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Yu Shi

Yu Shi (Chinese: 于适; pinyin: Yú Shì, born December 22, 1996, in Chaoyang, Liaoning Province, China) is a Chinese actor of Mongolian descent, whose original Mongolian name is Ashan.^[1]^[2] He is recognized for his breakthrough performances in major Chinese films and television series, leveraging his athletic background as a former national second-level basketball athlete to portray physically demanding roles.^[3]^[2] Shi graduated from Liaoning Technical University and initially pursued interests in music and sports, participating in the second season of The Voice of China in 2014 and briefly training as an idol under SM Entertainment in South Korea.^[2]^[4] His acting career began in 2018 when he was selected from over 15,000 candidates for the Creation of the Gods film trilogy, leading to his official debut in 2023 as Ji Fa, the prince of Zhou and future King Wu who leads the rebellion against the tyrannical King Zhou of Shang, in Creation of the Gods I: Kingdom of Storms, a fantasy epic that grossed significantly at the box office and earned him widespread acclaim for his portrayal of a heroic figure.^[3]^[4] That same year, he starred as test pilot Deng Fang in the aviation drama Born to Fly, further showcasing his ability to embody disciplined, high-stakes characters.^[3]^[5] In 2024, Shi led the historical adventure series To the Wonder as Batay, a Kazakh youth, which received high ratings (9.0/10 on Douban as of November 2025) and boosted tourism to its filming locations in Xinjiang.^[3] His rising stardom was affirmed by awards including the Best New Actor at the 37th Hundred Flowers Awards for Creation of the Gods I: Kingdom of Storms and the Outstanding Actor of the Year at the 2024 Weibo Movie Night Awards.^[6]^[7] Beyond acting, Shi has maintained his athletic pursuits, practicing horseback archery for nearly a decade; in September 2024, he was appointed Deputy Director of the Archery and Equestrian Sports Centre under the China Ethnic Minority Sports Association, and in July 2025, he won a bronze medal in the single mounted event and gold in the team event at the National Horseback Archery Elite Competition. On November 12, 2025, he was appointed executive director of the equestrian archery sports center of the Chinese Ethnic Minority Sports Association.^[1]^[2]^[8] Standing at 182 cm, Shi is noted for his versatile screen presence and commitment to authentic physical preparation in roles.^[5] Note: This article is about the mythological figure Yu Shi (雨师). For the actor 于适, see Yu Shi (actor).

Identity and Names

Etymology and Meaning

The name Yu Shi (雨師) originates from classical Chinese, composed of the characters 雨 (yǔ), denoting "rain," and 師 (shī), signifying "master," "teacher," or "leader." This etymological structure renders the term as "Master of Rain" or "Rain Leader," reflecting its core role as a controller of precipitation in ancient cosmology.^[9] The designation underscores a hierarchical authority over natural forces, akin to other elemental overseers in early Chinese lore. The earliest textual references to Yu Shi appear in the Chu Ci (楚辭), an anthology of poetry from the Warring States period (475–221 BCE), particularly in the poems "Tian Wen" (天問, Heavenly Questions) and "Yuan You" (遠遊, Far Roaming). In "Yuan You," Yu Shi is depicted as a divine attendant facilitating a celestial journey, positioned on the left alongside the Thunder Duke as a guardian, invoked explicitly as a manager of rain.^[10] Similarly, "Tian Wen" alludes to rain-invoking mechanisms through natural or divine agents, embedding Yu Shi within inquiries about cosmic order and weather phenomena. These appearances mark Yu Shi as a invoked spirit governing precipitation, integrated into shamanic and poetic invocations of the era. The concept of Yu Shi evolved during the Warring States period from roots in shamanistic practices—where ritual specialists (wu 巫) performed rain dances and invocations to elicit precipitation—to a formalized divine title in literary and cosmological texts. This transition reflects broader shifts in early Chinese religion, where animistic spirits were anthropomorphized into structured deities within state and elite frameworks, as seen in the Chu Ci's elevation of such figures to cosmic attendants. Later syncretism linked Yu Shi with figures like Chisongzi, merging rain mastery with wood and immortality attributes.

Identification as Chisongzi

Chisongzi, or the Red Pine Master, emerges as a prominent immortal (xian) in Daoist traditions, revered for his mastery over natural forces and transcendence through mountain seclusion and alchemical practices. Originating in pre-Qin lore as a hermit figure attuned to the wilderness, Chisongzi is depicted in early texts like the Chuci's "Yuanyou" as a divine being who roams ethereal realms, embodying the Daoist ideal of harmony with the cosmos. This rustic portrayal underscores his elevation from earthly origins to divine status, where he sustains himself on pine essence amid remote peaks, symbolizing simplicity and longevity. The syncretism between Chisongzi and the rain deity Yu Shi is evidenced in classical sources that blend their attributes, particularly through narratives of weather control and transformation. The Classic of Mountains and Seas (Shan Hai Jing), in its Haiwai Dong Jing section, describes the Rain Master (Yu Shi) and his consort as archetypal figures of meteorological power, with the consort portrayed as a black-faced entity grasping a snake in each hand, a green snake dangling from one ear and a red from the other—icons evoking fertility's life-giving rains alongside the peril of destructive storms. This vivid depiction facilitated the later equation of Chisongzi with Yu Shi, transforming the hermit immortal into a rain-bringer whose interventions alleviate droughts. By the early medieval period, this merger solidified in hagiographic compilations, notably the Soushen Ji (In Search of the Supernatural), which explicitly identifies Chisongzi as the Rain Master serving under the legendary emperor Shennong, thereby integrating Daoist immortality lore with ancient weather deity mythology. This textual fusion highlights Chisongzi's dual role as both ascetic sage and cosmic regulator, influencing subsequent Daoist pantheons and ritual practices.^[11]

Other Titles and Aliases

In ancient Chinese texts from the Han dynasty, such as the Classic of Mountains and Seas, Yu Shi is referred to by aliases including Píngyì (屏翳), interpreted as the Pacifier or Shelter of Rain, and Xuánmíng (玄冥), denoting Mysterious Darkness, reflecting his role in controlling precipitation.^[12] These names appear in mythological accounts associating him with weather phenomena, often alongside the wind deity Feng Bo. Regional variations persist among southwestern Chinese ethnic groups, where Yu Shi is venerated simply as Yushi, an important rain deity in local rituals among communities like the Miao, Yao, and Dong peoples.^[13] In Daoist traditions, his titles evolved to include more protective connotations, highlighting benevolent aspects of rain provision in liturgical texts and practices.^[12] Folk traditions further adapted these names, with imperial-era court rituals employing formal titles like Yǔ Shī (Rain Master) in state sacrifices to ensure agricultural prosperity, while popular aliases stressed safeguarding elements, such as "Lord of Showers" in Tang dynasty poetry and oral lore, portraying him as a guardian against drought.^[9] This distinction underscores the shift from official, hierarchical designations to community-oriented epithets emphasizing his nurturing and defensive roles in everyday worship. A primary alternative identity is Chisongzi, the Red Pine Master, often syncretized with Yu Shi in broader mythological narratives.^[13]

Mythological Origins

Legend of the Great Drought

In the prehistoric era of Shennong, known as the Divine Farmer and one of the Three Sovereigns, China endured a severe drought, leading to parched lands, withered crops, and widespread famine that threatened the nascent agricultural society.^[14] Chisongzi, identified in folklore as a humble woodcutter residing in the remote mountains, observed the people's desperation and resolved to intervene by journeying to a distant river. He plucked a branch from a neighboring mountain, soaked it in the water, and with it sprinkled the earth, invoking torrential rains that quenched the earth.^[14] The downpour immediately revitalized the barren fields, allowing dormant seeds to sprout and harvests to recover, thereby alleviating the famine and restoring sustenance to the populace. Shennong and the people acclaimed Chisongzi's feat, marking the first public acknowledgment of his extraordinary ability to command precipitation. Note that variations of the legend exist, with some accounts describing Chisongzi using an earthen bowl to sprinkle water instead of a tree branch.^[14] This myth symbolizes the tool used—whether branch or bowl—as an emblem of humility and resourcefulness amid crisis, while the summoned rain represents a vital transformative force essential to agrarian prosperity and survival in ancient Chinese cosmology.^[15]

Ascension to Divinity

Following the successful invocation of rain that ended the great drought during Shennong's reign, Chisongzi was elevated to the divine role of Yu Shi, or Master of Rain, as a direct reward from Shennong. This deification transformed Chisongzi from a mortal rainmaker into an eternal servant of the heavens, capable of riding the winds and controlling precipitation at will.^[15] In recognition of his service, Yu Shi was relocated to Kunlun Mountain, the sacred axis connecting earth and sky, establishing it as his eternal divine abode and marking his complete separation from mortal existence.^[15] The Shan Hai Jing describes Kunlun as a towering realm of immortals and deities, where Yu Shi resides to oversee cosmic balance from afar. Yu Shi is accompanied in this role by the Concubine of the Rain Master, who is described in the Shan Hai Jing with a human face, holding snakes, and snakes in her ears, residing north of Tanggu.^[16] This ascension underscores key Daoist themes of immortality, portraying Yu Shi as a xian—a transcendent being who achieves eternal life through virtuous alignment with the dao, serving as an exemplar of spiritual elevation in the celestial pantheon.^[15]

Role in Broader Mythology

Associations with Weather Deities

In Chinese mythology, Yu Shi, the Rain Master, forms a primary alliance with Feng Bo, the Earl of Wind, to initiate storms through the combination of wind and rain. This partnership is vividly depicted in the Chu Ci anthology, where Feng Bo is invoked as a herald who clears paths with gusts, facilitating Yu Shi's role in delivering precipitation during celestial journeys. For instance, in the poem "Wandering Far Away," the Wind Earl speeds ahead to prepare the way, while the Rain Master serves as a protector, illustrating their cooperative dynamic in controlling atmospheric forces.^[17] Yu Shi also collaborates with or operates in subordination to Lei Gong, the Duke of Thunder, and Dian Mu, the Mother of Lightning, completing the full storm cycle in ancient cosmological narratives. These deities work interdependently: Lei Gong generates thunder to signal impending weather, Dian Mu produces lightning flashes using mirrors to illuminate targets, and Yu Shi follows with rain to nourish the earth or punish wrongdoing. This integrated system is referenced in Taoist texts as part of the celestial bureaucracy managing natural phenomena, where Yu Shi's rain complements the thunder-lightning duo to ensure balanced seasonal weather.^[18] A notable consort relationship exists between Yu Shi and Yu Shiqie, as detailed in the Shan Hai Jing's Haiwai Dongjing chapter. Yu Shiqie is described as a black-clad figure wielding green and crimson snakes and as the ruler of Yushi country. This pairing underscores the mythological structure of rain deities in early Chinese cosmology.^[19] Within the broader cosmological hierarchy, Yu Shi ranks as a mid-tier deity subordinate to the Jade Emperor, the supreme ruler of heaven, who delegates authority over seasonal rains essential for agriculture. As outlined in Daoist scriptures, the Jade Emperor oversees the pantheon's weather officials, positioning Yu Shi below higher celestial administrators but above minor spirits, ensuring rains align with imperial mandates for human prosperity. This structure reflects Yu Shi's origins in resolving a great drought, elevating him to a pivotal yet intermediary role in sustaining earthly cycles.^[20]

Participation in Ancient Conflicts

In ancient Chinese mythology, Yu Shi, serving as the Rain Master, formed an alliance with the tribal leader and war deity Chiyou to oppose the Yellow Emperor (Huangdi) in the legendary Battle of Zhuolu. Chiyou, leading the Nine Li tribes, invoked Yu Shi alongside the Wind God Feng Bo to unleash torrential rains and fierce gales, creating thick fog and floods that obscured visibility and disrupted the Yellow Emperor's advancing armies. This meteorological assault aimed to turn the tide in Chiyou's favor during the protracted conflict on the plains of Zhuolu, near modern-day Hebei province.^[21]^[22] The Yellow Emperor responded by calling upon his daughter, the drought goddess Ba (also known as Nüba or Hanba), whose powers neutralized Yu Shi's deluge by withering the rains and evaporating the floods into arid conditions. Ba's intervention dried the battlefield, compelling Yu Shi and Feng Bo to retreat and leaving Chiyou's forces vulnerable to defeat. This counteraction not only halted the weather-based warfare but also marked Yu Shi's subjugation, as the rains he commanded failed under the overwhelming drought.^[21] The Battle of Zhuolu ultimately reinforced the Yellow Emperor's victory over Chiyou, as chronicled in Sima Qian's Shiji (Records of the Grand Historian), where the conflict symbolizes the establishment of cosmic order and imperial legitimacy against chaotic tribal rebellion. In broader historiographical narratives, Yu Shi's role illustrates the mythical weaponization of weather in prehistoric warfare, underscoring themes of divine intervention in human affairs.^[23]^[24]

Depictions and Attributes

Physical Descriptions

In ancient Chinese mythological texts, Yu Shi is portrayed as a humanoid or dragon-like deity with fearsome traits, such as scaly skin evoking draconic origins.^[9] These descriptions emphasize his role as a powerful natural force, blending human and animalistic elements to convey authority over rain. Some traditions identify Yu Shi with Chi Songzi, who is depicted as a silkworm chrysalis form, possibly linking to transformation motifs in early cosmology, though this representation is less common than the more anthropomorphic depictions.^[25] His attire typically includes flowing robes that symbolize cascading water, often rendered in green or blue hues to represent fertility and renewal, while in depictions alongside his consort, faces may appear stern. In some accounts, Yu Shi or his consort, known as Yu Shiqie, is described with a black face, holding a snake in each hand, a green snake emerging from her left ear, and a red snake from her right, contrasting with more subdued yet commanding presences in other variants.^[13] Later traditions standardized Yu Shi as male, distinct from his female consorts. Artistic representations evolved significantly over time. In Han dynasty murals, such as those in Mawangdui tombs, Yu Shi appears as abstract stellar symbols or hybrid forms amid cosmic diagrams, emphasizing his celestial ties rather than detailed anatomy.^[26] Later artistic representations show an elderly male figure with a long beard, clad in green garments, a raincoat, and boots, sometimes holding an earthen jug.^[14] This shift reflects broader trends toward humanizing deities in religious iconography.

Symbols and Implements

In Chinese mythology, the primary implement associated with Yu Shi is an earthenware jug or bowl, which he uses to pour rain from the heavens, a tool directly tied to the legend of the great drought during the reign of Shennong, where he ended the crisis by sprinkling water across the parched land. This vessel symbolizes his dominion over life-giving precipitation and practical role in averting famine, often rendered in traditional folk art as a modest clay container overflowing with cascading water streams to evoke abundance and relief.^[27]^[13] Dragon and cloud motifs frequently accompany depictions of Yu Shi, representing the potential for uncontrolled deluges that he commands, as he is described amid swirling clouds, often associated with dragons, to summon torrential rains. These elements underscore the dual nature of rain as both benevolent and destructive, with dragons embodying the raw, serpentine force of water and clouds the ethereal medium through which it descends. Paired with wind motifs, these highlight Yu Shi's synergy with Feng Bo, the wind god, whose bag of winds stirs gales to disperse or intensify the rains, illustrating the interconnected weather forces in mythological narratives.^[28]^[29] Snakes held by Yu Shi's consort, Yu Shiqie, serve as potent fertility symbols, connecting rainfall to agricultural renewal and the earth's regenerative cycles, as she is portrayed grasping serpents in her hands with additional snakes—green and red—emerging from her ears in ancient iconography. In variant depictions, Yu Shi himself may hold two snakes or have them emerging from his ears. These serpentine attributes evoke the vital, slithering energy of water nourishing soil and crops, reinforcing rain's role in sustaining life and harvest prosperity within ritual depictions.^[30] Astronomical symbols link Yu Shi to the Net Constellation (Bì Xiù), whose star patterns in ancient Chinese charts were interpreted for predictive weather lore, allowing diviners to forecast rains based on celestial alignments associated with the rain master's influence. This tie positions Yu Shi as a cosmic regulator, bridging earthly deluges with heavenly omens in astrological traditions. These symbols and implements are often integrated into his fearsome physical form, such as serpents coiled in his grasp or ears, enhancing his portrayal as a formidable arbiter of the skies.^[28]

Worship and Cultural Significance

Historical Rituals and Offerings

Historical rituals and offerings to Yu Shi, the ancient Chinese rain deity, centered on qiuyu (求雨), or rain-making ceremonies conducted during periods of drought to invoke precipitation essential for agriculture. These practices, documented from the Warring States period onward, typically involved communal dances performed by shamans or officials, incantations drawn from the Chu Ci anthology, and offerings such as rice wine poured at temporary altars constructed in open fields or near water sources.^[31]^[32] The dances mimicked natural phenomena like falling rain or gathering clouds, while incantations from sections of the Chu Ci, such as the "Nine Songs" (Jiu Ge), directly addressed Yu Shi and associated figures like the Earl of Wind (Feng Bo), urging them to "make torrential rain sprinkle the dust" for relief.^[31] At the imperial level, Han dynasty rulers issued edicts mandating state-sponsored prayers to Yu Shi, recognizing him as a patron of hydrology integrated into agricultural calendars to ensure timely rains for crop cycles. These ceremonies, often led by court officials or appointed shamans, followed protocols outlined in ritual texts, emphasizing purity through fasting and ritual bathing to avoid displeasing the deity.^[33]^[34] Offerings during these events included animal sacrifices alongside rice wine, symbolizing abundance and fertility, with records from Han historical compilations noting their role in stabilizing agrarian society amid climatic uncertainties.^[32]^[34] Among ethnic groups, the Maonan people in southwestern China incorporated variations in their worship of Yu Shi. These folk-level rituals, preserved through oral traditions and community performances, adapted Han influences while emphasizing local environmental ties, such as invoking Yu Shi jointly with other weather deities during severe dry spells.

Modern Practices and Regional Variations

In contemporary China, Yu Shi remains a revered figure in folk beliefs, particularly among agricultural communities in southern regions where reliance on rainfall for farming persists. Farmers invoke the deity through prayers and offerings during droughts to seek relief and ensure prosperous harvests.^[14] Worship of Yu Shi is especially active in southwest China, encompassing provinces such as Guizhou and Yunnan, where he is honored by Han Chinese and ethnic minorities like the Maonan people as a vital rain god. Ritual prayer ceremonies, often communal and tied to seasonal needs, form the core of these practices, adapting ancient traditions to address modern environmental challenges like irregular monsoons.^[25] Regional variations reflect local ethnic influences; for instance, among the Maonan in Guizhou, invocations of Yu Shi integrate with broader animistic rituals, emphasizing harmony with nature for crop yields, while Han communities in Yunnan may emphasize processional elements during village gatherings. These ceremonies underscore Yu Shi's enduring role in mitigating water scarcity, with participants offering incense, libations, and vows at makeshift altars or temples.^[25]

References

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Chinese actor Yu Shi wins 2 medals at national horseback archery ...
Jul 17, 2025 · Yu, who rose to fame after starring in the 2023 film Creation of the Gods I: Kingdom of Storms, won bronze in the single mounted and gold in the ...Missing: biography - - - | Show results with:biography - - -
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Yu Shi (于适) - MyDramaList
Yu Shi is a Chinese actor and musician of Mongolian origin (his Mongolian name is Ashan). He graduated from Liaoning University of Engineering and Technology. ...Operation Hadal · Die Now · Welcome to My Side · Blades of the Guardians
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Jun 5, 2024 · Actor Yu Shi has emerged as one of the most sought-after young stars, with popular roles, such as Batay, a Kazak youth in To the Wonder,test pilot Deng Fang in ...Missing: biography - - - | Show results with:biography - - -
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Yu Shi - iQilin
Yu Shi, also known as Yosh Yu (originally named Ashan), was born on December 22, 1996, in Lingyuan City, Chaoyang, Liaoning Province. He is a Mongolian male ...<|control11|><|separator|>
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Yu Shi(于适), born on December 22, 1996, in Liaoning, China, is a Chinese actor. His main works include Born to Fly, etc.
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Aug 5, 2024 · Yu Shi took home the Best New Talent award for his portrayal of Ji Fa, the brave, charming son of the noble played by Li. Yu said that he had ...
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Insufficient relevant content.
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Mar 2, 2024 · This revered deity is traditionally associated with weather manipulation, mainly rain control. Like many other gods, Yu Shi is represented in ...
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The school's name is traceable to Dragon Gate Mountain (Longmenshan) in Longzhou district, Western Shanxi, where Qiu underwent his training. The history of the ...
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Mar 16, 2024 · The Black Tooth Kingdom is located to the north of Shuhai. The people there have dark skin and eat rice and snakes. There is a red snake and a ...
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... (Yu Shi 雨師), as well as the "Master of Thunder" (Lei Gong) and the "Mother of Lightnings" (Dian Mu 電母). Du Guangting's Shenxian ganyu zhuan 神仙感遇傳 ...<|separator|>
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In stock Free delivery over $20It offers a guided tour of the known world in antiquity, moving outwards from the famous mountains of central China to the lands “beyond the seas.” Translated ...Missing: Yu Shiqie
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The Jade. Sovereign is usually described as the “chief deity of the Chinese pantheon.” But one of the questions I shall pursue with regard to the history of ...
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In the ancient Chinese lore and legends, the goddess. Ba – daughter of Huang di (the Yellow Emperor) – aided her father in the Battle at Zhuolu against Chi You.
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Yu Shi (Traditional Chinese: 雨師; Simplified Chinese: 雨师; Pinyin: Yǔ Shī; literally: Master of Rain) is a Chinese spirit or god of rain, also known as or ...Missing: scholarly | Show results with:scholarly
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God of Rain. Yu Shi (雨师) was initially associated with the Net Constellation in ancient Chinese Astrology and later evolved into a human figure ...
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... (Yu Shi 雨師), and Great Sound (Da Yin 大音) in both the text of the ... 好風，星有好雨，月之從星，則. 以風雨」，言失中道而東西也。故《星傳》曰「月南入 ...
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ich Links
The offering to pray for rain is a black male pig, weighing about 30-40 kilograms; together with 3, 5, or 7 jars of wine. The indispensable offerings are 7 jars ...
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prayers to seek blessings, offer sacrifices to request rain, divine by shell and ... Yili zhushu jjkit>Í-$nL ( Shisanjing zhushu ed.), 42.8a- 14a ("Shi yu li).
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Taoist practice brought to Donglan by ethnic Maonan ritual masters from Huanjiang. ... Buffalo sacrifice, like animal sacrifices generally, is sub- ject to strong ...