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Unplugging

Unplugging is a directed by Neil-Fisher in her feature directorial debut, from a screenplay by and Matt Walsh. It stars Matt Walsh as Dan, as Jeanine, , , , and . The film follows a couple whose attempt at a weekend in a remote town to revive their marriage spirals into chaos after encountering complications, including interactions with other vacationers. It was released in the United States on April 22, , by .

Plot

Synopsis

Unplugging follows Dan Dewerson (Matt Walsh), a struggling entrepreneur, and his wife Jeanine Dewerson (), a high-powered executive, as they navigate a strained in their screen-saturated life. Their dynamics are increasingly disconnected, with their young daughter more attached to her than to interactions, exacerbating the couple's emotional and physical distance. Motivated by the sudden death of a close friend, Dan convinces Jeanine to join him on a self-imposed —a weekend getaway to a remote mountain town in with no phones, , or —to rediscover their connection and address their over-reliance on . Upon arriving at the quirky, town, the couple checks into a rustic run by eccentric locals, including the conspiracy-obsessed Brenda Perkins () and the no-nonsense Officer Dunn (). What begins as an idyllic escape quickly devolves into comedic chaos as withdrawal symptoms from their tech addiction set in, leading to awkward silences, impulsive decisions, and hilarious mishaps like accidental accusations and encounters with a one-eyed stray . Unexpected interactions with the town's suspicious force Dan and Jeanine to confront their frustrations head-on, turning everyday activities into tests of patience and communication. Through these escalating trials, the grapples with the causes of their marital and familial , finding moments of genuine reconnection amid the . The highlights the challenges of unplugging in a hyper-connected world, ultimately guiding them toward resolving their romantic and parental tensions without the crutches of digital distractions.

Cast

Principal cast

Eva Longoria stars as Jeanine Dewerson, the driven wife and mother whose career as a high-powered marketing executive exemplifies the film's theme of technology's intrusion into , as her relentless work via digital devices strains her marriage. Matt Walsh plays Dan Dewerson, the tech-obsessed husband and father who runs a floundering business from home, relying heavily on online marketing and gadgets, which heightens his resistance to the central to the story. Together, Longoria and Walsh's portrayals anchor the narrative's exploration of marital reconnection, with their chemistry amplifying the comedic tensions arising from forced disconnection from screens.

Supporting cast

Lea Thompson plays , an eccentric local resident in the remote mountain town who is deeply invested in theories about and . Her character's offbeat personality and unpredictable interactions inject humor and heighten the film's atmospheric quirkiness, emphasizing the challenges of disconnection in an isolated setting. Keith David portrays Gil, the affable owner of the town's sole diner, whose warm, insightful demeanor delivers subtle guidance and comedic charm. Through his grounded presence, Gil bolsters the small-town ensemble dynamic, offering humorous counterpoints that support the leads' experiences amid the detox environment. Nicole Byer appears as Sheriff Margaret, the quirky town law enforcement officer whose involvement in community interactions adds lively comedic energy and reinforces the off-kilter local flavor. Her role contributes to the film's humorous world-building by highlighting the eccentricities of rural life. Al Madrigal is cast as , a local figure whose spirited participation amplifies the ensemble's chaotic humor and enriches the town's vibrant, unpredictable backdrop. Together, these performers create a supportive ensemble that underscores the comedic tensions and atmospheric of the story's setting, complementing the principal cast without overshadowing their central arc.

Production

Development

The for Unplugging was co-written by and Matt Walsh, who drew inspiration from growing societal dependence on technology and its detrimental effects on personal relationships. Conceptualized around 2019-2020, the script emerged amid early post-pandemic reflections on how digital connectivity had intensified and strained connections during lockdowns. The story centers on a couple's as a "soft " scenario, highlighting timely themes of unplugging from screens to revive intimacy. Walsh, who also stars in , collaborated with Morris to craft a that critiques modern tech without heavy-handed moralizing. Debra Neil-Fisher was selected to direct, marking her feature film debut after a distinguished career as an editor on major comedies. Known for her work on films like (2009) and (2012), Neil-Fisher brought a sharp comedic sensibility honed through pacing quick-witted dialogue and ensemble dynamics. Her transition to directing was announced in May 2019 at the , where the project was packaged with initial casting attachments. Production was spearheaded by producers including William Santor, with key involvement from companies such as The Traveling Picture Show Company and Productivity Media, alongside Inner Child Productions and Roxwell Films. As a low-budget , the project secured financing through a combination of independent backers and pre-sales, enabling a lean setup focused on character-driven humor rather than spectacle. later acquired U.S. distribution rights in December 2021, supporting the film's completion and rollout.

Filming

Principal photography for Unplugging commenced in October 2020 and lasted approximately three weeks through November, adhering strictly to and state safety protocols to mitigate pandemic risks on set. Filming, originally planned for , was relocated to to utilize the state's film tax incentives and facilitate safer production during the . The production wrapped principal filming by early December, allowing for a contained amid the ongoing that required the cast and crew to isolate in a Tulsa like the during off-hours. Filming took place across various practical locations in to capture an authentic midwestern feel, selected partly due to the state's film tax incentives. Urban sequences were shot in Tulsa, including at the historic Colony Bar. The production team also frequented sites like the , Jane's Deli, and BurnCo. Barbeque. Remote rural areas around Tulsa, including Sapulpa's Naifeh ranch house, Glenpool, Sand Springs, Sperry, Bartlesville, and Claremore, stood in for the film's generic mountain town retreat, enhancing the ironic contrast of unplugging from in unspoiled natural settings. Minimal green screen work was employed, relying instead on these on-location shoots at Turkey Mountain Urban Wilderness and other outdoor spots to ground the comedic narrative in tangible environments. This approach marked director Debra Neil-Fisher's feature debut, where she adeptly managed the logistics of exterior filming in diverse terrains. Production faced logistical hurdles inherent to pandemic-era shoots, including pod systems for cast and crew to limit exposure and rapid adjustments for unpredictable elements like wildlife and seasonal events. For instance, a key scene in Bartlesville required clearing streets of Halloween trick-or-treaters to simulate a quiet dawn at , while an uncooperative prop animal complicated another sequence due to its temperament. These challenges underscored the thematic emphasis on disconnection, as the crew navigated real-world protocols to depict characters escaping modern tech dependencies.

Release

Theatrical release

Unplugging was released in theaters on April 22, 2022, in the United States by , marking its direct-to-theater debut without a prior . The film opened in a limited capacity across 101 theaters, earning $20,500 during its debut weekend, which also represented its total domestic gross as the run concluded shortly thereafter. Marketing for the release centered on the film's theme, portraying a couple's comedic struggle to disconnect from during a weekend getaway, with promotional trailers prominently featuring stars and Matt Walsh to underscore the humor and relational dynamics. In the landscape of , where streaming platforms continued to dominate film consumption amid post-pandemic recovery, Unplugging's theatrical rollout positioned it as a thematic to the era's pervasive tech-driven narratives, emphasizing offline reconnection in an increasingly environment.

Home media

Following its limited theatrical release, Unplugging pivoted to home media formats to broaden its audience reach. The film became available for digital purchase and rental on platforms including (Apple TV) and starting April 29, 2022, just one week after its limited theatrical debut. It later debuted on in early 2023, enhancing accessibility for global viewers and contributing to increased viewership through subscription streaming. Internationally, distribution emphasized streaming services over physical releases, with availability on in markets such as and , and on in and other regions, reflecting regional licensing variations.

Reception

Critical response

Upon its release, Unplugging received predominantly negative reviews from critics, who praised the lead actors' chemistry while criticizing the film's execution and originality. On the review aggregator Rotten Tomatoes, the film holds a 14% approval rating based on 14 critic reviews. Several reviewers highlighted the film's strengths in its cast performances amid broader weaknesses. Cath Clarke of The Guardian noted that Eva Longoria delivers a relaxed performance but lamented the movie as "light on the laughs" and overly reliant on predictable digital detox tropes. Similarly, Sandie Angulo Chen of Common Sense Media praised the actors' physical comedy timing in occasional funny bits but faulted the overall bland humor and clichéd plot, recommending it for ages 15+ due to language and content. In Rebellious Magazine, Janet Arvia commended Longoria's comic timing and onscreen appeal as adding spark to the proceedings, though she described the tone as uneven between romantic comedy and dramedy. Critics also pointed to flaws in the directorial debut of editor Debra Neil-Fisher and the screenplay by and Debby Wolfe. Kip of College Movie Review rated it a C-, calling it a "dire affair" that strands talented actors with no big laughs and an over-reliance on tech-related gags that fail to land. A review excerpted on described the film as an "almost entirely unfunny comedy" burdened by a "stinker of a script," critiquing its lack of depth for a relationship-focused story and inconsistent humor; the site has insufficient critic reviews for an overall Metascore. Neil-Fisher's inexperience as a director was noted in contributing to the uneven pacing and tonal ricocheting, as observed in aggregated critiques.

Audience response

Audience reception to Unplugging has been mixed, with user ratings reflecting a divide between those who appreciate its lighthearted take on modern relationships and others who find it superficial. On , the film holds an average rating of 4.4 out of 10 based on 1,229 user votes as of November 2025, where common praises highlight the relatable portrayal of family dynamics strained by and the humor derived from the couple's awkward detox attempts. Viewers often note the entertainment in scenes depicting the challenges of going offline, such as comedic mishaps during their rural getaway, though many criticize for feeling contrived and underdeveloped. Similarly, on , Unplugging averages 2.4 out of 5 from 866 logged viewings as of November 2025, with audiences acknowledging its value as breezy, undemanding entertainment suitable for casual viewing but frequently pointing out a lack of emotional or thematic depth. Users describe it as a " but forgettable" rom-com that entertains without demanding much , yet lament its failure to delve meaningfully into the concept or character growth. Following its availability on Netflix, the film has been accessible to a broader audience. The film appeals more strongly to families and couples, as noted by Common Sense Media, which highlights its mild content—including some language and brief drug references—making it accessible for teens when viewed with parental guidance on themes of screen time and relationships. Its streaming presence has sustained this demographic interest, allowing broader access beyond initial theatrical viewings.

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    ### Summary of Viewer Notes on "Unplugging"