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iQIYI

iQIYI, Inc. (NASDAQ: IQ) is a Beijing-based provider of online video services in , specializing in subscription video-on-demand platforms that deliver licensed and original content such as TV series, movies, variety shows, and animations. Founded in April 2010 as a subsidiary under the leadership of CEO Yu Gong, the company has expanded into content production, live broadcasting, and international distribution while generating revenue primarily from memberships, advertising, and IP licensing. maintains a controlling stake of approximately 45% in iQIYI, influencing its strategic direction amid ongoing efforts to achieve profitability in a competitive market dominated by domestic rivals like and . iQIYI has garnered recognition for its , securing multiple awards including thirteen honors at the 2023 Shanghai TV Festival for series like A Lifelong Journey, which won Best TV Series, and contributing to high-profile content that drives subscriber growth exceeding 100 million VIP members. The platform's emphasis on premium dramas and micro-short formats has propelled hits with popularity indices over 10,000, such as Coroner's Diary, establishing it as a key player in China's digital entertainment ecosystem. Despite these successes, iQIYI has faced financial pressures, including substantial losses and workforce reductions following heavy content investments, alongside regulatory scrutiny over data practices and content controversies like halted idol competitions amid fan misconduct allegations and recent plagiarism claims in adaptations. In , U.S. courts dismissed securities class actions accusing the company of inflating user metrics, affirming no proven misconduct, while iQIYI pursues secondary listings in to bolster capital access.

History

Founding and Early Development (2009–2015)

iQIYI was founded by Yu Gong, with initial financial and operational support from Baidu Inc., China's leading company, and Providence Equity Partners, a U.S.-based . The platform launched as Qiyi.com in 2010, marking it as the first online video service in dedicated exclusively to professionally produced content rather than user-generated videos. This focus differentiated it from competitors reliant on amateur uploads, aiming to build a premium viewing experience amid rapid growth in China's user base, which exceeded 400 million by 2010. In November 2011, Qiyi rebranded to iQIYI, incorporating the "i" prefix to evoke innovation and international appeal, while continuing to expand its library of licensed domestic and foreign titles. deepened its commitment in November 2012 by acquiring Providence's stake for approximately $380 million, elevating its ownership to 71.6% and providing iQIYI with greater resources for content investments amid intensifying competition from platforms like and . This transaction solidified 's control, enabling synergies such as integrated search-video recommendations to drive user traffic. From 2013 to 2015, iQIYI accelerated content diversification, securing exclusive streaming rights for high-profile entertainment programs from , , and , which boosted monthly active users toward 100 million by mid-decade. The company ventured into original productions, exemplified by the June 2015 release of Notes of an Ancient Relic Raider, a self-produced series tailored for online audiences and bypassing traditional TV broadcasts. In late 2014, iQIYI announced plans to more than double its original content output in 2015, targeting at least 30 new titles to capture premium subscribers amid regulatory pressures on unlicensed content and . These efforts positioned iQIYI as one of China's top video platforms by 2015, recognized for rapid growth in a market where online video consumption surged due to mobile penetration exceeding 500 million smartphone users.

Growth and Public Listing (2016–2018)

During 2016 and 2017, iQIYI experienced substantial expansion in its user base and revenue streams, driven primarily by aggressive investments in original content production and membership services. Total revenues doubled from RMB 11.24 billion in 2016 to RMB 17.38 billion in 2017, reflecting a 54.6% year-over-year increase, with membership services revenue surging 73.7% to capitalize on premium content demand. The number of subscribing members more than doubled from 30.2 million at year-end 2016 to 50.8 million at year-end 2017, while average mobile monthly active users in the fourth quarter grew modestly from 405.4 million to 421.3 million. These gains were fueled by a strategy emphasizing high-quality dramas, variety shows, and licensed international titles, positioning iQIYI as a leader in China's competitive online video market amid rising consumer preference for ad-free, on-demand viewing. In 2018, growth accelerated further, with total revenues reaching RMB 25 billion, a 52% increase from 2017, supported by expanded libraries and enhanced platform features like personalized recommendations. Subscribing members climbed to 87.4 million by year-end, including a net addition of 36.6 million during the year, with 98.5% being paying users, underscoring the effectiveness of tiered membership models and exclusive originals in . Despite these operational advances, the company reported widening net losses due to heavy amortization and costs, totaling RMB 7.6 billion for the year. This period culminated in iQIYI's on March 29, 2018, when it listed on the Global Market under the "IQ," pricing 125 million American depositary shares at $18 each and raising approximately $2.25 billion before underwriting discounts. The IPO, 's largest to date, provided capital for enhancement and upgrades, though shares debuted at $18.20 but closed 14% lower at $15.55 amid market volatility and concerns over profitability. Proceeds were earmarked primarily for acquisition (about 50%) and operational expansion, marking a strategic shift toward from parent while affirming iQIYI's scale in the sector.

Maturity and Strategic Shifts (2019–Present)

Following its 2018 , iQIYI entered a phase of operational maturity characterized by efforts to achieve profitability amid intensifying competition from platforms like and , and sustained high content acquisition costs that had previously driven annual losses exceeding RMB10 billion in 2019 and 2020. By 2023, the company reported its first full-year net profit of $271 million, attributing the turnaround to rigorous cost controls, including reductions in non-core expenditures and optimized content spending, alongside membership growth to over 100 million subscribers. This shift marked a departure from aggressive expansion toward sustainable financial discipline, with management emphasizing meticulous execution over bold risks to stabilize cash flows and reduce reliance on parent company for funding. A core strategic pivot involved adapting to fragmented viewer attention by adopting a "Long + Short" content model, blending traditional long-form series with micro-dramas—short episodes under 10 minutes designed for mobile consumption. By Q1 2025, iQIYI's micro-drama library surpassed 15,000 titles, yielding a 300% year-over-year increase in daily viewing time and 110% growth in unique daily viewers, prompting a further emphasis on original premium micro-dramas to enhance quality and monetization over licensed imports. In Q2 2025 earnings, executives highlighted this evolution, noting a strategic refocus on consistent production of high-engagement short-form content to counter declining long-form ad revenues, which contributed to an 11% year-over-year drop in total revenues to RMB6.63 billion. To diversify beyond digital streaming, iQIYI expanded into offline experiences and IP monetization, launching iQIYI Land theme parks leveraging for immersive content adaptations and developing consumer products from hit shows, tapping into China's derivatives market projected at RMB202.5 billion in 2025. Internationally, the company pursued geographic diversification, establishing a MENA branch in in May 2025 to localize content and serve regional audiences, while pursuing a $200-300 million Hong Kong secondary listing to access capital amid U.S. regulatory uncertainties and delisting risks. At the iJOY Conference in September 2025, iQIYI unveiled over 400 new titles for late 2025 and 2026, integrating AI-powered storytelling with expanded ecosystems across dramas, films, animations, and documentaries to broaden appeal and revenue streams.

Ownership and Governance

Major Shareholders and Ownership Structure

iQIYI, Inc. operates under a dual-class share structure, consisting of Class A ordinary shares with one vote per share and Class B ordinary shares with ten votes per share, which concentrates voting with holders of Class B shares. , Inc., the dominant Class B , maintains effective over corporate decisions, including board composition and strategic direction, even as its economic represents about 45% of outstanding shares as of mid-2025 data. Public companies collectively hold the largest bloc at approximately 45%, led by , followed by smaller stakes from entities like Xiaomi Corporation at around 5%. Institutional investors own roughly 28-30% of shares, reflecting moderate but diversified external influence, while insiders and retail holders account for the remainder. The following table summarizes key shareholders based on 2025 ownership disclosures:
ShareholderOwnership PercentageShares Held
Baidu, Inc.45.2%435,706,134
Best Ventures Limited4.79%46,123,326
Krane Funds Advisors, LLC2.26%21,740,065
This structure underscores Baidu's foundational role since iQIYI's inception as a Baidu subsidiary, with gradual dilution through public listings and investments but retained governance dominance via superior voting rights. As of December 31, 2024, iQIYI had 6,739,891,165 ordinary shares outstanding, comprising primarily Class A shares traded via American Depositary Shares (ADS) on NASDAQ under the ticker IQ, where each ADS represents a fraction of ordinary shares.

Leadership and Key Executives

Yu Gong serves as the founder, , and director of iQIYI, Inc., a position he has held since the company's inception in 2010, where he oversees overall strategy and business operations. Prior to establishing iQIYI, Gong held senior roles at , Inc., including leading its video search and mobile search initiatives, which informed the platform's early focus on online video services. Haijian He was appointed chairman of the board effective August 1, 2025, following the of Junjie He from that role. He, who also serves as Baidu's , brings expertise in financial strategy and operations from his tenure at since 2016. Other key executives include Jun Wang, since at least 2020, responsible for financial planning, reporting, and . Youqiao Duan serves as senior , contributing to operational . The board also features directors such as Dou , Fei , and Zhanbing , with Xu joining effective , 2025, to support compensation and governance matters. These appointments reflect iQIYI's alignment with Baidu's oversight amid evolving market dynamics in China's streaming sector.

Business Model

Revenue Streams and Monetization

iQIYI primarily derives its revenue from membership services and , supplemented by a range of other avenues such as content licensing and distribution. Membership services, which provide subscribers with ad-free access to premium and exclusive content, accounted for approximately 61% of in , generating RMB 17.76 billion (US$2.43 billion), a 13% decline from the prior year attributed to a reduced content slate. Online advertising constitutes the second-largest stream, encompassing display ads, pre-roll and mid-roll video advertisements, and brand sponsorships targeted at the platform's free user base. This segment leverages iQIYI's extensive viewership to attract advertisers seeking reach among Chinese audiences, though it has faced headwinds from macroeconomic pressures and shifts in advertising budgets. Additional revenue sources include content licensing deals, where iQIYI distributes its original productions internationally or to third-party platforms, and value-added services such as virtual gifts in live broadcasts or integrated features tied to content. These diversified methods, pioneered in China's online video market, support a hybrid model balancing free ad-supported access with premium subscriptions to maximize user engagement and efficiency.

Content Acquisition and Production Strategy

iQIYI pursues a hybrid that integrates licensing acquisitions with extensive original to sustain its competitive edge in China's streaming market. The company licenses third-party content from domestic broadcasters, international studios, and to supplement its library with diverse titles, including films and series, while controlling costs through selective partnerships. For example, in July 2022, iQIYI signed a licensing agreement with Douyin (TikTok's Chinese counterpart) to provide select content for editing and distribution on the short-video , highlighting its approach to monetizing existing across ecosystems. This acquisition method allows rapid library expansion without full risks, though it constitutes a smaller portion of premium offerings compared to originals. Original production forms the core of iQIYI's strategy, with in-house studios responsible for the majority of high-value content, including drama series, variety shows, and films. These studios enable direct oversight of creative processes, genre specialization in audience-favored formats like urban romances and historical epics, and retention of intellectual property for downstream monetization. iQIYI invests heavily in such productions, maintaining stable content spending with marginal increases focused on quality originals, as outlined in its Q1 2023 earnings guidance. By 2025, this has evolved into a "long + short" framework, blending traditional long-form dramas with short-form micro-dramas to capture fragmented viewing habits and drive user engagement. Technological integration enhances production efficiency, particularly through tools for generation, , and , which iQIYI reported achieving 125% growth in application during 2025 initiatives. This -driven approach, combined with resource allocation prioritizing creator autonomy and audience data analytics, supports scalable output—such as over 15,000 micro-dramas announced for global push—while mitigating rising costs amid industry trends toward vertical content. Overall, the strategy prioritizes differentiation over broad licensing volume, fostering loyalty among China's 100 million+ paid subscribers through exclusive, culturally resonant titles.

Technology and Platform Features

AI-Driven Innovations

iQIYI has integrated across its platform to enhance user engagement, content personalization, and production efficiency. The company's AI-driven recommendation system employs proprietary algorithms that achieve 98.6% accuracy in matching content to user preferences, powering 72% of views on the platform as of 2024. This system analyzes viewing history, search patterns, and behavioral data to curate tailored feeds, surpassing traditional methods by incorporating real-time feedback loops for dynamic adjustments. A key user-facing innovation is the Taodou AI assistant, launched to facilitate video searches, personalized recommendations, and plot summaries, which has deepened viewer immersion by enabling interactive queries during playback. Complementing this, the iJump feature— an AI-powered tool for skipping to pivotal scenes—garnered over 150 million interactions within 120 days of its 2025 rollout, reducing watch times for episodic content while maintaining narrative coherence through semantic analysis of dialogue and visuals. Similarly, the "Skip Watch" capability, introduced in 2025, uses to generate concise navigation summaries, allowing users to bypass filler segments based on predicted interest levels derived from aggregated . In , iQIYI leverages generative for production and , as evidenced by its 2025–2026 lineup collaborations emphasizing -enhanced to cut costs and accelerate timelines. The platform's OVA , featuring 1,000 characters from popular , has driven 1 million interactions since April 2025 by simulating real-time discussions and fan engagements. Additionally, automates subtitle translation with near-full adoption in select markets like by 2025, improving accessibility without manual intervention. These advancements stem from iQIYI's Innovation Lab, established to centralize R&D and integrate tools across the content lifecycle, from scripting aids to distribution optimization.

User Experience and Core Features

iQIYI's platform emphasizes a user-friendly interface characterized by its simplicity and cleanliness, facilitating easy navigation for content discovery and consumption. The app supports multilingual interfaces, subtitles, and search functionalities in users' preferred languages, including up to 12 languages for and subtitles across its version. Core playback options include adjustable speeds, high-definition streaming up to , and offline download capabilities for selected titles, enabling viewing on multiple devices such as smartphones, tablets, smart TVs, and channels. Personalization forms a cornerstone of the user experience, leveraging AI algorithms to deliver tailored content recommendations that have reportedly boosted engagement by 37% over conventional systems. Features like the AI-powered assistant assist with video searches, plot summaries, and individualized suggestions, while the iJump tool allows vertical swipes to access AI-curated highlights, accumulating over 150 million interactions within 120 days of launch in 2025. This extends to short-form content integration, where users swipe through personalized highlight reels, enhancing immersion without disrupting narrative flow. Interactive elements further enrich engagement, including bullet comments (danmu) for social overlay on videos, Heartbeat Mode for synchronized multi-sensory , and Revolving Bullet Comments for dynamic community interaction. enhancements, such as the 'Extra Large Font' mode introduced in December 2024, adapt the interface for older users with one-click adjustments to text size and functionality. Advanced offerings like content and cater to niche preferences, supporting iQIYI's strategy of blending technology with entertainment to sustain daily exceeding 100 million.

Financial Performance

iQIYI's revenue grew rapidly following its 2018 initial public offering on NASDAQ, driven by membership subscriptions, advertising, and content licensing. Annual revenue increased from approximately $3.64 billion in 2018 to a peak of $4.79 billion in 2021, reflecting expansion in user base and premium content investments amid China's booming online video market. Subsequent years saw stabilization and modest declines, with 2023 revenue at $4.50 billion and 2024 at $4.06 billion, attributed to intensified competition and economic pressures in China. Profitability remained elusive for much of iQIYI's history due to substantial upfront costs for content acquisition, original productions, and technology infrastructure, resulting in persistent net losses through 2022. Losses narrowed progressively, from $1.37 billion in 2018 to $20 million in 2022, as cost controls and revenue diversification took effect. The company achieved its first annual net profit in 2023 at $271 million, though this dipped to $105 million in 2024 amid higher operating expenses.
YearRevenue (USD billions)Net Income (USD millions)
20183.64-1,368
20194.00-1,483
20204.30-1,080
20214.79-971
20224.50-20
20234.50271
20244.06105
These trends highlight iQIYI's shift from aggressive growth to , though sustained profitability remains challenged by content spending and market saturation.

Recent Financial Challenges and Projections

In the second quarter of 2025, iQIYI experienced a significant contraction, with total revenues reaching RMB 6.63 billion (US$925.3 million), an 11% decrease from the same period in 2024. , comprising the of , declined 9% year-over-year to RMB 4.09 billion, primarily due to a lighter content release schedule that reduced subscriber engagement incentives. dropped 13% to RMB 1.27 billion, as macroeconomic headwinds in prompted advertisers to scale back budgets and shift strategies amid slower economic growth and heightened competition for ad dollars. These pressures contributed to an operating of RMB 46.2 million, reversing a RMB 342.1 million operating income from Q2 2024, while stood at RMB 133.7 million compared to prior-year of RMB 68.7 million. Cost of revenues decreased 7% to RMB 5.29 billion, reflecting reduced distribution transactions (down 37%) and overall expenses (down 8%), which helped mitigate some margin erosion through resource optimization. However, the shift to losses underscores broader challenges in the long-video streaming sector, including subscriber saturation, regulatory constraints on production, and intensified from platforms like and , which have eroded iQIYI's market share amid stagnant domestic demand. Non-GAAP operating income narrowed to RMB 58.7 million from RMB 501.4 million, indicating persistent profitability strains despite cost controls. Looking ahead, iQIYI has not provided specific quantitative guidance for Q3 or full-year 2025 revenues but anticipates sustained focus on AI-enhanced content personalization, short-form micro-dramas, and international expansion to counteract domestic headwinds and foster long-term subscriber growth. Management highlighted ongoing improvements and efficiency measures to bolster margins, though analysts note risks from continued ad market softness and content investment trade-offs, with consensus expecting modest revenue stabilization in late 2025 contingent on economic recovery in . The company plans to release Q3 2025 results on November 18, 2025, which may offer further clarity on these trajectories.

Market Position

Competition in the Chinese Streaming Sector

The Chinese online video streaming sector is characterized by an oligopolistic structure dominated by three major platforms: iQIYI, , and , which collectively control the majority of long-form video-on-demand (SVOD) amid fierce for subscribers, exclusivity, and . This competition intensified post-2020 regulatory crackdowns on tech firms, prompting a shift from aggressive subscriber growth to cost control and profitability, with platforms leveraging parent company ecosystems—Baidu's search and for iQIYI, Tencent's and networks for , and Alibaba's e-commerce for —to differentiate offerings. As of May 2025, Tencent Video led in monthly active users (MAUs) among long-form apps, followed closely by iQIYI and Youku, each surpassing 400 million MAUs, though short-form rivals like Douyin (766 million users) erode long-form engagement by capturing casual viewing time. In household penetration terms, Tencent Video reached 110.10 million households by October 2024, outpacing Youku's 91.63 million, while iQIYI's MAUs stood at 354 million in December 2024 compared to Tencent Video's 387 million. Revenue pressures highlight the stakes: iQIYI reported 29.23 billion yuan in 2024, down 8% from 31.9 billion yuan in 2023, reflecting high content acquisition costs and subscriber churn amid price competition. Competitive strategies center on exclusive original content and IP monetization, with platforms engaging in bidding wars for dramas and variety shows that drive 70-80% of viewership; iQIYI countered with micro-short dramas in 2024-2025 to boost retention, while Tencent Video integrates WeChat for social sharing and Youku ties into Taobao for merchandise upsell. However, escalating content spend—often exceeding 50% of revenue—has led to divergent paths: Tencent Video's aggressive pricing sustains volume but dips quarterly revenue, Youku relies on Alibaba subsidies post a $1.2 billion writedown in February 2024, and iQIYI pursues debt reduction and premium focus to achieve slim profitability. The sector's projected growth to add USD 192.1 billion from 2024-2029 at a 43.8% CAGR underscores potential, but antitrust scrutiny and short-form disruption pose ongoing risks to market concentration.

International Expansion Efforts

iQIYI has pursued international expansion primarily through its iQIYI (www.iq.com), which offers Asian TV series, films, and localized content to global audiences outside . The strategy emphasizes deep localization, including adapting content to regional preferences, developing original local programming, and forming partnerships with operators to bundle subscriptions. Overseas membership revenue grew 35% year-over-year in the second quarter of 2025, driven by markets such as , , and , where growth exceeded 80%. Key partnerships include a July 2025 collaboration with Indonesia's , leveraging the telecom's 170 million subscribers for and integrated subscription access via Telkomsel's services. This supported the launch of a dedicated platform featuring localized dramas, international titles, and original local productions. In , a September 2024 deal with Globecast enabled distribution of Asian entertainment content to pay-TV and telco operators, targeting millions of viewers. Additional telecom alliances, such as with Dito in the , CenturyLink in the , and in other regions, facilitate broader . Content initiatives bolster these efforts, including a global push for micro-dramas and AI-enhanced productions, with overseas revenue streams from bundled memberships and advertising. A October 13, 2025, partnership with Japan's focuses on worldwide distribution of iQIYI's original , aiming to tap into demand. Popular titles have achieved top rankings in over 10 markets, leading charts on iQIYI in 13 countries, including , , and the , as of July 2025. Average daily overseas subscribers hit a record high in Q2 2025, reflecting sustained localization and IP adaptation strategies.

Reception and Impact

Achievements and Market Influence

iQIYI has achieved significant recognition for its original content production, particularly in dramas and variety shows, securing multiple awards at international events such as the 2025 Global Awards, where its series "Northward" and "A Life for a Life" won three honors for excellence in storytelling and production quality. At its iJOY in September 2025, the platform announced over 400 new titles, highlighting strong performances from flagship dramas including "Drifting Away," "Feud," and "Coroner's," which contributed to its leadership in total drama viewership market share within . Financially, iQIYI marked a milestone by recording its first annual profit in , driven by membership services and cost efficiencies, with subscribing members reaching 101.1 million by December 31, . In 2025, despite domestic pressures, the company reported a 35% year-over-year increase in overseas membership , underscoring its growing footprint through micro-drama initiatives and AI-enhanced content strategies. As one of China's "big three" streaming platforms alongside and , iQIYI has exerted substantial influence on the domestic market by popularizing premium subscription models and high-production-value original , which shifted consumer preferences toward long-form serialized content and emotional engagement beyond mere viewing. Its emphasis on diverse formats, including short-form and AI-powered productions, has intensified competition, prompting rivals to invest in similar innovations while iQIYI maintains a top position in genres. Internationally, expansions into via partnerships like the June 2025 collaboration with Indonesia's have challenged global incumbents such as , capturing market share through localized Chinese content exports.

Criticisms of Business Practices

In April 2020, short-seller firm Wolfpack Research issued a report alleging that iQIYI systematically inflated its financial metrics and user engagement data to mislead investors. The report claimed iQIYI overstated its 2019 revenue by 8 billion to 13 billion yuan (approximately $1.13 billion to $1.98 billion) through fabricated barter transactions for content sub-licensing, improper recognition of dual-class membership revenues on a gross rather than net basis, and artificial inflation of average daily active users (VAU) by 42% to 60% via bot-generated views and non-human traffic. These practices, according to the analysis, predated iQIYI's 2018 initial public offering and continued thereafter, creating an illusion of robust subscriber growth and monetization efficiency despite underlying weaknesses in organic demand. The allegations triggered a U.S. Securities and Exchange Commission (SEC) investigation announced on August 13, 2020, focusing on potential accounting irregularities and disclosures related to revenue and user metrics. Investor class-action lawsuits followed, asserting that iQIYI and its parent Baidu misrepresented business prospects in IPO filings and subsequent reports; however, federal courts dismissed these suits in October 2024, ruling that plaintiffs failed to plead adequate evidence of scienter (intent to defraud) or motive beyond routine corporate incentives. iQIYI responded by initiating an independent internal review overseen by its audit committee, which concluded in October 2020 that no material discrepancies supported the short-seller claims, attributing some variances to standard industry practices like gross revenue reporting for partnerships. No formal SEC enforcement actions or admissions of wrongdoing have been publicly disclosed as of 2025. Beyond financial reporting, iQIYI has faced scrutiny over consumer-facing practices that prioritize revenue extraction over . In September 2021, Chinese outlet People's Daily criticized major platforms including iQIYI for restrictive free-tier policies—such as episode caps, mandatory waits between views, and ad bombardments—which were deemed to infringe consumer rights and hinder equitable access to content. iQIYI subsequently relaxed these limitations, allowing unlimited free playback with ads, amid broader regulatory pressure on the sector to curb exploitative tactics. Additionally, in May 2025, authorities identified irregularities in iQIYI's collection and usage, prompting an internal probe into compliance with privacy regulations, though details on findings remain pending. These episodes highlight tensions between aggressive monetization strategies and regulatory expectations for transparency and fairness in user interactions.

Controversies

Compliance with Government Censorship

iQIYI operates under China's comprehensive internet content regulations, enforced by the (CAC) and the (NRTA), requiring platforms to review, edit, or remove material that contravenes guidelines on , social morality, or ideological alignment. Non-compliance risks fines, content bans, or license revocation, prompting iQIYI to maintain internal censorship teams that preemptively excise politically sensitive elements from scripts and broadcasts, such as references to historical events like the or territorial disputes involving . In April 2018, iQIYI received a fine of 100,000 yuan (approximately $15,000) from regulators for disseminating films and series promoting "abnormal sexual relations," specifically targeting LGBT-themed content, as part of a broader signaling reduced for such depictions in media. This incident underscored iQIYI's obligation to align with evolving prohibitions on "non-mainstream" orientations, leading to routine scrubbing of narratives from domestic libraries. During the 2022 Russia-Ukraine conflict, iQIYI suspended weekend live streams of English soccer matches in March, citing displays of solidarity—including motifs and moments of reflection—that conflicted with China's official narrative minimizing the and eschewing anti-Russian rhetoric. The decision, whether directly ordered or self-imposed to avert scrutiny, exemplified how platforms filter international content to conform to Beijing's stance, including avoidance of terms like "invasion" or sanctions advocacy. iQIYI has also executed large-scale content purges in response to CAC directives; in May 2018, it collaborated with sites like and to delete 1.5 million video links and clips involving violence, obscenity, terrorism, or ethnic hatred, as reported by following a nationwide . Similarly, in August 2021, iQIYI halted production of "idol competition" shows for several years, heeding NRTA rules against "vulgar" fan-driven content that allegedly fostered materialism and eroded patriotic values. These measures reflect iQIYI's embedded role in the state's apparatus for ideological control, where operational survival hinges on demonstrated vigilance against perceived threats to social harmony.

Intellectual Property and Content Sourcing Issues

In the competitive Chinese streaming market, iQIYI has encountered intellectual property disputes primarily as both a rights holder pursuing infringers and an accused party in unauthorized content distribution cases. One prominent example involves the 2003 South Korean film Oldboy, directed by Park Chan-wook, which iQIYI streamed without proper authorization starting in 2016 and continuing for at least six years after the relevant license expired. South Korean distributor Showbox, along with producers Celsius Entertainment and Egg Films, issued a legal warning to iQIYI in August 2023, prompting the platform to remove the film within three days; however, iQIYI has reportedly resisted settlement efforts, leading Showbox to file a copyright infringement lawsuit in a Beijing court on May 14, 2024. This case highlights challenges in content sourcing, where platforms may retain expired licenses or overlook verification amid rapid library expansion. iQIYI's original productions have also drawn plagiarism accusations, reflecting broader issues in script and format sourcing within China's entertainment industry. In January 2025, the platform's hit drama Bleaching faced claims of copying elements from prior works, with the screenwriter issuing a public response defending the originality while acknowledging the controversy's impact on viewership. Earlier instances include iQIYI's 2018 survival show Idol Producer, accused by South Korean broadcaster Mnet of plagiarizing the format of Produce 101 without licensing, though Mnet clarified it was not an official replica but noted structural similarities that fueled industry-wide debates on intellectual property borrowing. Such allegations underscore systemic pressures in content creation, where rapid production cycles and format imitation are common to meet market demands, often blurring lines between inspiration and infringement. Despite these controversies, iQIYI emphasizes proactive enforcement, maintaining a dedicated team to detect and remove user-uploaded content upon reports, and initiating lawsuits against platforms like Douyin for algorithm-recommended infringements, as in a 2023 case awarding over RMB 1 million in damages. In 2021, CEO Gong Yu publicly criticized "soft " practices—such as early episode leaks by industry insiders—as a persistent threat to legitimate sourcing, estimating it causes billions in annual losses across the sector. These efforts contrast with sourcing lapses, illustrating iQIYI's dual role in a where empirical data from courts show rising litigation but uneven enforcement against major platforms.

Regulatory and Competitive Disputes

In 2022, the Court ruled in favor of iQIYI in an unfair competition lawsuit against entities involved in illegal leasing of iQIYI accounts, which enabled unauthorized access to premium content and membership privileges, awarding the company 2 million in damages. This case addressed practices that diluted iQIYI's subscription-based by circumventing paywalls through third-party account sharing. iQIYI has engaged in multiple disputes with short-video platforms over content rights. In a 2023 action against Douyin (ByteDance's equivalent), iQIYI alleged unauthorized clipping and distribution of its exclusive long-form videos, raising issues of pre-censorship obligations for that infringes copyrights. The lawsuit emphasized the competitive tension between streaming services investing in original productions and platforms profiting from derivative short clips without licensing fees. Similarly, a 2016-2019 case against YYHD ( Duowan) challenged unauthorized retransmission of iQIYI streams, influencing regulatory interpretations of online video distribution under China's anti-unfair competition laws. In 2021, iQIYI successfully sued for unfair competition, with the determining that the defendant's browser features for screen recording and one-click sharing facilitated of iQIYI's paid episodes, bypassing technological protections. Conversely, in 2023-2024, sued iQIYI alongside automaker for via in-vehicle systems that disseminated Tencent-licensed content without authorization, marking China's first such dispute involving automotive entertainment integration. Regulatory scrutiny has included data privacy enforcement. In May 2025, Chinese authorities identified irregularities in iQIYI's collection and use of user personal information, prompting the company to initiate an internal and remedial measures to align with national data protection standards. Potential mergers have also faced hurdles; in November 2020, Alibaba and halted separate talks to acquire controlling stakes in iQIYI due to antitrust regulatory concerns amid China's broader on tech sector consolidations. Internationally, iQIYI encountered legal challenges in , where in May 2024 the overturned a lower court's not-guilty verdict against the platform, escalating disputes potentially tied to content liability or cross-strait operational . These incidents reflect iQIYI's navigation of a competitive landscape marked by aggressive enforcement and evolving rules on ecosystems.

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