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Amanda Award

The Amanda Award (Norwegian: Amandaprisen) is an annual Norwegian film prize established in 1985 and presented during the Norwegian International Film Festival in Haugesund to honor outstanding achievements in Norwegian cinema, including feature films and short films intended for theatrical release.^[1]^[2]^[3] Named after the character in the traditional song "Amanda fra Haugesund," the award consists of a 30 cm bronze statuette designed by sculptor Kristian Kvakland, along with a diploma, and is cast locally in Haugesund.^[4]^[5] The ceremony, often referred to as Norway's equivalent to the Oscars, celebrates films released in Norwegian theaters during the preceding year (typically from July 1 to June 30) and aims to promote and elevate the quality of national filmmaking.^[6]^[7]^[2] Over the years, the awards have grown to include around 21 categories, such as Best Norwegian Film, Best Director, Best Actor/Actress in leading and supporting roles (gender-neutral since 2024), Best Screenplay, Best Cinematography, Best Costume Design, and Best Children's Film, with additional honors for documentaries and short films.^[8]^[9]^[10] Notable winners have included Joachim Trier's The Worst Person in the World (2021), which swept multiple categories including Best Film, and more recent films like Lilja Ingolfsdottir's Loveable (2024), which took Best Film, Best Director, Best Screenplay, and Best Actor.^[11]^[12] An Honorary Amanda is also bestowed periodically to recognize lifetime contributions, such as to director Hans Petter Moland in 2025.^[12] The awards play a pivotal role in the Norwegian film industry by highlighting both established and emerging talents, fostering international attention—several Amanda recipients have gone on to Oscar nominations—and contributing to the cultural prestige of the Haugesund festival, which dates back to 1973.^[6]^[7]

History

Establishment and Founding

The Amanda Award was established in 1985 by the Norwegian International Film Festival in Haugesund, in collaboration with the Norwegian Broadcasting Corporation (NRK), to recognize excellence in Norwegian cinema.^[13]^[1] This initiative aimed to promote and improve the national film industry by honoring outstanding achievements, thereby elevating the quality of Norwegian films and fostering greater public interest during a period of expansion that followed the founding of the Norwegian Film Institute in 1955.^[14]^[15] Originally, the awards encompassed both film and television productions, reflecting the festival's broader goal of supporting audiovisual arts in Norway.^[13] The first ceremony took place in Haugesund that year, with categories focused primarily on theatrical releases, including the inaugural Best Norwegian Film award, which went to Orions belte directed by Ola Solum.^[16] This event marked the beginning of an annual tradition organized by the festival's board.^[1] Over time, the Amanda Award evolved, shifting exclusively to film categories in 2005 while retaining its core mission of celebrating Norwegian cinematic accomplishments.^[13]

Evolution and Key Changes

In 1993, the Amanda Award underwent a one-time expansion known as the Nordic Amanda, which broadened its scope to honor cinematic achievements from across Nordic countries, including Sweden, Denmark, Finland, and Iceland, before reverting to its primary focus on Norwegian productions the following year.^[13] This initiative marked a brief experiment in regional recognition within the festival framework.^[13] By 2005, the awards shifted exclusively to film categories, discontinuing television honors as the Gullruten awards assumed responsibility for Norwegian TV achievements, enabling a more concentrated emphasis on cinematic excellence.^[13] The following year, in 2006, broadcasting transitioned from the public broadcaster NRK to the commercial channel TV 2, a partnership that continued until 2018 and later evolved with collaborations involving VG in 2019 and a return to NRK in 2020.^[13] The 2007 ceremony introduced the People's Amanda, an audience-voted category to incorporate public preferences alongside jury selections, with Fritt Vilt directed by Roar Uthaug claiming the inaugural prize.^[17] Over the subsequent decades, the awards expanded their categories to encompass technical aspects of filmmaking; for instance, Best Production Design debuted in 2008, awarded to Kautokeinoopprøret, while Best Sound followed in 2009 for Max Manus.^[17] These additions reflected a growing appreciation for behind-the-scenes contributions, evolving from the initial 1980s emphasis on core categories like acting and directing. In the 2020s, the Amanda Awards have incorporated further adjustments for inclusivity, such as the Best Newcomer category (Årets nykommer), which recognizes emerging talent and was notably awarded to Lea Myren for The Ugly Stepsister in 2025.^[17] Ongoing annual refinements to categories and eligibility criteria continue to adapt to the Norwegian film industry's developments.^[13]

The Trophy

Design and Materials

The Amanda Award trophy is a bronze statuette designed by Norwegian sculptor Kristian Kvakland in 1985.^[18]^[19] Measuring 30 cm in height, the current version weighs 2.5 kg and features a hollow construction for reduced weight compared to earlier solid iterations.^[4]^[20]^[21] It is cast in bronze and mounted on a stable base, with production handled by the foundry Olaussens Metall AS in limited runs for each annual ceremony since the award's inception.^[22]^[23] Over time, the design has undergone minor modifications for enhanced durability while preserving its core form.^[22]

Naming and Symbolism

The Amanda Award derives its name from Amanda Sofie Stangeland (1894–1947), a notable single mother and bootlegger in Haugesund during the 1920s prohibition era, who supplied liquor to local fishermen and became a symbol of resilience and defiance in the face of adversity.^[13] This choice honors her as an emblem of local cultural heritage, drawing from the traditional Norwegian sea shanty "Amanda fra Haugesund," which portrays her as a proud, vibrant, and independent woman navigating hardship with boldness.^[13] The award's name was selected in 1985 to evoke Haugesund's seafaring history and its emergence as a key hub for Norwegian film festivals, underscoring themes of independence and artistic daring central to the nation's cinematic tradition.^[13] The trophy itself, sculpted by Kristian Kvakland, features a stylized female figure inspired by this legendary persona, embodying the strength, creativity, and pioneering ethos of Norwegian filmmakers while representing excellence in the industry.^[13]

Ceremony

Format and Presentation

The Amanda Award ceremony is structured as an annual gala event lasting approximately 2 hours, broadcast live on NRK from the Festiviteten in Haugesund, and featuring a blend of category announcements, film clips from nominated works, winner speeches, and entertainment segments. Typically, 21 awards are presented across categories recognizing excellence in Norwegian cinema, including technical achievements, performances, and overall films. The event's format emphasizes celebration of the industry, with a sequence that alternates between formal presentations and lighter moments to maintain audience engagement throughout the duration.^[24]^[25]^[26] Nominations are determined by an industry jury of 15 members appointed annually by the Amandakomiteen, who evaluate eligible Norwegian films released between July 1 of the previous year and June 30 of the current year, adhering to criteria such as national theatrical release and compliance with the Kulturtest. This jury selects three nominees per category for most awards (five for leading performances), focusing on artistic and technical merit. Final winners are then chosen by the same jury from the shortlisted nominees, except for special categories like the audience-voted Folkets Amanda, determined through public online voting on platforms such as Filmweb, and Best Foreign Film, selected by the jury. This jury-driven process ensures expert evaluation while incorporating public input for select honors, though detailed mechanics of deliberation are managed internally by the committee.^[27] Award presentations follow a ritualistic format where nominees are highlighted via on-screen clips, followed by an announcement from the host or presenter. Winners are invited onstage to receive the distinctive Amanda trophy—a 2.5 kg bronze statuette designed by sculptor Kristian Kvakland—from previous recipients, industry figures, or occasional international guests, symbolizing continuity in Norwegian filmmaking. Accompanying each win is a brief acceptance speech, allowing recipients to express gratitude and reflect on their work, typically kept concise to fit the event's pacing.^[28]^[27] Entertainment elements enhance the ceremony's appeal, including live musical numbers performed by Norwegian artists such as Flo Fagerli in recent editions, comedy skits integrated into transitions, and occasional tributes to Norwegian film history through retrospective segments. International film previews are sometimes incorporated to broaden the event's scope, fostering anticipation for upcoming releases. The overall pacing builds progressively, starting with supporting and technical categories to establish momentum, and escalating toward a climactic finale with prestigious awards like Best Norwegian Film, ensuring a dynamic flow that culminates in high-impact moments.^[25]^[29]

Venue, Broadcast, and Hosting

The Amanda Award ceremony is held annually during the Norwegian International Film Festival in Haugesund, Norway, marking the opening event of the festival. The primary venue is the Festiviteten Concert Hall, a historic building situated by the Town Hall Square in Haugesund, where red carpet arrivals and the awards presentation occur.^[30]^[7] The ceremony is broadcast live on NRK, Norway's public broadcaster, allowing nationwide access to the event.^[7]^[29] Previously, it was televised by TV 2 starting in 2006 after NRK ended its partnership, but NRK resumed broadcasting in recent years.^[31] Hosting duties are typically assigned to prominent Norwegian comedians or actors known for their engaging and humorous style to maintain audience interest throughout the evening. For example, the 2025 ceremony was hosted by Vegard Larsen and Linnéa Myhre. Comedian Thomas Giertsen, recognized from stand-up and television, served as host in multiple years, including 2006 and 2007, bringing a lighthearted tone to the proceedings.^[31]^[32]^[33]

Award Categories

Feature Film Categories

The feature film categories of the Amanda Award recognize excellence in Norwegian narrative cinema, encompassing both artistic and technical achievements in full-length productions released theatrically or on approved platforms. These categories are open to films that qualify as Norwegian under the Kulturtesten administered by the Norwegian Film Institute, which evaluates cultural relevance through criteria such as language (primarily Norwegian or Sámi), production involvement by Norwegian entities, and thematic ties to Norwegian society. Eligible films must be produced or co-produced by an independent Norwegian company where the producer holds the rights, and they require a national cinema release in at least the top 10 cinemas across two major cities or availability on a curated streaming platform during the qualifying period of July 1 to June 30 of the award year.^[27] Nominations are submitted by producers by April 30, with screening copies provided by July 1, and selections are made by a jury of 15 independent members.^[27] The Best Norwegian Film category serves as the top honor, awarded for overall excellence in a theatrical feature, evaluating artistic merit, innovation, narrative depth, and cultural impact across all production elements.^[27] It highlights films that demonstrate consistent high quality in direction, performances, and technical execution, often serving as a benchmark for the year's most influential Norwegian cinema.^[27] A variant, the People's Amanda, recognizes audience-favored feature films through public voting, providing a populist counterpoint to jury selections.^[7] The Best Director category honors visionary leadership in guiding a feature film's creative vision, assessing innovation in storytelling, handling of themes, and collaboration with cast and crew; it was first awarded in 1985 as part of the ceremony's inaugural lineup. Criteria emphasize the director's ability to elevate the material through stylistic choices and emotional resonance, with nominees drawn from eligible features.^[27] Performance categories distinguish between leading and supporting roles, with gender-neutral awards since 2024 to recognize achievements in Norwegian features. The Best Performance in a Leading Role category celebrates standout performances that drive the narrative, judged on authenticity, emotional range, and integration with the film's themes.^[34] Similarly, the Best Performance in a Supporting Role category recognizes contributions that enhance the story through nuanced character work and ensemble dynamics, without overshadowing leads.^[34] The Best Newcomer award, applicable to emerging talents in any role, spotlights breakthrough performances in features, fostering new voices in Norwegian cinema.^[27] Technical categories underscore the craftsmanship behind feature films, each focusing on specialized excellence. Best Screenplay awards original or adapted writing for compelling structure, dialogue, and thematic originality.^[27] Best Cinematography recognizes visual storytelling through lighting, composition, and camera work that captures the film's mood and intent.^[27] Best Editing honors rhythmic pacing and narrative flow achieved through cuts and sequencing.^[27] Best Sound Design and Best Original Music categories commend immersive audio elements, from effects and mixing to scores that amplify emotional and atmospheric impact.^[27] Production Design, Costume Design, and Makeup/Hair awards celebrate world-building through sets, attire, and character transformations that support the story's authenticity and period.^[27] Best Visual Effects rounds out these honors by acknowledging seamless integration of digital elements in narrative features.^[27] All technical nominations require demonstration of how the work contributes to the film's overall artistic success.^[27]

Documentary, Short, and Special Categories

The Amanda Awards recognize excellence in non-feature formats through dedicated categories for documentaries, short films, and children's films, as well as special honors that highlight emerging talent and lifetime achievements. These categories emphasize diverse storytelling approaches, from factual investigations to concise narratives and family-friendly content, often drawing from festival circuits rather than solely theatrical releases.^[27] The Best Documentary category honors factual films that demonstrate strong storytelling, rigorous research, and impact on social, cultural, or environmental themes. Eligible entries must be documentaries of at least 30 minutes with a national theatrical release in at least 10 of Norway's largest cinemas across two major cities during the qualifying period from July 1 of the previous year to June 30 of the award year, or selected from a shortlist of prizewinners at festivals including Bergen International Film Festival, Volda Student TV Festival, Human International Documentary Film Festival, and Nordic Docs. The jury, consisting of 15 members appointed by the Amanda Committee without conflicts of interest, selects three nominees from eligible films and festival-recognized works, then determines the winner based on overall artistic merit and innovation in nonfiction filmmaking. This process ensures focus on works that advance public discourse, such as explorations of social issues or natural phenomena.^[27] In contrast, the Best Short Film category celebrates creative brevity in works no longer than 35 minutes, prioritizing originality and technical prowess within limited scope. Submissions are drawn exclusively from a shortlist of prizewinners at prominent Norwegian festivals, including Bergen International Film Festival, Tromsø International Film Festival, Minimalen Short Film Festival, Amandus Festival, Fredrikstad Animation Festival, Kristiansand International Children's Film Festival, and Grimstad International Film Festival. The same 15-member jury nominates three films and selects the winner, excluding previous nominees to promote fresh talent; this often spotlights emerging directors experimenting with narrative constraints. Unlike feature categories, shorts need not have a theatrical run, broadening access for independent creators.^[27] The Best Children's Film category targets family-oriented productions suitable for audiences under 14 years old, including youth films for ages 12–14, evaluated for engaging storytelling, positive messaging, and age-appropriate themes. Films must pass Norway's Kulturtesten criteria for cultural relevance and be produced primarily by Norwegian or Nordic talent. Eligible works, which can also compete in the Best Norwegian Film category, undergo the standard jury nomination of three followed by winner selection, emphasizing educational value and entertainment that fosters young viewers' interest in cinema.^[27] Special categories include the Newcomer Award (Årets Nykommer), introduced in the 2024 ceremony to recognize breakthrough performances by actors in their early careers, with the jury nominating three and selecting one based on debut impact. The Honorary Amanda (Amandakomiteens Ærespris), awarded since 1985, honors lifetime contributions to Norwegian cinema, such as director Bent Hamer's innovative body of work in 2013; it is decided directly by the Amanda Committee without jury involvement. Additionally, the Best Foreign Film category, for international features of at least 30 minutes from festival shortlists like Bergen and Nordic Docs, uses the jury process to highlight global influences, though it is occasionally emphasized based on standout entries. These non-competitive or committee-nominated awards differ from jury-voted ones by focusing on broader recognition rather than format-specific competition.^[35]^[36]^[27]

Impact and Legacy

Notable Winners and Records

Bjørn Sundquist holds the record for the most Amanda Award wins by an actor, with five victories for his leading and supporting roles across various films, including Here Is Harold (2014) and Burning (2014).^[37] Ane Dahl Torp follows with three wins for acting performances, notably Best Actress for Svarte penger, hvite løgner (2004) and Best Supporting Actress for Lønsj (2008).^[38] Several films have achieved multiple awards in a single year, highlighting exceptional productions. Budbringeren (1997), directed by Pål Sletaune, secured a triple win for Best Film, Best Actor (Robert Skjærstad), and Best Actress (Laila Goody), marking one of the earliest instances of such dominance.^[39] In 2024, Sex, directed by Dag Johan Haugerud, won four awards, including Best Actor (Jan Gunnar Røise), while Handling the Undead, directed by Thea Hvistendahl, also claimed four awards in technical categories, including Best Cinematography and Best Production Design.^[10] Continuing this trend in 2025, Loveable (Elskling), directed by Lilja Ingolfsdottir, took four awards: Best Film, Best Director, Best Screenplay, and Best Actor/Actress in a Leading Role (Helga Guren).^[40] Recent years have showcased standout achievements across genres. The documentary Ibelin (2024), directed by Benjamin Ree, won Best Film, underscoring the growing recognition of nonfiction works in the top category.^[41] Armand (2025), directed by Halfdan Ullmann Tøndel, earned three awards, including Best Actress (Renate Reinsve), from its 11 nominations.^[40] In the foreign film category, The Brutalist (2025), directed by Brady Corbet, received Best Foreign Film, reflecting international influences on Norwegian tastes.^[12] The People's Amanda, determined by audience vote, often favors accessible, genre-driven films over jury selections emphasizing artistic merit. The inaugural winner in 2007 was the horror film Fritt vilt, directed by Roar Uthaug, setting a precedent for popular thrillers like war dramas and action comedies that diverge from jury-picked dramas.^[42] In the 2020s, female directors have seen an uptick in wins, exemplified by Lilja Ingolfsdottir's 2025 Best Director for Loveable, alongside prior successes like Thea Hvistendahl's multiple nods for Handling the Undead.^[7]

Influence on Norwegian Cinema

The Amanda Award has played a pivotal role in shaping the Norwegian film industry since its inception in 1985, serving as a national platform to promote and enhance the quality and visibility of domestic productions. By recognizing excellence across various categories during the annual Norwegian International Film Festival in Haugesund, the awards have fostered a competitive environment that encourages innovation and professional development within the sector. This structured recognition has contributed to the overall growth of Norwegian cinema, transforming it from a relatively modest industry into one with sustained output and critical acclaim.^[43] A key influence has been the awards' correlation with commercial success, as winners often experience heightened audience interest and box office performance post-ceremony. For instance, Out Stealing Horses (2019), which secured five Amandas including Best Film, achieved a domestic gross of approximately 1.3 million USD in Norway following its release, underscoring how the prestige of the award drives attendance and extends theatrical runs. This boost extends beyond individual films, signaling to distributors and audiences the cultural and artistic merit of Norwegian works, thereby supporting the industry's economic viability.^[44]^[45] The awards have also advanced diversity by spotlighting narratives from marginalized communities, including Sami and immigrant perspectives, thereby broadening the scope of Norwegian storytelling. A notable example is The Tundra Within Me (2024), which won Best Costume Design and highlights indigenous Sami themes of heritage and resilience, demonstrating the awards' role in amplifying underrepresented voices and encouraging inclusive production practices. Such recognitions have helped integrate diverse cultural elements into mainstream cinema, enriching the national output.^[8]^[10] On the international stage, Amanda winners frequently serve as Norway's submissions for the Academy Awards, enhancing global exposure and festival participation. Films like Out Stealing Horses, selected as Norway's 2020 Oscar entry after its Amanda sweep, and The Worst Person in the World (2022 Best Film winner), which earned an Oscar nomination, illustrate how the awards bridge domestic achievement with worldwide acclaim, attracting international co-productions and talent.^[46]^[11] Economically, the awards maintain close ties with the Norwegian Film Institute (NFI), which provides funding to many nominated projects, ensuring sustained investment in quality filmmaking. The ceremony itself, held in Haugesund, generates tourism and local revenue through the associated film festival, drawing visitors and contributing to the regional economy tied to cultural events. Over four decades, this legacy has elevated Norwegian cinema's profile, nurturing talents like Joachim Trier—who holds the record for the most Amanda wins—and solidifying the industry's transition to broader recognition.^[47]^[48]^[43]

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