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A Return to Normalcy

"A Return to Normalcy" was a campaign slogan coined by Warren G. Harding during his 1920 bid for the U.S. presidency, encapsulating a public yearning for restoration of pre-World War I stability amid postwar disillusionment, the 1918 influenza pandemic's aftermath, and rejection of Woodrow Wilson's internationalism and Progressive Era expansions of federal power. Harding articulated the phrase in a May 14, 1920, speech to the Home Market Club in Boston, declaring America's need for "not heroics, but healing; not nostrums, but normalcy; not revolution, but restoration," thereby framing "normalcy" as a deliberate neologism to evoke limited government, economic laissez-faire, and isolationist foreign policy over continued wartime mobilization or global commitments. The slogan resonated with voters exhausted by federal interventions like conscription, rationing, and the Espionage Act, as well as by labor strikes and racial tensions, propelling Harding to a landslide victory with 60.3 percent of the popular vote and 404 electoral votes against Democrat James M. Cox. In practice, Harding's administration pursued this vision through pro-business measures including the Fordney-McCumber Tariff of 1922 for revenue protection, budget reductions under Andrew Mellon, and U.S. non-adherence to the League of Nations via separate peace treaties, though these were undermined by scandals like Teapot Dome that exposed cronyism in executive appointments, highlighting tensions between rhetorical normalcy and administrative realities. The phrase's legacy endures as a marker of interwar Republican dominance and a pivot toward domestic focus, influencing subsequent Coolidge-era retrenchment despite critiques of it enabling complacency toward emerging global threats.

Episode Overview

Synopsis

In the season finale of Boardwalk Empire's first season, aired on December 5, 2010, Nucky Thompson faces mounting pressures on election day in 1920 as he seeks to secure Republican control of Atlantic City amid threats from rivals and internal betrayals. Nucky negotiates a fragile peace with Arnold Rothstein through Chicago intermediary Johnny Torrio, trading the location of the D'Alessio brothers—responsible for recent attacks—for a $1 million payoff and an end to hostilities. Meanwhile, Jimmy Darmody, assisted by Richard Harrow and Al Capone, hunts down and eliminates the D'Alessio gang in a brutal confrontation, resolving one immediate threat to Nucky's operations. Parallel storylines highlight personal reckonings: Federal Agent , disillusioned after covering up a colleague's death, requests a transfer from Atlantic City to escape its corrupt influences. Margaret Schroeder, staying with Warren G. Harding's mistress , grapples with revelations about Nucky's deceased son and contemplates her future, ultimately returning to his side. The ailing Commodore Louis Kaestner, recovering from a poisoning attempt by his abused maid, conspires with Sheriff Eli Thompson to undermine Nucky's leadership, leveraging past favors and Eli's grievances. On election night, Nucky's machine delivers victory for mayoral candidate Edward Bader, who promises to reinstate as despite recent scandals. As news breaks of Harding's presidential win, his victory speech invoking a "return to normalcy" underscores the episode's thematic closure, with Nucky and sharing a moment of reconciliation overlooking the ocean, though underlying tensions with and the persist into potential future conflicts.

Production Background

"A Return to Normalcy," the twelfth and final episode of Boardwalk Empire's first season, was written by series creator Terence Winter, who crafted the teleplay to resolve key narrative arcs while setting up future conflicts centered on political maneuvering and gangland tensions. Winter, drawing from his experience as executive producer on The Sopranos, emphasized character-driven storytelling rooted in historical events like the 1920 U.S. presidential election, incorporating elements of corruption and bootlegging to culminate the season's Prohibition-era plotlines. The episode was directed by Timothy Van Patten, a veteran television director who helmed multiple Boardwalk Empire installments, including the season's penultimate episode, "The Ivory Tower." Van Patten's approach focused on atmospheric tension through dynamic camera work and period-accurate staging, collaborating closely with cinematographer to achieve a gritty, sepia-toned visual palette evocative of 1920s Atlantic City. Filming occurred primarily in New York City studios and exteriors, as was standard for the series, with sets constructed in , to replicate boardwalk and interior environments; specific location shooting included in for outdoor meeting sequences. Production adhered to HBO's high standards for historical fidelity, involving detailed costume and set design to authentically depict early 20th-century architecture and attire without reliance on extensive , prioritizing practical effects for action elements like confrontations and chases. Post-production wrapped prior to the episode's premiere on December 5, 2010, with editing emphasizing pacing to balance political intrigue and violent resolutions, contributing to the season's cohesive narrative closure. The episode's production exemplified the series' collaborative model under Winter's oversight, integrating input from writers like Meg Jackson and , though Winter retained final script authority.

Cast and Character Developments

Key Cast Appearances

The episode prominently features as Enoch "Nucky" Thompson, the central figure coordinating political maneuvers amid complaints from allies and preparations for a event honoring . reprises his role as James "Jimmy" Darmody, dealing with the consequences of recent violence including a confrontation with the D'Alessio brothers. appears as Margaret Schroeder, engaging with a women's temperance . Michael Shannon portrays Agent , who addresses prospective agents on the temptations of their work. plays Eli Thompson, Nucky's brother and sheriff, involved in local law enforcement responses. features as Angela Darmody, navigating family tensions following the Commodore's death. Michael Kenneth Williams appears as Chalky White, the African-American crime boss allied with Nucky. Supporting appearances include as , participating in bootlegging operations, and as , influencing Chicago underworld affairs. debuts as , Jimmy's scarred war veteran companion. The episode also showcases guest roles such as as Senator Walter Edge and as the D'Alessio brother Ignacious, pivotal in the plot's criminal confrontations.

Character Introductions and Departures

In "A Return to Normalcy," the season one finale of , two notable historical figures are introduced as characters, expanding the political dimension of the story amid the 1920 presidential election. , portrayed by , appears as the attorney general of and a pivotal advisor to , engaging with to secure influence in the incoming administration in exchange for assistance with rigging. , played by , debuts briefly as Harding's mistress, providing temporary shelter to and revealing insights into the president-elect's personal scandals during a moment of vulnerability for Margaret. These introductions underscore the episode's focus on national political maneuvering intersecting with Atlantic City's underworld. On the departures front, the features the death of "Big Lu" D'Alessio, the last surviving member of the D'Alessio brothers' criminal crew, who is shot and killed by Sheriff Eli Thompson while attempting to flee Atlantic City by boat. This on-screen killing, depicted with stark violence as Lucien is gunned down in the surf, effectively eliminates the lingering threat from the Philadelphia-based gang that had terrorized Nucky's operations throughout the season. No major recurring characters exit the series in this installment, though the Commodore's ongoing decline from —administered in the prior —looms in the background without resolution, signaling potential shifts in power dynamics for subsequent storylines. The finale instead emphasizes characters contemplating their futures, such as weighing loyalty amid family pressures, setting up unresolved tensions rather than abrupt exits.

On-Screen Deaths

The episode depicts multiple on-screen deaths that underscore themes of , mercy killing, and power consolidation amid the 1920 Atlantic City election. executes the remaining D'Alessio brothers—Ignacious and —by fire on Nucky Thompson's orders, eliminating the last of the Philadelphia-based gangsters who had targeted Nucky's operations throughout the . Jimmy Darmody euthanizes Kaestner, his biological father, by smothering him with a pillow in his bedroom; the , already debilitated by chronic from a rigged medicine bottle, succumbs without resistance, framing the act as a compassionate end to his suffering. The finale's climactic death occurs when shoots once in the forehead at during an intimate conversation on the snow-covered , a shocking paternal rejection that secures Nucky's political dominance and severs their surrogate father-son bond.
CharacterKillerMethodContext
Ignacious D'AlessioGunshot (sniper)Elimination of gang threat
Pius D'AlessioGunshot (sniper)Elimination of gang threat
Commodore Louis KaestnerAsphyxiation (pillow)Mercy killing due to
Jimmy DarmodyGunshot to headPolitical betrayal and power assertion

Historical and Thematic Context

Ties to 1920 U.S. Presidential Election

The title of the Boardwalk Empire episode "A Return to Normalcy," which serves as the season 1 finale airing on December 5, 2010, directly references Warren G. Harding's key 1920 presidential campaign slogan promising a "return to normalcy." Harding introduced the phrase in a May 14, 1920, address to the Home Market Club in Boston, advocating for restoration of pre-World War I domestic tranquility after a decade marked by progressive interventions, wartime sacrifices, the 1918 influenza pandemic, and economic disruptions. This slogan resonated with voters weary of Woodrow Wilson's internationalism and domestic upheavals, contributing to Harding's landslide victory on November 2, 1920, where he secured 16,143,407 popular votes (60.3 percent) and 404 electoral votes against Democrat James M. Cox's 127. Set explicitly on Election Day, November 2, 1920, the episode depicts , the fictionalized Atlantic City political boss, orchestrating extensive vote manipulation—including ballot stuffing, voter intimidation, and payoffs—to deliver Atlantic County for candidates, mirroring the national sweep. Nucky's machinations reflect the real Enoch L. Johnson's role as a ward leader who wielded influence in politics, helping to mobilize urban votes amid Prohibition-era graft and machine politics that bolstered Harding's coalition of business interests seeking and . The narrative integrates the election's outcome as a pivotal backdrop, with characters returns amid personal crises, culminating in Harding's projected win that underscores the episode's thematic emphasis on restoring order after chaos—paralleling Nucky's efforts to neutralize threats from rivals like and federal investigators. While dramatizing local intrigue, the portrayal aligns with historical accounts of widespread electoral irregularities in urban centers, where bosses like Nucky ensured party loyalty through , though the series amplifies and for narrative tension beyond documented events. Harding's triumph, announced that evening, symbolized a broader repudiation of Wilsonian , favoring and normalcy in economic and social spheres, themes echoed in the characters' quests for stability.

Depiction of Political Machines and Corruption

In the episode, the Atlantic City Republican is depicted as a tightly controlled network dominated by , who serves as county treasurer and de facto boss, leveraging , , and to sustain power amid Prohibition-era vice industries. coordinates with ward bosses such as Jim Neary, who oversee vote mobilization through payoffs to ethnic communities, including Irish laborers and American residents via intermediary Chalky White, who demands increased compensation—$5,000—for delivering bloc votes on , November 2, 1920. This system reflects historical practices in Atlantic City, where the real Enoch , Nucky's inspiration, extracted kickbacks from bootleggers, gamblers, and prostitutes to fund machine operations, ensuring lax enforcement of laws in exchange for loyalty. Corruption manifests through overt vote-buying and ballot tampering, as Nucky's operatives stuff boxes and suppress opposition during the local mayoral race against reformist Democrat Edward Bader, who campaigns on eradicating graft—a portrayal grounded in the era's frequent challenges to machine rule by candidates. Internal machinations intensify when the aging Louis Kaestner, Nucky's mentor-turned-rival, plots a coup by allying with Eli Thompson and disgruntled figures like , exploiting family ties and personal grievances to reclaim control of the organization. Nucky counters by redistributing spoils, such as reinstating Eli as post-election, and quashing indictments through federal connections, illustrating how machine leaders neutralized threats via co-optation rather than pure violence. The episode ties local corruption to national politics by showing Nucky's machine delivering New Jersey's electoral votes for , whose "" slogan masks administration scandals like Teapot Dome, though the series emphasizes Atlantic City's self-perpetuating graft over federal complicity. This depiction underscores the machine's reliance on symbiotic criminal-political alliances, with bootlegging profits funding campaigns—historically, Johnson's organization generated millions annually from such rackets, evading federal dry agents through bribes. While dramatized for tension, the portrayal aligns with documented dominance in Atlantic City from onward, where bosses like the Commodore's predecessor pioneered vice-protected governance until reforms briefly disrupted it in 1911.

Factual Accuracy Versus Dramatic License

The episode accurately portrays the outcome and atmosphere of the November 2, 1920, U.S. presidential election, in which Republican Warren G. Harding defeated Democrat James M. Cox in a landslide, capturing 16,166,126 popular votes (60.3 percent) and 404 electoral votes to Cox's 127. Harding's "return to normalcy" slogan, emphasizing postwar stability and a rejection of Wilson-era internationalism, resonated amid voter fatigue from global conflicts and domestic upheavals like the Red Scare, contributing to Republican gains across federal, state, and local levels. In Atlantic City, the show's depiction of Nucky Thompson mobilizing the Republican machine to secure votes mirrors the real Enoch L. Johnson's exercise of patronage, intimidation, and ballot manipulation through his county organization, which aligned local power with national GOP priorities to sustain Prohibition-era influence. Dramatic license manifests in fabricated personal connections and compressed timelines to heighten interpersonal conflict. Margaret Schroeder's refuge with , Harding's Ohio-based mistress who gave birth to his daughter in October 1919 (verified by 2015 DNA analysis matching Harding's relatives), serves to underscore themes of hidden vulnerabilities but invents any Atlantic City linkage; Britton resided primarily in and , with no documented ties to local political figures or events in 1920. Thompson's revealed over a deceased further deviates from history, as had no recorded offspring—his wife, Jeffries, died by in 1912 amid financial strain, but without children—and this element amplifies Nucky's emotional isolation for character depth absent in Johnson's pragmatic public persona. The season's climax, featuring Jimmy Darmody's betrayal and shooting of , prioritizes operatic tragedy over fact; Darmody is a wholly fictional invention, and encountered no equivalent internal revolt in , instead consolidating power through unchallenged machine loyalty amid national success. The concurrent Chicago storyline, where mediates a truce among bootleggers including a nascent , draws from Torrio's real role in unifying Italian factions post-Jimmy Colosimo's May murder but accelerates rivalries—Capone arrived in Chicago around as a low-level , with major Outfit expansions and conflicts like the feud unfolding later in the decade rather than resolving neatly on . Such alterations condense historical gang dynamics, which involved gradual territorial gains via and violence, into a pivotal to resolve season arcs and foreshadow escalating underworld wars.

Reception and Impact

Critical Analysis

Critics praised the episode for its efficient resolution of season-long conflicts, particularly Nucky Thompson's consolidation of power against the Commodore's challenge, culminating in a calculated that underscored themes of political maneuvering and familial loyalty. The narrative's focus on the 1920 presidential election provided a historical anchor, with Nucky's endorsement of mirroring real Atlantic City influence peddling, effectively blending factual events with dramatic tension. Reviewers highlighted the episode's pacing, noting how it balanced multiple character arcs—such as Jimmy Darmody's internal struggles and Margaret Schroeder's evolving agency—without feeling rushed, setting a strong foundation for future seasons. However, some analyses critiqued the finale for occasional narrative conveniences, such as the swift brokering of peace between rival factions by , which resolved inter-gang hostilities too neatly and risked undermining the gritty realism established earlier in the season. The closing vaudeville-style montage, depicting assassinations and crises across the ensemble, was lauded for its rhythmic editing and ironic contrast to Harding's "" slogan but faulted by others for a slightly anachronistic tone in and cultural references that occasionally evoked modern sensibilities over period authenticity. This stylistic choice, while innovative, highlighted broader debates about the series' occasionally stylized violence and character motivations, which prioritized spectacle over deeper psychological nuance in subordinate plots like Agent Van Alden's moral unraveling. Thematically, the episode's exploration of post-World War I disillusionment and the allure of stability was seen as prescient, with Nucky's triumphant symbolizing a facade of order amid underlying chaos, though critics noted it leaned more on archetypal tropes than innovative subversion. Performances, especially Steve Buscemi's restrained portrayal of Nucky's vulnerability, were consistently acclaimed as elevating the material, contributing to the season's overall critical acclaim (88/100 on ) and HBO's swift renewal for a second season. Despite these strengths, the finale did not fully resolve the series' early pacing issues, such as underdeveloped supporting characters, which some argued foreshadowed inconsistent ensemble focus in later installments.

Viewership Metrics

"A Return to Normalcy," the season one finale of , premiered on on December 5, 2010, attracting 3.294 million total viewers according to Nielsen same-day s. The episode earned a 1.3 among adults aged 18-49, placing third in that demographic among programs for the evening. This viewership marked a solid performance for an HBO drama finale, though it fell short of the series premiere's 4.81 million viewers three months earlier. Overall, the figure underscored sustained audience interest in the program's Prohibition-era narrative at the close of its inaugural season.

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