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Wolfpac

Wolfpac (stylized as WOLFPAC) is an American and band formed in 1997 in , . The group was founded by Michael Bowe, performing under the stage name Daddy Long Legs, shortly after his departure from the band . Known for its contributions to the genre and ties to the , including annual performances at the since 2004, Wolfpac has released three studio albums: Somthin Wicked This Way Comes (1999), Evil Is... (2001), and Square Peg Round Hole (2013), along with singles such as Outlaws of Rap (1997) and Stabbin Santa Claus (2004). The band's lineup has evolved over time, featuring various members and collaborators. Wolfpac maintains an active presence through digital platforms, including updates as of 2024, offering music streaming, merchandise, and information on performances via its official website.

History

Formation and early releases

Wolfpac was formed in 1996 in by Michael Bowe, stage name Daddy Long Legs, a co-founder of the who departed that group alongside M.S.G. to pursue a new project blending and elements. The band's initial lineup consisted of Daddy Long Legs on vocals and bass, M.S.G. on vocals, Proffesa Murda on vocals, and MC , establishing a core group focused on aggressive, thematic rap delivery over heavy beats. The group quickly moved into independent releases, beginning with their first cassette tape Evil Is As Evil Does, a raw demo that captured their emerging sound. This was followed by their debut album, Somethin' Wicked This Way Comes, issued on May 18, 1999, via the small label Chord Recordings. Self-funded by Daddy Long Legs through his SugarDaddy Productions, the album featured 11 tracks, including the title song, and introduced Wolfpac's fusion of with dark, narrative-driven lyrics, helping to build a following in the scene. By 2000, Wolfpac had secured a distribution deal with , a label known for metal and hardcore acts, partnering with SugarDaddy Productions for their first full-length effort. The album Evil Is..., recorded and produced in-house by the band members at their facilities, was released on January 16, 2001. Spanning 20 tracks, it expanded on the previous album's style with contributions from the full lineup, highlighting songs like "" and "Six Disciples of Hell" that showcased their self-reliant production approach, utilizing live instrumentation and sampled riffs to create a gritty, thematic sound. This release solidified their early catalog, transitioning toward influences evident in the album's motifs of darkness and rebellion.

Rise to prominence and tours

Wolfpac's second studio album, Evil Is..., released on January 16, 2001, via , marked a significant step in their ascent within the underground and scenes, building on the success of their debut Somethin' Wicked This Way Comes, which sold approximately 15,000 copies through efforts. The album's dark, thematic content resonated with niche audiences, contributing to a growing cultivated through word-of-mouth promotion and chaotic, high-energy live performances that often blurred the lines between stage and crowd. The band's visibility surged in the early 2000s through strategic touring and media exposure, including memorable appearances on in 1999, where their provocative style won over the host and introduced them to broader audiences interested in edgy acts. They shared stages with prominent groups such as , , Slipknot, and , fostering connections within the community and circuit; this included performances alongside and during 's tours, enhancing their reputation among dedicated fans. Wolfpac became a recurring act at the starting in 2004, solidifying their place in the event's lineup and driving fanbase expansion through immersive, interactive shows. To support their expanding live presence around 2002–2003, Wolfpac adjusted their lineup by incorporating additional members like Hype Hazard and specifically for touring, allowing for more dynamic stage energy while maintaining core contributors such as Daddy Long Legs and . Following Evil Is..., the group issued singles and live recordings capturing tour highlights, which further engaged their audience in the and communities without a full studio follow-up until later years. Their popularity peaked with Evil Is..., reflecting substantial growth in underground sales and a loyal following drawn to their horror-infused performances.

Hiatus and revival

Following the release of their 2001 album Evil Is..., a collaboration with under SugarDaddy Productions, Wolfpac entered a period of significant inactivity, producing no new studio material for the next twelve years. The band revived in 2013 with Square Peg Round Hole, a self-produced effort by frontman Daddy Long Legs through his label SugarDaddy Productions, featuring 18 tracks that blended their signature style with elements. This represented a return to form after the , with handled entirely in-house by Daddy Long Legs, emphasizing the group's independent ethos. In subsequent years, Wolfpac maintained a presence through digital streaming and , with their catalog—including the 2013 revival—available on platforms like and . The has continued annual performances at the , where they host the Super Deluxe Fun Time Variety Show. As of 2025, the band engages fans sporadically via and , sharing updates and archival content, but has not announced new releases or major tours since the 2013 album.

Musical style and influences

Genre characteristics

Wolfpac's music is primarily classified as infused with elements, characterized by a fusion of beats, aggressive rap vocals, and heavy rock instrumentation that evokes a dark, confrontational energy. This blend often incorporates metal samples and guitar riffs to amplify the intensity, setting the group apart within the late-1990s and early-2000s scene. The horrorcore influence manifests in the sonic structure through ominous, sampled sounds reminiscent of , creating a gritty backdrop for rapid-fire rhymes and thematic darkness. Central to their production style is the multi-instrumental role of founder and lead emcee Daddy Long Legs (Michael Bowe), who handles beat creation, lyrics, and overall production, drawing from his background as a and vocalist in earlier projects. In their second studio album Evil Is... (), this approach results in bass-heavy mixes layered with effects and programmed elements, emphasizing low-end thump and distorted textures to enhance the raw, feel. The group's typical setup relies on turntables for and sampling, programmed drums for rhythm, and guest guitarists or a live band configuration to inject rock energy during performances. Over time, Wolfpac's sound evolved from nu-metal-adjacent in their formative years—marked by heavier guitar integration and influences akin to contemporaries like —to a more streamlined orientation in later releases, prioritizing flows and horror-themed sampling over extensive instrumentation. This progression reflects a shift toward the Juggalo-associated subculture, with collaborations like those with underscoring their darker, more thematic sonic intensity compared to mainstream acts.

Lyrical themes

Wolfpac's lyrics predominantly explore themes of and the , often adapting the imagery and existential dread characteristic of to a rapid-fire delivery. Tracks frequently delve into , vengeful spirits, and infernal realms, portraying not as an end but as a catalyst for retribution or unholy power. For instance, on their second studio album Evil Is... (2001), songs like "Gravedigga" and "" evoke grave-robbing rituals and necrophilic encounters, using vivid, macabre narratives to confront mortality and taboo desires. Social critique weaves through these motifs, challenging religious and societal ; "Six Disciples of " summons demonic figures to mock pious authority, blending anti-religious with calls to defy oppressive norms. Over their career, the band's lyrical content evolved from pure sensationalism to more personal and conspiratorial undertones, reflecting frontman Daddy Long Legs' worldview shaped by personal anger and broader distrust of institutions. Early works emphasize shock through , but later material incorporates introspective rage against political overreach and cultural marginalization within the . This shift mirrors Daddy Long Legs' inspirations from life experiences and "anger spillage," transforming abstract horrors into pointed commentary on real-world alienation. Humor and shock value define Wolfpac's approach, akin to horrorcore contemporaries like but delivered with a fiercer, unapologetic edge that amplifies discomfort for emphasis. Lyrics often layer ironic levity over brutality—necrophilia as absurd romance or hellish disciples as rebellious anti-heroes—encouraging listeners to embrace the chaotic without solemnity. The collaborative writing process enhances this, with multiple vocalists contributing verses for multifaceted narratives; Daddy Long Legs handles core production, but guests add diverse perspectives in a Wu-Tang Clan-inspired rotation, fostering dynamic, layered storytelling.

Band members

Current members

Daddy Long Legs, whose real name is Michael Bowe, is the founder of Wolfpac and serves as lead vocalist and bassist. He has been the primary songwriter and producer for the group since its inception in 1996. Prior to Wolfpac, Bowe co-founded the in 1992, contributing to their debut album before departing. Buddha provides vocals and production support for Wolfpac. He joined in the early 2000s and played a key role in the group's revival efforts, including contributions to later releases. Buddha, whose real name is McKeone, has a background in the music scene, appearing in projects like the 2010 film alongside other local artists. As of 2024, Daddy Long Legs and remain the core active members, collaborating on the group's most recent album Square Peg Round Hole (), where they handled primary vocals and production. The duo maintains the band's online presence through its official website and social media, sharing updates on and merchandise.

Former members

Wolfpac's former members primarily consisted of vocalists and supporting contributors who shaped the group's initial sound during its formative years in the late and early . These individuals participated in key early releases and tours before departing amid various lineup adjustments. M.S.G. and MC were early core members who contributed significantly before leaving. M.S.G. served as an early vocalist from 1997 to 1998, providing lead vocals on tracks from the album Somethin' Wicked This Way Comes (1999). He left the band in 1998 following his marriage to focus on family priorities. Proffesa Murda (also known as Professor Murda) was a vocalist from 1997 to 1999, contributing vocals to the band's debut EP and initial cassette singles such as 4 Hitz from Hell. He departed after the early promotional period. MC Entropy joined as a vocalist in 1997 and remained until 2001, delivering prominent performances on the second studio album Evil Is... (2001), including co-production credits on several tracks. His exit came after the album's supporting tour. Additional former members included Hype Hazard on vocals from 2001 to 2005, handling production duties from 2002 to 2006, providing vocals in the early 2000s, offering tour support, on vocals for select projects, and Tweak in various short-term roles. These changes largely stemmed from lineup shifts during the band's following the early 2000s releases.

Discography

Studio albums

Wolfpac's debut studio album, Somethin' Wicked This Way Comes, was released in 1999 via Chord Recordings. The album features 11 tracks delving into horror-themed narratives, such as demonic encounters and supernatural vengeance; its distribution reflected the band's independent beginnings. The band's second studio album, Evil Is..., was released in 2001 by . The album features 14 tracks blending rap with rock elements, including standout songs like "Somethin' Wicked This Way Comes" and "." Produced with a focus on aggressive, thematic fusion of lyrics and beats, it received mixed critical reception, praised for its energetic rap-metal style but critiqued for filler material amid a heavy marketing push. The artwork, featuring an evil skull design by Mike Fisher of Maximum Fluoride, emphasizes the album's dark, twisted aesthetic. While specific sales figures are limited, it achieved modest traction in underground rap-rock circles, contributing to the band's early legacy in the genre. Following a period of inactivity, Wolfpac returned with Square Peg Round Hole in 2013, an independent release on SugarDaddy Records. This 17-track effort marks a revival, incorporating 18 new songs that revisit the band's roots with slamming production and themes of nonconformity and endurance. Key tracks include the title song and "Let Me Hit It," highlighting twisted rhymes over hard-hitting beats. Reception noted its growth in sound and style compared to earlier work, serving as a sonic return for longtime fans while appealing to new listeners through its unpolished energy. The album's packaging features a straightforward cover reflecting the band's raw, outsider ethos, with production credits going to the group via SugarDaddy Productions. No additional full-length studio albums have been released since Square Peg Round Hole (2013), though the band has explored singles and other formats; production on all major releases underscores Wolfpac's commitment to self-driven -rap innovation. As of 2025, no new studio albums have been announced.

Compilation and other releases

Wolfpac's non-studio releases include several promotional samplers that highlighted their early material in the rap scene. In the , Wolfpac issued compilation-style samplers through SugarDaddy Productions to promote their sound to fans, including Two Hits From Hell (1997, cassette) and Four Hits From Hell (1998, ), which collected early demos and tracks like "Something Wicked" and "" for targeted distribution at shows and within underground networks. Singles from Wolfpac span physical and digital formats, with early vinyl efforts like the 7-inch Outlaws of Rap (1997, Broken Note Records) showcasing aggressive rap-rock delivery, and later releases such as "Stabbin' " (2004, SugarDaddy Productions), a satirical single. Digital singles in the , including tracks from reissued material, appeared on platforms like , extending their reach amid sporadic activity. The band frequently contributed to horrorcore anthologies affiliated with Insane Clown Posse's Psychopathic label, such as the 2009 Cryptic Collection: Holiday Edition sampler, where Wolfpac joined , , and others on the track "Christmas in da Hood," blending festive motifs with dark lyrics. Additional sampler spots include Donvelaing (2001, CD) and Merry Fucked Up Christmas (2001, CD-R), both on SugarDaddy Productions, which bundled Wolfpac cuts with similar acts to build scene camaraderie. Unofficial releases and bootlegs circulate in fan communities, often compiling live recordings, demos, and alternate mixes; notable examples include the 2007 digital compilation From the Vault, an unauthorized 11-track collection of and rarities that gained traction online despite lacking official endorsement. These items underscore Wolfpac's , with discussions on platforms like highlighting traded bootlegs from tours and early events.

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