Alex Vargas
Alexander Vargas Blay (born February 17, 1988), known professionally as Alex Vargas, is a Danish singer, songwriter, guitarist, and producer of Uruguayan and Danish-English descent. Born in Hørsholm, Denmark, to a Uruguayan father and a Danish-English mother, he blends influences from rock, soul, and pop in his music.[1][2][3] Vargas began his music career at age 17, signing with Geffen Records and co-founding the English pop-rock band Vagabond.[4] The group gained recognition with their debut album You Don't Know the Half of It, which reached the UK Top 30, and performances at major festivals including Glastonbury and T in the Park by age 21.[3][5] Transitioning to a solo career in the early 2010s while based in London, he released his debut EP Stories in 2013, followed by albums such as Cohere (2017) and singles like "Higher Love" and "Get Right" (2025).[6][7] His solo work has earned praise for its emotional depth and versatile production, with collaborations and appearances expanding his reach.[8] In 2023, he made a notable cameo in season 3 of the Apple TV+ series Ted Lasso, performing a cover of The Beatles' "Hey Jude" as a busker.[9] Based in Copenhagen as of 2025, Vargas continues to tour and release music through Embassy of Music.[10]Early life
Family background
Alex Vargas was born on February 17, 1988, in Hørsholm, Denmark.[11] He grew up in a multicultural household shaped by his mixed heritage, with a Danish-English mother and a Uruguayan father.[12] His father's Uruguayan background contributed to a diverse family environment that influenced Vargas's early worldview and artistic perspective.[13] This multicultural upbringing, blending Danish, English, and South American elements, fostered a unique cultural lens that later permeated his music.[14] Vargas's father played a pivotal role in introducing him to music from a young age, sparking his lifelong passion for the art form.[15] Growing up in Denmark amid this blend of influences, Vargas developed an early appreciation for diverse sounds that would shape his identity.[8]Relocation and early musical pursuits
At the age of 16, Vargas met a manager in Denmark who recognized his potential and encouraged him to pursue a professional music career, prompting his decision to leave his homeland.[13][16] Influenced by his father's involvement in music, which provided early exposure to the craft, he prepared for this transition by experimenting with singing and playing instruments from around age 14.[13][16] The following year, at 17, Vargas relocated to London to immerse himself in the city's vibrant music scene and advance his ambitions.[17][16] There, he focused on honing his abilities as a guitarist—having first picked up the instrument two years prior—and as a songwriter, drawing from personal experiences to craft original material.[16] Vargas's early days in London involved informal performances on the UK club circuit, where he played over 120 shows to build his stage presence and refine his sound.[17] During this formative period, he developed an acoustic folk style characterized by raw, introspective songwriting and guitar-driven arrangements, often performing solo sets that emphasized emotional storytelling.[18][17]Career
Vagabond era
Following his relocation to London at age 17 in 2005, Alex Vargas formed the band Vagabond in 2008 after signing with Geffen Records.[19] Vagabond's lineup featured Vargas as lead vocalist and acoustic guitarist, alongside Luke Fitton on lead guitar and backing vocals, Stephen Carter on rhythm guitar and backing vocals, Sam Odiwe on bass, and Danny Roscott on drums and percussion.[20] The group released their debut and only album, You Don't Know the Half of It, produced by the pop production team Xenomania, on August 17, 2009; it debuted at number 27 on the UK Albums Chart.[19] Over the next year, Vagabond toured intensively across the UK, completing two sold-out headline tours and sharing stages at major festivals such as Glastonbury and T in the Park, while also supporting acts like James Morrison and The Script.[21][13] Despite this momentum, internal and external pressures mounted, including a toxic relationship with the label that enforced a polished pop sound misaligned with Vargas's vision, leading him to disband the group on February 16, 2010, to explore a more raw solo direction.[13][17]Solo breakthrough
Following the disbandment of Vagabond in February 2010, Alex Vargas pursued a solo career while based in London, leveraging the polished pop foundation from his band days to explore a rawer, more introspective sound.[17] A key early milestone arrived in October 2013, when Vargas served as a guest vocalist for the trance group Above & Beyond during their acoustic world tour, contributing his soulful delivery to reimagined versions of tracks such as "Sun & Moon" and "Thing Called Love" alongside a 15-piece ensemble. This high-profile collaboration, which included performances at venues like the Greek Theatre in Los Angeles, highlighted his vocal range and helped establish his solo presence beyond the band context.[22] That year, Vargas independently released his debut solo EP Howl on Tiger Music, an eight-track collection that introduced his genre-blending style of pop, soul, and electronic elements through songs like "Settled in the Cold" and the title track.[23] In 2014, he signed with the Danish label Copenhagen Records, enabling broader production support as he collaborated with producer Tommy Sheen on new material.[8] Vargas's solo breakthrough solidified in 2016 with the release of his second EP, Giving Up the Ghost, also via Copenhagen Records, which expanded on themes of vulnerability and redemption across six tracks including "Solid Ground" and "Wear Your Demons Out."[24] The EP's lead single, "Shackled Up," became his first major hit, peaking at number 4 on the Danish Track Top-40 chart and achieving Platinum certification for over 60,000 units sold.[12][25][26]Later career and collaborations
In 2017, Vargas expanded his songwriting contributions internationally by co-writing "Beautiful Mess," which served as Bulgaria's entry for the Eurovision Song Contest and achieved second place with 615 points.[12][27] That same year, he released his second studio album, Cohere, which debuted at number 11 on the Danish Albums Chart.[28] Building on the momentum from his breakthrough singles, Vargas continued his solo trajectory with the conceptual EGO trilogy in 2019, culminating in the full album EGO (super/trip/maniac), which peaked at number 14 on the Danish Albums Chart.[29] The project was preceded by the EPs superEGO in May and EGOtrip in the same year, exploring themes of self-reflection through alternative pop and R&B elements.[12] Vargas signed as a writer with Broadcast Music, Inc. (BMI) and secured publication through Atlas Music Publishing, enabling broader opportunities for external collaborations.[4] In 2021, he participated in season 11 of the Danish television program Toppen af Poppen, where he performed covers and interpretations of popular Danish songs, later compiling selections into the EP Alex Vargas Synger Toppen Af Poppen.[30] This appearance highlighted his versatility as an interpreter of contemporary Danish music.[31] His third studio album, Big Big Machine, arrived in 2023 via Stellar Records and Embassy of Music, marking a return to full-length releases and reaching number 3 on the Danish Albums Chart.[32][33] The album's production emphasized Vargas's growth as a producer and songwriter, incorporating live instrumentation to amplify its emotional depth. In 2025, Vargas released several singles including "Something in the Air" in March, "In The Air" and "Get Right" in June, and "Die Young" (featuring Matoma) in October, signaling continued activity ahead of his fourth studio album VERTIGO, slated for early 2026.[34]Musical style and influences
Musical style
Alex Vargas's music primarily encompasses rock, soul, and alternative genres, often fusing elements of contemporary R&B with vintage soul influences to create a distinctive, genre-blending sound.[35][4] His work draws from blues and pop traditions, incorporating raw emotional depth and melodic accessibility that bridges intimate singer-songwriter vibes with broader anthemic structures.[36] This fusion is evident in his ability to layer soulful grooves with alternative edges, resulting in tracks that feel both timeless and modern.[37] Vargas's vocal style is characterized by its soulful, bluesy, and deeply emotional delivery, often drawing comparisons to Stevie Winwood and Robert Palmer for its smooth, smoky timbre and expressive range.[36] His voice employs a rich croon with delicate falsetto elements, conveying vulnerability and intensity in equal measure, which enhances the introspective quality of his performances.[36] Thematically, his lyrics are poetic explorations of love, introspection, and personal struggle, blending reflections on loss, longing, and emotional catharsis with moments of hope and acceptance.[36][37] Over the course of his career, Vargas's style has evolved from acoustic folk roots, emphasizing traditional singer-songwriter simplicity, to more produced soul arrangements featuring orchestral and choral layers.[18][37] Guitar serves as his primary instrument, often providing the foundational acoustic or electric backbone, complemented by intricate production that includes big-band orchestration, synth elements, and hazy harmonies for added depth.[38][37] This progression highlights his growth toward richer, more immersive sonic landscapes while retaining a core emotional authenticity.[18]Influences
Vargas has identified Aretha Franklin and Sam Cooke as his favorite vocalists, highlighting their profound impact on his approach to singing.[6] These influences stem from his repeated listening to classic soul tracks from the 1960s and 1970s, which he returns to consistently amid a broader palette of music.[6][16] His inspirations extend to the soul and rock eras of the 1960s and 1970s, which shaped elements of his later work, such as the album Big Big Machine.[39] In contemporary terms, Vargas has expressed admiration for Hiatus Kaiyote, describing them as a fantastic Australian band whose inventive R&B contributes to his evolving sound.[40] He also draws from modern artists like D’Angelo, particularly the album Voodoo, which captivated him intensely.[40] On a personal level, Vargas's father played a key role in his musical development, providing early exposure and encouragement that influenced his path into music from a young age.[13] This foundation, combined with his eclectic listening habits—including frequent returns to soul classics and explorations of diverse genres like those of Kendrick Lamar and Led Zeppelin—has fostered a versatile artistic perspective.[16] These external sources contribute to the soulful essence evident in his vocal delivery and songwriting.Discography
Studio albums
Alex Vargas's debut studio album, Rookie, was released in 2003 under the name Alexander Vargas Blay on VIA Music. Recorded when Vargas was just 15 years old, the album showcased early influences of alternative rock and pop, marking the beginning of his musical journey in Denmark.[41] It received modest attention as a promising start for the young artist but did not achieve significant commercial success.[1] Vargas's first solo studio album under his professional name, Cohere, arrived on March 31, 2017, via Copenhagen Records, blending electronic pop with ambient and orchestral elements. Produced with contributions from Christian "Leggy" Kjellberg, the album features heartfelt strings, somber keys, and indie energy, earning praise for its thought-provoking tracks and Vargas's versatile vocals.[42] Certified gold by IFPI Denmark in 2021, it peaked at number 11 on the Danish album charts, spending five weeks in the top 40.[43][44] Critics highlighted its big-band production and choral arrangements as innovative, though some noted its abstract style challenged easy categorization.[37] The 2019 release EGO (super/trip/maniac), issued on October 18 through Copenhagen Records, compiles tracks from Vargas's earlier EPs into a cohesive full-length exploring themes of introspection and relationships. Self-produced with a focus on alternative R&B, it features dynamic shifts from introspective ballads to upbeat rhythms, lauded for Vargas's emotive delivery and genre-blending success.[45] The album reached number 14 on the Danish charts in its single week.[29] Reviewers appreciated its underappreciated depth, calling it a standout for its vocal prowess and emotional resonance.[46] Vargas's third solo studio album, Big Big Machine, was released on March 3, 2023, by Stellar Records and Embassy of Music, embracing a more extroverted sound inspired by 1960s and 1970s rock and pop aesthetics. Written and recorded collaboratively, it emphasizes radio-friendly melodies and kinetic energy while retaining Vargas's signature vocal strength.[47] The record achieved his highest Danish chart position to date, peaking at number 3.[32] It garnered positive reception for its fun, colorful production and nostalgic influences, positioning it as a vibrant evolution in his discography.[39][48]Extended plays
Alex Vargas released his debut solo extended play, Howl, in 2013 through Tiger Music, marking his transition from band work to a solo artist exploring introspective indie pop and rock elements.[23] The EP, featuring tracks like "Settled in the Cold" and "Howl," showcased Vargas's raw vocal style and guitar-driven compositions, serving as an early vehicle for his personal songwriting amid his relocation and initial solo pursuits.[49] With a runtime of approximately 20 minutes, it laid the groundwork for his evolving sound without achieving significant commercial chart success at the time.[23] In 2016, Vargas issued Giving Up the Ghost via Copenhagen Records, a pivotal EP that bridged his early work and full-length albums while propelling his breakthrough in Denmark.[50] Peaking at number 14 on the Danish Albums Chart and certified gold by IFPI Denmark, the release included standout tracks such as "Shackled Up" and "Solid Ground," blending alternative R&B with electronic influences to highlight themes of emotional vulnerability and resilience.[51][52] This EP's success, driven by viral singles, solidified Vargas's reputation and facilitated collaborations, acting as a transitional piece toward his 2017 album Cohere.[53] Vargas continued his exploratory phase with two EPs in 2019 under Copenhagen Records: superEGO and EGOtrip, which together formed part of a conceptual trilogy later compiled as EGO (super/trip/maniac).[12] Released on May 3, superEGO delved into alternative R&B with tracks like "What You Wish For" and "Silent Treatment," emphasizing introspective lyrics on self-doubt and relationships to bridge the gap between Cohere and subsequent full releases. Follow-up EGOtrip, out on May 24, shifted toward synth-funk and pop soul with songs including "Girls on Millionaires," maintaining thematic continuity while experimenting with more upbeat, electronic production to reflect career evolution during a period of creative reinvention.[54] These EPs underscored Vargas's versatility without notable chart peaks but reinforced his role in Denmark's alternative scene.[55] Tying into his television appearance on the Danish show Toppen af Poppen in 2021, Vargas released Alex Vargas Synger Toppen Af Poppen through Sony Music Entertainment, featuring reinterpreted covers of Danish pop classics alongside originals like "Police Bells & Church Sirens."[56] The EP, comprising six tracks such as "Elskes Af Dig" and "Suk," highlighted his interpretive skills and connected his solo trajectory to broader cultural moments, serving as a lighter, transitional release amid preparations for later albums.[57] This project emphasized Vargas's adaptability, bridging experimental EPs with mainstream accessibility.[58]| Title | Release Date | Label | Peak Chart Position (Denmark) | Key Themes/Role |
|---|---|---|---|---|
| Howl | October 7, 2013 | Tiger Music | - | Early solo transition; introspective rock |
| Giving Up the Ghost | January 22, 2016 | Copenhagen Records | 14 | Breakthrough; emotional R&B exploration |
| superEGO | May 3, 2019 | Copenhagen Records | - | Self-doubt; conceptual trilogy start |
| EGOtrip | May 24, 2019 | Copenhagen Records | - | Synth experimentation; trilogy continuation |
| Alex Vargas Synger Toppen Af Poppen | September 5, 2021 | Sony Music Entertainment | - | TV-tied covers; cultural bridging |
Singles
Alex Vargas's singles discography features a series of releases that highlight his evolution from soulful R&B to more experimental pop and alternative sounds, often serving as promotional leads for his albums and EPs. His early singles established his presence in the Danish music scene, with later tracks reflecting broader influences and collaborations. The following table lists his notable singles, including release years, peak positions on the Danish Singles Chart (where applicable), and certifications from IFPI Danmark.| Title | Year | Peak (DEN) | Certification (DEN) |
|---|---|---|---|
| Till Forever Runs Out | 2014 | — | — |
| Solid Ground | 2015 | — | Gold (2019) |
| Shackled Up | 2016 | 26 | Platinum (2021) |
| Higher Love | 2016 | — | Gold (2021) |
| Inclosure | 2017 | — | — |
| Slowly | 2018 | — | — |
| Silent Treatment | 2018 | — | — |
| Now That I Think About It | 2018 | — | — |
| The Killing Kind | 2019 | — | — |
| Police Bells & Church Sirens | 2021 | 31 | — |
| Yougazer | 2022 | — | — |
| Mama, I've Been Dying | 2022 | — | — |
| Pages | 2022 | — | — |
| Hey Jude (Ted Lasso version) | 2023 | — | — |
| Lose Your Head | 2023 | — | — |
| Too Strange For The Air | 2024 | — | — |
| Die Young | 2025 | — | — |
| Carry On | 2025 | — | — |
| Get Right | 2025 | — | — |
| In The Air | 2025 | — | — |
Awards and nominations
Danish Music Awards
In 2016, Alex Vargas received significant recognition at the Danish Music Awards for his debut EP Giving Up the Ghost and its lead single "Shackled Up", marking his breakthrough in the Danish music scene. He won the award for Danish Artist of the Year (Årets Danske Solist), highlighting his emergence as a prominent solo artist.[59] Vargas was nominated in several categories that year, including New Danish Name of the Year (Årets Nye Danske Navn) for his overall impact as an emerging talent, Songwriter of the Year (Årets Danske Sangskriver – Koda-Prisen) for the songwriting on Giving Up the Ghost, Danish Release of the Year (Årets Danske Udgivelse) for the EP itself, and Danish Pop Release of the Year (Årets Danske Popudgivelse) for Giving Up the Ghost.[60] These accolades underscored the critical and commercial success of "Shackled Up", which became a platinum-certified hit and propelled the EP to widespread acclaim.[60]| Year | Category | Result | Work |
|---|---|---|---|
| 2016 | Danish Artist of the Year (Årets Danske Solist) | Won | Alex Vargas |
| 2016 | New Danish Name of the Year (Årets Nye Danske Navn) | Nominated | Alex Vargas |
| 2016 | Songwriter of the Year (Årets Danske Sangskriver – Koda-Prisen) | Nominated | "Giving Up the Ghost" |
| 2016 | Danish Release of the Year (Årets Danske Udgivelse) | Nominated | Giving Up the Ghost |
| 2016 | Danish Pop Release of the Year (Årets Danske Popudgivelse) | Nominated | Giving Up the Ghost |