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Upstart Crow

Upstart Crow is a British satirical sitcom created and written by , which fictionalizes the early career of as a struggling in late 16th-century , while balancing his family life in . The series premiered on on 9 May 2016 and ran for three series, each consisting of six episodes, along with two Christmas specials, concluding on 21 December 2020. It explores how historical events, personal relationships, and rivalries—particularly with the critic , who coined the term "" to mock Shakespeare—inspired the Bard's iconic works, blending Elizabethan language with modern humor. David Mitchell stars as the egotistical yet talented , supported by an ensemble cast including as his clever maid Kate, as his dim-witted servant Bottom, as his wife , and as the pompous ; recurring roles feature as Shakespeare's father John and as his mother Mary Arden. Directed primarily by Richard Boden and Matt Lipsey, the show was produced by for Comedy Productions. Upstart Crow received positive reception for its witty script and performances, earning a 7.7/10 rating on from over 4,400 users and a 73% approval score on based on 22 critic reviews. It garnered a BAFTA Television Award nomination for Mitchell as Best in and a Craft & Design Award win in 2018 for its lighting.

Premise

Synopsis

Upstart Crow is a that portrays as a jobbing playwright navigating the cutthroat theater scene of 1590s while striving to maintain his family life in . The series follows Shakespeare's early career struggles, including accusations and rivalries, as he pens his iconic works amid personal and professional chaos. The narrative draws its title and framing from the 1592 insult in the pamphlet Groats-Worth of Wit, traditionally attributed to fellow playwright but recent research suggests was authored by , where the newcomer is derided as "an , beautified with our feathers," implying from established writers. This historical provocation launches the show's timeline, depicting Shakespeare from his late 20s onward as he rises from obscurity. Key dynamics revolve around Shakespeare's relationships with his pragmatic wife , feisty daughter , loyal but dim-witted servant , and ambitious contemporary Kit Marlowe, whose friendship teeters on rivalry. These interactions highlight the tensions between Shakespeare's artistic aspirations and domestic duties. The series adopts a light-hearted, anachronistic tone, infusing Elizabethan history with contemporary humor and for comedic effect.

Themes and style

Upstart Crow employs a satirical style that parodies William Shakespeare's playwriting process, blending historical details with comedic exaggeration to depict his struggles in the Elizabethan theater world. The series frequently incorporates modern slang, fourth-wall breaks, and witty banter reminiscent of Ben Elton's earlier work on , allowing it to comment on the absurdities of Elizabethan society while poking fun at the mythologized figure of the . Recurring themes revolve around gender roles, illustrating women's constrained opportunities in 16th-century , such as the prohibition on female performers and limited access to or professions. Class struggles are highlighted through Shakespeare's navigation of London's stratified social and theatrical hierarchies as a provincial newcomer. Artistic rivalry features prominently, particularly Shakespeare's tense relationships with contemporaries like and the author of the "upstart crow" insult (traditionally , but recently attributed to ), who mocks him as an "." Family dynamics underscore the tension between Shakespeare's professional ambitions and his domestic responsibilities in . The show liberally employs anachronisms, integrating contemporary references like , #MeToo, and to draw parallels between historical and modern issues, thereby emphasizing ironies in societal progress. These elements serve to humanize Shakespeare and critique enduring cultural norms through humor. Episodes follow a self-contained format, with each installment typically centering on the inspiration or development of one of —such as Romeo and Juliet or Hamlet—while weaving in ongoing character interactions for comedic continuity.

Production

Development

conceived Upstart Crow in 2014, beginning to write the script that year as a exploring William Shakespeare's early career in 1592 , including his family life, professional struggles, and creative inspirations. The series drew from Elton's longstanding interest in Shakespeare, whom he viewed as an ideal protagonist due to the playwright's use of theatrical devices like , monologues, and clowning, which aligned with traditions. This approach echoed his prior work in historical comedy, such as co-writing , by blending factual elements with satirical humor on class, rivalry, and artistic ambition. The title originates from Robert Greene's 1592 pamphlet Groats-Worth of Wit, a posthumously published work that derisively referred to Shakespeare as an "upstart crow" beautified with others' feathers—a "Tiger's heart wrapped in a Player's hide"—marking the first printed to the as a theatrical upstart challenging university-educated rivals. Elton selected this phrase as the series' starting point to frame Shakespeare's rise amid literary feuds and social prejudices. BBC Two commissioned the six-part first series on 7 December 2015, scheduling it for a premiere as part of the BBC Shakespeare Season to coincide with the 400th anniversary of the playwright's death. Elton served as the sole writer for all three series, which aired from to 2018, with no significant script overhauls after the initial development phase.

Filming and crew

The filming of Upstart Crow was handled as a multi-camera studio , primarily taking place at on Upper Ground in , , where interior scenes were recorded in front of a live audience. This setup allowed for the efficient capture of the show's comedic dialogue and ensemble performances, with episodes typically shot over several days each during production blocks. Directorial duties were led by Matt Lipsey for the first series in 2016, followed by Richard Boden for the second series in 2017 and the third in 2018. Boden's involvement extended across 14 episodes, emphasizing the show's satirical tone through precise timing and visual gags. The production was managed by , with serving as producer for all three series, overseeing the logistical coordination between writing sessions and recordings. Executive producers included Myfanwy Moore for the first series and Chris Sussman for the subsequent ones, ensuring alignment with Comedy's commissioning standards. was handled by Leah Archer across the run, who crafted Elizabethan-era outfits blending historical accuracy with exaggerated comedic elements to highlight character quirks, such as Will Shakespeare's disheveled poet attire.

Cast and characters

Main cast

David Mitchell stars as William Shakespeare, the central figure of the series, depicted as an ambitious and witty aspiring striving to achieve literary success in late 16th-century while grappling with domestic responsibilities toward his family in . His portrayal emphasizes Shakespeare's clever and frustrations with societal and obstacles, driving much of the sitcom's humor through his interactions with friends and rivals. Liza Tarbuck plays , Shakespeare's intelligent and supportive wife, who provides practical wisdom and emotional grounding amid his theatrical pursuits, often challenging the era's restrictive gender expectations through her sharp insights into his work. Her character highlights the domestic side of Shakespeare's life, portraying Anne as a resourceful partner who contributes ideas that subtly influence his plays. Rob Rouse portrays Ned "Bottom", Shakespeare's loyal yet dim-witted servant and comedic sidekick, whose bungled attempts at assistance and naive perspectives serve as a to the protagonist's intellect, amplifying the show's satirical take on and . Bottom's role in the ensemble underscores the everyday absurdities of household life in Shakespeare's circle. Tim Downie embodies Christopher "Kit" Marlowe, Shakespeare's arrogant rival playwright and secret agent, whose scheming ambition and flamboyant persona create ongoing tension and rivalry, poking fun at literary egos and tropes of the time. His interactions with Shakespeare inject rivalry-driven conflict into the narrative, highlighting competitive dynamics in the Elizabethan theater world. Gemma Whelan depicts Kate, the quick-witted daughter of Shakespeare's landlady, whose sharp tongue and aspirations to act on stage expose social inequalities, particularly barriers in the arts, while adding modern sensibility to the setting. As a key member of Shakespeare's household, Kate's outspoken nature fosters dynamic banter that critiques Elizabethan norms through contemporary lenses.

Recurring and guest stars

Helen Monks portrays Susanna Shakespeare, the eldest daughter of William Shakespeare, appearing in family-oriented storylines across the series that explore domestic life in Stratford-upon-Avon. Her role highlights the tensions between Shakespeare's theatrical ambitions and family responsibilities, appearing in 19 episodes from 2016 to 2018. Mark Heap plays Robert Greene, a snide and antagonistic rival playwright who famously coins the derogatory term "upstart crow" for Shakespeare in a 1592 pamphlet, serving as a recurring foil throughout all three series. Heap's Greene embodies literary jealousy and class prejudice in the Elizabethan theater scene, with appearances in 19 episodes that underscore the competitive nature of the profession. Other recurring supporting actors include as , the protagonist's irascible father, whose 19-episode arc involves financial woes and paternal advice, adding comic depth to dynamics. recurs as Mary Arden, Shakespeare's mother, contributing to episodes centered on maternal influence and rural life. In the theater ensemble, appears as , the leading actor of the , frequently interacting with Shakespeare on production challenges, while plays the suave as a charismatic competitor. Notable guest stars enhance specific episodes with historical satire; for instance, Lily Cole guest-stars as Ephie Watkins in the 2018 Christmas special "A Crow Christmas Carol," portraying a character tied to festive themes. appears as a mysterious stranger in the same special, bringing gravitas to a inspired by Dickensian redemption. These one-off roles often figures from Shakespeare's era, enriching the on his career without overshadowing the core ensemble.

Episodes

Series 1

The first series of premiered on on 9 May 2016, coinciding with commemorations of the 400th anniversary of 's death. Written by , the six-episode run aired weekly on Monday evenings, each episode running approximately 30 minutes. The series introduces the protagonist, a young , as he relocates from to in the late to pursue a career as a , navigating the cutthroat world while grappling with family obligations back home. This foundational arc explores his initial inspirations for early works, such as drawing from personal relationships and contemporary events for plays like , alongside emerging rivalries with established figures in the industry, setting a satirical tone that blends with modern comedic sensibilities. The episodes are structured around Shakespeare's creative struggles and humorous mishaps in Elizabethan , emphasizing themes of ambition, accusations, and social climbing without delving into later career developments. The season establishes key dynamics, including interactions with supportive allies and antagonists, that underpin the show's ongoing narrative. Episode titles and air dates are as follows:
EpisodeTitleAir Date
1Star Crossed Lovers9 May 2016
2The Play's the Thing16 May 2016
3The Apparel Proclaims the Man23 May 2016
4Love Is Not Love30 May 2016
5What Bloody Man Is This?6 June 2016
613 June 2016
The series averaged around 2 million viewers per episode, peaking with strong initial that solidified its place in BBC's lineup and led to renewals. This viewership reflected broad appeal for its witty homage to Shakespeare, though it faced some criticism for overt modern parallels; overall, it established the tone of historical that defined the program.

Series 2

The second series of premiered on on 11 September 2017 and consisted of six episodes broadcast weekly on Monday evenings, concluding on 16 October 2017. This season builds on the first by depicting William Shakespeare's advancing career amid intensifying professional rivalries and personal family pressures, including efforts to secure a family and reconciliations with his father. The narrative arc highlights Shakespeare's growing reputation through new plays like and , while escalating tensions with rivals such as and , alongside strains in his home life during visits to . Filming for the series took place in early 2017, following the renewal prompted by the first series' solid viewership averaging over 2 million consolidated viewers per episode. Minor expansions to the cast included new recurring guest appearances, with the core ensemble returning intact; notable additions for the season featured guest stars such as as Shakespeare's schoolteacher and in various roles, enhancing the comedic dynamics without altering the main lineup.

Episode Summaries

The series' episodes focus on key milestones in Shakespeare's life, blending historical inspirations with satirical takes on his works.
  • The Green-Eyed Monster (11 September 2017): Shakespeare attempts to bribe the envious Robert Greene to approve the family's application for a coat of arms, highlighting his ambitions for social elevation amid professional jealousy.
  • I Know Thee Not, Old Man (18 September 2017): Returning to Stratford for writing inspiration, Shakespeare confronts painful memories from a visit by his strict former schoolteacher, straining his relationship with his father John and exploring themes of reconciliation.
  • I Did Adore a Twinkling Star (25 September 2017): As Marlowe prepares for a covert mission to Verona, Kate teaches him Italian, leading to budding romantic tension between them, while Bottom warns of potential complications in their circle.
  • Food of Love (2 October 2017): Doubting the brutality of his new play Titus Andronicus, Shakespeare considers Kate's suggestion for a more uplifting work, drawing on musical influences from composer Thomas Morley to refine his creative process.
  • Beware My Sting! (9 October 2017): Shakespeare's Henry IV faces royal scrutiny because the character Falstaff too closely resembles Queen Elizabeth I, forcing him to navigate court politics and censorship to stage the production.
  • Sweet Sorrow (16 October 2017): Preparing to leave London for Stratford, Shakespeare grapples with a deepening rift with his father, fearing permanent estrangement as family obligations clash with his theatrical pursuits.
A Christmas special, titled A Christmas Crow, aired on 21 December 2017 as a mid-season extension, depicting chaotic holiday gatherings at the Shakespeare family home in Stratford, where unexpected visitors including , , and Greene disrupt plans for a quiet family celebration, underscoring ongoing relational strains. guest-starred as Queen Elizabeth I in this episode, adding a layer of regal intrusion to the domestic comedy.

Series 3

The third series of aired on over six consecutive weeks from 29 August to 3 October 2018, marking the conclusion of the regular run with a focus on William Shakespeare's maturation as a amid personal and professional challenges. This explores the creation of several of his iconic works, intertwining historical allusions with comedic critiques of Elizabethan theater and dynamics. The episodes build toward resolutions in Will's relationships, particularly with his , while highlighting his growing awareness of his artistic legacy in a cutthroat . The season opens with "Lord, What Fools These Mortals Be!", in which Will struggles to stage his new comedy about fairies, lovers, and mistaken identities—inspired by A Midsummer Night's Dream—as rival playwright Robert Greene schemes to undermine the production at the Rose Theatre. In "Wild Laughter in the Throat of Death", Will presents what he believes is his comedic masterpiece to friends Kit Marlowe and Henry Condell, only for Greene to launch a cunning plot to tarnish Will's reputation through fabricated scandals. The third episode, "If You Prick Us, Do We Not Bleed?", is set amid anti-immigrant riots in London, inspiring the creation of The Merchant of Venice, where Will grapples with moral dilemmas in depicting Shylock while sheltering Kit Marlowe and aiding refugees amid cultural clashes and personal risks. Episode four, "Sigh No More", shifts to romantic entanglements as Will grapples with infatuation during an outbreak of plague, questioning whether his affections for a new muse are genuine or fever-induced, while drawing from Much Ado About Nothing. In "The Most Unkindest Cut of All", Will embarks on a tragedy about Julius Caesar, facing creative hurdles in portraying the assassination and its political fallout, paralleled by backstage betrayals at the theater involving gender roles and actor disputes. The finale, "Go On and I Will Follow", culminates in Will confronting temptations of ambition and infidelity, as an unforeseen family crisis—tied to his wife Anne and daughter Susanna—threatens his domestic life, echoing themes from Macbeth. Throughout the series, ongoing rivalries with Greene and other theater figures underscore critiques of , , and commercial pressures in 's playhouses, evolving from earlier conflicts into reflections on artistic integrity. The narrative arc emphasizes family reconciliations, with Will navigating tensions between his Stratford roots and career, ultimately portraying a more reflective Shakespeare contemplating his enduring impact. The open-ended conclusion leaves Will poised for further triumphs, without resolving all threads, bringing the core series to 18 episodes across three seasons.

Christmas specials

In addition to the 2017 special, a second Christmas special titled Tomorrow and Tomorrow: A Lockdown Christmas 1603 aired on 21 December 2020, concluding the series. Set during a plague outbreak in London mirroring the COVID-19 pandemic, it features Will and Kate in lockdown in his lodgings, debating life, love, and writing while facing enforced isolation as wave fifteen of the plague hits. The episode, a two-hander primarily starring David Mitchell and Gemma Whelan, blends humor with reflections on endurance and creativity.

Stage adaptation

Original production

Ben Elton adapted his BBC sitcom Upstart Crow into a two-hour stage play, condensing key elements from the television series into a live theatrical format that retained the show's bawdy humor and anachronistic wit while incorporating dynamic staging for comedic effect. The production premiered on 18 February 2020 at the in , following previews that began on 7 February, with a planned run through 25 April. Directed by Sean Foley and produced by Tulip Theatre Productions in association with other partners, it marked David Mitchell's West End debut reprising his role as . The cast featured as Anne , alongside an ensemble of theater actors including as , as Dr. John Hall, as , Danielle Phillips as Judith, as , as , and Jason Callender as the Prince of Arragon. The run was cut short by the , with West End theatres closing on 16 March 2020, limiting the original production to approximately five weeks of performances.

Revivals and tours

Following its initial run's interruption by the , the stage adaptation of revived in the West End at the Apollo Theatre, opening on 23 September 2022 for a limited ten-week season that concluded on 3 December 2022. The revival retained core cast members from the 2020 production, including as William Shakespeare, as Kate, as Susanna, as , Danielle Phillips as Judith, and Jason Callender as Arragon, with new performers such as as , as Dr. John Hall, Gloria Onitiri as Desiree, and ensemble members , Dedun Omole, and Annabel Smith. Critics and audiences praised the for its lively theatrical energy, emphasizing the heightened immediacy of the live format compared to the televised series, which allowed for dynamic pacing and onstage chemistry among the performers. No tours—domestic or international—followed the 2022 run, and as of 2025, no further revivals or new stage adaptations have been announced.

Music

Theme music

The theme music for the BBC sitcom Upstart Crow was arranged by composer Paul Mottram, drawing on the lively 17th-century English dance tune "" first published in John Playford's The English Dancing Master in 1670. The arrangement features an upbeat, folksy style performed on authentic period instruments, such as lutes and viols, to capture the Elizabethan atmosphere central to the series' setting. This theme tune plays during the opening title sequence of each episode, establishing the show's blend of historical comedy and Shakespearean satire. Mottram additionally composed a festive variant for the 2018 Christmas special A Christmas Carol, incorporating holiday elements while retaining the core melody.

Incidental score

The incidental score for Upstart Crow was composed by Grant Olding, an award-winning composer specializing in , and . Olding provided the original underscoring for all three series of the BBC Two sitcom, as well as its Christmas specials, supporting the narrative through custom cues tailored to the show's satirical portrayal of William Shakespeare's life. His contributions, handled through representation by Air Edel, integrated seamlessly with the production to enhance comedic timing and period ambiance without overshadowing the dialogue-driven humor.

Reception

Critical response

Upon its premiere in 2016, Upstart Crow received generally positive reviews from critics, who praised its clever blending of Shakespearean references with modern humor. lauded David Mitchell's portrayal of as effectively capturing the character's "neutered rage" in domestic and professional frustrations, while commending writer for delivering a funny script that humanizes the through well-researched historical details and knockabout . Similarly, the series earned a 69% approval rating on the Tomatometer for its first season, with an average critic score of around 7/10, highlighting the likeable cast and witty in-jokes accessible to audiences unfamiliar with Shakespeare's works. Critics also noted some shortcomings, particularly an over-reliance on anachronistic gags that occasionally thinned the material. A Telegraph review described the humor as depending heavily on modern intrusions like "replacement donkey service" references, which felt juvenile and lumbering in the format, though it acknowledged the strong supporting performances from actors like and . Overall, the consensus positioned as an entertaining entry point for Shakespeare newcomers, with its 85% audience approval rating on reflecting broad appeal despite mixed critical takes on pacing and depth. The stage adaptation drew mixed responses regarding pacing, but the 2022 revival at the was praised for its live charm and energetic delivery. Reviews highlighted the production's heart and spectacle, earning an average of 4.5 out of 5 stars across audience and critic feedback, with particular acclaim for Mitchell's charismatic stage presence and the seamless integration of comedic physicality.

Viewership and legacy

The first series of marked the biggest launch for a new comedy on in 2016, attracting a strong initial audience and contributing to the channel's successful comedy slate that year. Subsequent series maintained steady viewership, with episodes continuing to draw audiences through traditional broadcasts and on-demand platforms. The show remains available for streaming on in the UK, where full series and specials are accessible. Internationally, it is offered on services like , broadening its reach to viewers in the and . The series received recognition at major awards, including a nomination for the 2017 BAFTA TV Award for Best Male Performance in a Comedy Programme for David Mitchell's lead role as . earned a nomination for Best Comedy Writing on Television at the 2017 British Screenwriters' Awards, organized by the , highlighting the script's wit and historical insight. These accolades underscored the show's blend of humor and educational value, positioning it as a notable entry in comedy programming. Upstart Crow's legacy extends beyond its broadcast run, which concluded in 2020 with a special and has seen no new television episodes since, following the BBC's 2024 decision not to commission a fourth series. Reruns remain popular, with episodes regularly scheduled on , as evidenced by airings in June 2025. The series has inspired educational applications in schools and universities, where it serves as an engaging tool to introduce Shakespeare's and works, blending factual history with accessible . Its stage adaptation, , further amplified its influence by bringing the story to live theater audiences starting in , enhancing its cultural footprint. The program has contributed to renewed appreciation for Shakespeare's comedic output, often referenced as a modern exemplar of historical sitcoms that humanize literary figures.

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