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Again My Life

Again My Life (: 어게인 마이 라이프; : Eogein Mai Raipu) is a 2022 South Korean fantasy legal television series centered on a prosecutor's time after his during a corruption probe, allowing him to pursue justice anew. Starring as the protagonist Kim Hee-woo, alongside , , and , the series blends revenge motifs with courtroom intrigue and political machinations. It aired on from March 28 to May 29, 2022, for 16 episodes on Monday and Tuesday evenings. The narrative follows Kim Hee-woo, an ambitious from humble origins who rises through rigorous study and determination, only to be assassinated while targeting a powerful political figure's graft network. Granted a second chance, he returns to his days, leveraging foreknowledge to build alliances, dismantle , and avert his original fate. Adapted from a web novel by original author, the drama emphasizes themes of perseverance against systemic injustice, with Hee-woo's strategic maneuvers driving the plot. Critically, Again My Life garnered praise for 's versatile portrayal of the time-regressed , contributing to its solid viewership ratings that climbed above 10% nationally. At the , it secured wins including Top Excellence in Acting for in a and Best , alongside nominations for lead actress . Audience reception highlighted its engaging pacing and balance of action, humor, and , earning an rating of 7.7/10 from over 1,900 users.

Plot

Synopsis

Again My Life centers on Kim Hee-woo, an idealistic assassinated amid his into tied to influential political figures. Granted a second chance at life, he awakens during his university years with retained memories of future events, enabling him to strategically revisit and alter key moments from his past. Determined to eradicate the entrenched network of graft that previously escaped accountability, Hee-woo leverages his foreknowledge to build alliances and navigate prosecutorial and political challenges, focusing on exposing systemic in business and government spheres to enforce in a rewritten timeline.

Characters

Main characters

Kim Hee-woo, portrayed by , serves as the central , a determined originating from humble beginnings as a low-ranking high school who ascends through relentless effort to pass the bar exam and combat . After his during an into political graft, he regresses to his years, leveraging foreknowledge to strategically pursue against entrenched powers, evolving from an idealistic to a pragmatic operator who builds alliances within the system to dismantle it. His arc underscores ambition tempered by moral resolve, navigating loyalty to allies amid systemic betrayal. Kim Hee-ah, played by , acts as Hee-woo's romantic partner and professional ally, the intelligent youngest daughter of Cheonha Group's chairman, possessing sharp acumen and unyielding principles that draw her into the fray as a . Her involvement introduces personal dimensions to Hee-woo's , highlighting the risks to loved ones in challenging corrupt networks, while her steadfast support reinforces themes of mutual loyalty in a landscape dominated by self-interest. Cho Tae-seop, enacted by Lee Kyung-young, embodies the archetype of unassailable authority as a ruthless assemblyman orchestrating a vast influence web through coercion and illicit dealings, initially positioning himself as a reluctant guide to Hee-woo's ascent before revealing his role as the nexus. Hee-woo strategically aligns with him to amass power, exploiting this dynamic to expose hypocrisies, contrasting Cho's amoral with principled resistance and illustrating how ambition can mask or fuel systemic rot. Lee Min-soo, depicted by , functions as Hee-woo's trusted confidant and operative, a concealed powerhouse whose subdued demeanor belies fierce capability, aiding in covert maneuvers against adversaries with unwavering fidelity. His portrayal emphasizes as a to institutional disloyalty, providing operational muscle that enables Hee-woo's calculated strikes within a corrupt framework.

Supporting characters

Jeon Seok-gyu, portrayed by Kim Chul-gi, serves as a chief in the Gimsan branch office who probes among senior officials, resulting in his and subsequent of Kim Hee-woo during key investigations into internal betrayals within the prosecution system. His role highlights tensions in hierarchical structures, as his stems from challenging entrenched powers, ultimately aiding Hee-woo's efforts to dismantle corrupt networks. Hee-woo's university allies form a pivotal support network, including Lee Min-soo (Jung Sang-hoon), a who collaborates on evidence gathering and legal maneuvers against political figures; Kim Han-mi (), providing logistical and research assistance in unraveling financial ties; and Kim Gyu-ri (), contributing analytical insights from her position in related fields to bolster the team's investigative capacity. These , bonded through shared academic experiences at Hankuk University, enable coordinated operations that expose and influence peddling without direct confrontation. Opposing forces aligned with Jo Tae-seob include his son Cho Hyun-seok, a key figure in concealing hit-and-run incidents and familial dealings that facilitate ; Jang Il-hyun (Kim Hyung-mook), a who manipulates cases to protect elite interests, such as framing innocents to divert scrutiny; and enablers like Kim Jin-woo (Kim Young-hoon), involved in corporate fronts that launder funds for Tae-seob's operations. These antagonists represent symbiotic alliances between , prosecution, and , perpetuating systemic graft through cover-ups and resource control. Peripheral figures add layers of societal context, such as informants like investigators Oh Min-guk (Na In-gyu), who supply on-the-ground intelligence amid risks of retaliation, and family elements including Hee-ah's relatives, underscoring pressures from kinship obligations in professional environments. These roles emphasize realistic constraints, like loyalty conflicts and personal stakes, that influence alliances without driving primary conflicts.

Production

Source material and adaptation

Again My Life is an adaptation of the web novel of the same name authored by Hae-nal, serialized on beginning May 13, 2016. The novel follows Kim Hee-woo's to his university days after his murder, enabling him to methodically dismantle a network of political and institutional corruption through legal strategy. The 16-episode television series, broadcast on from April 8 to May 28, 2022, compresses this extended narrative, which spans detailed investigative arcs, into a faster-paced format emphasizing key confrontations. Central to both is the time-regression mechanism, where the protagonist leverages foreknowledge to expose causal chains of , election , and prosecutorial complicity, underscoring in how entrenched power structures resist individual reform efforts. However, the diverges in its conclusion, crafting an independent resolution distinct from the novel's to heighten dramatic tension and viewer engagement, potentially altering the portrayed feasibility of uprooting systemic graft. Specific interpersonal alliances and procedural sequences are restructured for visual , shifting from the novel's introspective legal deliberations to more dynamic interpersonal and action-oriented sequences that maintain the anti-corruption core but streamline causal progressions for episodic constraints. Lee Hae-nal contributed as an assistant writer, ensuring fidelity to the novel's foundational critique of institutional inertia, where corruption persists through interlocking elite networks rather than isolated malfeasance. These modifications prioritize broadcast viability, toning elements for wider accessibility while preserving the narrative's emphasis on evidence-based takedowns over speculative intrigue, though the condensed form may dilute the novel's granular depiction of legal causation in sustaining corrupt equilibria.

Development and pre-production

The adaptation of the web novel Again My Life by Hae-nal, initially serialized in 2017, formed the basis for the television series, with the credited to Lee Byung-heon, J (Jai), and Kim Yool. The project was developed for SBS's Friday-Saturday 22:00 drama slot, succeeding Through the Darkness and preceding Why Her?. SBS confirmed the production in early 2022, releasing teaser posters and materials by March, ahead of the April 8 premiere. emphasized the novel's core premise of a prosecutor's time to pursue against entrenched , incorporating elements of real-world political and legal challenges such as graft investigations, though specific consultations for procedural accuracy are not publicly detailed in production records.

Casting

Lee Joon-gi was selected for the central role of Kim Hee-woo, a embodying personal determination against entrenched , capitalizing on his established range in intense action-drama roles. His casting aligned with the production's aim to portray a protagonist's unyielding resolve, informed by prior performances in series like Vagabond (), where he demonstrated physical and emotional intensity suited to legal thrillers. Veteran actor Lee Kyung-young joined as the formidable antagonist Cho Tae-seop, a figure of institutional power, bringing decades of experience in authoritative roles to underscore systemic opposition dynamics. This choice enhanced the narrative's tension between individual agency and entrenched authority, with early teasers highlighting his presence alongside the lead cast in late 2021. Similarly, was cast as Lee Min-soo, contributing to the ensemble's depiction of prosecutorial alliances formed amid adversity. Kim Ji-eun portrayed Kim Hee-ah, the female lead whose character arc intersects with the protagonist's, selected by director Kim Cheol-kyu for her fresh, youthful appeal that symbolized vitality and potential in the story's revenge framework. Script readings involving principal actors, including Joon-gi and Ji-eun, preceded filming to ensure cohesive interpersonal portrayals, particularly in scenes balancing legal intrigue with personal stakes. Supporting selections, such as Cha Joo-young as Han Ji-hyun, further reinforced authentic representations of professional grit within the justice system.

Filming

Principal photography for Again My Life primarily occurred in , utilizing urban settings such as the Saetgang Pedestrian Bridge to ground the narrative in realistic depictions of city life and power dynamics. Production faced a temporary suspension on April 18, 2022, after lead actor tested positive for , with filming resuming on April 25 following his recovery and adherence to health protocols. This interruption did not impact the broadcast schedule, indicating had largely concluded prior to the halt. Action sequences integral to the story's confrontations were executed with coordination, emphasizing practical effects for believable physical and tense encounters, as seen in director's cuts of key scenes.

Music

Original soundtrack

The original soundtrack (OST) for Again My Life consists of eight digital singles released weekly by , commencing on April 9, 2022, and concluding on May 28, 2022, to coincide with the series' airing schedule. Each part features a lead vocal track paired with its version, totaling 16 tracks across the releases, with compositions emphasizing rhythmic intensity and emotional builds to intensify suspenseful narrative moments involving investigative pursuits. A aggregating select tracks was issued on June 3, 2022.
PartRelease DateLead ArtistTitle Track
1April 9, 2022"What the Ggang?" (무슨 깡으로)
2April 16, 2022"Bring It On"
3April 23, 2022Park Do Joon""
4April 30, 2022U Sung Eun"Till the End"
5May 7, 2022GB9"Alone"
6May 14, 2022 & KISSXS"Shadow"
7May 21, 2022Sondia"My Love"
8May 28, 2022Ha Dong Qn"Killing Me"
Notable contributors include established vocalists like of YB, known for rock-infused energy, and , whose powerful delivery in "Bring It On" incorporates upbeat tempo shifts to underscore escalating confrontations. The OST's production, handled under Studio M-Lab, prioritized layered instrumentation—such as driving percussion and soaring strings in tracks like ""—to heighten auditory tension without overt lyrical deviation from dramatic pacing.

Release

Broadcast and distribution

_Again My Life premiered on () on April 8, 2022, airing every Friday and Saturday at 22:00 KST for a total of 16 episodes, concluding on May 28, 2022. The series occupied the network's weekend drama slot previously held by Through the Darkness. Internationally, the drama became available for streaming on Viki starting shortly after its domestic debut, offering English subtitles and accessibility in multiple regions. It was also distributed on in select markets, including , with dubbed and subtitled versions in languages such as English expanding availability post-broadcast. Additional platforms like provided digital releases for global audiences, facilitating wider post-airing access without territorial restrictions beyond licensing agreements. As of October 2025, no sequels or remakes have been produced or announced for the series.

Viewership

"Again My Life" premiered on on April 8, 2022, achieving an initial nationwide rating of approximately 6% according to Nielsen Korea measurements. Ratings steadily climbed over the course of its 16-episode run, entering double digits by early May with the episode airing on May 7 recording 10.1%, marking the series' first time surpassing 10%. Subsequent episodes maintained this upward trajectory, with consistent double-digit figures reflecting sustained domestic audience engagement. The drama reached its peak viewership with the penultimate episode on May 27, 2022, scoring 12.0% nationwide, the highest for the series. The finale on May 28, 2022, followed with 10.5%, outperforming competing programs in its time slot. Overall, the series demonstrated strong performance in the Fri-Sat drama slot, with later episodes frequently topping charts among broadcasters. Internationally, "Again My Life" streamed on platforms including Viki and in select regions, garnering positive user engagement evidenced by a 9.4/10 from nearly 40,000 Viki reviews, though precise viewership metrics remain undisclosed by providers.

Reception

Critical response

Again My Life received generally positive reviews from critics, who praised its blend of elements with fantasy tropes, as well as lead actor Lee Joon-gi's commanding performance as the determined Kim Hee-woo. Reviewers highlighted the series' engaging depiction of courtroom strategies and corruption investigations, noting its ability to maintain tension through procedural realism despite the premise. The drama holds an average user rating of 7.7/10 on based on over 1,900 votes, reflecting appreciation for its consistent storytelling and thrilling pacing in early episodes. Critics commended the show's execution of high-stakes legal confrontations and character-driven plot, with one outlet describing it as a "complex and engrossing law drama" that prioritizes investigative depth over fantasy spectacle. Lee Joon-gi's portrayal was frequently singled out for injecting charisma and intensity into the role, elevating the genre fusion of , , and . However, some noted occasional pacing dips in mid-season subplots, where the narrative shifts from core legal battles to secondary alliances. On the downside, reviewers pointed to underdeveloped female characters, such as Kim Hee-ah and others, who often serve as peripheral supports without substantial agency or screen time, limiting emotional depth in romantic or ensemble dynamics. Plot conveniences, including improbable alliances and resolutions in corruption takedowns, drew criticism for straining credibility, particularly as the adaptation softens the novel's sharper political edges to avoid overt controversies. These elements contributed to perceptions of uneven tonal balance, though the series was still deemed a solid entry in the legal fantasy subgenre.

Audience reception

Again My Life garnered a generally positive response from audiences, achieving an average rating of 8.3 out of 10 on MyDramaList based on over 12,970 user votes. Fans frequently highlighted the series' satisfying narrative and portrayal of a prosecutor's second chance to combat corruption, describing it as a "thrilling mix of fantasy, legal , and " that resonated amid Korea's real-world political scandals involving powerful figures evading accountability. Online discussions on platforms like and emphasized its empowerment themes, with users praising the protagonist's strategic dismantling of entrenched power structures as a rare focus on rule-of-law triumphs in K-s. However, some viewers critiqued the heavy reliance on the lead character, Kim Hee-woo, which led to perceptions of an underdeveloped , including limited depth for supporting female roles that felt sidelined despite their potential contributions to the plot. Comments on sites like AsianWiki and MyDramaList noted that while the core action-legal hybrid was engaging, secondary characters occasionally served more as plot devices than fully realized figures, diluting the overall balance. Audience opinions on the finale were notably polarized, with some appreciating the fantasy-driven closure for delivering emotional payoff and high rewatch appeal through its blend of intensity and personal agency, while others found the resolution overly idealistic and detached from prosecutorial realism in Korea's complex legal landscape. Despite these divides, the series maintained strong fan loyalty, evidenced by its inclusion in recommendations for revenge and time-slip genres on , where users valued its escapist justice fantasy even if not universally flawless.

Awards and nominations

Again My Life garnered recognition primarily at the , where lead actor won the Top Excellence Award in Acting for an Actor in a Miniseries Genre/Fantasy Drama for his portrayal of Kim Hee-woo. He was nominated for the Grand Prize (Daesang) in the same ceremony. Supporting actress received the Best Supporting Actress award in a Miniseries Genre/Fantasy for her role as Joo-so.
YearAwardCategoryRecipientResult
2022Top Excellence Award, Actor in a Genre/Fantasy DramaWon
2022Grand Prize (Daesang)Nominated
2022Best Supporting Actress in a Genre/FantasyWon
The series did not secure wins at other major ceremonies such as the , with no verified nominations reported for production or screenplay elements in 2022 or 2023. Overall, Again My Life achieved at least two wins at the , reflecting acclaim for its lead performances amid competition from contemporaries like Why Her? and One Dollar Lawyer.

Themes and analysis

Corruption, power, and justice

In Again My Life, institutional is portrayed as a deeply entrenched network involving high-ranking politicians and public officials who engage in , , and cover-ups to maintain their positions, often shielding one another through mutual rather than any commitment to collective . The central , politician Cho Tae-sub, exemplifies this dynamic, wielding influence to obstruct investigations and eliminate threats, mirroring patterns of elite self-preservation observed in South Korean political scandals where officials prioritize personal and factional gains. This depiction critiques illusions of systemic reform by emphasizing that isolated acts of righteousness fail against such structures, as the protagonist's initial straightforward pursuit of leads to his . The narrative underscores causal mechanisms of power accumulation, requiring the Kim Hee-woo to forge strategic alliances—with fellow investigators, a wealthy heir, and even potential adversaries—to dismantle the ring through incremental disruptions like financial tracing and public exposures, rather than relying on institutional channels alone. These tactics reflect verifiable South Korean realities, such as chaebol-political ties where conglomerates like have historically bribed officials for favors, fueling debates over prosecutorial independence amid accusations of executive interference in high-profile cases. By showing alliances as essential for gathering evidence and outmaneuvering superiors' orders, the series highlights prosecutorial agency in navigating politicized bureaucracies, where direct confrontation often succumbs to hierarchical pressures. While effective in illustrating how individual strategy can exploit network vulnerabilities—such as leveraging confessions and leaked lists to trigger cascading indictments—the portrayal somewhat underplays bureaucratic inertia, a persistent real-world challenge in where prosecutorial reforms, including proposals to separate investigative powers from the , have faced repeated stalling despite public demands post-scandals. This focus on personal maneuvering over wholesale systemic overhaul aligns with critiques of naive , portraying justice as contingent on calculated power-building rather than procedural purity, though it risks overstating solo efficacy against institutionalized graft.

Second chances and personal agency

In Again My Life, the protagonist Kim Hee-woo's temporal regression to his university years after his assassination in 2016 serves as a device for empirical foresight, allowing him to foresee key events like the rise of corrupt politician Cho Tae-seob and preemptively disrupt them through calculated interventions. This mechanism enables causal actions, such as forging alliances with future allies during his undergraduate studies and strategically preparing for the bar exam, which he passes earlier than in his original , underscoring how prior amplifies individual initiative over random chance. The reinforces themes of merit-based achievement by depicting Hee-woo's success as stemming from deliberate preparation and ethical resolve rather than innate luck or systemic favoritism; for instance, he methodically builds a prosecutorial to target , contrasting with deterministic views that attribute outcomes to unchangeable societal forces. Critics of this portrayal argue that the supernatural regression diminishes the portrayal of authentic , as real-world failures lack such resets, potentially fostering an escapist view of agency detached from irreversible consequences. Supporters highlight the motivational aspect of the "reset," interpreting it as an allegory for proactive , where Hee-woo's second life exemplifies how informed agency can reshape personal and institutional trajectories, as seen in his orchestration of legal maneuvers against entrenched power by 2022. Detractors, however, contend it promotes unrealistic , overlooking the required in non-fantastical systems where errors compound without recourse, a tension evident in the series' blend of with metaphysical aid.

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