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Where the Money Is

Where the Money Is is a crime comedy-drama film directed by and written by , Topper Lilien, and Carroll Cartwright. The movie stars as Henry Manning, an elderly bank robber who fakes a to escape prison by transferring to a , where he encounters nurse Carol Ann McKay () and her husband Wayne (), leading to an unexpected alliance for a final score. Released on , , the film runs 89 minutes and received a PG-13 rating for some language and violence. The story follows , a legendary criminal sidelined by age, as he navigates his feigned in the , only to be discovered by the sharp-witted , who sees in him a chance to break free from her monotonous life in a small town. Produced by companies including Intermedia Films and , the film blends elements of with character-driven drama, highlighting themes of reinvention and late-life adventure. Newman's performance as the cunning yet vulnerable earned praise for its nuance, marking one of the actor's final leading roles before his later supporting appearances. Critically, Where the Money Is holds a 49% approval rating on based on 77 reviews, with the consensus noting excellent acting, though the movie feels like a plain and forgettable made-for-TV movie. It grossed approximately $5.7 million at the against a modest budget, reflecting a muted commercial reception. Despite mixed reviews, the movie is often remembered for its charismatic leads and Newman's effortless portrayal of a sly anti-hero.

Development and production

Script development

The screenplay for Where the Money Is originated as an original story conceived by , who drew inspiration from classic narratives to craft a tale centered on an aging criminal orchestrating a from a . Frye penned the initial draft, establishing the film's core premise of a wheelchair-bound robber manipulating his caregivers for one final score. This foundation emphasized themes of cunning and redemption in later life, setting the tone for a blend of and . Subsequent revisions were handled by Topper Lilien and Carroll Cartwright, who refined the and pacing to heighten the dynamics and mechanics while preserving Frye's vision of a clever, low-stakes . Their contributions focused on tightening the around interpersonal relationships, particularly the evolving alliances among the , a nurse, and her husband, to balance humor with tension. The process ensured the script's , avoiding overly complex plot twists in favor of character-driven wit. Pre-production advanced under the guidance of key producers, including via his banner, alongside Intermedia Films, which facilitated funding and distribution partnerships. These efforts secured attachments like director , whose experience with stylish thrillers aligned with the script's need for subtle suspense. Paul Newman's early commitment to the lead role further influenced the script's tone, infusing it with a charismatic, world-weary edge.

Casting

Paul Newman was cast as the aging bank robber Henry Manning, a role that represented one of his final leading performances at age 75. Newman personally selected the part for its entertaining caper elements, humor, and absence of violence, aligning with his affinity for complex, roguish characters devoid of profanity or explicit content. His involvement brought an iconic cool demeanor to the film, reminiscent of his celebrated turns in crime classics like The Sting (1973) and Butch Cassidy and the Sundance Kid (1969), where he excelled at portraying suave antiheroes. Linda Fiorentino was chosen to portray Carol Ann McKay, the ambitious yet disillusioned nurse, leveraging her established skill in embodying multifaceted female leads with a mix of and drive, as highlighted in contemporary reviews of her performance. joined the ensemble as Wayne MacKay, Carol's husband, with the emphasizing the natural interplay between him and Fiorentino to anchor the young couple's dynamic within the heist-driven narrative. The supporting cast included as Carol's mother, Mrs. Tetlow, and as the security guard Karl, selected under casting director Randi Hiller to provide grounded, ensemble balance to the principal trio's . The script's premise demanded leads capable of charismatic tension, which this lineup delivered through their collective experience in roles.

Filming

Principal photography for Where the Money Is took place from July 27 to October 10, 1998, primarily in , , which served as a for a fictional small town in . The production utilized Montreal-area locations to capture the film's setting and exterior scenes, including river sequences, with André Chamberland incorporating playful and eccentric elements to heighten the visual tone. Director , returning to feature s after a 13-year hiatus, adopted a relaxed tempo to blend with dramatic elements, structuring the narrative into three distinct chapters that mix moral and immoral tones while echoing the mythic-realistic style of Paul Newman's earlier roles. A key challenge involved choreographing scenes featuring Newman's character, the ostensibly paralyzed bank robber Henry Manning, where subtle gestures provided dramatic punctuation amid the 's self-consciously cinematic texture. Newman prepared for the role by visiting a to study victims, committing to long 10- to 12-hour workdays without relying on or performers. The armored car heist climax was filmed using practical locations to enhance realism, with cinematographer Thomas Burstyn employing varied and unusual colors to underscore the sequence's eccentricity. Post-production wrapped by early 2000, with editing focused on maintaining pacing through the film's uneven screenplay and preposterous plotting, allowing for a spring theatrical release.

Release and financial performance

Distribution and premiere

The film was released theatrically in the United States by USA Films on April 14, 2000. Films handled limited international distribution, with releases in select markets including on May 31, 2000, and the on October 6, 2000. The world premiere took place on April 3, 2000, at the Loews 42nd Street E Walk theater in New York City's , featuring appearances by stars , , and to generate early buzz centered on Newman's portrayal of the cunning bank robber Henry Manning. This high-profile event in spring 2000 aimed to highlight Newman's return to the heist genre in a character-driven role. Marketing efforts by USA Films focused on leveraging Paul Newman's enduring star power as a key draw, positioning the film as a blend of clever crime caper and heartfelt . Trailers showcased Newman's charismatic performance alongside the film's comedic and suspenseful elements, such as the wheelchair-bound robber's schemes, to appeal to audiences familiar with his iconic roles in similar genres. The film received a release on DVD in December 2000 through USA Films, with packaging and promotions specifically targeting longtime enthusiasts by emphasizing his nuanced acting in the lead role.

Box office results

Where the Money Is earned a worldwide gross of approximately $7.5 million against a production budget of $28 million, marking it as a significant financial disappointment for the studio. The film's total domestic earnings in the United States and amounted to $5.66 million. Internationally, it generated about $1.8 million, reflecting a limited presence in overseas markets constrained by subdued promotional efforts. The movie opened domestically on , , across 1,538 theaters, pulling in $2.51 million during its first weekend, which accounted for roughly 44% of its entire U.S. run. This debut placed it outside the top five that weekend, overshadowed by established releases such as and 28 Days. Several elements contributed to the film's underperformance, including stiff competition from high-profile titles like , which dominated the later that spring with its epic scale and critical acclaim. Additionally, mixed early reviews, evidenced by a 49% approval rating on from 77 critic assessments, likely dampened audience interest and word-of-mouth momentum. Despite Paul Newman's star power appealing to an older demographic, these pressures proved insufficient to drive broader commercial success.

Narrative and characters

Plot summary

Henry Manning, a legendary bank robber serving a , fakes a severe using and techniques to simulate , allowing him to be transferred to the Sunrise Pines nursing home in rural . There, dedicated nurse Carol Ann McKay, frustrated with her stagnant life and her unambitious husband Wayne, a high school gym teacher, quickly suspects that Henry is not truly incapacitated after observing inconsistencies in his behavior during routine care. To confirm her suspicions, Carol wheels Henry's chair into a nearby lake during an outing, prompting him to stand and reveal his ruse; Henry explains his method and briefly escapes the facility before returning, impressed by Carol's determination. Carol, seeing Henry as her chance for excitement and financial freedom, persuades him to mentor her in crime, and Wayne reluctantly joins as the third accomplice despite his reservations about the risks. The trio devises a plan to hijack an armored car on its predictable route. They meticulously prepare, with Henry providing expert guidance on evasion tactics, and execute the flawlessly, securing a substantial haul. However, Wayne betrays the group by tipping off , leading to Henry's recapture as authorities close in. Carol frees Henry from a transfer, and they flee together; to cover their tracks, Henry stages his death by driving a stolen into the lake, emerging unscathed with Carol's help. The film ends with the pair in a jewelry store, where Carol distracts the clerk while Henry disables the security system, hinting at their burgeoning criminal partnership and future schemes.

Cast and roles

Paul Newman stars as Henry Manning, a charismatic bank robber who fakes a to transfer from to a , where he masterminds an escape and a subsequent armored car heist. Linda Fiorentino portrays Carol Ann McKay, a discontented and ambitious nurse at the who initially suspects Manning's ruse but becomes drawn into his plans, evolving from skeptic to enthusiastic partner in pursuit of excitement beyond her small-town life. Dermot Mulroney plays Wayne MacKay, Carol's high school sweetheart and husband, a former football star who serves as a reluctant participant in the scheme, often providing moments of through his hesitation and everyday demeanor. In supporting roles, appears as Mrs. Tetlow, a resident of the , while plays Karl, the armored car guard targeted in the .

Reception and legacy

Critical reviews

Upon its release, Where the Money Is garnered mixed reviews from critics, with praise centered on the lead performances amid criticisms of its formulaic structure. On , the film holds a 49% approval rating based on 77 reviews. On , it scores 49 out of 100 from 31 critics, indicating average reception. Critics frequently lauded Paul Newman's charismatic portrayal of the cunning bank robber Henry Manning, highlighting his effortless vitality at age 75 as a standout in his late career. gave the film three out of four stars, commending Newman's "cool, sleek, and utterly self-confident" presence and the electric chemistry he shared with , which elevated the material beyond its plot. described Newman's multi-shaded performance as dominating every frame, generating an erotic charge with Fiorentino and proving his enduring appeal in a resonant role. echoed this, noting that Newman infuses the character with authority and vigor, working with the intensity of a career-defining effort despite the film's smoother edges. However, reviewers often faulted the screenplay for its predictable heist formula and lack of originality, with the central robbery feeling superfluous and contrived. Ebert criticized the preposterous plotting and underdeveloped supporting characters, such as Dermot Mulroney's role, which lacked depth beyond the leads. Variety pointed to the uneven tone, blending moral ambiguity with crowd-pleasing elements in a way that resulted in an unconvincing and self-consciously cinematic narrative. The New York Times similarly highlighted disjointed directing choices and an awkward handling of the stroke premise, contributing to a frictionless but uninspired overall execution. Negative critical buzz played a role in the film's modest box office reception.

Cultural impact

Where the Money Is (2000) marked Paul Newman's penultimate live-action theatrical film, preceding his final such role in (2002). This placement underscores his late-career pivot toward nuanced, character-driven performances in intimate, grounded narratives, moving away from earlier action-oriented leads. Newman's portrayal of Henry Manning, a wheelchair-bound veteran bank robber scheming one last , contributes to the heist subgenre's tradition of featuring aging criminals as cunning antiheroes, echoing his charismatic in the classic (1973). Despite its commercial disappointment—earning just $5.7 million domestically against a $28 million —it is available for purchase on DVD and Blu-ray. The picture garnered no major awards or nominations during its release or thereafter. In 2020s retrospectives ranking Newman's , Where the Money Is typically lands near the bottom, highlighting its flop status while still valuing Newman's magnetic presence as a highlight of his twilight years. Contemporary reception was mixed, with praise centered on Newman's acting amid critiques of .

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