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Afire

Afire (: Roter Himmel, lit. 'Red Sky') is a 2023 written and directed by Christian Petzold. Starring Thomas Schubert as the self-absorbed writer , as the enigmatic Nadja, and Langston Uibel as the photographer , the explores interpersonal dynamics and personal stagnation. Set during a summer vacation at a holiday home by the , it depicts a group of friends whose emotional tensions escalate amid flirtations, creative frustrations, and the encroaching threat of a forest fire fueled by extreme heat. The story centers on Leon's struggle to complete his novel while grappling with Nadja's disruptive presence and her relationship with lifeguard Devid (Enno Trebs), forcing him to confront his and priorities as looms. Running 102 minutes in color with a 1.85:1 , Afire blends elements of and romance within its dramatic framework, marking Petzold's return to lighter yet introspective storytelling after more somber works. Produced in and primarily in , the film premiered at the on February 22, 2023, where it won the . Critically praised for its sharp dialogue, character-driven narrative, and Petzold's ambitious direction, Afire earned a 91% Tomatometer score on based on 126 reviews, with critics consensus highlighting its riveting look at complicated relationships. The film received a 7.1/10 average rating on from over 10,000 users, reflecting its appeal as a thoughtful summer character study amid environmental peril. It was released theatrically in on April 20, 2023, with international distribution including a U.S. on July 14, 2023, and a edition through on February 20, 2024.

Synopsis and Characters

Plot

Leon, a struggling and self-important working on his second titled , joins his close friend , an aspiring photographer preparing a portfolio for , for a working holiday at Felix's family-owned cottage on the coast in . Their journey begins poorly when their car breaks down in a dense , forcing them to trek the remaining distance on foot amid an unsettling atmosphere of distant wildfires and unusual sounds, which immediately sours Leon's mood. Upon arriving, they discover the house is already occupied by Nadja, a cheerful and free-spirited young woman who is a arranged by Felix's mother and works selling along the nearby promenade. Leon, frustrated by the intrusion and his own creative block, withdraws into isolation, resentful of Nadja's easygoing presence and Felix's quick accommodation of her, while ignoring the idyllic summer surroundings. The group's dynamics shift when Devid, a local and who is casually involved with Nadja, joins them at the cottage. While Felix, Nadja, and Devid embrace the vacation with beach outings, swimming, and relaxed socializing—fostering open interpersonal bonds that include sexual explorations, such as the between Felix and Devid, with Nadja involved with Devid—Leon remains on the periphery, observing them voyeuristically from the house and developing an unexpressed attraction to Nadja marred by his arrogance. His deepens as he fixates on completing his manuscript ahead of a visit from his publisher, Helmut, leading to tense interactions; at one shared , Leon cruelly belittles Devid's , exposing his disdain for the others' seemingly superficial lives and exacerbating the emotional undercurrents of and disconnection within the group. These personal conflicts mirror the simmering external threat of a forest raging in the surrounding woods, with initial warnings via radio broadcasts and overhead dismissed by the vacationers in , allowing their fragile harmony to persist amid falling ash and hazy skies. As the peaks, Helmut arrives to assess Leon's , delivering harsh feedback that underscores its artistic shortcomings and Leon's self-absorbed perspective on the world. Nadja, having secretly read the work, offers a more incisive critique during a , challenging Leon's and forcing him to grapple with his flaws. The 's progression escalates dramatically, becoming visible as an ominous orange glow from the cottage roof, symbolizing not only the climate crisis encroaching on their but also the "fire" of unresolved tensions and ignored dangers in their relationships. Evacuation orders finally compel action, thrusting the group into as thickens and visibility drops; in the frantic , personal reckonings intensify, culminating in a tragic climax where the external blaze intersects with individual vulnerabilities, highlighting themes of denial, mortality, and the destructive force of unaddressed emotional turmoil. In the aftermath, a year later, has discarded his original and channeled the summer's events—marked by loss and transformation—into a new , narrated in as scenes of the scorched and bioluminescent sea unfold, revealing his belated growth while underscoring the enduring scars of the experience on the survivors. The film closes with encountering Nadja again, their reunion tinged with ambiguous warmth that reflects the lingering interpersonal dynamics forged in .

Cast

The principal cast of Afire includes Thomas Schubert as Leon, a self-absorbed writer grappling with creative block while attempting to complete his second novel after the success of his debut. Paula Beer plays Nadja, the free-spirited young woman renting the holiday home who brings vitality and disruption to the secluded retreat. Langston Uibel portrays Felix, Leon's cheerful best friend and aspiring photographer working on his art school portfolio. Enno Trebs appears as Devid, Nadja's affable lifeguard boyfriend who joins the group during their stay. Supporting roles are filled by Matthias Brandt as Helmut, Leon's supportive publisher who visits the cottage to offer guidance, and Jennipher Antoni as Mrs. Roland, a cashier. Additional cast members include Esther Esche as Mrs. König, the hotel manager encountered amid the escalating wildfires, and Assunta Hamm as the nurse. Schubert and Beer, who previously collaborated with director Christian Petzold in Undine (2020), reprise their on-screen chemistry here.

Production

Development

Afire was written and directed by Christian Petzold as the second installment in an intended inspired by the classical elements, following his 2020 film , which centered on , with the third part planned to explore air or earth. The script originated during the , when Petzold, confined to bed with the illness in early 2020, drew from themes of isolation and feverish introspection while binge-watching films by and works by , such as . This period of enforced solitude shaped the narrative's focus on interpersonal tensions amid encroaching catastrophe, reflecting broader pandemic-era anxieties about disconnection and urgency. Casting emphasized Petzold's preference for long-term collaborators to achieve naturalistic performances, with reprising her role as a lead after starring in and Thomas Schubert starring in the film. Supporting roles, including Langston Uibel as Felix and Enno Trebs as Devid, were filled through targeted auditions prioritizing actors capable of understated, improvisational chemistry to mirror the film's intimate ensemble dynamics. Petzold initiated casting immediately after wrapping , allowing rehearsals to foster the organic interactions central to his directorial style. The film was produced by Schramm Film Koerner & Weber, with financing from the German Federal Government Commissioner for Culture and the Media, the Cultural Film Funding of , and the German Federal Film Board (FFA). While exact figures remain undisclosed, the production aligned with Petzold's typical modest scale for independent German dramas, estimated in the low millions of euros to support its contained seaside setting. Pre-production advanced steadily after the script's completion in late 2021, with focused on the coast near Ahrenshoop in to capture the region's pine forests and beaches essential to the story's atmospheric tension. This phase wrapped by mid-2022, paving the way for in the same area.

Filming

Principal photography for Afire commenced on June 28, 2022, and concluded on August 17, 2022, with the majority of scenes shot on location in Ahrenshoop, a coastal town on Germany's . The production embraced natural lighting to evoke the languid summer atmosphere central to the story, using dim exposures and low-contrast shots for nighttime sequences to heighten the sense of isolation and impending unease without artificial illumination. Cinematographer Hans Fromm, a longtime collaborator of Christian Petzold, captured the film using the ARRI ALEXA Mini camera, incorporating subtle camera movements inspired by German fairy tales and precise close-ups on the actors' faces to foster intimacy amid rising tension. These techniques underscored the contrast between the idyllic seaside setting and the encroaching threat, with Fromm's framing emphasizing environmental details like hazy skies and parched landscapes. The shoot faced challenges from the real-world summer heatwave, which paralleled the film's themes of and ; crew and were surrounded by actual fires in the region during production. In , editor Bettina Böhler refined the narrative's pacing through fluid cuts that amplified emotional undercurrents, while sound designers crafted an auditory layer starting with subtle ambient nature sounds—waves, wind, and insects—and building to urgent fire alarms and crackling blazes.

Release

Premiere

Afire had its world premiere on February 22, 2023, at the (Berlinale) in the Competition section, where it was screened to critical acclaim for its sharp examination of creative insecurities amid a looming environmental crisis. The debut featured appearances by director Christian Petzold and lead actors , , Langston Uibel, and Enno Trebs, followed by a highlighting the film's influences from Eric Rohmer and its thematic ties to climate anxiety. Initial press reactions at the Berlinale praised the film's witty dialogue and tense interpersonal dynamics, generating early buzz that positioned it as a strong awards contender. On February 25, 2023, during the festival's awards ceremony, Afire received the , recognizing its artistic achievement and further amplifying its visibility in the international festival circuit. The film's festival run continued throughout 2023, with notable screenings at the Tribeca Film Festival in in June, where it had its North American premiere, and the in September, accompanied by director Q&As that explored its character-driven narrative. These events, including cast panels and promotional interviews, sustained the momentum from Berlinale and marked Afire's entry into the awards season conversation. The film continued screening at international festivals in 2024 and 2025, including the Film Festival and LEFFEST in .

Distribution and Box Office

Afire was released theatrically in on April 20, 2023, distributed by Piffl Medien Filmverleih. The film opened in limited release in the United States on July 14, 2023, through and . In , it premiered on September 6, 2023, handled by Les Films du Losange. Additional territorial deals included Curzon Artificial Eye for the (August 25, 2023), Teodora Film for (November 30, 2023), and BTeam Pictures for (June 14, 2024), among others such as September Film Distribution for , Sidus for , and Potential Films for and . MUBI acquired rights for streaming in select markets following the theatrical run. The film's marketing highlighted its central fire motif as a metaphor for emotional and environmental tension, with official trailers featuring imagery of a parched Baltic Sea landscape and encroaching flames to underscore the drama's themes. Promotional posters often depicted the isolated holiday home against a hazy, red-tinged sky, evoking the story's blend of interpersonal conflict and looming catastrophe. Box office performance reflected its arthouse positioning, grossing approximately $2.3 million worldwide. In , it earned €1.165 million from 167,775 admissions, performing solidly for an independent drama. U.S. earnings totaled $244,803 from a limited rollout across 17 theaters initially, aligning with its niche appeal. contributed $409,704, while other markets added to the international total of over $2 million. Home media distribution included a Blu-ray and DVD release by Criterion on February 20, 2024, followed by streaming availability on the Criterion Channel starting November 21, 2023.

Reception

Critical Response

Afire received widespread critical acclaim upon its release, earning a 91% approval rating on based on 126 reviews, with critics praising its exploration of interpersonal dynamics amid encroaching disaster. On , the film holds a score of 82 out of 100 from 28 critics, reflecting strong consensus on director Christian Petzold's ability to build subtle tension through everyday interactions overshadowed by environmental peril. Reviewers frequently highlighted Petzold's lighter yet ambitious approach, blending elements with underlying to examine denial and human frailty. The film's performances drew particular acclaim, with Thomas Schubert's portrayal of the unlikeable, self-absorbed writer noted for its sharp depiction of petty flaws and , while Paula Beer's charismatic turn as Nadja provided a of warmth and vitality. Critics lauded the thematic depth, interpreting the encroaching wildfires as an for anxiety, relational stagnation, and collective denial, often drawing comparisons to Chekhovian in its focus on mundane tensions escalating toward catastrophe. Some reviewers critiqued the film's deliberate pacing as occasionally sluggish, allowing character unsympathies—particularly —to dominate without sufficient counterbalance, and noted minor predictability in its narrative turns despite the climactic . Notable reviews included Glenn Kenny's 3.5/4-star assessment for , which emphasized the 's confident buildup to an emotionally resonant punch, evoking a sense of inner fire amid external chaos. The New York Times described it as generating "cruel comedy and heartbreak" through its portrayal of a sour protagonist's desires. critics, such as those in Cinapse, underscored its environmental , viewing the story as a haunting commentary on humanity's refusal to confront climate threats. Audience reception was positive but slightly more divided, with a 74% score on , where viewers appreciated the character-driven subtlety but debated the ending's abrupt intensity. Discussions on often focused on the finale's psychological impact, praising its shift from languid drama to stark realization while some found it jarringly extreme.

Accolades

Afire achieved significant recognition at the in 2023, winning the for its director Christian Petzold. This victory marked Petzold's third honor from the festival, following the Silver Bear for Best Director for in 2012 and the FIPRESCI Prize for in 2014. At the German Film Critics Awards (Preis der Deutschen Filmkritik) in 2024, Afire (known as Roter Himmel in German) won Best Film and Best Screenplay, and received nominations for Best Director (Petzold) and Best Actor (Thomas Schubert). The film garnered a nomination for Best European Actor for Thomas Schubert at the 36th European Film Awards in 2023, highlighting its international arthouse appeal. By 2024, Afire had accumulated at least 10 wins and 28 nominations across various festivals and awards bodies, reflecting its critical impact in . Despite being shortlisted as Germany's entry for the Academy Award for Best International , it did not receive major U.S. nominations, instead earning acclaim in arthouse contexts.

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