relevance, noting how it captured the band's evolution without abandoning their glam metal roots, with outlets describing it as "unapologetic" and "groove-heavy."[33][34] The band supported Human Era with annual tours across the United States, performing at festivals like Grand RockTember in Hinckley, Minnesota, in September 2015, where they debuted new material alongside classics such as "One in a Million."[35] European dates were limited but included promotional appearances, while Japan remained a key market, with planned February 2020 shows reflecting ongoing international interest, though ultimately postponed.[36] Trixter also participated in themed events like Monsters of Rock cruises, enhancing their live presence through intimate, fan-focused performances on these voyages during the mid-2010s.[37] Additionally, their 2008 compilation Best of Trixter saw continued promotion in the 2010s, serving as an entry point for new fans discovering the band's hits amid the reunion era.[38] By the late 2010s, internal tensions emerged, leading to reduced involvement from vocalist Pete Loran. In 2019, Loran and drummer Mark "Gus" Scott were shut out from the band's official online presence, prompting them to launch a separate Facebook page amid disputes over management and creative direction, which strained group dynamics. Loran and Scott officially left the band in 2017 amid the disputes.[39] This rift contributed to a period of uncertainty. The COVID-19 pandemic further disrupted activities in 2020, halting live shows industry-wide and forcing Trixter into temporary inactivity, as global restrictions canceled tours and events for hard rock acts.Recent activities (2021–present)
Following a hiatus in live performances induced by the COVID-19 pandemic, Trixter reactivated in 2021 with founding members Steve Brown on guitar and vocals and P.J. Farley on bass and vocals, joined by drummer Ben Hans.[5][3] In May 2025, the band announced the Scorchin' Summer 2025 tour, comprising at least 20 shows across the United States, beginning June 5 in Webster, New York, and concluding September 6, with additional dates extending into 2026.[40][41][42] Notable performances included a March 2025 show at Count's Vamp'd in Las Vegas, where the trio delivered a set of classic tracks and covers with guest appearances.[43] In June 2025, they played the Whisky a Go Go in West Hollywood, California, performing hits like "One in a Million" to an enthusiastic crowd.[44] Brown and Farley contributed to Ace Frehley's 2024 album 10,000 Volts, with Brown serving as producer and co-writer on several tracks, including the title song, while Farley provided bass and backing vocals on select songs.[20] Trixter maintains an affiliation with Frontiers Music S.r.l., which has released their prior albums, and in 2025, Brown indicated the band is developing a new studio record described as "kick-ass rock and roll music" that will surprise fans.[3][45] Separately, former vocalist Pete Loran released the solo single "Around Again" in May 2024.[46]Musical style and influences
Genre and sound characteristics
Trixter's primary genres are hard rock and glam metal, often categorized within the broader hair metal and pop-metal styles that defined late-1980s and early-1990s rock.[2][47] Their 1990s albums emphasize big hooks, intricate guitar harmonies, and anthemic choruses designed for arena-sized audiences, creating a polished yet energetic sound rooted in the era's commercial rock trends.[48] This approach blends accessible melodies with driving rhythms, making tracks suitable for radio play and live performances.[49] During their debut era, Trixter's sound captured a high-energy, party-rock vibe influenced by 1980s arena rock, featuring power chords, sing-along choruses, and proficient guitar solos that added a layer of technical flair without overshadowing the melodic core. Steve Brown's layered guitar solos and dual-guitar attack provided instrumental trademarks, delivering harmonized riffs and melodic leads that enhanced the band's dynamic range.[50] Pete Loran's vocal style, characterized by a high-range, melodic delivery, excelled in both uptempo rockers and power ballads, offering bright and powerful phrasing that complemented the group's anthemic structures.[51] In the 2010s, Trixter evolved their sound with modern production techniques on albums like New Audio Machine and Human Era, incorporating cleaner tones and heavier elements while preserving classic hooks and harmonies.[49][52] This shift resulted in a richer, more contemporary mix—featuring blistering riffs, harmonious gang vocals, and excellent clarity in melodies—without abandoning their foundational glam metal energy.[53][54] The production emphasized depth and balance, allowing Brown's guitar work and Loran's versatile vocals to shine in a refreshed context suited to evolving rock audiences.[51]Key influences and comparisons
Trixter's foundational influences stem from classic hard rock acts emphasizing guitar prowess and anthemic energy, with guitarist and founder Steve Brown citing Kiss's Rock and Roll Over (1976) as the album that ignited his passion for rock music, Van Halen's self-titled debut (1978) for Eddie Van Halen's revolutionary tapping techniques, and Aerosmith's Pump (1989) for its blend of bluesy riffs and polished production that directly informed Trixter's debut recording approach.[55] These elements shaped the band's driving guitar sound, evident in tracks like "Give It to Me Good," where layered solos and hooks echo the high-energy showmanship of Kiss and the technical flair of Van Halen. Additionally, Bon Jovi held particular significance due to shared New Jersey origins—both bands hail from the Paramus area—and direct mentorship, as Jon Bon Jovi provided guidance on songwriting and introduced Trixter to key industry figures like Skid Row members during their early career struggles.[55][5] The band's visual and thematic style drew heavily from the 1980s glam metal aesthetic popularized by Mötley Crüe and Poison, incorporating flashy stage attire, teased hair, and lyrics centered on youthful rebellion, romance, and party anthems that aligned with the MTV-driven hair metal explosion.[56] This influence manifested in Trixter's comic-book-inspired debut album artwork and high-gloss video presence, mirroring Poison's colorful, accessible image while adopting Mötley Crüe's theatrical edge to appeal to a teenage audience amid the Sunset Strip scene's dominance.[57] In comparisons to contemporaries, Trixter is frequently categorized alongside second-wave glam metal outfits like Warrant and FireHouse, sharing their emphasis on melodic, MTV-friendly hooks and arena-ready choruses that prioritized commercial viability over raw aggression.[58] This grouping highlights their role in the late-1980s hair metal wave, where radio hits and video rotation overshadowed the edgier origins of earlier pioneers. Post-reunion efforts, particularly albums like New Audio Machine (2012), draw parallels to Def Leppard's enduring career, blending nostalgic hard rock riffs with contemporary production sheen to sustain fan engagement decades later—much like Def Leppard's evolution from Hysteria to modern tours.[59][49] Critics have often praised Trixter's radio-friendly polish as a strength, noting how their clean, hook-laden arrangements set them apart from grittier peers like Guns N' Roses or Mötley Crüe, though some dismissed it as overly formulaic within the glam metal landscape.[5] This refined approach, influenced by Bon Jovi and Def Leppard's melodic sensibilities, contributed to their breakthrough singles' chart success while inviting comparisons to the era's more pop-oriented acts.[55]Band members
Current members
The current lineup of Trixter consists of Steve Brown on lead guitar, lead and backing vocals (alternating lead duties with Farley), and harmonica, P.J. Farley on bass guitar, lead and backing vocals (alternating lead duties with Brown), and Ben Hans on drums.[43][60] Steve Brown, the band's founder and primary songwriter, has been active with Trixter since its formation in 1983 and serves as lead guitarist, contributing harmonica and production elements across their discography.[61][5] In addition to his core role, Brown co-produced Ace Frehley's 2024 album 10,000 Volts, showcasing his ongoing influence in rock production.[20] P.J. Farley joined Trixter in late 1988 as bassist and has maintained a consistent presence through the band's various reunions and activities.[62] Farley also collaborated with Ace Frehley in 2024, playing bass on three tracks from 10,000 Volts.[63] Ben Hans joined the band following its 2021 reactivation, providing drums and percussion for live performances.[64] The trio has been actively touring, including dates scheduled through 2026.[42]Former members
Pete Loran served as the lead vocalist and rhythm guitarist for Trixter from the band's formation in 1983 until its initial disbandment in 1995, and again from the 2007 reunion through 2017, with sporadic appearances in the years following.[65] His departure in 2017 was part of broader lineup shifts amid personal commitments and internal band dynamics.[66] Post-Trixter, Loran pursued solo endeavors, releasing the single "Around Again" in May 2024, marking his return to original music outside the band.[46] Mark "Gus" Scott joined as drummer in 1983, replacing the original percussionist shortly after the band's debut performance, and remained through the 1990s albums until the 1995 hiatus, rejoining for the 2008 reunion and departing again in 2017.[65][67][7] Scott's exit aligned with escalating tensions and scheduling conflicts within the group during the 2010s.[68] Following his time with Trixter, he has focused on solo projects, including vocal performances and drum clinics, while expressing interest in potential reconciliations.[69] Douglas "Dougie C." Cowie co-founded Trixter in 1983 as bassist and backing vocalist alongside guitarist Steve Brown, contributing to the band's early development under its original name, Rade, until his replacement in late 1988 by P.J. Farley.[65][7] Cowie's departure facilitated the band's signing with MCA Records and shift toward a more polished hard rock sound in the late 1980s.[70] Limited details exist on his post-Trixter career, though he remains recognized as a key figure in the group's formative years. Mike Pane was the original drummer in 1983, performing on Trixter's inaugural concert before being swiftly replaced by Mark "Gus" Scott, which coincided with the band's name change from Rade to Trixter.[65] His brief tenure underscores the rapid lineup evolution during the band's pre-recording phase in Paramus, New Jersey.[71]Timeline
The timeline of Trixter's lineup reflects periods of formation, stability, hiatus, reunion, and reconfiguration, primarily driven by changes in bass and drums while core guitarist Steve Brown remained constant throughout.[13]| Period | Lineup | Key Changes |
|---|---|---|
| 1983 | Steve Brown (guitar), Doug "Dougie C." Cowie (bass), Pete Loran (vocals), Mike Pane (drums) briefly | Band formed in Paramus, New Jersey, initially as Rade; Pane replaced after one concert by Mark "Gus" Scott on drums.[7][72] |
| 1983–1988 | Steve Brown (guitar), Doug "Dougie C." Cowie (bass), Pete Loran (vocals), Mark "Gus" Scott (drums) | Scott joined as permanent drummer; band renamed Trixter and built local following.[13] |
| 1988–1995 | Steve Brown (guitar), P.J. Farley (bass, from late 1988), Pete Loran (vocals), Mark "Gus" Scott (drums) | Cowie replaced by Farley, forming the core lineup for debut album and tours; band disbanded in 1995 amid label issues.[13][73] |
| 1996–2007 | Inactive; no official band activity | Members pursued solo or side projects; no lineup changes as entity dormant.[74] |
| 2008–2017 | Steve Brown (guitar), P.J. Farley (bass), Pete Loran (vocals), Mark "Gus" Scott (drums); occasional drum rotations for tours (e.g., guest percussionists) | Full reunion of core lineup in late 2007 for 2008 tours and New Audio Machine album; Loran departed in 2017 due to internal tensions.[74][75][73] |
| 2018–2020 | Steve Brown (guitar/vocals), P.J. Farley (bass/vocals); reduced activity with guest drummers | Loran stepped back; band limited to acoustic sets and sporadic appearances without fixed drummer.[75][76] |
| 2021–present | Steve Brown (guitar/lead and backing vocals), P.J. Farley (bass/lead and backing vocals), Ben Hans (drums/percussion) | Reformed as trio with Hans replacing Scott amid ongoing disputes; active touring resumed; Brown and Farley alternate lead vocals.[75][77][43] |
Discography
Studio albums
Trixter's debut studio album, Trixter, was released on May 29, 1990, by MCA Records.[70] It featured 12 tracks, including highlights such as "Surrender," "Give It to Me Good," and "One in a Million," which became minor hits on the Billboard Hot 100.[71] The album peaked at No. 28 on the Billboard 200 chart and achieved gold certification by the RIAA for sales exceeding 500,000 copies in the United States.[12] The band's second studio album, Hear!, followed on October 13, 1992, also through MCA Records.[70] Produced primarily by James "Jimbo" Barton, known for his work with Rush, it included 12 tracks like "Road of a Thousand Dreams," "Damn Good," and "Rockin' Horse," showcasing a slightly more mature hard rock sound.[78] The album reached No. 109 on the Billboard 200, reflecting the shifting musical landscape of the early 1990s grunge era.[79] Undercovers, released on November 15, 1994, as an EP by MCA Records, marked the band's final release with the label.[70] This covers collection featured eight tracks, including "Pump It Up" by Elvis Costello, "50 Ways to Leave Your Lover" by Paul Simon, "Terrible Lie" by Nine Inch Nails, and "Dirty Deeds Done Dirt Cheap" by AC/DC, reinterpreted in Trixter's hard rock style.[80] It received modest attention as a transitional project amid the band's hiatus. After an 18-year gap, Trixter returned with New Audio Machine on April 24, 2012, via Frontiers Records, marking their debut with the Italian label.[70] The 10-track album incorporated modern production elements while retaining the band's melodic hard rock roots, with standout songs like "Drag Me Down," "Get On It," and "Dirty Love."[73] Critics praised its energetic riffs and huge sound, hailing it as a strong comeback that captured the essence of 1980s glam metal updated for contemporary audiences.[49] The band's fifth studio album, Human Era, arrived on June 5, 2015, again through Frontiers Records.[70] Featuring 13 tracks, including "Rockin' to the Edge of the Night" and "Crash That Party," it delivered high-energy hard rock with infectious hooks and the original lineup's chemistry intact.[81] Reception highlighted its vibrant production and nostalgic appeal, with reviewers noting the album's ability to evoke the band's classic era while feeling fresh and vital.[33] As of November 2025, Trixter is working on a new studio album, with no release date announced.[45]Live albums
Trixter's sole live album, Alive in Japan, was released on May 29, 2008, through the independent label Mojo Vegas Records.[27] The recording captures the band's performance from their 1993 Japanese tour, specifically at Club Citta in Kawasaki, Tokyo, during a period of strong international support for their early work.[82][29] The album features a 14-track setlist primarily drawn from Trixter's classic material, including staples like "Rockin' Horse," "Heart of Steel," "One in a Million," and "Give It to Me Good," alongside heavier cuts from their 1992 album Hear!, such as "Bloodrock" and "Power of Love."[82] To bridge their hiatus, it also incorporates two newly recorded studio tracks from 2008: the hard-rocking "You Got It" and the ballad "When You Close Your Eyes," providing a taste of fresh material while emphasizing the band's enduring live energy.[82] The production retains a raw, unpolished quality with natural echoes and feedback, authentically conveying the concert atmosphere and Pete Loran's powerful vocals alongside Steve Brown's dynamic guitar solos.[82] Fan-oriented and independently produced, Alive in Japan served as a nostalgic release timed with the band's 2008 reunion at Rocklahoma, reigniting interest and acting as a precursor to their subsequent studio efforts.[27] Reviews praised its balanced sound and faithful representation of Trixter's high-energy stage presence, earning it a 4-out-of-5 rating for appealing to longtime enthusiasts with its mix of hits and vigor.[82] No additional live albums have been released by the band.[27]Compilation albums
Trixter released their primary compilation album, Best of Trixter, in 2009 on the Mojo Vegas label, coinciding with the band's reunion after a hiatus that began in the mid-1990s.[70][83] The collection features 10 tracks primarily drawn from the band's 1990s studio albums Trixter (1990) and Hear! (1992), including hits like "One in a Million," "Give It to Me Good," and "Surrender," alongside the cover "50 Ways to Leave Your Lover" from their earlier Undercovers EP.[70] The album's tracklist is as follows:- One in a Million (5:05)
- Give It to Me Good (3:30)
- Surrender (5:51)
- Line of Fire (4:39)
- Heart of Steel (4:11)
- Road of a Thousand Dreams (4:06)
- Rockin' Horse (4:12)
- Power of Love (3:52)
- As the Candle Burns (5:55)
- 50 Ways to Leave Your Lover (4:42)[70]