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Amon

Amon, also known as Amun, was a major deity in , originating as a local god of associated with air, fertility, and the invisible forces of , whose cult elevated him to the supreme by the New Kingdom period (c. 1550–1070 BCE). Initially part of the Hermopolitan Ogdoad as one of eight deities paired with his consort Amaunet, Amon's prominence grew during the (c. 2050–1710 BCE) as Theban rulers adopted him as their patron, leading to his with the sun god into Amun-Ra, symbolizing the fusion of hidden creative power and solar dominion. This composite form dominated Egyptian theology, with Amun-Ra depicted as a ram-headed figure or man with a double plume headdress, embodying the pharaoh's divine legitimacy and the empire's expansion. His worship involved vast temple complexes, most notably the at , which served as the economic and ritual heart of and amassed immense wealth through donations and oracle consultations. Amon's defining characteristics included his epithet "the Hidden One," reflecting a of an unknowable, self-created force underlying the cosmos, distinct from more anthropomorphic gods, and his role in royal ideology as the oracle-granting protector who justified military victories, such as those of the 18th Dynasty pharaohs. The cult faced temporary suppression under Akhenaten's Atenist reforms (c. 1353–1336 BCE), which dismantled Amun's priesthood and temples in favor of solar , but it was swiftly restored post-Amarna, underscoring the god's enduring institutional power. from inscriptions, statues, and temple reliefs across Egypt and attests to Amun's influence extending beyond Egypt proper, influencing later Greco-Roman interpretations as Zeus-Ammon.

Mythology and ancient religion

Egyptian deity Amun

Amun was an ancient Egyptian deity primarily associated with the concepts of air, wind, and invisibility, embodying the primordial force of creation through his epithet "the hidden one," derived from the Egyptian root jm signifying concealment or the unseen creative power. First attested in the of (c. 2686–2181 BCE), particularly in the tomb of Unis (c. 2350 BCE), Amun appeared as one of the eight primordial deities in the Hermopolitan Ogdoad, paired with his consort as a representation of hidden potential before manifestation. His abstract nature, lacking direct ties to observable natural phenomena, allowed theological flexibility, enabling him to absorb attributes from other gods without contradiction. During the (c. 2050–1710 BCE), Amun's cult gained prominence as the patron deity of , reflecting the city's rising political influence, where he was elevated to "" in local theology. This status intensified in the New Kingdom (c. 1550–1070 BCE), when Theban pharaohs promoted with the Heliopolitan sun god , forming Amun-Ra, a composite deity symbolizing both hidden creative force and solar vitality; this fusion positioned Amun-Ra as the supreme national god, credited with pharaonic victories such as those of against the (c. 1550 BCE). Amun was depicted anthropomorphically as a man wearing a double-plumed crown, or zoomorphically as a ram-headed figure denoting and kingship, with oracles at his temples guiding royal decisions through priestly interpretation of his statue's movements. As head of the Theban Triad, Amun formed a divine family with the goddess as his consort and as their son, embodying protective and lunar aspects respectively; this triad mirrored royal family structures and reinforced Theban hegemony. Worship centered on massive temple complexes, notably the at , expanded over 2,000 years to cover approximately 200 acres with structures like the Hall featuring 134 sandstone columns up to 70 feet tall, dedicated during the reign of Ramses II (c. 1279–1213 BCE). The adjacent , initiated by (c. 1390–1352 BCE), hosted the annual , where Amun's barque was paraded from to amid rituals affirming cosmic renewal and pharaonic legitimacy. These sites amassed vast wealth, employing tens of thousands in priesthoods and supporting Egypt's economy through land endowments and tribute, though this concentration of power later contributed to priestly influence rivaling the monarchy by the Third Intermediate Period (c. 1070–664 BCE). Amun's cult persisted into the Ptolemaic era, influencing Greco-Roman interpretations as Zeus-Ammon, evidenced by oracle consultations at .

Demonological figures

In demonological literature, Aamon (also spelled or ) is classified as a marquis of who commands forty legions of infernal spirits. This ranking and legion count originate from the (1577), a catalog of demons compiled by , a and occultist who drew on earlier medieval traditions to list sixty-nine demons purportedly subject to King Solomon's control. Weyer's work, influenced by his skepticism toward witch hunts yet rooted in Christian demonological frameworks, portrays Aamon as appearing initially as a with a serpent's , vomiting flames from its mouth, before assuming a human-like form with the head of an or upon the conjurer's command. The Ars Goetia, the first section of the anonymously authored (a 17th-century synthesizing earlier sources including Weyer's list), expands on these attributes, describing as manifesting with a wolf's body, serpent tail, and flaming eyes that emit fire, shifting to a hoarse-voiced shape when ordered. In this text, Aamon's powers include revealing and events, answering questions on or secret matters, and reconciling controversies between friends or foes, positioning the demon as useful for and in ritual magic. These capabilities reflect the grimoire's practical orientation toward evocation for knowledge and influence, though such texts were products of occultism blending , and pagan elements without empirical verification. Later works like Jacques Collin de Plancy's Dictionnaire Infernal (1818, revised 1863) reiterate Aamon's marquis status and wolf-serpent form, sometimes conflating the name with the Egyptian deity Amun (due to phonetic similarity and Christian demonization of pagan gods), though primary grimoires do not explicitly endorse this etymology. Weyer's account, derived from oral and manuscript traditions rather than direct observation, underscores the speculative nature of these descriptions, which served theological purposes in cataloging supposed infernal hierarchies amid 16th-century debates on witchcraft and possession. No historical records attest to Aamon's independent existence outside these esoteric compilations, which prioritize hierarchical classification over causal evidence of demonic agency.

People

Biblical and ancient historical figures

Amon, son of King and Meshullemeth daughter of Haruz of Jotbah, ascended the throne at age twenty-two and reigned for two years, approximately 642–640 BCE. His rule, documented in 2 Kings 21:19–26 and 2 Chronicles 33:21–25, featured continuation of his father's idolatrous practices, including worship of foreign gods and , which the biblical narrative deems evil. Amon was assassinated in his palace by royal officials in a , after which the people of the land executed the assassins and installed his eight-year-old son as king. Scholarly analysis posits the assassination may reflect palace intrigue amid religious tensions or influence decline, though primary evidence remains the biblical text with limited extrabiblical corroboration. A separate biblical figure, Amon, served as governor of under King of in the mid-9th century BCE. In this role, documented in 1 Kings 22:26 and 2 Chronicles 18:25, he received custody of the prophet ben Imlah following Micaiah's unpopular prophecy against Ahab's military campaign. This Amon's tenure highlights administrative functions in the northern kingdom, but no further details on his life or fate appear in surviving records.

Modern individuals with mononym or given name

Amon-Ra St. Brown (born October 24, 1999) is a German-American professional football for the in the , drafted in the fourth round of the after playing at the . His honors the Egyptian sun god Amon-Ra, combined with references to the sky god Heru, as selected by his father, former bodybuilder , to create distinctive identities for his sons. Amon Tobin (born 1971) is a electronic musician and producer based in the , recognized for pioneering techniques in , sampling, and live performance using custom software. He gained prominence with albums including (1997), (1998), and Foley Room (2007), which earned a Grammy nomination for Best Electronic/Dance Album. Amon G. Carter Sr. (December 24, 1879 – July 2, 1955) was an American businessman, publisher, and civic leader who acquired and expanded the into a major regional newspaper, while promoting Fort Worth's growth through aviation advocacy and philanthropy, including founding the Amon Carter Museum of American Art in 1961 to showcase Western and American works.

Surname bearers

Chris Amon (20 July 1943 – 3 August 2016) was a motor racing driver who competed in from 1963 to 1976, participating in 96 Grands Prix without securing a victory, though he earned five podium finishes. Born in Bulls, , as the son of a sheep farmer, Amon began racing at age 18 and later won the 1966 for alongside and , as well as the 1967 for Ferrari. He was awarded the Member of the (MBE) for services to motorsport and is often regarded as one of the most talented drivers never to win a Grand Prix. Angelika Amon (10 January 1967 – 29 October 2020) was an Austrian-American molecular and cell biologist specializing in , , and the consequences of imbalance. She joined MIT's Department of Biology and Center for Cancer Research (now Koch Institute) in 1999, becoming a full in 2007 and holding the Kathleen and Curtis Marble Professorship in Cancer Research. Amon's research elucidated mechanisms of aneuploidy and its links to cancer and aging, earning her awards including the 2017 Warren Alpert Foundation Prize; she died at age 53 following a battle with . Morissette Amon (born 2 June 1996), full name Johanne Morissette Daug Amon, is a Filipino , and actress who gained prominence as runner-up on the TV5 Star Factor. Known professionally as Morissette and dubbed "Asia's Phoenix" in media, she has released albums and performed covers of songs like "Never Enough" from , collaborating with producers such as . Her career spans pop and musical theater, with active releases as of 2024 marking 15 years in the industry.

Arts, entertainment, and media

Music

Amon Amarth is a melodic death metal band formed in 1992 in Tumba, a suburb of . The band draws thematic inspiration from and Viking history, with its name derived from J.R.R. Tolkien's term for Mount Doom in . They have released twelve studio albums, including Berserker in 2019, and maintain an active touring schedule, with a new single "We Rule The Waves" issued in 2025. Amon Tobin is a Brazilian-born electronic music and known for innovative incorporating field recordings and . Active since the mid-1990s, Tobin has released albums such as (1997) and (1998) under Ninja Tune before establishing his own Nomark label, with recent works including Long Stories in 2019. His methodology emphasizes sample manipulation and live performances using custom software. Amon Düül II was a German krautrock band formed in 1968 as a more structured offshoot of the experimental collective Amon Düül, contributing to the West German psychedelic and progressive rock scenes. Pioneers of the genre, they produced seminal albums like Phallus Dei (1969), Yeti (1970), and Tanz der Lemminge (1971), blending improvisation, Eastern influences, and political undertones reflective of the 1968 student movement. The band disbanded in the 1980s but influenced subsequent experimental music.

Film, television, and video games

In The Legend of Korra, an animated television series produced by Nickelodeon that aired from 2012 to 2014, Amon serves as the primary antagonist in the first season, leading the Equalists, a revolutionary group opposing bending privileges in Republic City. Portrayed as a masked figure claiming non-bender origins and the ability to permanently remove bending through a spiritual technique, Amon—revealed as Noatak, a bloodbending prodigy—is ultimately defeated after his deception is exposed. His character arc critiques themes of inequality and fanaticism, drawing on waterbending mastery for his signature ability, though his hypocrisy undermines his ideology. The 1986 Japanese anime original video animation (OVA) film Amon Saga, directed by Shunji Ōga and based on a manga by Baku Yumemakura, features Amon as the central protagonist, a skilled swordsman seeking vengeance for his mother's murder in a medieval fantasy world. The story follows Amon's journey through perilous lands, allying with characters like the fairy Lachesis and confronting demonic forces, blending sword-and-sorcery tropes with influences from Western fantasy literature. Released on August 21, 1986, by Tohokushinsha Film, the 50-minute film emphasizes themes of fate, loss, and heroism, with Amon wielding a cursed sword that amplifies his combat prowess. In video games, Amon appears as a major antagonist in the trilogy by , debuting in Heart of the Swarm (2013) as the "Dark Voice," a rogue Xel'Naga entity orchestrating hybrid armies to eradicate organic life and remake the universe. Culminating in Legacy of the Void (2015), Amon's campaign involves manipulating protoss, , and factions toward apocalypse, voiced by , with his defeat requiring a unified alliance against his void energies on Aiur. Amon is a recurring demon in the Shin Megami Tensei series by , first appearing in early entries as a Tyrant-race entity summonable via fusion, embodying the Goetic marquis known for fire and truth-telling affinities. In (2021), Amon functions as a high-level ally with skills like Megidolaon and severe fire attacks, resistant to physical and nullifying ice, often fused from mid-tier demons for endgame challenges. The character draws from demonological lore, appearing in boss fights and as a recruitable across titles like spin-offs. Other notable video game roles include Amon Sur, Sinestro's son and a villainous pilot in Green Lantern: Rise of the Manhunters (2011), voiced by Steve Blum, who pilots advanced ships in space combat sequences. In Borderlands 4 (released September 12, 2025), Amon is a playable Vault Hunter class called the Forgeknight, originating from a Vault Monster cult on Perium, specializing in melee forge weapons like hammers and axes, deployable drones for adaptation, and high durability in first-person shooter loot mechanics.

Fictional characters and places

In literature and fantasy

In J.R.R. Tolkien's legendarium, amon is a Sindarin term denoting a "hill" or "steep-sided mount," frequently employed in geographical nomenclature to describe prominent elevations. This element prefixes several key locations, including Amon Hen ("Hill of the Eye"), a sentinel peak at the southern end of Nen Hithoel overlooking the Falls of Rauros, where Frodo uses 's power to perceive distant events in (1954). Similarly, Amon Sûl, known in Westron as Weathertop, served as a in the ancient realm of Arnor, housing a until its ruin by the Witch-king during the wars of the North-kingdom. Amon Amarth, translating to "Mount of Doom," designates Orodruin after its eruption in S.A. 3429, marking Sauron's assault on and its role as the forge of . In sword-and-sorcery fantasy, Thoth-Amon emerges as a formidable Stygian sorcerer in Robert E. Howard's Conan the Cimmerian tales, debuting in "The Phoenix on the Sword" (published December 1932 in Weird Tales). As high priest of the serpent god Set and wielder of the Ring of the Black Serpent—which amplifies his command over serpents, insects, and dark rituals—Thoth-Amon embodies the perilous arcane might of Stygia, though Howard portrays him more as a looming threat than a direct antagonist to Conan in the original stories. His influence recurs indirectly, such as empowering plots against the Cimmerian, but expansions in later pastiches by authors like L. Sprague de Camp and Lin Carter elevated him to Conan's archetypal nemesis, diverging from Howard's restrained depiction. Other fantasy works feature Amon as a character or artifact, such as Amon Byrne, the steadfast captain of the Queen's Guard in Cinda Williams Chima's Seven Realms series (initiated with The Demon King in 2009), who navigates clan politics and magical threats in a realm blending Highland and queendom elements. In J.A. Andrews' The Hero's Path trilogy, commencing with The Scepter of Amon (2022), the titular scepter serves as a quest artifact sought by an unconventional troll protagonist aspiring to humanity amid classic heroic trials. These instances reflect Amon's sporadic use as a motif for elevated peril or enigmatic power in modern fantasy narratives.

In comics, animation, and other media

In DC Comics, Amon Tomaz is depicted as the younger brother of Adrianna Tomaz (), an Egyptian-born individual empowered with the abilities of the gods by , transforming into the hero . Introduced in 52 #3 (June 2006), possesses superhuman strength, flight, and lightning projection, but his storyline involves tragic enslavement by and subsequent moral conflicts within the Black Adam family. Amon Sur appears as a in DC's mythos, the son of and nephew of , driven by resentment toward the after his father's ring chose as successor. Debuting in Green Lantern Corps vol. 2 #35 (February 2009), he wields a red power ring fueled by rage, clashing with and others in interstellar conflicts. Thoth-Amon, the Stygian sorcerer from Robert E. Howard's tales, features prominently in adaptations as a formidable priest of Set and leader of the Black Ring, employing dark magic and serpentine artifacts against . His comic portrayals, such as in King Conan vol. 1 #4 (1985), emphasize his cunning and necromantic prowess, culminating in defeats by Conan's heirs. In animation, Amon serves as the primary in Book One of (2012), leading the anti-bending Equalist movement with bloodbending-derived chi-blocking techniques to strip benders of their abilities. Revealed as Noatak, a Northern Water Tribe native scarred by his father Yakone's criminal legacy, Amon's ideology critiques bending privilege, though his hypocrisy—secretly being a powerful bender—leads to his downfall by episode 12, "" (June 23, 2012). The 2000 OVA Amon: Apocalypse of Devilman portrays Amon as a demonic entity fused with protagonist , amplifying themes of human-demon hybrid horror amid Tokyo's chaos from devil outbreaks. Directed by Hiroyuki Nishimori, this sequel to expands Go Nagai's with graphic violence and existential dread, released on /DVD in and later internationally. Koutarou Amon appears in the (2014–2018) as a CCG investigator partnered with Ken Kaneki, evolving from a rigid hunter to a half-ghoul hybrid via experimental RC cell suppression. His arc, spanning seasons including Tokyo Ghoul:re, involves moral dilemmas and kakuja mutations, with key battles against Aogiri Tree ghouls.

Other uses

Geographical and conceptual terms

Amon Creek is a stream in , , that flows into the near Richland, providing cooler water temperatures critical for anadromous fish habitats amid regional warming trends. Restoration projects in the area, including habitat enhancements at its confluence, aim to create refuges spanning 2,000 square meters for species like and . The creek's riparian corridor also serves as an urban greenway linking open spaces between Richland and Kennewick. Amon denotes a small locality in Malawi's Central Region, positioned at approximately 13°22' S latitude and 33°52' E longitude, amid rural terrain typical of the district. In Hebrew, āmon (אָמוֹן) functions as a noun signifying a master craftsman, artisan, or skilled builder, potentially rooted in the verb 'āman (אמן), denoting support, confirmation, or reliability. This term appears in Proverbs 8:30, where interpretations vary between portraying Wisdom as a "master workman" collaborating in creation or a "beloved child" in divine proximity, reflecting debates on its precise connotation of expertise versus intimacy. Within J.R.R. Tolkien's constructed lexicon, amon translates to "hill," "mount," or "steep slope," evoking a lump-like or massed distinct from broader mountain ranges (termed ered). This linguistic element underscores Tolkien's philological approach to geography, differentiating isolated rises from extended ridges based on form and scale.

Organizations, projects, and brands

The AMON project, funded under the European Union's program, develops a high-efficiency system for converting into via solid oxide fuel cells, emphasizing durable operation and design optimization for sustainable energy applications. Launched in 2023, it involves collaboration among research institutions to address 's potential as a carbon-free . The Astrophysical Multimessenger Observatory Network (AMON), established around 2013, coordinates global observatories to detect and analyze multimessenger signals from high-energy cosmic events, including neutrinos, cosmic rays, gamma rays, and , enabling real-time alerts for transient phenomena. By 2016, it transitioned toward operational capabilities linking facilities like IceCube and HAWC. The Foundation, a Texas-based nonprofit founded in 1945 by publisher and his wife Nenetta, supports education, health, and cultural initiatives primarily in Fort Worth, with assets exceeding $400 million as of recent filings. , a project development firm specializing in green shipping, partners with technology and financial entities to deploy ammonia-powered vessels, aligning with decarbonization goals in . Amon, Inc., established in 1989 in , provides logistics, trade consulting, and exhibition services, particularly facilitating U.S.- business connections and international conventions.

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