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Android Cop

Android Cop is a 2014 directed and written by Mark Atkins, produced by , and starring as LAPD detective Phillip Hammond. The story is set in the year 2045, where Hammond teams up with his new partner, Andy, to enter the "Zone"—a forbidden, quarantined section of plagued by an unknown disease—to rescue the mayor's daughter and investigate the outbreak's origins. Released and video-on-demand on February 4, , the film serves as a timed to coincide with the theatrical release of the remake. The supporting cast includes as the android partner Andy, as Sgt. Jones, and as Mayor Jacobs. Produced on a low budget typical of The Asylum's output, Android Cop features practical effects and for its futuristic setting, including technology and weaponry. The by Atkins emphasizes action sequences and a plot involving corrupt officials exploiting the Zone's residents. Upon release, Android Cop received negative reviews from audiences and critics, with an IMDb user rating of 3.3 out of 10 based on 2,028 votes (as of November 2025). On , it holds a 7% audience score from more than 50 ratings (as of November 2025), with common criticisms focusing on weak writing, poor , and subpar , though some praised White's and the film's action elements. As a product of , known for low-cost imitations of major blockbusters, Android Cop exemplifies the genre but failed to gain significant .

Film Overview

Plot

In the year 2045, features a quarantined sector known as the Zone, a forbidden and lawless region devastated by a mysterious that has isolated its inhabitants from the rest of the city. LAPD detective Hammond, who harbors a deep distrust of advanced technology following the loss of a previous partner to a malfunctioning automated , is reluctantly assigned a new companion: Andy, a state-of-the-art cop designed for high-risk operations. Their mission is to infiltrate the Zone and retrieve a specialized containing the uploaded of Helen, the daughter of Mayor Jacobs, who has slipped into an irreversible coma after a failed experimental procedure. As Hammond and Andy navigate the dangers of the Zone—facing gangs, automated defenses, and infected survivors—they begin to unravel a deeper conspiracy. Evidence points to Mayor Jacobs and his ally, Sgt. Jones, who have deliberately exacerbated the disease outbreak to create a pretext for a full-scale military invasion of the Zone, allowing them to seize control of its valuable resources and eliminate witnesses to their corruption. The duo's investigation intensifies when they locate Helen's android body, which holds recorded proof of the mayor's involvement, including his attempts to silence her digitally. Throughout their partnership, the android technology underscores the buddy-cop dynamic, with Andy's emotionless efficiency contrasting Hammond's impulsive humanity, gradually building mutual reliance. The plot reaches a shocking turn when Hammond sustains fatal injuries during a with enforcers, only for technicians to reveal that he has been an unwitting all along—his human memories implanted as part of a covert program to create sleeper agents. "Resurrected" with enhanced capabilities, Hammond grapples with his identity while pressing forward with Andy to broadcast the incriminating evidence citywide. In the climax, the exposure of the conspiracy triggers Jacobs's arrest by loyal LAPD forces; cornered and facing ruin, the mayor takes his own life. With the invasion averted and the truth disseminated, order is restored to , and Hammond fully embraces his nature alongside Andy as they prepare for future threats.

Cast

The cast of Android Cop (2014) centers on an ensemble that blends action-hero archetypes with sci-fi elements, highlighting the interplay between human and synthetic characters in a dystopian setting. leads as Detective Hammond, the tough, human-appearing cop central to the film's high-energy pursuits and confrontations. portrays Andy, the rookie android partner who injects humor through his naive demeanor and delivers crucial technological assistance. Charles S. Dutton plays Mayor Jacobs, the scheming authority figure at the heart of the film's central conflict. appears as Sgt. Jones, the duplicitous police sergeant aligned with the mayor's agenda. Larissa Vereza rounds out the key ensemble as Helen Jacobs, the mayor's daughter whose digital essence serves as a pivotal element. Supporting roles feature additional law enforcement figures and synthetic inhabitants of the quarantined , with notable performances by Kaiwi Lyman as an and Madison Boyd as an nurse, enhancing the film's gritty urban atmosphere.

Production

Development

Android Cop was developed by , a studio known for producing low-budget mockbusters timed to coincide with major theatrical releases, as a direct cash-in on the 2014 remake directed by . The project was conceived to exploit the anticipated interest in cybernetic law enforcement themes, with the film released and video-on-demand on February 4, 2014, just over a week before 's U.S. theatrical debut on February 12. The screenplay was written by Mark Atkins, who also directed the film, while David Michael Latt served as producer under banner. Budget limitations inherent to 's model—focusing on rapid production cycles for video markets—dictated a strategy from inception, eschewing any theatrical distribution plans and aiming for a concise runtime of 89 minutes to fit standard home media formats. Creative choices emphasized economical sci-fi elements, including android-human partnerships and quarantined urban dystopias, drawing from influences while incorporating mechanics for the robotic protagonist to minimize costly effects work. Conspiracy-driven subplots were integrated to heighten tension without requiring extensive world-building sets, aligning with the studio's approach to trope-heavy narratives that parody high-profile films like .

Filming

Principal photography for Android Cop took place primarily in , , during late 2013. The production utilized practical sets to depict the film's quarantine "Zone" and urban police environments, aligning with The Asylum's approach to low-budget sci-fi filmmaking that emphasizes cost-effective over extensive digital construction. Mark Atkins served as , employing a mix of handheld and steady camera work to capture the action-oriented sequences in the confined, dystopian settings. Atkins also handled duties, streamlining the footage into a 89-minute focused on buddy-cop dynamics and chases, completed within The Asylum's typical post-production timeline of a few months. The score was composed by Christopher Cano, incorporating synth-heavy tracks to underscore the action scenes and futuristic tone without relying on high-cost orchestral recordings. Due to The Asylum's constraints, estimated at under $1 million for similar projects, the achieved android effects through a combination of practical prosthetics, makeup, and limited supervised by Sasha Burrow, prioritizing efficiency in a shooting schedule of approximately 15-20 days. Stunt coordination emphasized quick turnarounds for fight choreography, leveraging lead actor Michael Jai White's expertise to minimize reshoots and maintain the production's rapid pace.

Release

Distribution

Android Cop was released and via video-on-demand on February 4, 2014, by , with no theatrical rollout. The film became available through major digital platforms, including and , as well as cable video-on-demand services. distribution was limited to DVD and Blu-ray formats, released concurrently with the digital launch. Internationally, the film saw releases in select markets, including the on Blu-ray on February 21, 2014, and on DVD and Blu-ray on March 7, 2014. In the UK, it received a BBFC rating of for infrequent strong and . The release timed the US debut to align closely with the theatrical rollout of the remake. The film runs 88 minutes and is presented in a 1.78:1 with audio.

Marketing and promotion

, known for producing low-budget mockbusters timed to coincide with major studio releases, positioned Android Cop as a sci-fi thriller capitalizing on the anticipation surrounding the 2014 remake. The film's title and promotional poster design deliberately echoed the remake's aesthetic, featuring a prominent image of lead actor in a tactical against a dystopian urban backdrop, aiming to attract viewers through visual and thematic similarity. The official trailer was released on December 9, 2013, via The Asylum's YouTube channel, emphasizing high-octane action sequences, futuristic android technology, and White's portrayal of a tough LAPD detective partnering with a robotic enforcer. It quickly garnered attention online, with shares and discussions on platforms like Reddit and articles on sites such as Blavity and Film Combat Syndicate, which highlighted the film's blend of shootouts and sci-fi elements. Promotional efforts included press materials that spotlighted White's star power—drawing from his roles in films like Black Dynamite and Spawn—alongside the movie's appeal as a gritty, robot-assisted cop drama in a plague-ravaged future city. Advertising was constrained by the direct-to-video model, relying primarily on digital banners, social media posts, and eye-catching thumbnails on video-on-demand platforms to drive VOD rentals and digital purchases. Tie-in merchandise and events were negligible, consistent with The Asylum's focus on cost-effective, online-driven distribution rather than physical promotions or branded products.

Reception

Critical response

Android Cop received overwhelmingly negative reviews from critics, earning a 7% approval rating on based on 14 reviews. The film's low score reflects widespread disappointment in its execution as a low-budget movie. While IMDb user ratings averaged 3.3 out of 10 from over 2,000 votes, professional critiques focused on its shortcomings rather than audience appeal. Critics commonly lambasted the screenplay for its derivative plot, often labeling it a blatant knockoff with predictable twists and clichéd dialogue. Wooden performances were another frequent target, with actors delivering lines in an unconvincing manner, though some noted the cast appeared disengaged due to the project's modest scale. Low-budget visual effects drew particular ire, described as cheap and unpolished, undermining the futuristic setting with subpar and unfinished action sequences. Occasional positive notes highlighted Michael Jai White's physical prowess in the action scenes, where his skills provided moments of genuine excitement. The film's fast-paced structure was praised by a few for delivering B-movie entertainment value, positioning it as a despite its flaws. Outlets like The Action Elite acknowledged the post-apocalyptic aesthetic and White's engaging presence, while others appreciated its unpretentious charm as a quick-watch . Overall, the consensus viewed Android Cop as a forgettable entry in The Asylum's catalog, with no major awards or nominations.

Audience reception

Android Cop received mixed to negative responses from audiences, reflecting its status as a low-budget . On , it holds an audience score of 7% based on over 50 ratings, with viewers often criticizing the poor and pacing while a minority praised the action sequences and sci-fi concepts. Similarly, users rated the film 3.3 out of 10 from 2,024 votes, frequently describing it as formulaic and underwhelming but occasionally noting its entertainment value in a self-aware, ironic manner. A segment of fans has embraced Android Cop for its campy sci-fi elements, android-themed humor, and the charismatic performance of as the lead detective, positioning it as "so bad it's good" viewing within the genre. User comments on highlight White's presence as a standout, with some appreciating the film's buddy-cop dynamic between the human officer and robotic partner as a lighthearted nod to classic tropes. As a release from , Android Cop experienced low initial viewership typical of the studio's , which prioritize VOD profitability over theatrical runs. However, it has maintained steady streaming presence on platforms like , , and , with free availability contributing to ongoing niche viewership into 2025. has sparked discussions in online communities, where it is often compared favorably to other productions for its unpretentious fun.

References

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