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WCBS-FM

WCBS-FM (101.1 FM) is a commercial radio station licensed to , New York, owned and operated by , and broadcasting a format focused on popular music from the 1960s, 1970s, and 1980s. The station serves the from studios in and a transmitter atop the , delivering a mix of hit songs by artists such as , , and , alongside limited commercial interruptions and local features like weekday morning segments on New York news. Launched on December 1, 1941, as the first FM outlet of the Broadcasting System (), WCBS-FM originally operated under the call sign W67NY on 46.7 MHz before shifting frequencies to 101.1 MHz in 1947 and adopting its current calls in 1946. Throughout the and , it simulcasted programming from its AM counterpart, WCBS, but by the late , it transitioned to a freeform rock format that lasted until 1972. On July 4, 1972, the station pioneered one of the nation's first dedicated formats, emphasizing hits from the and , which evolved over decades to include 1970s and 1980s tracks and became a cornerstone of radio culture for over 35 years. In 2005, under CBS Radio ownership, WCBS-FM briefly flipped to an adult hits format branded as "Jack FM," but listener backlash prompted a return to oldies—rebranded as classic hits—in 2007. merged with Entercom Communications in 2017, which later rebranded to in 2021, maintaining the station's legacy amid ongoing lineup adjustments, such as changes to morning and afternoon programming in June 2025 to refresh its appeal to tri-state listeners. Today, WCBS-FM remains a high-profile outlet, streaming online via the Audacy app and emphasizing community engagement through contests, local business spotlights, and holiday-themed countdowns of top songs.

History

Early years (1941–1971)

WCBS-FM traces its origins to December 1, 1941, when it launched as the experimental station W67NY on 46.7 MHz under authorization from the , serving as the inaugural FM outlet. The station's call letters changed to WABC-FM on 1, 1943, aligning with CBS's AM flagship. In 1946, amid the FCC's reallocation of FM frequencies to the 88–108 MHz band, it shifted to 96.9 MHz and adopted the WCBS-FM call sign on November 2. By September 21, 1947, the frequency moved to its current 101.1 MHz position, a change that facilitated better signal propagation and integration with CBS's growing network. From 1947 through 1966, WCBS-FM primarily the programming of its WCBS-AM, delivering a mix of general entertainment that reflected the era's broadcast norms, including music, news, dramatic series, and occasional classical segments typical of network-affiliated outlets. This approach was common among early stations, which struggled for independent viability amid AM's dominance and limited FM receiver adoption, resulting in modest commercial performance for WCBS-FM during the postwar years. The station's audience remained small, as overall captured only a fraction of listeners until technological and regulatory shifts in the late 1960s began to bolster its reach. In 1967, WCBS-FM broke from the simulcast to introduce "The Young Sound," a younger-oriented easy listening format emphasizing soft instrumental renditions of contemporary pop hits, aimed at broadening appeal beyond traditional AM fare. This middle-of-the-road style persisted until 1969, when the station pivoted to freeform under CBS's push to capitalize on FM's capabilities and the rock genre's rising popularity. Programmed for eclectic album-oriented listening, the format featured DJs such as Bill Brown, whose innovative style helped cultivate a dedicated following among younger urban listeners, though it achieved only niche audience growth amid competition from established rock outlets like . Despite this modest expansion, the progressive rock experiment underscored FM's evolving role but yielded limited commercial success, paving the way for further format adjustments by 1972.

Oldies format launch and expansion (1972–2005)

On July 7, 1972, WCBS-FM transitioned to a full-time format, becoming one of the nation's first 24-hour stations dedicated exclusively to the genre. The debut broadcast featured Dion's "" as the inaugural song, played by DJ Johnny Michaels at 6 a.m. This shift from the station's prior programming was driven by CBS's recognition of untapped potential in nostalgic music, following successful experiments with oldies on sister station WCAU-FM in . The initial playlist emphasized hits from 1955 to 1964, drawing from the era's foundational pop, , and early tracks to appeal to listeners aged 25 to 44 who had grown up with these songs. By the mid-1970s, the format had evolved to incorporate a broader selection of 1960s and early 1970s material, solidifying its identity as the "Greatest Hits of the '50s and '60s." This expansion allowed WCBS-FM to include soul, British Invasion, and soft rock staples, such as tracks by The Beatles and The Temptations, while maintaining a core focus on pre-1970 music. Signature elements defined the station's sound during this period, including the annual Top 500 countdown, which debuted over Thanksgiving weekend in 1973 based on listener surveys and aired annually until 1997. The broadcasts featured custom jingle packages, notably the 1972 PAMS "Goldmine" series, which used upbeat, orchestral cuts to underscore the nostalgic theme and station's 101.1 MHz frequency. Key on-air talent contributed to the format's engaging personality, with early shifts hosted by DJs like Ed Williams (10 a.m.–2 p.m.), Bill Brown (6–10 p.m.), and Don K. Reed (10 p.m.–2 a.m.). Over the decades, prominent voices such as Bruce Bradley, , and Bobby "The Wizard" Jay became synonymous with the station, delivering high-energy shows that blended music with and listener interaction. Program directors refined the playlist and promotions to sustain appeal. WCBS-FM's oldies format delivered strong ratings performance, quickly rising to become New York's most-listened-to FM station by late 1972 and maintaining top rankings as the market's leading outlet through the and . Arbitron data from the era highlighted its dominance among adults 25–54, often outpacing competitors with shares exceeding 5.0 in key books. In the , adaptations like gradually adding select hits—such as those by and —helped refresh the playlist for aging without alienating core fans. The format faced challenges in the late 1990s as oldies stations proliferated nationwide, leading to audience fragmentation and declining ad revenues amid format saturation. By the early , WCBS-FM had shifted emphasis toward and tracks to broaden its demographic, but competitive pressures persisted. The oldies era concluded on June 3, 2005, with an abrupt final broadcast that ended 33 years of the format.

Jack FM transition (2005–2007)

On June 3, 2005, WCBS-FM abruptly transitioned from its long-running format to the "" brand, adopting the slogan "101.1 Jack FM: Playing What We Want" as part of Radio's strategy to combat perceived format fatigue and attract younger listeners amid an aging audience. The change, executed at approximately 5:00 p.m., involved firing all on-air personalities without prior warning and replacing them with an automated playlist, marking one of the most controversial format flips in radio history. The new format emphasized a broad, eclectic selection of over 1,000 songs spanning the through the , delivered in a randomized shuffle similar to an playlist, with a heavy emphasis on tracks and occasional current hits. Programming was largely automated, featuring no live disc jockeys and interspersed with humorous, sarcastic station liners voiced by Howard Cogan, who portrayed the fictional "Jack" as a laid-back, irreverent character. This approach aligned with Radio's nationwide rollout of the format earlier that year, which had already debuted in markets like and to refresh adult-oriented stations. The transition sparked immediate and intense backlash from loyal oldies listeners and displaced DJs, including icons like Bruce "Cousin Brucie" Morrow, who described the move as heartbreaking; media outlets dubbed it "The Day the Music Died." Ratings suffered dramatically, dropping to a 1.5% audience share in 2006 from higher pre-flip figures and ranking as low as 22nd in the market, reflecting the format's failure to retain or grow its core demographic. In a broader corporate effort, launched WCBS-FM's HD2 subchannel with the format on December 12, 2005, making it one of the earliest implementations in to offer the previous programming digitally as a compromise during the era. Despite minor tweaks, such as occasional live segments to boost engagement, the station's performance remained poor, culminating in a June 2007 internal decision to revert due to sustained low ratings and revenue declines of nearly 30% from 2005 levels. The final broadcast aired on July 11, 2007, with the format shifting to HD2 as the main channel prepared to restore a variant the following day.

Revival as classic hits (2007–present)

Following the unsuccessful Jack FM experiment, which had resulted in declining listenership, WCBS-FM relaunched its format on July 12, 2007, at 1:01 p.m., restoring live disc jockeys and the core library from the and while incorporating additional tracks from the and to appeal to a broader audience. The station revived its longstanding branding as "New York's Greatest Hits," a originally introduced with the format in 1972, emphasizing personality-driven programming with hosts such as Dan Taylor in mornings. Over the subsequent years, the format underwent gradual refinements to maintain relevance in the evolving landscape, with a reduced emphasis on pre-1964 material and increased rotation of and hits by the mid-2010s, reflecting broader industry trends toward later decades as the core listening demographic aged. The arrival of program director in 2012 further shaped this shift, focusing the playlist more heavily on through music by 2018 to align with listener preferences for upbeat, familiar tracks from those eras. A key milestone came in November 2017 with the merger of into Entercom Communications (later rebranded as in 2021), which integrated WCBS-FM into a larger portfolio but preserved its core programming strategy amid operational synergies across stations. In the 2020s, the station intensified its focus on 1980s and 1990s content to capture younger listeners, while navigating challenges like the , during which on-air talent shifted to remote broadcasting to ensure continuity. This adaptation helped sustain operations without interruption. Post-merger under , the format emphasized high-energy hits from the '80s and '90s, contributing to a rebound in ratings that placed WCBS-FM consistently in the top 10 of the market by the mid-2020s. In June 2025, WCBS-FM adjusted its weekday lineup, with Race Taylor shifting to mornings (6-10 a.m.), John to middays (10 a.m.-3 p.m.), and Jesse Addy to afternoons (3-7 p.m.). As of November 2025, WCBS-FM maintains its approach, with the callsign secured through a licensing agreement extending to 2037, ensuring continuity of its heritage branding amid Audacy's broader portfolio management.

Ownership and facilities

Ownership timeline

WCBS-FM was established by the (CBS) and signed on the air for the first time on December 1, 1941, as W67NY on 46.7 MHz, marking it as the network's inaugural station and part of CBS's early expansion into . The station adopted the WCBS-FM call letters on November 2, 1946, and shifted frequencies to 101.1 MHz in 1947, remaining under direct CBS ownership throughout its formative decades, benefiting from the company's stable investment in radio operations. Ownership stability persisted into the late as navigated corporate changes without divesting its radio assets. In , acquired in a $5.4 billion deal, integrating the broadcasting divisions under the brand while retaining the identity for its stations, including WCBS-FM. This merger consolidated Westinghouse's Group W stations with 's portfolio but did not alter WCBS-FM's operational control, which continued seamlessly under through the 1990s and 2000s amid the rise of . The era of CBS ownership ended with the 2017 merger of CBS Radio into Entercom Communications Corp. Announced on February 2, 2017, the all-stock Reverse Trust transaction was valued at approximately $1.7 billion and created a combined entity with 244 stations. Regulatory approvals from the FCC on November 9, 2017, and the U.S. Department of Justice on November 1, 2017, required Entercom to divest 13 stations in , with additional divestitures totaling around 16 stations to address concerns, though WCBS-FM was retained in the core portfolio. The merger closed on November 17, 2017, transferring WCBS-FM to Entercom without immediate format or operational disruptions. Entercom underwent a significant rebranding in 2021 to reflect its evolving focus on multi-platform audio, changing its name to Audacy, Inc., on March 30, 2021, while sunsetting the Radio.com brand in favor of integrated streaming services. WCBS-FM remained a key asset in Audacy's New York cluster, supporting the company's shift toward digital distribution and podcasting alongside traditional broadcasting. As of 2025, WCBS-FM continues to be fully owned by . Audacy filed for Chapter 11 bankruptcy in January 2024 and emerged from restructuring in September 2024 under new majority ownership led by , with no sales or divestitures of WCBS-FM announced, as the company emphasizes streaming integration and live event synergies to enhance listener engagement across platforms.

Studios and transmitter site

WCBS-FM's studios were originally located in the at 51 West 52nd Street in , where the station operated from its early years in the 1940s through the late 2000s. In 2011, as part of 's consolidation efforts amid rising rents in Midtown, the station relocated to a shared facility at 345 Hudson Street in the neighborhood of , occupying the 10th and 11th floors alongside other market stations. Following the 2017 merger of with Entercom (now ), the Hudson Street site became the integrated operations hub for WCBS-FM and its sister stations, with no further major studio relocations occurring. The station's transmitter has been situated atop the at 350 Fifth Avenue in since the early 1950s, sharing the antenna system with approximately 22 other FM and TV stations. The transmitter coordinates are 40°44′54″N 73°59′09″W. Prior to this, WCBS-FM's initial broadcasts in 1941 originated from an experimental setup at 500 Fifth Avenue, reflecting the nascent stage of commercial FM technology at the time. Over the decades, the transmitter underwent key upgrades, including enhancements in the 1960s to support FM stereo broadcasting following FCC approval of the standard in 1961, and further modifications in the to accommodate capabilities. As of 2025, WCBS-FM operates under Audacy's national hybrid model, blending in-studio production at Hudson Street with remote contributions from on-air talent, a shift accelerated by post-pandemic investments in bandwidth and remote management tools.

Programming and format

Format details and evolution

WCBS-FM's format centers on a curated that emphasizes hits from the and , with occasional staples and select tracks for variety, featuring artists such as the Eagles (""), ("Like a Virgin"), the (select tracks like "Got to Get You into My Life"), the (""), and ("Ironic"). This composition balances familiarity with subtle modernity, avoiding deep album cuts in favor of chart-topping singles to maintain broad accessibility. Stylistically, the station employs a high-energy characterized by upbeat and jingles from Creative Productions' composite packages, evoking the original era's vibrancy. Occasional commercial-free stretches underscore its focus on uninterrupted music flow. These traits contribute to a polished, radio-friendly that prioritizes and emotional over eclectic experimentation. Since its 2007 relaunch as , the format has evolved from a blend of traditional and contemporary elements—initially heavy on 1960s and —to a more streamlined approach. By the late 2010s, 1960s material was largely phased out in favor of 1970s and 1980s tracks, with further refinements in the 2020s incorporating more 1990s recurrents while maintaining a core of high-tempo 1970s and 1980s pop and , including influences around 2015. By 2025, the format remains stable, with ongoing tweaks to sustain relevance in a digital landscape. In the market, WCBS-FM positions itself as a nostalgic powerhouse competing directly with adult contemporary outlets like (Lite FM) for shared listeners seeking familiar , and alternative stations such as WBMP for younger edge in the hits space. Its streaming integration via the app enhances accessibility, offering on-demand playback, exclusive content, and tie-ins to extend reach beyond traditional . The station targets adults aged 25–54, particularly those drawn to , aligning with the demographic's high radio listenership and value.

On-air personalities and lineup

As of November 2025, WCBS-FM's weekday lineup features a refreshed roster of on-air personalities emphasizing engaging, personality-driven segments within its format. The morning slot from 6:00 a.m. to 10:00 a.m. ET is hosted by Race Taylor and co-host Heather Bermudez, who assumed the role on June 16, 2025, following a station announcement on June 13. Taylor, a longtime New York radio veteran, incorporates upbeat segments highlighting '80s hits to energize listeners during commute hours. Middays from 10:00 a.m. to 3:00 p.m. are led by Jesse Addy, who also serves as the station's . Addy, previously in afternoons, shifted to this slot as part of the June 2025 changes and focuses on deeper selections from the '70s era to provide a thoughtful midday listening experience. Afternoons, from 3:00 p.m. to 7:00 p.m. , are anchored by , the station's brand manager, who moved from mornings in the same lineup adjustment. Foxx's evening drive show includes interactive elements such as listener call-ins to foster community connection during peak drive times. Evenings and weekends feature a rotation of hosts, including veteran Broadway Bill Lee on nights and weekend contributors like Joe Causi and Dave Stewart, blending local personalities with syndicated programming such as Backtrax USA hosted by Kid Kelly on Sunday evenings. The June 2025 shifts—from Taylor in middays, Addy in afternoons, and Foxx in mornings—were designed to refresh the daytime energy and deliver a more seamless listening flow. The station has a rich legacy of notable alumni, including icons like Harry Harrison, the longtime morning host who helped define its era before retiring in 2005.

Technical specifications

Analog broadcasting

WCBS-FM operates on the frequency of 101.1 MHz as a Class B station. The analog signal is transmitted with an (ERP) of 6,700 watts from an antenna with a (HAAT) of 408 meters (1,339 ft), located atop the in . This configuration enables primary coverage across the New York City metropolitan area, including portions of and , as defined by the station's FCC service contour. In southern regions of , WCBS-FM's signal experiences overlap with , a station also broadcasting on 101.1 MHz at 14,000 watts , due to the proximity of the markets; however, no significant disruptions have been reported in these areas. The call letters WCBS-FM were retained by (formerly Entercom) under a 2017 merger agreement with , licensing their use for a 20-year period extending until at least 2037.

HD Radio subchannels

WCBS-FM began broadcasting in using the iBiquity digital system shortly after the technology's introduction, enabling multiple subchannels to complement the main format. The station's digital signal supports multicast programming in compliance with FCC rules. The HD2 subchannel launched on December 12, 2005, coinciding with the main channel's transition to the format, providing a digital extension of that variety hits playlist. Following the main channel's return to in 2007, HD2 continued with programming and was rebranded as "" (pronounced "Tony," short for "to ") in late June 2009, maintaining a similar eclectic mix of music from the to the . On December 21, 2012, HD2 shifted to a of WCBS (880 AM). Originally offering all-news coverage, following the August 26, 2024, relaunch of 880 AM as WHSQ "880 " under a with , HD2 now sports talk programming, including play-by-play events and analysis, a format retained as of November 2025 amid Audacy's strategy to extend AM content via FM HD. WCBS-FM's HD3 subchannel debuted on October 2, 2008, initially simulcasting WCBS (880 AM) to further distribute programming digitally. This arrangement lasted until January 2, 2013, when HD3 flipped to the newly launched network, delivering 24/7 sports talk, play-by-play events, and analysis from the market. The sports format persisted until February 25, 2021, when moved to WNSH-HD3 (94.7), and HD3 adopted Scott Shannon's "True Oldies Channel," featuring syndicated from the and hosted by the veteran broadcaster. In 2024, reoriented its digital offerings to target niche audiences, leading to HD3's transition on May 1 to Roadblock Radio, a Newark-based service specializing in music genres including , , soca, kompa, and . This shift replaced the True Channel, which relocated to WINS-HD3 (92.3) in September 2024, and marked Roadblock Radio's expansion to over-the-air broadcasting in the tri-state area via WCBS-FM's digital signal. As of November 2025, no further changes to the subchannels have been announced, with HD2 continuing the New York simulcast and HD3 focusing on Roadblock's 24/7 programming.

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