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Will Sergeant

Will Sergeant (born 12 April 1958) is an English musician, songwriter, and visual artist best known as the lead guitarist and co-founder of the post-punk band Echo & the Bunnymen, which he formed in Liverpool in 1978 alongside vocalist Ian McCulloch and bassist Les Pattinson. Sergeant's distinctive swirling, psychedelic guitar style has been a defining element of Echo & the Bunnymen's sound since their debut album Crocodiles in 1980, contributing to the band's critical acclaim and commercial success through albums like Heaven Up Here (1981) and Ocean Rain (1984), which blended post-punk with atmospheric and gothic influences. Beyond the band, which remains active with Sergeant as its only constant member, he has pursued solo and collaborative projects, including the ambient electronic outfit Glide (formed in 1996), the 2012 album Things Inside, and the 2013 collaborative release Your Mind Is a Box (Let Us Fill It With Wonder) with former bandmates and drummer Nick Kilroe. In recent years, Sergeant has expanded into visual arts with solo exhibitions such as My Own Worst Enemy in (2011) and (2012), and he served as a Visiting at Liverpool School of Art and Design in 2009. His memoirs, Bunnyman: Post-War Kid to Guitarist of (2021, a Sunday Times bestseller) and Echoes: A Continued (2023), chronicle his childhood in post-World War II Britain, the band's rise, and personal reflections on the music scene. As of 2025, he is writing a third installment focused on the era. As of 2025, Sergeant continues to tour with , including a planned tour in 2026, and has collaborated on new material with artists including Kelly Stoltz (including a 2025 track release) and .

Early life

Upbringing in Liverpool

William Alfred Sergeant was born on 12 April 1958 in , . He grew up in a working-class family in a in Melling, a about eight miles from the city center. Sergeant's family life was marked by tension and emotional distance, with his father, , described as permanently angry and unapproachable due to his wartime experiences, and his mother, , who left the household when Will was 13 years old. The family, consisting of his parents and three children, rarely expressed emotions openly, reflecting the broader post-World War II hardships that affected many British households. This uncommunicative environment contributed to a troubled home life amid the rigid class structures of the era. During the and , Sergeant navigated Liverpool's post-war landscape, a city scarred by German bombings and characterized by , including areas near the littered with junk and industrial waste from nearby factories. He failed his 11-plus exam and attended a , where indifferent teachers and a vocational focus deemed him an "educational no-hoper," limiting his prospects in a working-class setting rife with social issues like skinheads and football violence. Despite these challenges, the warmth of local friends and occasional inspirational teachers provided some solace in his youth. Prior to his musical pursuits, Sergeant took on early non-musical jobs to make ends meet, including a five-year stint as a commis in the kitchen of Binns , which offered steady income in an otherwise bleak economic environment. His school's careers advisor suggested training as a , underscoring the narrow opportunities available to him. Liverpool's gritty cultural scene, shaped by post-war recovery and vibrant youth subcultures, profoundly influenced his formative years, embedding a sense of resilience amid the city's industrial and social turbulence.

Early musical interests

Sergeant began learning guitar at the age of 20 while working as a chef in , purchasing a 12-string acoustic as his first instrument. He was entirely self-taught, relying on a chord book to grasp basics and emphasizing experimentation over replicating existing songs to cultivate a distinctive style. His early influences drew from a diverse array of artists and genres, including —particularly for effects like the Rotovibe pedal—along with and krautrock acts such as Kraftwerk and . He also absorbed from the Nuggets compilation, prog rock from and Led Zeppelin, and glam elements from and , shaping his textural and atmospheric approach to the instrument. In the late 1970s, Sergeant experimented with a —inspired by band Métal Urbain—creating homemade tapes and jamming informally with friends like Ian McCulloch, including a brief performance supporting ' debut gig with a single 20-minute song called "Monkeys." This period marked his shift from casual interest to serious dedication, fueled by Liverpool's vibrant and scene at venues like , where exposure to acts such as and encouraged a DIY ethos. His upbringing in further facilitated access to this burgeoning music environment, immersing him in local gigs and record shops.

Career

With Echo & the Bunnymen

Will Sergeant has been the lead guitarist for since the band's formation in 1978, contributing his signature atmospheric and textural guitar style to their recordings. The band's studio albums featuring Sergeant's guitar work include Crocodiles (1980), (1981), (1983), (1984), (1987), (1990), (1997), What Are You Going to Do with Your Life? (1999), Flowers (2001), Siberia (2005), The Fountain (2009), Meteorites (2014), and The Stars, The Oceans & The Moon (2018). Key singles from the band's early years that highlight Sergeant's contributions include "The Pictures on My Wall" (1979), "" (1980), "The Cutter" (1983), and "" (1984). Compilations and live albums featuring Sergeant include expanded editions of Crocodiles with bonus tracks and the live recording Live in (2001).

Electrafixion and side projects

Following the dissolution of in 1993, Will Sergeant reunited with vocalist Ian McCulloch in 1994 to form Electrafixion, an band that also included bassist Leon de los Angeles and drummer Tony McGuigan. The group aimed to explore new creative directions beyond their previous work, with McCulloch and Sergeant sharing songwriting duties and handling vocals and guitars, respectively. Electrafixion toured extensively in support of their efforts and released their debut and only album, Burned, in January 1995 through Warner Music, featuring tracks that blended elements with the duo's signature atmospheric style. Despite initial promise, including several singles and EPs, Electrafixion disbanded in 1996 after McCulloch and Sergeant decided the project had stalled creatively, prompting them to reform later that year. This short-lived collaboration marked a brief diversion for Sergeant, allowing him to experiment with production and guitar textures outside the Bunnymen framework while maintaining ties to his longtime partner McCulloch. In 1996, Sergeant launched Glide as an ongoing ambient and psychedelic project, focusing on improvised soundscapes, electronic textures, and multi-media elements like film projections during live shows. Initially a solo endeavor, Glide evolved into a platform for Sergeant's experimental side, drawing from influences like and to create extended, atmospheric compositions. The project debuted with the album Space Age Freak Out in 1997, followed by live recordings such as in 2000, captured during a Gloucester performance that highlighted its improvisational nature. Glide continued sporadically through the and , with Sergeant incorporating sequencers and synthesizers for a Tangerine Dream-like sound in later works. Live performances often featured as openers for tours, emphasizing Sergeant's interest in over structured songwriting. This outlet provided a contrast to his main band commitments, allowing for freer exploration of sonic textures. In 2012, Sergeant formed the instrumental trio Poltergeist with former Echo & the Bunnymen bassist Les Pattinson and drummer Nick Kilroe, reuniting two original members for an improvisational venture. The band emphasized live jamming and open-ended structures, drawing from traditions without vocals to prioritize guitar-bass interplay. Poltergeist released their debut album, Your Mind Is a Box (Let Us Fill It with Wonder), in June 2013 via A Records, an eight-track collection that captured their focus on psychedelic exploration and was supported by tour dates. Sergeant has also engaged in occasional guest appearances and one-off collaborations during the and , such as contributing guitar to tracks by Liverpool-based artists and participating in art projects that blend with visual elements. These efforts, often tied to his local scene or experimental interests, complemented his band-based side projects without leading to long-term commitments.

Solo career

Will Sergeant's solo career began in the late with experimental recordings that diverged from his work with , emphasizing instrumental minimalism and atmospheric soundscapes. In 1978, he self-produced Weird as Fish, a private limited to just seven copies, featuring ambient and psychedelic explorations played and recorded entirely by himself. This early work remained obscure until its official release in 2003 as Weird as Fish / Le Via Luonge on the label, pairing the original material with additional tracks that highlighted his interest in abstract guitar textures. His first formal solo album, Themes for Grind, arrived in 1982 via the 92 Happy Customers label, comprising eight instrumental scenes composed as a soundtrack for an unreleased film by director Bill Butt. Influenced by Brian Eno's ambient experiments during the era, the album's odd, looping guitar motifs and electronic elements reached number six on the UK Indie Chart, marking a commercial breakthrough for his independent output. In the , Sergeant returned to recording under his full name, William Alfred Sergeant, with Things Inside (2012, 92 Happy Customers), an acoustic guitar-focused effort born from improvised sessions that blended folk-like introspection with subtle electronic undertones. This release underscored his shift toward more personal, unaccompanied expressions, free from band dynamics. Throughout the and , Sergeant's solo endeavors evolved under the , incorporating live s that emphasized and multi-media elements, such as sound and projections. Notable outputs included the live Space Age (1997) and (2000), capturing ambient guitar sets that toured small venues and festivals, allowing for spontaneous sonic explorations beyond structured songwriting. This phase highlighted his growing focus on real-time personal expression, often drawing loosely from atmospheric influences while prioritizing experimental freedom.

Publications and recent activities

In 2021, Will Sergeant published his autobiography Bunnyman: A Memoir, which chronicles his upbringing in , early musical influences, and the formation of during the late 1970s punk scene. The book draws on personal anecdotes to depict the band's nascent years amid the city's post-industrial landscape, earning praise for its candid and evocative style. Sergeant continued his literary output with the 2023 sequel Echoes: A Memoir Continued, subtitled as a follow-up to Bunnyman, focusing on the band's ascent to prominence in the early 1980s, including key recording sessions and high-profile encounters such as a memorable interaction with David Bowie. The memoir highlights the creative tensions and triumphs leading up to albums like Porcupine, blending humor with reflections on fame's pressures. In early 2025, Sergeant announced plans for a third installment, centered on the production and impact of the band's landmark 1984 album Ocean Rain. Beyond writing, Sergeant's recent activities have encompassed ongoing work with , including the release of live recordings and extensive touring. The band issued Assemblage Three & Four—a collection of archival material—in 2023 under Sergeant's Glide moniker, bridging his solo explorations with Bunnymen-era sounds. embarked on a North American tour in 2024, performing hits from their catalog, followed by European festival appearances such as at Halifax's in August 2025. In September 2025, announced a 14-date tour scheduled for March and April 2026, titled the More Tour. In 2025, Sergeant has engaged in several interviews, including discussions on his memoirs and the band's enduring legacy for outlets like XS Noize and Records.

Equipment

Guitars

Will Sergeant's guitar work with is characterized by his preference for models, particularly the Telecaster, which served as his primary instrument for rhythm and lead parts in early recordings such as the 1980 debut album Crocodiles. Influenced by players like Television's , he adopted a pre-CBS shortly after forming the band, using it extensively in initial sessions and even featuring it on the inner sleeve of Crocodiles for its distinctive shape and versatile, angular tones. For the 1984 album , Sergeant incorporated Stratocasters alongside his to achieve broader tonal palettes, blending clean and overdriven sounds that complemented the record's atmospheric edge. These guitars provided the rhythmic foundation and melodic leads, allowing for experimental phrasing without relying on conventional structures. A pivotal element of Sergeant's sound emerged with his adoption of 12-string guitars, starting with a 12-string purchased in in the early 1980s, which contributed eastern-flavored, jangly textures to albums like (1983) and (1984), including the solo on "Silver." Around 1983, he acquired a semi-hollow Vox Teardrop Mark XII 12-string in —reminiscent of the Rolling Stones' model—which became iconic for its use on , notably delivering the solo on "" and parts of "" through direct miking rather than amplification. In later projects, including solo work and side ventures like Electrafixion, Sergeant explored additional models such as the Gretsch Country Gentleman for live performances and custom replicas, like a modern Phantom Guitar Works version of his Vox Teardrop, to maintain experimental edge while preserving core tones often paired with clean amplifier settings. He has also employed Rickenbackers in ongoing tours and recordings for their resonant chime—as of 2024 with the return of his Rickenbacker 12-string—alongside occasional modifications like altered pickups on Fenders to suit non-traditional tunings, and more recent additions like a Gretsch G5034TFT Rancher electro-acoustic (acquired September 2025) and a Fender Jazzmaster used in 2025 soundchecks.

Amplifiers and effects

Will Sergeant has used amplifiers as part of his early setup, following a recommendation from producer for a 30-watt after starting with a basic model, though amplifiers like the Twin and Showman became central for live performances and studio recordings on albums such as . The AC30's 30-watt design offers ample headroom for dynamic playing. Key effects in Sergeant's rig include custom setups like "The Tower" during the band's formative years. For delay, he favors units like the in live contexts, enabling real-time adjustments to feedback and time for textured echoes that complement his melodic style. Early experimentation with modulation effects, such as phasers, provided occasional sweeps but was largely set aside for sounding overly polished. Sergeant's amplification and effects evolved from predominantly analog configurations in the —relying on pedals and rack-mounted delays for organic warmth—to digital integrations in the late during his solo endeavors and band reunions. The Boss GT-1000 multi-effects processor became a staple as of 2019, allowing precise emulation of vintage sounds alongside expanded options for and sustain in rehearsals and tours. In his Glide project, focused on ambient and experimental textures, Sergeant employs custom rigs that prioritize reverb and extended sustain to build immersive soundscapes, often maximizing built-in amp reverb for spatial depth. These setups integrate briefly with his 12-string guitars to amplify resonant overtones without overpowering the core tone.

Discography

With Echo & the Bunnymen

Will Sergeant has been the lead guitarist for Echo & the Bunnymen since the band's formation in 1978, contributing his signature atmospheric and textural guitar style to their recordings. The band's studio albums featuring Sergeant's guitar work include Crocodiles (1980), (1981), (1983), (1984), (1987), (1990), (1997), What Are You Going to Do with Your Life? (1999), Flowers (2001), (2005), (2009), Meteorites (2014), and The Stars, The Oceans & The Moon (2018). Key singles from the band's early years that highlight Sergeant's contributions include "The Pictures on My Wall" (1979), "" (1980), "The Cutter" (1983), and "" (1984). Compilations and live albums featuring Sergeant include expanded editions of Crocodiles with bonus tracks and the live recording Live in (2001).

With Electrafixion

Following the breakup of in 1993, Will Sergeant and Ian McCulloch formed Electrafixion and issued a limited body of work during the mid-1990s. The band's sole studio album, Burned, was released on 25 September 1995 by in the and WEA/Spacejunk in the UK, featuring a hard-edged sound with contributions from bassist Leon de Sylva and drummer Tony McGuigan. Electrafixion's singles output consisted of the EP in October 1994 (WEA), "Lowdown" in May 1995 (Spacejunk), "Never" in August 1995 (Spacejunk), and "Sister Pain" in February 1996 (WEA/Spacejunk), with the latter including live recordings from their supporting tour. No compilations or live albums were released by the band during its existence.

As Glide

Glide is Will Sergeant's experimental ambient and psychedelic , emphasizing live improvisations and atmospheric guitar-driven soundscapes that explore spacey, improvisational textures. Launched in the mid-1990s as a solo endeavor distinct from his work, it has produced five full-length , primarily through labels, with releases spanning live recordings and assembled collections of sessions. The prioritizes immersive, non-commercial explorations over traditional structures, often drawing from Sergeant's affinity for effects-laden guitar tones and ambient electronics. The debut album, Space Age Freak Out (1997, Ochre Records), captures a live performance at the Bubblebath in , featuring extended improvisations like "Wise Baby Dreams" and "Venus in Flares," blending elements with cosmic themes in a raw, unpolished format. This release established Glide's ethos of spontaneous, venue-specific recordings that evoke otherworldly journeys. Followed by (2000, Ochre Records), another live effort recorded at Ochre 5 in Guild Hall, the album showcases Sergeant's solo guitar wizardry across tracks such as "Project Twinkle" and "The Skylon," emphasizing looping effects and narrative-free sonic tales that highlight the project's improvisational core. It marked an early milestone in Glide's touring phase, often opening for shows. Curvature of the Earth (2004, ) shifted toward a more structured studio approach while retaining ambient , with tracks exploring curved sonic landscapes through layered guitars and subtle rhythms, representing a maturation in Sergeant's experimental palette. The double album Assemblage 1 & 2 (2014, 92 Happy Customers) compiles previously unreleased sessions and improvisations, offering a of Glide's evolution with ethereal, fuzz-infused pieces that underscore the project's ongoing commitment to archival and exploratory releases. Most recently, Assemblage 3 & 4 (2023, AV8 Records Ltd) continues the compilation format, drawing from later improvisations to deliver expansive, meditative soundscapes available digitally and on , affirming Glide's enduring role in Sergeant's ambient output. While no major singles have been released, Glide has contributed rare tracks to various artist compilations, including excerpts on Records samplers that highlight isolated improvisations from live sets.

With Poltergeist

was an instrumental formed in 2012 by guitarist Will Sergeant and former Bunnymen bassist , alongside drummer Nick Kilroe, who had been performing with the Bunnymen at the time. The project drew from , psychedelic, and influences, emphasizing extended jams and atmospheric soundscapes without vocals. The band's sole album, Your Mind Is a Box (Let Us Fill It With Wonder), was released in June 2013 on the 92 Happy Customers label in CD and double vinyl formats. Comprising eight tracks, it originated from Sergeant's pre-recorded ideas, which were developed through jamming sessions with Pattinson in Sergeant's home studio, The Pod, before drums were tracked at Ariel Studios in Wales. The recording process balanced structured elements like verses and choruses with improvisational freedom, particularly in longer pieces such as the 10-minute closer "Psychic Warfare," which evolved from spontaneous playing. No singles were issued from the album. A limited edition pressing of copies was made available initially through Pledge Music, offered in signed and unsigned variants with a sleeve. Additional releases included a CD and a 12-inch single, documenting further experimentation with the album's material. Live performances emphasized the band's improvisational approach, with sets featuring extended instrumental passages that allowed for on-stage evolution of the material. The debuted in 2013 with a session for and a show at Hoxton Square Bar & Kitchen in . Further UK dates followed in , , , , and , though some were postponed due to Pattinson's illness; an additional performance occurred at Worm in . Reviews highlighted the concerts' hypnotic, psychedelic energy, delivered as a tight .

Solo albums

Will Sergeant's solo albums emphasize instrumental experimentation, often blending ambient soundscapes, guitar effects, and lo-fi production techniques that diverge from his roots with . These releases highlight his interest in tape manipulation, acoustics, and atmospheric compositions, frequently self-produced in home studios. His earliest solo recording, Weird as Fish, originated as a private in 1978, captured on a two-track machine with layered guitars, synthesizers, and drum machines to create lo-fi, psychedelic s. Only seven unique copies were produced and distributed as gifts to associates like and , reflecting an intimate, underground ethos. The material received its official commercial release in 2003 on Ochre Records as Weird As Fish / Le Via Luonge, a CD compiling the original tracks alongside selections from Sergeant's Glide project, preserving the raw, evocative home-spun aesthetic evocative of David Bowie's Low-era experiments. Themes for Grind, released in 1982 on the independent label 92 Happy Customers, marked Sergeant's debut formal solo album amid his Bunnymen commitments. This all-instrumental effort, drawing from Brian Eno's Roxy Music-era innovations, incorporates tape loops and effects for a dark, atmospheric vibe; it functioned as the soundtrack to an unreleased film by director Bill Butt. The album achieved commercial traction in niche circles, reaching number 6 on the UK Indie Albums Chart. In 2012, Sergeant issued Things Inside under his full name, William Alfred Sergeant, via 92 Happy Customers in a limited-edition LP and CD format. Stemming from improvised acoustic sessions, the album fuses , ambient, and subtle influences into introspective, genre-defying instrumentals that contrast his prior electric explorations—tracks like "Into the Seventies" flow with layered, evolving textures for an accessible yet unconventional listening experience.

Solo singles

Will Sergeant has issued a small number of solo singles, often as limited-edition or subscription-only releases through independent labels like Ochre Records. These non-album tracks emphasize his experimental guitar and ambient soundscapes, distinct from his work with or other projects. Unlike his solo albums, which feature full-length compositions, these singles were typically produced in small runs and served promotional or collector-oriented purposes. In 1982, Sergeant released "Favourite Branches" as the B-side to Shankar and Bill Lovelady's "Himalaya" on WEA Records. This instrumental track, clocking in at 3:14, showcased his early solo inclinations toward atmospheric guitar work and was later included on reissues of his debut album Themes for Grind. A remix-focused single, Themes for Grind/Remixes, followed in 2000 via Ochre Records (OCH042). The 12-inch release featured reworks of tracks from his 1982 album by The Two Lone Swordsmen, including "Themes for Grind (Reground)" and "Scar" (Reground), blending original elements with electronic production to highlight Sergeant's evolving experimental style. Limited to vinyl, it appealed to fans of post-punk and IDM crossovers. In 2003, issued the lathe-cut 7-inch single "Chime/Tangerine Vortex" (OCH053) as part of their 7x7 subscription series. This transparent, hand-cut pressing contained two exclusive ambient pieces: the ethereal "" and the swirling " Vortex," produced solely by Sergeant and limited to a small number of copies available only through direct . Sergeant's solo singles output remains sparse, with no major commercial releases or chart entries, reflecting his preference for niche, artistic endeavors over mainstream promotion. These works tie loosely to his broader solo catalog but stand as standalone explorations of texture and mood.

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