ATL Jacob
ATL Jacob (born Jacob Canady; December 10, 1998) is an American record producer, songwriter, and rapper from Southside Atlanta, Georgia.[1] He began his music career in ninth grade at Creekside High School, initially as an audio engineer before transitioning to production, and gained early entry into the industry at age 17 by connecting with rapper Future and becoming an in-house producer for the Freebandz label.[1][2] ATL Jacob's breakthrough came with contributions to Future's albums, including seven tracks on The Wizrd (2019) and nine on I Never Liked You (2022), the latter featuring the Billboard Hot 100 number-one single "WAIT FOR U" with Drake and Tems, which earned him Grammy nominations for Best Rap Song and Best Melodic Rap Performance in 2023.[1][3][4] His production style, often described as dark and mellow, has extended to collaborations with artists such as Kanye West on Donda 2 (2022), Kodak Black on "Super Gremlin" (2021), Nicki Minaj on "FTCU" (2023), and Drake on multiple projects, solidifying his role in contemporary hip-hop.[5][4][6] In addition to production, ATL Jacob founded the record label Wicked Money Family in 2019 and has pursued his own music, including the 2024 single "Luna" with Feid, which achieved international chart success.[1][5] His accolades include topping Billboard's Hot 100 Producers chart in May 2022, winning Producer of the Year at the 2023 XXL Awards, and receiving BMI Producer of the Year honors in September 2022, along with a 2024 Latin Grammy nomination for production work.[1][3][7]Early life
Upbringing in Atlanta
Jacob Canady, professionally known as ATL Jacob, was born on December 10, 1998, in Atlanta, Georgia.[1][4] He grew up in a close-knit family on Atlanta's south side, where his mother, Valencia Canady, played a supportive role in recognizing his early creative potential despite the challenges of pursuing music in a high-risk environment.[8] As the youngest son, Canady was exposed to the city's vibrant hip-hop culture from a young age, with his family immersed in the local scene that included influential trap artists.[8] Atlanta's music-rich environment profoundly shaped Canady's formative years, as the city was a hub for trap music during the 2010s, with pioneers like OutKast, Gucci Mane, and emerging figures such as Future dominating the soundscape.[9] By age 12, when Future released his seminal 2011 mixtape Dirty Sprite, Canady was already absorbing these sounds in his neighborhood, which fostered his budding interest in hip-hop.[8] In school, Canady joined the marching band during middle school, where he developed skills as a multi-instrumentalist, playing alto saxophone, tenor saxophone, baritone, clarinet, and percussion.[9] These experiences hinted at his creative inclinations, though he often faced disciplinary issues, including police involvement that sometimes led to being brought home, ultimately resulting in his mother kicking him out of the home at around age 13.[9] Outside of class, he dabbled in rapping for personal enjoyment, recording tracks without intent to release them, further reflecting his early engagement with Atlanta's hip-hop influences like Gucci Mane and Young Scooter.[9]Introduction to music production
ATL Jacob's introduction to music production occurred during his teenage years in Atlanta, where the vibrant trap music scene served as a cultural catalyst for his creative pursuits. At age 14, he began experimenting with beat-making on a borrowed cellphone using the Pocketband app, marking his initial foray into self-taught production techniques.[8][2] This hands-on approach allowed him to explore rhythm and percussion, drawing from his earlier experiences playing instruments like the alto sax, bass, and snare drum in his high school band.[10] Transitioning from aspirations in rapping, which he pursued from elementary school through freestyles with friends, Jacob recognized his strength in crafting instrumentals to accompany his own lyrics. He shifted focus to production around the same time, motivated by a desire to create original beats rather than relying on others.[10][11] Self-learning software such as Fruity Loops on his sister's laptop further honed his skills, enabling early experiments with trap beats characterized by heavy 808 bass and melodic elements.[11] His initial outputs were non-professional, including homemade tracks produced in informal settings like trap houses, where he composed original pieces starting with piano loops before layering percussion.[2] Influenced by Atlanta's trap pioneers, including Metro Boomin and Southside, as well as broader figures like Future and members of 808 Mafia, Jacob's early work reflected the city's signature sound while emphasizing originality—he avoided samples to develop his unique style.[10][12] One of his first trap beats reportedly "sounded like a video game," highlighting the raw, iterative nature of his self-directed learning process.[11] This phase solidified his preference for production over rapping, as he noted leaning toward perfecting beats to fuel his artistic vision.[11]Career
Early production work
ATL Jacob began his professional journey in the music industry around age 17, securing his first studio jobs as an audio engineer in Atlanta-area facilities in early 2017. Building on his self-taught production skills developed during his teenage years, he handled recording sessions for local artists, gaining hands-on experience in a fast-paced environment despite his limited formal training.[2][13] His early production efforts focused on underground tracks for emerging rappers in Atlanta's trap scene, where he contributed uncredited beats that showcased his developing signature sound characterized by booming 808 basslines and intricate hi-hat patterns. These initial credits, often created using basic tools like the Pocketband app on a smartphone, helped him refine a dark, atmospheric trap style influenced by local pioneers such as Metro Boomin and Southside. While specific track listings from this period remain sparse due to their grassroots nature, his work laid the foundation for the heavy, rhythmic percussion that would define his later output.[2][10] Networking within Atlanta's competitive hip-hop community proved essential, as Jacob connected with key figures through informal channels like trap houses and local studios, including early associations with producers and artists in the Freebandz orbit. However, he faced significant challenges, including financial constraints that forced him to live and work out of makeshift spaces, as well as frustrations with disrespectful attitudes from some artists toward engineers, which prompted him to leave one studio gig after heated confrontations. These hurdles, coupled with the cutthroat nature of breaking into Atlanta's saturated production landscape, tested his resilience but ultimately honed his determination to elevate his role beyond engineering.[2][13]Breakthrough collaborations
ATL Jacob's breakthrough came through his affiliation with Future's Freebandz label, where he transitioned from selling beats online to securing high-profile production credits in late 2018. His first major placement was as the sole producer on Meek Mill's "Splash Warning," featuring Future, Roddy Ricch, and Young Thug, which debuted on the Billboard Hot 100 in December 2018 and marked his entry into mainstream hip-hop circles.[14] This track showcased his signature trap sound—layered 808 basslines and crisp hi-hats designed for high-energy flows—while bridging Atlanta's trap ecosystem with broader collaborations. The defining moment arrived with Future's 2019 album The WIZRD, where ATL Jacob produced or co-produced seven of its 20 tracks, more than any other contributor. Key examples include the introspective opener "Never Stop," co-produced with Billboard Hitmakers, which features soaring synths and motivational undertones reflecting Future's personal growth, and "Rocket Ship," a minimalist banger with pulsating percussion emphasizing spacey, futuristic vibes. He also co-produced the explosive "F&N" with Southside, blending aggressive hi-hat rolls and distorted 808s to amplify Future's raw delivery on street anthems. These beats, constructed using FL Studio with influences from 808 Mafia's hard-hitting style, helped The WIZRD debut at No. 1 on the Billboard 200, solidifying ATL Jacob's role in crafting Future's signature sound of melodic trap introspection.[2][15] Parallel to his Future work, ATL Jacob forged ties within Atlanta's YSL collective, contributing to tracks that popularized ad-libs like "Slatt" (short for "slime love all the time"). An early example is his production on Young Scooter's 2018 single "New Hunnids," featuring Gunna and Yung Bans, where booming low-end and sparse melodies provided a canvas for YSL-affiliated flows heavy on "Slatt" chants, helping propagate the label's slang in underground trap circuits.[16] His involvement extended to Young Thug, with whom he planned a collaborative project in 2019 amid sessions at Freebandz studios, and co-productions on Thug-featuring tracks like Future's "Unicorn Purp" from Future Hndrxx Presents: The WIZRD, incorporating wavy synths to complement Thug's ad-lib-heavy style.[2] Young Scooter, who voiced ATL Jacob's producer tag and collaborated on early tracks like "Real Talk" (2018) featuring Future, died on April 3, 2025; ATL Jacob paid tribute, noting their music would preserve Scooter's legacy.[17] A key element of ATL Jacob's rising identity was the development of his producer tag, "ATL Jacob, he a rockstar," voiced by Young Scooter and first featured on Scooter's 2018 track "Real Talk" with Future. This tag, born from studio sessions where Scooter improvised the line over ATL Jacob's beat, became a staple in his productions, signaling his rockstar-esque ascent and appearing on subsequent hits to build brand recognition. These collaborations elevated ATL Jacob's profile, with The WIZRD's success driving demand for his beats by 2020 and earning him spots on industry watchlists, such as XXL's essential producers for 2021, where his trap expertise was highlighted for powering Atlanta's dominant sound.[18]Transition to rapping and solo projects
Following his breakthrough as a producer on high-profile tracks like Future's "WAIT FOR U" in 2022, ATL Jacob began transitioning to a foreground role as a rapper, drawing on his early passion for the craft that predated his beat-making career. He has described rapping as his original pursuit, initially using production as a means to create tracks for himself before gaining industry traction. This shift, which gained momentum around 2021–2022, was influenced by encouragement from collaborators such as Future, who urged persistence in artistic development, and by Jacob's desire to express personal narratives after establishing credibility behind the scenes. In a 2023 interview, he emphasized that the move felt like "going back to my roots" rather than a complete pivot, allowing him to blend his trap production expertise with lyrical content focused on resilience and street ambition.[19][20] Jacob marked his debut as a lead artist with the single "MF Problem" in October 2023, released via Republic Records, where he raps over a self-produced beat emphasizing dominance and creative fire, with lines like "I go beast mode and set the studio up the blaze." The track served as an introduction to his solo sound, fusing aggressive trap elements from his production catalog with introspective boasts about overcoming doubters. Building on this, he released additional solo-oriented projects in 2024, including the single "Bend It Over" in November, which highlights his versatile flow and high-energy delivery, and "RNS" featuring Quavo, showcasing collaborative yet artist-led experimentation. These early releases, often self-produced, underscore themes of entrepreneurial hustle and Atlanta's trap heritage, positioning Jacob as a dual-threat talent without abandoning his producer roots.[21][22] Entrepreneurially, Jacob founded Wicked Money Family in 2019 as a collective for producers and artists, evolving it into a full label imprint with a "Cash Money"-inspired ethos focused on scouting unique talent like Marcoo5k and SlumGod. In September 2022, he secured a partnership with Republic Records to distribute Wicked Money Family releases through Imperial, providing infrastructure for his solo endeavors and roster development while generating revenue from production royalties estimated at $10,000–$50,000 per beat. Following his 2023 Grammy nominations for production work on "WAIT FOR U," Jacob continued advancing his rap career with independent drops, including the 2025 single "Way Too Many," signaling ongoing momentum toward a full debut album that incorporates his life experiences up to that point.[23][20][24]Discography
Key production credits
ATL Jacob's production career spans over 285 credited works as a producer, encompassing both official and uncredited contributions across hip-hop and trap genres.[25] His early output from 2018 included beats for Atlanta-based projects, such as "Real Talk" by Young Scooter featuring Future, marking his initial foray into high-profile trap collaborations.[26] In 2019, Jacob gained traction with contributions to Young Thug's So Much Fun, co-producing tracks like "Sup Mate" featuring Future, which showcased his emerging style of layered, atmospheric synths over booming 808 drum patterns.[27] That year, he also handled production on Future's "First Off" featuring Travis Scott from the The Wizrd album, a track that peaked at No. 47 on the Billboard Hot 100.[28][29] By 2020, Jacob's work on Lil Baby's My Turn included the track "Get Ugly," contributing to the album's diamond certification and over 4 billion global streams.[30] His beats during this period often featured dark, moody synth lines and crisp hi-hat rolls, elements that became hallmarks of his trap sound.[31] The year 2021 saw Jacob produce Kodak Black's "Super Gremlin," a breakout single that reached No. 3 on the Billboard Hot 100 and amassed over 1 billion Spotify streams, highlighting his ability to craft infectious, minimalistic trap anthems.[26][32] Jacob's 2022 output represented a peak, with nine productions on Future's I Never Liked You, including the No. 1 Billboard Hot 100 hit "Wait for U" featuring Drake and Tems, which garnered over 1.1 billion Spotify streams and earned a Grammy nomination for Best Melodic Rap Performance.[14][32] Other notable tracks from the album, such as "Keep It Burnin" featuring Kanye West and "For a Nut" with Gunna and Young Thug, exemplified his signature atmospheric synths and pulsating basslines, propelling the project to No. 1 on the Billboard 200.[33][34] In 2023, Jacob expanded beyond Atlanta with productions on Nicki Minaj's Pink Friday 2, including "FTCU," "Fallin 4 U," and "Last Time I Saw You," tracks that blended his trap foundations with pop-rap elements and contributed to the album's No. 1 Billboard 200 debut.[13] He also collaborated with Colombian artist Feid on "LUNA," a reggaeton-infused hit exceeding 1.4 billion Spotify streams.[32] From 2024 to 2025, Jacob continued supporting emerging Atlanta talent through his Wicked Money Family label, producing for acts like Homixide Gang on tracks such as "JOHNNY CAGE."[32] Notable releases included "DEAD" on Kanye West and Ty Dolla $ign's Vultures 2 featuring Future and Lil Durk, as well as "Momma Don't Worry" by Lil Wayne, Future, and Lil Baby, both showcasing his evolving drum patterns and synth-driven atmospheres.[35][36]| Year | Key Production | Artist/Album | Notable Metrics |
|---|---|---|---|
| 2019 | "Sup Mate" (ft. Future) | Young Thug / So Much Fun | Album No. 1 Billboard 200 |
| 2020 | "Get Ugly" | Lil Baby / My Turn | Album diamond certified |
| 2021 | "Super Gremlin" | Kodak Black (single) | No. 3 Hot 100, 1B+ streams |
| 2022 | "Wait for U" (ft. Drake & Tems) | Future / I Never Liked You | No. 1 Hot 100, 1.1B+ streams |
| 2023 | "FTCU" | Nicki Minaj / Pink Friday 2 | Album No. 1 Billboard 200 |
| 2025 | "Momma Don't Worry" (ft. Future & Lil Baby) | Lil Wayne (single) | Recent collaboration release |
Releases as lead artist
ATL Jacob entered the rap scene as a lead artist with his debut single "MF Problem," released on October 6, 2023, via Republic Records. The track showcases his spirited delivery, alternating between punchy bars and melodic flows as he vents about industry frustrations and personal triumphs, produced entirely by himself to highlight his dual expertise.[37][38][39] Following this, Jacob collaborated on "NASA" with Hotboii, dropping on October 17, 2023, under Rebel/Geffen Records, where he contributes lead verses over trap-infused beats reflecting street resilience and ambition. Later that year, he featured prominently on "LUNA" with Feid, released December 1, 2023, blending reggaeton rhythms with hip-hop elements; the single topped the Billboard Latin Airplay chart in April 2024, marking his first major commercial hit as a performer. In December 2023, "Okay" arrived as a collaboration with French Montana and Lil Baby via Coke Boys Records, with Jacob delivering a key verse on luxury and relationships, underscoring his growing presence in ensemble tracks.[40][41][42][43] Entering 2024, Jacob teamed up with Quavo for "RNS," released January 26 via Republic Records, where his assertive flows complement Quavo's, exploring themes of hustle and legacy in Atlanta's trap tradition. That August, he appeared on "GRAND FINALE" with Mini Boom and Kai Ca$h, rapping about high-stakes living in a high-energy trap context. His second solo single, "Bend It Over," emerged November 22, 2024, under Trimmm Records/Imperial, emphasizing confident bravado and club-ready vibes produced in-house. By April 30, 2025, "Way Too Many" followed as a collaborative effort with Monday to Monday and SLUMGOD!, focusing on excess and success with Jacob's signature melodic trap style.[44][45][46][47] Throughout these releases, Jacob's rap evolution draws from his production roots, infusing self-produced beats with introspective lyrics on Atlanta upbringing, industry navigation, and rising fame, often using animated cadences to convey authenticity without over-relying on auto-tune. As of late 2025, Jacob has yet to drop a full-length album or mixtape as lead artist, though he has teased projects centered on his label Trimmm Records that blend rapping with production.[48][8]| Title | Collaborators | Release Date | Label |
|---|---|---|---|
| MF Problem | Solo | October 6, 2023 | Republic Records[37] |
| NASA | Hotboii | October 17, 2023 | Rebel/Geffen Records[40] |
| LUNA | Feid | December 1, 2023 | Universal Latino[41] |
| Okay | French Montana, Lil Baby | December 8, 2023 | Coke Boys/Gamma[43] |
| RNS | Quavo | January 26, 2024 | Republic Records[44] |
| GRAND FINALE | Mini Boom, Kai Ca$h | August 8, 2024 | Independent[45] |
| Bend It Over | Solo | November 22, 2024 | Trimmm/Imperial[46] |
| Way Too Many | Monday to Monday, SLUMGOD! | April 30, 2025 | Independent[47] |