Fact-checked by Grok 2 weeks ago

Albert Pyun

Albert Pyun (May 19, 1953 – November 26, 2022) was an American filmmaker renowned for directing low-budget action, science fiction, and fantasy films, including cult classics such as Cyborg (1989), Nemesis (1992), and Captain America (1990). Born in Hawaii to a military family, Pyun spent his early years traveling between U.S. bases worldwide before settling back in the islands, where he developed a passion for filmmaking by watching action and horror movies in local cinemas frequented by Marines. During high school in Honolulu, he worked at local production houses and later interned in Japan on a Toshiro Mifune TV series under cinematographer Takao Saito, who had collaborated with Akira Kurosawa on Dersu Uzala (1975), an experience that influenced his visual style emphasizing composition, color, and balance. After editing commercials in , Pyun relocated to in the late 1970s and made his feature directorial debut with (1982), a sword-and-sorcery fantasy produced on a $4 million budget that grossed $40 million and became the highest-grossing in the U.S. that year. Over a prolific four-decade career spanning more than 50 projects, he specialized in B-movies with dystopian, post-apocalyptic, and noir elements, often featuring action stars like , , and , as well as genre actors including , , and . Pyun's influences included Stanley Kubrick, Sergio Leone, and Saito, leading to a distinctive aesthetic in films like Radioactive Dreams (1986), Dollman (1991), and the Nemesis series (1992–1996), though his work was frequently critiqued for its chaotic pacing and low production values despite innovative visuals on shoestring budgets. In his later years, he battled multiple sclerosis and dementia, conditions that contributed to his declining health. Pyun, who was married to producer Cynthia Curnan for over 25 years, died in Las Vegas, Nevada, at age 69; his ashes were scattered at Kailua Beach in Hawaii the following year.

Early life and education

Early life

Albert Pyun was born on May 19, 1953, in , then a U.S. territory, to a family of and descent. He grew up in a family, often referred to as a "," which led to frequent relocations to bases around the world during his early years. This nomadic lifestyle exposed him to diverse cultures from a young age, fostering a broad worldview that later influenced his filmmaking. Eventually, his family settled in , where Pyun spent much of his childhood on the windward side of , attending school in the small town of Kailua. In Hawaii, Pyun was immersed in a multicultural environment shaped by the island's unique blend of indigenous, Asian, and American influences, compounded by his family's global travels. He developed an early fascination with through frequent visits to low-rent theaters in , such as the Toho and Kokusai, where screenings catered to U.S. and locals alike. These venues screened a eclectic mix of blockbusters like films and Westerns, alongside Japanese chanbara (sword-fighting) movies and European imports, sparking his interest in storytelling traditions from both Eastern and Western perspectives. By age 10, Pyun was experimenting with , using his father's 8mm camera to create amateur spy movies inspired by and he encountered on screen.

Education

Pyun's formal education in film was shaped by practical experiences rather than traditional classroom settings, beginning with his early work in . While in high school in Kailua, he worked at local production houses such as HPC in roles including negative cutter, editor, sound editor, , and boom operator, learning editing from award-winning commercial editor . He also wrote, directed, and produced 16-millimeter short s. Following high school, Pyun was invited by actor to intern in , initially slated for Kurosawa's film (1975), but instead worked on a Mifune TV series under cinematographer , who had collaborated with Kurosawa. This experience honed his technical abilities in visual storytelling and in low-budget environments, while absorbing professional discipline from the production crews. After returning to the , Pyun relocated to in the late , bridging his early experimental work to professional opportunities.

Career

1980s breakthrough

Pyun entered feature with his directorial debut, The (1982), a sword-and-sorcery epic he co-wrote and directed, featuring as a prince wielding a multi-bladed in a medieval fantasy setting. Produced independently on a modest budget of $4 million, the film achieved substantial commercial success, grossing $39.1 million worldwide and capitalizing on the era's appetite for fantasy adventures amid the hype surrounding higher-profile releases like . This breakthrough established Pyun as a capable genre filmmaker adept at delivering spectacle on limited means. Throughout the mid-1980s, Pyun honed his craft through a series of low-budget assignments, including (1985), a post-nuclear blending and satire, and Dangerously Close (1986), a teen vigilante thriller produced by . These projects exemplified his work-for-hire approach, often for studios like Cannon Films, where he directed (1987), a fast-paced adventure-thriller starring and , shot amid the company's rapid production pipeline of B-movies. Pyun's early collaborations, particularly with Cannon executives and , highlighted his reputation for high-energy, efficient directing that maximized resources on tight schedules and shoestring budgets. By the end of the decade, Pyun shifted toward post-apocalyptic action with (1989), starring as a cybernetically enhanced navigating a dystopian wasteland. Produced by on a budget of under $500,000, the film was shot in just 23 days entirely in , relying on Van Damme's martial arts prowess and Pyun's kinetic style to create a gritty, high-stakes narrative that grossed over $10 million domestically. This quick-turnaround success solidified Pyun's foothold in the action genre, leveraging his proven ability to deliver marketable films under severe constraints.

1990s expansion

In the early 1990s, Pyun directed (1990), a adaptation starring as the titular hero battling the , followed by Dollman (1991), a sci-fi featuring as a diminutive alien cop shrunk to human size on Earth. These projects built on his genre expertise before (1992), a starring as a battling terrorists in a dystopian future, which launched a successful for the . The film's high-energy sequences and , achieved on a $2 million , established Pyun's signature blend of low-budget innovation and genre homage. This led to sequels including (1995) and (1996), both featuring bodybuilder as the genetically enhanced Alex, continuing the series' themes of human-machine conflict in releases. Pyun expanded his genre experimentation with Adrenalin: Fear the Rush (1996), a claustrophobic starring and , which fused horror elements like a cannibalistic with high-stakes in a quarantined urban maze. Produced by Filmwerks and Largo Entertainment, the film exemplified Pyun's efficient use of confined sets to build tension amid rising trends. He also directed Urban Menace (1999), a gritty urban horror- film featuring and in a tale of gang violence and demonic vengeance. Throughout the decade, Pyun maintained a prolific output, directing over a dozen films that capitalized on the burgeoning video-on-demand market, with budgets generally kept under $5 million to prioritize practical effects and rapid production. Key collaborations included repeated work with Olivier Gruner on action leads and Sue Price across multiple Nemesis entries, fostering a repertory style that enhanced continuity in his sci-fi projects. Pyun also shifted toward international co-productions to manage costs, incorporating global locations and talent while retaining creative control through his Filmwerks banner.

2000s challenges

During the 2000s, Albert Pyun navigated a challenging period in the market, where the collapse of the era and the rise of DVD distribution strained financing for low-budget , forcing him to adapt to even tighter constraints. Despite these shifts, Pyun directed several and projects, often collaborating with familiar B-movie talent to deliver fast-paced narratives on minimal resources. His output reflected a commitment to urban and supernatural themes, building on the momentum from his work. A key example of Pyun's resilience was The Wrecking Crew (2000), a crime thriller starring as an undercover cop targeting a mob family, shot with a lean crew to fit the era's reduced budgets. Similarly, Ticker (2001) paired with in a bomb-defusal story inspired by Speed, emphasizing Pyun's knack for high-stakes action sequences despite logistical hurdles like limited locations and effects. These films highlighted on-set dynamics where Pyun's improvisational style—honed from years of quick-turnaround productions—helped overcome scheduling pressures and cast availability issues. Pyun's adaptation to became crucial for sustaining his career, enabling cost-effective shooting that bypassed expensive and . This transition allowed him to complete ambitious projects like Left for Dead (2007), a filmed in with a budget under $500,000, starring Victoria Maurette as a in a showdown. The digital format facilitated rapid editing and integration, though it required Pyun to manage technical limitations, such as lower light sensitivity, through creative and location choices. Later in the decade, Pyun continued this approach with projects produced entirely on high-definition digital for efficient distribution in the emerging online and DVD market.

2010s and final works

In the 2010s, Albert Pyun's output slowed significantly compared to previous decades, with only a handful of feature films completed amid mounting health challenges that limited his ability to secure financing and distribution for larger projects. His perseverance was evident in low-budget genre efforts produced through his company, Curnan Pictures, often in collaboration with his wife, producer Cynthia Curnan, who played key roles in development and . This period marked a return to familiar motifs, including sword-and-sorcery revivals and action, as Pyun adapted techniques from his work to complete ambitious concepts on constrained resources. Pyun's decade opened with Tales of an Ancient Empire (2010), a sword-and-sorcery fantasy serving as an unofficial sequel to his 1982 debut The Sword and the Sorcerer, featuring a assembling warriors to battle a demonic sorceress in a mythical kingdom. Starring and , the film revived Pyun's early interest in epic fantasy but faced production hurdles, including reshoots and re-edits, resulting in a release that emphasized practical effects and atmospheric world-building over high spectacle. That same year, Bulletface (2010) explored a gritty narrative of revenge in a seedy of and experimental drugs derived from spinal fluid, blending aesthetics with elements in a tale of a corrupt agent seeking redemption. By 2012, Pyun delivered Road to Hell, a supernatural-tinged action thriller inspired by the 1984 cult film , following a war-weary soldier () confronting psychopathic killers and otherworldly forces on a desolate journey to rescue his kidnapped wife. Co-written and produced by Cynthia Curnan, the project spanned several years of intermittent shooting due to funding issues but earned recognition, winning Best Picture at the 2011 Yellow Fever Independent Film Festival in . This collaboration highlighted Pyun's reliance on family support, with Curnan handling logistical and creative duties to bring the film to completion despite Pyun's deteriorating condition. Pyun's final features, Interstellar Civil War: Shadows of the Empire (2017) and Nemesis 5: The New Model (2017), represented late-career genre experiments, with the former depicting interstellar conflicts in a sprawling sci-fi saga and the latter reviving his assassin franchise through a story of advanced androids navigating corporate and . These direct-to-digital releases underscored a shift to micro-budget productions, totaling around four films for the decade, focused on reviving sword-and-sorcery and tropes while adapting to physical limitations through remote oversight and refinements. No major posthumous feature releases followed Pyun's passing, though archival materials contributed to ongoing fan appreciation of his resilient output.

Artistic style and influences

Directorial techniques

Albert Pyun's directorial techniques were marked by fast-paced and kinetic , which infused his action-oriented films with urgency and momentum, especially under low-budget constraints. He often incorporated handheld shots to achieve dynamic, energetic visuals without the need for elaborate or cranes, creating a raw, immersive feel that compensated for limited resources. This approach was honed through his early career as an assistant editor starting at age 18, where he developed skills in rapid assembly to enhance narrative drive. Pyun excelled in efficient production scheduling, routinely completing in 2-4 weeks to align with the demands of financing. He maximized practical effects over until the early 2000s, drawing on ingenuity such as repurposing materials from abandoned projects to deliver convincing spectacle on shoestring budgets. This method not only ensured timely deliveries but also preserved a tangible, gritty aesthetic in his genre work. A key element of Pyun's style was his emphasis on , particularly through collaborations with Tony Riparetti on and electronic scores that amplified the intensity of sequences with driving rhythms and synthesizers. His improvisational directing encouraged significant actor input in and stunts, allowing for on-set spontaneity that adapted to unforeseen challenges and enriched performances within compressed timelines.

Recurring themes

Albert Pyun's films frequently explore post-apocalyptic settings, where resilience is tested against the backdrop of technological decay and . In works such as (1989) and (1992), protagonists navigate ruined worlds dominated by cyborg enforcers and warlords, emphasizing instincts and moral fortitude amid chaos. These narratives often depict anti-hero archetypes—flawed, rugged individuals who embody defiance against overwhelming odds, as seen in the lone of Cyborg or the cybernetically enhanced operative in Nemesis. Pyun has described these environments as practical choices for low-budget , yet they consistently serve to probe themes of human endurance in dystopian futures. A hallmark of Pyun's oeuvre is the prominence of strong female protagonists, who drive narratives of and physical agency. Characters portrayed by actresses like in The Sword and the Sorcerer (1982) and Warrior of the Lost World (1983) showcase resourceful women challenging patriarchal or authoritarian structures through cunning and combat prowess. Pyun deliberately cast athletic women, including bodybuilders like in Aces: Iron Eagle III (1992) and in the Nemesis sequels, to highlight their discipline and strength, often making them more formidable than their male counterparts. This approach underscores narratives, where female leads reclaim agency in high-stakes conflicts. Pyun's storytelling often blends genres, merging action with elements of horror, fantasy, and science fiction to critique corporate exploitation and authoritarian control. Films like Knights (1993) and Radioactive Dreams (1986) fuse cyberpunk aesthetics with post-apocalyptic horror, portraying megacorporations or tyrannical regimes as dehumanizing forces that protagonists must dismantle. This hybridity allows for layered commentary on power dynamics, where technological advancement exacerbates inequality and oppression. These motifs reflect Pyun's influences from 1970s New Hollywood's gritty realism, Stanley Kubrick's visual precision, Sergio Leone's epic storytelling, and Asian cinema's dynamic visuals and philosophical depth. His early exposure to films like , gained through an internship with , informed hybrid cultural storytelling that integrates Eastern martial arts precision with Western anti-establishment tropes. This synthesis is evident in the kinetic action sequences and moral ambiguities that recur across his body of work.

Personal life and health

Family and relationships

Albert Pyun married writer and producer Cynthia Curnan in 2014, and they remained together until his death in 2022. Curnan frequently collaborated with Pyun on his later projects, serving as producer and co-writer on films including Road to Hell (2008), Abelar: Tales of an Ancient Empire (2010), and Cyborg Nemesis: The Dark Rift (2013). Public details about Pyun's siblings or are limited, with little documented beyond his roots and the peripatetic lifestyle of his early years due to his family's ties to U.S. military bases. Pyun formed notable friendships within the low-budget genre film community, particularly with producer , leading to collaborations such as the 1986 cult sci-fi musical Vicious Lips, made under Band's Empire Pictures banner. These relationships fostered joint ventures that supported Pyun's prolific output in and cinema.

Illness and death

In 2013, Albert Pyun was diagnosed with (MS), a condition he publicly described as "full blown" and severe enough that some symptoms might be permanent. Over the following years, his symptoms progressed, including mobility limitations that required the use of a and other aids, as well as vision loss and , which he discussed in interviews and updates to raise awareness about living with the disease. Despite these challenges, Pyun continued directing films, including The Interrogation of Cheryl Cooper (2014) and Interstellar Civil War (2017), often managing productions from off-set due to his health constraints; his condition temporarily improved after the initial diagnosis, allowing him to maintain a creative output until MS complications intensified in the late . Pyun's wife and longtime collaborator, Cynthia Curnan, provided crucial support during his illness, helping him develop unfinished projects even as his ability to direct declined. He also used his platform for advocacy, sharing his experiences with to inspire other filmmakers facing health obstacles and encouraging resilience in the industry. Pyun died on November 26, 2022, at the age of 69 in , , from complications related to and . Curnan announced his passing on , noting she was with him for his final moments, and shared tributes highlighting his enduring passion for cinema. A celebration of life was held on January 14, 2023, at Kailua Beach in , where his ashes were scattered, with family and fans invited to honor his legacy.

Legacy

Critical reception

Albert Pyun's films received mixed critical reception throughout his career, often praised for their kinetic energy and resourceful low-budget filmmaking within the B-movie genre, while frequently criticized for formulaic narratives, uneven pacing, and limited production values. For instance, his 1989 Cyborg earned a 22% approval rating on based on 18 reviews, with critics noting its relentless action sequences but faulting the thin plot and wooden dialogue. Similar responses greeted other works like (1982), which showcased innovative sword-and-sorcery spectacle on a modest budget but was dismissed by mainstream reviewers for its derivative storytelling. Despite these shortcomings, Pyun's enthusiasm for genre filmmaking was consistently highlighted as a redeeming quality, allowing him to deliver high-octane entertainment that resonated with audiences seeking escapist thrills. Pyun cultivated a dedicated among genre enthusiasts, particularly in science-fiction and action communities, where his output is celebrated for pushing creative boundaries under financial constraints. Retrospectives in publications like have featured interviews underscoring his inventive approach to horror-adjacent elements, such as in (1986), praised for blending post-apocalyptic adventure with . Likewise, Video Watchdog contributor provided audio commentary for the 2022 Blu-ray release of , lauding Pyun's practical effects and visual flair as hallmarks of resourceful independent . This appreciation extended to fan-driven initiatives, including the 2019 book Radioactive Dreams: The Cinema of Albert Pyun by Justin Decloux, which analyzes his entire filmography and interviews collaborators to argue for his status as a prolific in . Scholars and critics have positioned Pyun as a transitional figure bridging exploitation cinema and the 1990s direct-to-video market, where he pioneered efficient, high-concept genre films amid shrinking theatrical opportunities. His work exemplifies the shift toward video distribution, as noted in discussions of low-budget action's evolution, with Pyun's rapid production style enabling over 40 features that adapted exploitation tropes to demands. This perspective frames his contributions as vital to the survival of independent genre filmmaking during industry consolidation. Following Pyun's death in 2022, a posthumous reevaluation has elevated his , with tributes emphasizing his enduring on audiences. The 2024 documentary Albert Pyun: King of Cult Movies screened at festivals like GlobeDocs, offering an intimate portrait of his career and health struggles while affirming his innovative spirit. Restored versions of his works, such as the 130-minute "Pyun Cut" of (1990), premiered at events including the Big Bad Film Fest in 2025, drawing acclaim for revealing the fuller vision compromised by studio interference. These screenings and releases have sparked renewed discussions, solidifying Pyun's reputation as a resilient force in B-movie history. Additionally, in September 2025, the "Pyun Cut" received a Blu-ray release from Yippee Ki-Yay Mother Video, further broadening access to Pyun's intended version.

Awards and honors

Albert Pyun received several nominations and awards throughout his career, primarily recognizing his contributions to low-budget , , and fantasy genres. His work earned acclaim in specialized festivals focused on and , highlighting his innovative approach to despite budget constraints. In , Pyun was nominated for a Saturn Award for Best Writing for his debut feature The Sword and the Sorcerer, co-written with Tom Karnowski, acknowledging his early storytelling in sword-and-sorcery fantasy. Pyun's later films garnered multiple wins at the , a showcase for underground and grindhouse-style cinema. His 2008 film Road to Hell won nine awards at the 2012 edition, including audience choice honors, while The Interrogation of Cheryl Cooper (2014) secured ten awards, such as the Grand Jury Prize for Biggest Baddest Mother. At the same event in 2012, Pyun received a Lifetime Achievement Award for his body of work as a pioneering filmmaker in the B-movie space. He was inducted into the B-Movie Hall of Fame as part of the 2011 Golden Cob Awards, celebrating his enduring influence on cult and horror-adjacent cinema. In 2013, Pyun received the Groundbreakers Lifetime Achievement Award from the BUT (Breda, ), and in 2018, Nemesis 5: The New Model won Best Feature Film - Science Fiction at the Los Angeles Film Awards, recognizing his continued output in the Nemesis series. Posthumously, following Pyun's death in 2022, he was honored with Vulture's inaugural Stunt Award for Lifetime Achievement in 2023, praising his audacious action sequences made on shoestring budgets. The 2024 documentary Albert Pyun: King of Cult Movies, directed by Lisa D'Apolito, premiered at the as a tribute to his career, featuring retrospectives on his genre-defining films.

References

  1. [1]
    Albert Pyun Dead: 'Nemesis,' 'Cyborg' Cult Filmmaker Was 69 - Variety
    Nov 27, 2022 · Born May 19, 1953 in Hawaii, Pyun was raised as a military child, living on bases across the world before his family settled back in the ...Missing: biography | Show results with:biography
  2. [2]
    Albert Pyun death: 'Sword and the Sorcerer' director was 69
    Nov 27, 2022 · Albert Pyun, a genre filmmaker known for cult classics such as “The Sword and the Sorcerer” and “Cyborg,” has died. He was 69.
  3. [3]
    Unsung Auteurs: Albert Pyun - FilmInk
    Born in 1953 in Hawaii, Albert Pyun grew up watching movies on his island home's low-rent cinemas, which were largely attended by US Marines.Missing: biography | Show results with:biography
  4. [4]
    Captain America: Albert Pyun Cut
    Aug 1, 2025 · Albert Pyun was born on May 19, 1953. He went to school in Kailua, a small town located on the windward side of Oahu. Early on, he received an ...Missing: family background
  5. [5]
    AN INTERVIEW WITH ALBERT PYUN (PART 1 OF 2)
    Albert Pyun is a filmmaking legend in the arena of low-budget genre and action movies, with credits like THE SWORD AND THE SORCERER (1982), ...
  6. [6]
    Interview: Albert Pyun | Sorbo Writer's Blog
    Albert Pyun began his film career in 1982 with the action-adventure flick, “The Sword and Sorcerer,” one of the top grossing independent films of all time.
  7. [7]
    Albert Pyun Interview, the man who brought us cyborgs - Budomate
    Today I have a wonderful opportunity to talk to American film director Albert Pyun, who mixed martial arts with science fiction and shot a lot of cyborg ...
  8. [8]
    The Sword and the Sorcerer (1982) - IMDb
    Rating 5.5/10 (8,575) Albert Pyun's minor budgeted sword and sorcery foray is just as amusing ... Gross US & Canada. $39,103,425. Opening weekend US & Canada. $1,798,879; Apr 25 ...Full cast & crew · Parents guide · Trivia · 1 of 108<|separator|>
  9. [9]
    The Sword and the Sorcerer (1982) - Box Office and Financial ...
    Financial analysis of The Sword and the Sorcerer (1982) including production budget, domestic and international box office gross, DVD and Blu-ray sales ...
  10. [10]
    Albert Pyun(1953-2022) - IMDb
    Pyun's work with Cannon Pictures saw him direct more films for the company than any other filmmaker and his involvement with "Spider-Man" and "Masters of the ...
  11. [11]
    Down Twisted (1987) - IMDb
    Rating 5.2/10 (1,148) Down Twisted: Directed by Albert Pyun. With Carey Lowell, Charles Rocket ... DownTwisted is not a good movie but Charles Rocket made it bearable. Carey ...Missing: 1986 | Show results with:1986
  12. [12]
    10 Things You Didn't Know About Cyborg – BULLETPROOF ACTION
    Apr 26, 2018 · Pyun filmed a graphic demise for Brick and actually spent a portion of his limited budget to have a fake Rolf Moeller head made up so Gibson ...
  13. [13]
    Cyborg (1989) - IMDb
    Rating 5/10 (36,434) Cyborg: Directed by Albert Pyun. With Jean-Claude Van Damme, Deborah Richter, Vincent Klyn, Alex Daniels. A martial artist hunts a killer in a ...Full cast & crew · Jean-Claude Van Damme as... · Parents guide · CyborgMissing: shooting | Show results with:shooting
  14. [14]
    Cyborg (1989) - Box Office and Financial Information - The Numbers
    Financial analysis of Cyborg (1989) including production budget, domestic and international box office gross, DVD and Blu-ray sales reports.Missing: shooting | Show results with:shooting
  15. [15]
    Cyborg (1989) - Qwipster | Movie Reviews
    Apr 11, 2019 · The entire production, from concept to wrap, was completed in less than three-and-a-half weeks, with a couple more months where Van Damme ...
  16. [16]
    Nemesis (1992) - IMDb
    Rating 5.4/10 (7,465) Nemesis: Directed by Albert Pyun. With Olivier Gruner, Tim Thomerson, Cary-Hiroyuki Tagawa, Merle Kennedy. Alex, a burned out LA cyborg cop, ...Albert Pyun(1953-2022) · Olivier Gruner · TriviaMissing: Captain Ron Adrenalin
  17. [17]
    Nemesis (1993) - Box Office and Financial Information - The Numbers
    Production Budget: $2,000,000 (worldwide box office is 1.0 times production budget). Infl. Adj. Dom. BO, $5,466,836. Latest Ranking on Cumulative Box Office ...
  18. [18]
    Nemesis 2: Nebula (Video 1995) - IMDb
    Rating 3.8/10 (2,186) Nemesis 2: Nebula: Directed by Albert Pyun. With Sue Price, Chad Stahelski, Tina Cote, Earl White. It has been 73 years since Alex failed and the Humans ...
  19. [19]
    Nemesis 3: Time Lapse (Video 1996) - IMDb
    Rating 3/10 (1,643) Nemesis 3: Time Lapse: Directed by Albert Pyun. With Sue Price, Tim Thomerson, Norbert Weisser, Xavier Declie. Alex again fighting the cyborg mercenaries in ...
  20. [20]
    Adrenalin: Fear the Rush (1996) - IMDb
    Rating 3.8/10 (3,986) Director/writer Albert Pyun had said in interviews he wanted to restore and release a 110 minute Director's Cut restoration of the film. This version is set ...
  21. [21]
    Adrenalin: Fear the Rush (1996) - Moria Reviews
    Jul 31, 2003 · Production Company – Largo Entertainment/Filmwerks/Toga Productions. Cast. Natasha Henstridge (Delon), Christopher Lambert (Lemieux), Norbert ...Missing: details | Show results with:details
  22. [22]
    Incredibly Strange and Ridiculously Cheap: Albert Pyun's 30-Year ...
    Dec 6, 2012 · Albert Pyun is a legend among low-budget movie-makers. He's probably directed more movies about cyborgs than anyone else.Missing: 1990s | Show results with:1990s
  23. [23]
    Albert Pyun & The Birth of Filmwerks - The Schlock Pit
    Jun 10, 2020 · “Filmwerks was a small operation. Basically, there were four of us: Albert, Tom, me and then our line producer, Jessica Budin.Missing: early | Show results with:early
  24. [24]
    Urban Menace (Video 1999) - IMDb
    Rating 1.9/10 (2,141) Urban Menace: Directed by Albert Pyun. With Snoop Dogg, Big Pun, Ice-T, Fat Joe. An insane preacher (Snoop Dogg) seeks retribution from the local crime ...Missing: Left Bulletproof
  25. [25]
    Left for Dead (2007) - IMDb
    Rating 3.2/10 (1,295) A desperate criminal and a merciless posse become trapped in a remote Mexican ghost town by a vengeful demon.Missing: digital | Show results with:digital
  26. [26]
    Legendary Filmmakers Albert Pyun and Cynthia Curnan Overcome ...
    Jul 9, 2018 · The 1980s was a highly productive decade for him, with the release of Dangerously Close (1986), Vicious Lips (1986), Down Twisted ... Mean Guns ( ...
  27. [27]
    Tales of an Ancient Empire | Rotten Tomatoes
    Rating 3% (20) Synopsis A princess gathers the world's five greatest warriors to save her kingdom from a very evil sorceress. Director: Albert Pyun.
  28. [28]
    Abelar: Tales of an Ancient Empire (2010) - IMDb
    Rating 2.3/10 (1,737) A princess is on a quest to unite the five greatest warriors to save her kingdom from a demon sorceress.
  29. [29]
    Bulletface (2010) - IMDb
    Rating 3.2/10 (935) Overall, this movie is a solid low budget noir with some very strange elements tossed in to set a weird tone that is unique to the best films of Albert Pyun.
  30. [30]
    Road to Hell - Rotten Tomatoes
    Road to Hell ... A soldier is driven mad by war and travels home to find salvation in the arms of his first love. On the road, he encounters two spree killers ...
  31. [31]
    Road to Hell (2008) - IMDb
    Rating 4.9/10 (978) Road to Hell: Directed by Albert Pyun. With Michael Paré, Clare Kramer, Courtney Peldon, Deborah Van Valkenburgh. A soldier who has been fighting a long war ...
  32. [32]
    Albert Pyun: The Trailblazing B-Movie Auteur - Flickering Myth
    Nov 27, 2022 · Video-era movie buffs were hugely saddened by the news that Albert Pyun has left the mortal coil. ... Urban Menace. One of the more interesting ...
  33. [33]
    Review: Albert Pyun King of Cult Movies. Tribute to an amazing talent
    Jul 18, 2024 · Review: Albert Pyun King of Cult Movies pays tribute to filmmaker Albert Pyun by telling his story and his contribution to cinema history.
  34. [34]
    The Audacity of Albert Pyun, Vulture's Stunt Award Winner
    by this point a woman, played by a positively jacked Sue Price. The film itself ...
  35. [35]
    AN INTERVIEW WITH ALBERT PYUN (PART 2 OF 2)
    Despite serious health issues (he was recently diagnosed with early onset dementia), Pyun continues to bring his unique visions to the screen, with films such ...Missing: directing wheelchair
  36. [36]
    Albert Pyun from A to Z - bulletproof action
    Jan 24, 2025 · Born in Hawaii on May 19, 1953 Albert would make his directorial debut with 1982's The Sword and the Sorcerer. Over the course of his filmmaking ...
  37. [37]
    Cynthia Curnan - IMDb
    Cynthia Curnan is known for Interstellar Civil War: Shadows of the Empire (2017), Road to Hell (2008) and Cyborg Nemesis: The Dark Rift (2013).
  38. [38]
    https://www.vanityfair.com/hollywood/2022/11/albert-pyun-auteur-of-the-vhs-era-has-died-at-age-69
  39. [39]
    The Artistic Flair of Low-Budget Auteur Albert Pyun
    Jan 6, 2023 · Albert Pyun created a movie that is indicative of the action genre in the late 80s/early 90s, yet retains his signature style that elevates Nemesis to cult ...
  40. [40]
    Albert Pyun, B-Movie Film Director, Has Passed Away - Gizmodo
    Nov 27, 2022 · Filmmaker Albert Pyun passed away on Saturday in Las Vegas at the age of 69, reports Variety. The news was confirmed by his wife and producer Cynthia Curnan on ...Missing: 1980s | Show results with:1980s
  41. [41]
    Well, the preliminary diagnosis is "full blown MS" and it's severe ...
    Aug 21, 2013 · Well, the preliminary diagnosis is "full blown MS" and it's severe enough to where my current symptoms could be permanent and there's a chance ...
  42. [42]
    Albert Pyun Dead: Director of 'Cyborg,' 'Captain America' Was 69
    Nov 27, 2022 · Born in Hawaii on May 19, 1953, Pyun worked as a commercial film editor before moving on to features. He was known for his prolific output ...Missing: biography | Show results with:biography
  43. [43]
    Memorial service set for Hawaii-born filmmaker Albert Pyun
    Jan 12, 2023 · He was 69. Multiple media reports said he had previously been diagnosed with multiple sclerosis and dementia. Pyun is a graduate of Kailua High ...
  44. [44]
    Cyborg | Rotten Tomatoes
    Rating 22% (18) In a future beset by chaos and violence, mercenary Gibson Rickenbacker (Jean-Claude Van Damme) is charged with a mission that could change everything.
  45. [45]
    Albert Pyun Is A Great Director - Film Trap
    Jul 19, 2017 · After seeing a huge chunk of Albert Pyun's filmography, I have no problem calling him one of the most imaginative, independent and enthusiastic directors.
  46. [46]
    I got to interview Albert Pyun years ago for Fangoria magazine about ...
    Nov 17, 2022 · I got to interview Albert Pyun years ago for Fangoria magazine about one of my absolute favorite movies, Radioactive Dreams.Road to Hell blu-ray ultimate edition released - FacebookKnow what movies doesn't get enough love? Detroit Rock cityMore results from www.facebook.com
  47. [47]
    The Sword and the Sorcerer - Horror DNA
    Rating 4.0 · Review by Robert GoldMar 28, 2022 · Director Albert Pyun is joined by Video Watchdog's John Charles for a newly-recorded audio commentary celebrating the film's fortieth ...
  48. [48]
    Radioactive Dreams: The Cinema of Albert Pyun - Amazon.com
    In the first book dedicated to Albert Pyun, Justin Decloux reviews all 44 of the auteur's films and interviews key collaborators.
  49. [49]
    [PDF] FILM STUDIES FEBRUARY 2001 - ePrints Soton
    direct to video directors of Cyborg films - Albert Pyun. The emphasis on ... 1980s - early 1990s as direct to video releases. Although many can be read ...
  50. [50]
    ALBERT PYUN: KING OF CULT MOVIES is screening here as part ...
    Oct 20, 2024 · ALBERT PYUN: KING OF CULT MOVIES is screening here as part of GlobeDocs on Wednesday, October 23! · Impeccable vibes from the original trailer ...Missing: 2022-2025 | Show results with:2022-2025
  51. [51]
    INDIVIDUAL TICKETS - Big Bad Film
    9:00 pm - WEST COAST PREMIERE Pyun Cut - Captain America (dir. Albert Pyun). SUNDAY, August 24th. 12:00 PM - Shorts Block. 2:00 PM - WORLD PREMIERE Affinity ...Missing: 2022-2025 | Show results with:2022-2025
  52. [52]
    Restoring Albert Pyun's Captain America — a lost hero returns
    Jul 15, 2025 · Captain America is back from a decades-long slumber to right the wrongs of the past and show us all the true meaning of heroism.
  53. [53]
    The Sword and the Sorcerer (1982) - Awards - IMDb
    1983 Winner Saturn Award. Best Supporting Actor. Richard Lynch · Albert Pyun. 1983 Nominee Saturn Award. Best Writing. Albert Pyun · Tom Karnowski ...
  54. [54]
    Road to Hell Wins Nine Awards at PollyGrind Film Festival 2012
    Oct 22, 2012 · Albert Pyun's Road to Hell, an unofficial sequel to the 1984 rock & roll fable Streets of Fire, swept up nine awards at the recently concluded ...
  55. [55]
    Albert Pyun's INTERROGATION OF CHERYL COOPER Takes Ten ...
    Oct 27, 2014 · Albert Pyun's INTERROGATION OF CHERYL COOPER Takes Ten Awards At Pollygrind ... A movie that almost wasn't has taken a big bag of awards at a ...
  56. [56]
    True Crime Reigns Supreme Over 100-plus PollyGrind Film Festival ...
    Legendary filmmaker Albert Pyun was another big winner at PollyGrind 2012. In addition to taking home a Lifetime Achievement Award for being a Filmmaker of ...
  57. [57]
    Golden Cob Award Winners - Horror Society
    Jun 28, 2011 · Albert Pyun. The Bob Wilkins Best Horror Host Award Sammy Terry. Mitchell Wells. Founder and Editor in Chief of Horror Society. Self proclaimed ...
  58. [58]
    Albert Pyun - Awards - IMDb
    Albert Pyun · 2013 Winner BUT Groundbreakers Lifetime Achievement Award. Lifetime Achievement. Los Angeles Nollywood Film Awards. Nemesis 5: The New Model (2017).
  59. [59]
    Albert Pyun - King of Cult Movies | Sitges Film Festival
    Over his forty-year career, Albert Pyun made genre films against the tide, but with actors of the caliber of Burt Reynolds, Dennis Hopper and Charlie Sheen.Missing: tribute | Show results with:tribute