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Audacity

Audacity is a free, open-source digital audio editor and recorder designed for multi-track audio manipulation, supporting recording from microphones or other sources, editing via cut, copy, paste, and mixing operations, and exporting in formats such as WAV, FLAC, and MP3.^[1]^[2] Initially released in 2000, it operates on Windows, macOS, Linux, and other Unix-like systems, enabling users to apply effects like equalization, reverb, and noise reduction without requiring advanced technical expertise.^[1]^[3] Its cross-platform compatibility and lack of licensing costs have made it a staple tool for podcasters, musicians, and audio hobbyists, with ongoing development driven by a volunteer community via public code repositories.^[3]^[2] The software's interface features a timeline-based waveform view for precise editing, real-time preview of effects, and support for plugins in formats like VST and LADSPA, allowing extension for specialized tasks such as spectral editing or automation.^[1] While praised for its accessibility and robustness in handling large files, Audacity has drawn scrutiny over decisions like proposed data collection features, prompting rapid community responses and adjustments to maintain user privacy preferences.^[1] These events underscore its decentralized governance model, where core maintainers respond to feedback from millions of downloads accumulated over two decades.^[2]

Etymology and Definition

Linguistic Origins

The English noun audacity first appears in the late Middle English period, around 1432–1450, as audacite, borrowed directly from Medieval Latin audācitās.^[4] This form derives from the classical Latin audācia, which denoted "boldness," "daring," or "presumption," often carrying connotations of venturesome courage that bordered on recklessness.^[5] The Latin root adjective audāx (bold, daring, or impudent) generated audācia through the suffix -ia, emphasizing a quality or state, while audāx itself stems from the first-conjugation verb audēre ("to dare" or "to venture").^[6] The verb audēre reflects an ancient Indo-European linguistic pattern linking boldness to capacity or willingness to act, traceable to the Proto-Indo-European root h₂ewdʰ-, associated with concepts of "both" or "further," evolving in Italic languages to imply the ability or urge to extend beyond limits.^[5] In Roman usage, as evidenced in texts by authors like Cicero and Virgil, audācia initially praised strategic fearlessness in military or rhetorical contexts but could critique excessive presumption, illustrating an early semantic tension between valor and overreach.^[5] This duality persisted as the term entered Old French as audace (boldness), influencing its adoption into English via ecclesiastical and scholarly translations during the Renaissance.^[6]

Semantic Development and Connotations

The term "audacity" entered Middle English around 1432–50 as a borrowing from Medieval Latin audacitas, derived from the Latin adjective audax ("bold") and verb audere ("to dare"), initially denoting boldness or daring in action.^[4] ^[5] This early semantic field aligned with positive attributes of courage, as seen in contexts praising intrepid knights for their "audacity" in confronting peril.^[6] By the 1530s, the word's meaning expanded to encompass presumptuous impudence or moral recklessness, reflecting a shift where boldness could imply overreach or defiance of propriety.^[5] This dual trajectory persisted into the 17th century, with usage varying by context: audacity evoked admiration when tied to noble risks, such as exploratory ventures, but offense when perceived as arrogant disregard for norms.^[7] Contemporary connotations retain this ambivalence, with "audacity" signifying either commendable daring—evident in phrases lauding innovative challenges to established orders—or pejorative brazenness, as in expressions decrying impudent behavior.^[6] ^[8] Merriam-Webster delineates it as "intrepid boldness" versus "bold or arrogant disregard of normal restraints," underscoring how evaluative judgments hinge on outcomes and cultural valuation of risk.^[6] In literature, this duality appears in depictions of characters whose audacious acts defy conventions, yielding either heroic or villainous interpretations based on narrative intent.^[9]

Audacity as a Trait

Psychological Dimensions

Audacity, as a psychological construct, refers to a disposition characterized by bold, daring behavior that disregards conventional constraints or potential disapproval, often involving calculated risk-taking and assertive pursuit of goals. This trait aligns closely with the facet of boldness in personality psychology, defined as a combination of fearlessness, social dominance orientation, and thrill-seeking tendencies. In the triarchic model of psychopathy developed by Patrick, Fowles, and Krueger, boldness represents one of three core dimensions—distinct from disinhibition (impulsivity) and meanness (callousness)—and is operationalized through low emotional reactivity to threat, high interpersonal efficacy, and venturesomeness in reward pursuit.^[10] Empirical validation of this model, drawn from large-scale surveys and behavioral tasks, shows boldness correlating with adaptive outcomes like leadership emergence, though extreme levels may contribute to antisocial tendencies when paired with other factors.^[11] Research employing event-related potentials (ERPs) reveals neural underpinnings of boldness, with bold individuals displaying attenuated late positive potential (LPP) amplitudes during emotional processing tasks, indicative of enhanced regulatory control over affective responses.^[12] Longitudinal studies tracking triarchic traits from adolescence into adulthood demonstrate boldness as relatively stable, with trajectory classes showing continuity influenced by genetic factors estimated at 30-50% heritability in twin and molecular genetic analyses.^[13] Low boldness, conversely, predicts heightened vulnerability to anxiety disorders, as evidenced by elevated risk perceptions and state anxiety in threat simulations, such as during the COVID-19 pandemic where bold participants reported 20-30% lower perceived infection risks compared to low-bold counterparts.^[14] Within broader frameworks like the Big Five personality traits, audacity-related boldness positively associates with extraversion (facilitating social assertiveness) and openness to experience (promoting novelty-seeking), while inversely relating to neuroticism (reducing fear inhibition).^[15] These linkages emerge from factor-analytic studies integrating triarchic measures with Big Five inventories, highlighting boldness's role in extraverted agency rather than mere impulsivity. However, psychopathy-focused research, while rigorous, may overemphasize pathological extremes due to clinical sampling biases in academic datasets, potentially underrepresenting adaptive manifestations of audacity in non-clinical populations.^[11]

Philosophical and Ethical Evaluations

In Aristotelian virtue ethics, as outlined in the Nicomachean Ethics, courage constitutes the mean between the vice of cowardice, characterized by excessive fear, and the vice of rashness, which manifests as undue boldness or audacity devoid of rational assessment of dangers. Rash individuals pursue confident action without the temperance that courage demands, often mistaking spiritedness for true virtue, leading to actions that prioritize appearance over substantive good. This framework positions unchecked audacity as ethically deficient, as it disrupts the balance required for eudaimonia, or human flourishing, by favoring impulsive risk over deliberate judgment. Enlightenment thinkers reframed audacity more positively when directed toward intellectual independence. Immanuel Kant, in his 1784 essay "What is Enlightenment?", invoked the motto "Sapere aude!"—"Dare to know!"—to advocate audacity as a moral imperative for individuals to employ their reason autonomously, free from dogmatic tutelage, thereby fostering ethical maturity and societal progress.^[16] Similarly, military strategist Carl von Clausewitz argued that timidity inflicts greater harm than measured audacity, as excessive caution stifles necessary innovation, exemplified by historical delays in technological adoption due to fear of disruption.^[16] These views underscore audacity's ethical value in challenging entrenched errors, provided it aligns with rational inquiry rather than mere defiance. In modern philosophical discourse, audacity is evaluated as context-dependent: virtuous when it embodies daring to think divergently and challenge obsolete norms, as in entrepreneurial or scientific breakthroughs, but vicious in excess as "foolish rashness" that risks disproportionate harm without commensurate justification.^[16] Friedrich Nietzsche extolled boldness as essential to overcoming nihilism, urging a "heroic penchant for the tremendous" and cultivation of audacity alongside strength to affirm life against conformist constraints, viewing it as a counter to passive resentment.^[17] Ethically, this raises causal concerns: audacious acts can catalyze truth-seeking and achievement when grounded in evidence and principle, yet devolve into hubris or coercion if driven by unchecked ego, potentially eroding communal trust or amplifying unintended consequences.^[18]

Empirical Links to Achievement and Risk-Taking

Empirical studies in personality psychology link audacity, conceptualized as boldness involving low fear response and venturesome social dominance, to enhanced leadership outcomes. Within the triarchic model, boldness—often termed fearless dominance—predicts higher ratings of presidential effectiveness, including superior leadership, persuasiveness, and crisis management among U.S. presidents analyzed via historical surveys completed by experts in 2009–2010.^[19] This trait's association with leader performance extends beyond politics; moderated mediation analyses of working adults show that individuals high in fearless dominance, particularly those with higher education, exhibit greater political skill at work, which mediates improved job performance evaluations from supervisors.^[20] In entrepreneurship, audacity manifests as risk-taking propensity, which empirical meta-analyses consistently tie to business initiation and early achievement milestones. A review of recent literature finds that risk-taking, alongside need for achievement and internal locus of control, predicts first-year sales revenues as a measure of nascent venture success, drawing from longitudinal data on startup cohorts.^[21] However, while risk propensity robustly supports entrepreneurial entry—evident in aggregated effect sizes across five meta-analyses—its direct correlation with sustained business performance weakens over time, suggesting audacity facilitates opportunity pursuit but requires complementary traits like perseverance for longevity.^[22] Organizational research further substantiates these links through strategic audacity, defined as firm-level boldness in executing directional choices amid uncertainty. An empirical study of family and non-family businesses in 2022 reports that strategic audacity positively drives performance metrics, such as return on assets, in non-family firms, based on survey data from 250+ Croatian companies analyzed via structural equation modeling.^[23] Complementary findings from CEO practices indicate that bold actions—like aggressive resource reallocation and programmatic M&A—correlate most strongly with total shareholder returns exceeding peers by over 5 percentage points annually, per analysis of 2,135 large-cap firms from 2000–2016.^[24] These patterns underscore audacity's causal role in high-stakes domains, where calculated risk exposure outperforms caution, though unchecked boldness risks overextension absent contextual safeguards.

Historical and Cultural Applications

In Military Contexts

In military doctrine, audacity denotes the bold execution of aggressive actions that seize initiative through calculated risk-taking, often compensating for numerical or material disadvantages by disrupting enemy expectations and morale.^[25] This principle emphasizes decisive judgment amid uncertainty, enabling commanders to exploit fleeting opportunities in fluid combat environments.^[26] U.S. Army field manuals, such as FM 5-71-2, describe it as "the bold courage to exercise good judgment and take decisive action in a fast-paced, constantly changing situation," integral to offensive operations where hesitation can cede momentum.^[25] The concept traces to classical strategists, with Prussian theorist Carl von Clausewitz asserting in On War that "no military leader has ever become great without audacity," linking it to genius in leadership that combines boldness with intellect to overcome friction in war.^[27]^[28] Napoleon Bonaparte similarly championed relentless daring, encapsulated in his maxim "Audacity, audacity, always audacity," which guided his rapid maneuvers and concentrations of force, as seen in the 1805 Ulm Campaign where he enveloped Austrian armies through surprise envelopment on October 20, 1805.^[29] These ideas influenced modern maneuver warfare, where audacity fosters unpredictability and psychological shock, as evidenced in Erwin Rommel's 1941 North African thrusts that outpaced supply lines to capture Tobruk on January 22, 1941, by prioritizing speed over caution.^[30] Historical applications underscore audacity's dual-edged nature: while enabling triumphs like the U.S. Doolittle Raid on April 18, 1942—where 16 B-25 bombers launched from the USS Hornet struck Tokyo, boosting Allied morale despite limited material damage—it risks overextension, as in Napoleon's 1812 Russian invasion where initial boldness led to catastrophic attrition after the September 7, 1812, Battle of Borodino.^[30] In the American Revolutionary War, George Washington's December 25-26, 1776, crossing of the Delaware River exemplified audacious offensive initiative, surprising Hessian forces at Trenton on December 26 and securing a pivotal victory that sustained Continental Army enlistments.^[31] Empirical analysis of such cases reveals audacity's efficacy in asymmetric contexts, where it amplifies surprise and tempo, though success hinges on reconnaissance and adaptability rather than recklessness alone.^[32]

In Literature and Arts

In literature, audacity often manifests as characters' bold challenges to social conventions, ethical dilemmas, or crises, prioritizing personal conviction over conformity. Miguel de Cervantes' Don Quixote (1605–1615) exemplifies this through the protagonist's quixotic pursuits, where visionary rebellion against mundane reality drives acts of reform and defiance, such as tilting at windmills perceived as giants.^[33] Similarly, in Albert Camus' The Plague (1947), Dr. Bernard Rieux demonstrates audacity by insisting on drastic quarantine measures despite official resistance, risking professional isolation to prioritize empirical containment of the outbreak.^[34] Émile Zola's The Ladies’ Paradise (1883) portrays entrepreneurial daring via shop owner Octave Mouret, who disrupts his own successful model by rearranging store layouts mere hours before a pivotal sale, compelling staff to labor through the night for competitive advantage.^[34] In the visual arts, audacity propelled breakthroughs that rejected prior aesthetics, often provoking scandal through raw expression or technical innovation. Artemisia Gentileschi's Judith Slaying Holofernes (c. 1614–1620) stunned 17th-century viewers with its visceral depiction of female vengeance, using dramatic chiaroscuro and anatomical precision to assert agency in a male-dominated field, drawing from her personal experiences of trauma.^[35] The Fauvism movement, launched at the 1905 Salon d'Automne, embodied collective boldness with artists like Henri Matisse employing jarring, unnatural colors and distorted forms to evoke emotion over representation, directly critiquing academic realism and paving the way for modernism.^[36] Self-taught painter Suzanne Valadon further illustrated personal audacity; transitioning from artist's model to creator in the late 19th century, she produced stark, unidealized nudes such as The Future (1892), which candidly explored female anatomy and psychology, defying the era's sanitized portrayals.^[37]

In Music and Performance

The premiere of Igor Stravinsky's ballet The Rite of Spring on May 29, 1913, at the Théâtre des Champs-Élysées in Paris exemplifies audacity in musical performance, as its jagged rhythms, dissonant harmonies, and depiction of pagan rituals through choreography by Vaslav Nijinsky shattered expectations of tonal melody and graceful dance, inciting fistfights, catcalls, and police intervention among the audience.^[38] ^[39] Stravinsky's score, composed for the Ballets Russes, prioritized primal intensity over romantic lyricism, reflecting a deliberate challenge to fin-de-siècle aesthetics that prioritized emotional restraint.^[38] Despite the chaos—described by witnesses as a "battle" between factions—the work's structural innovations influenced 20th-century modernism, demonstrating how performative audacity can catalyze paradigm shifts in composition and staging.^[39] Georges Bizet's opera Carmen, first performed on March 3, 1875, at the Opéra-Comique in Paris, embodied audacity through its naturalistic portrayal of a defiant, sexually liberated gypsy woman whose amorality and fatalism defied the era's operatic ideals of virtuous heroines and moral uplift.^[40] The production's realistic dialogue, habanera rhythms, and tragic realism—drawn from Prosper Mérimée's novella—provoked hisses and walkouts, with critics decrying its "immorality" and Bizet himself dying three months later at age 36, believing it a flop after only 48 performances amid declining attendance.^[40] Yet, subsequent revivals, including a Vienna production in 1875 that drew 200 performances, affirmed its enduring appeal, underscoring audacity's role in expanding opera's dramatic scope beyond bourgeois sentimentality.^[40] In broader performance contexts, audacity often involves interpreters pushing vocal or interpretive boundaries, as seen in Maria Callas's mid-20th-century portrayals, where her raw emotionalism and technical risks in roles like Tosca's Vissi d'arte transformed passive arias into visceral confrontations, earning acclaim for revitalizing bel canto despite initial resistance from traditionalists favoring smoother phrasing.^[41] Such instances highlight a pattern: initial backlash against norm-breaking yields empirical evidence of innovation's value, as measured by repertoire longevity and influence on successors, rather than contemporaneous approval.^[39]

Audacity in Technology

The Audacity Audio Editor

Audacity is a free, open-source digital audio editor and recorder designed for multi-track audio manipulation across platforms including Windows, macOS, GNU/Linux, and other Unix-like systems.^[42] Originally developed in 1999 by Dominic Mazzoni and Roger Dannenberg at Carnegie Mellon University as a research project to enable flexible audio analysis and editing, its first public version, 0.8, launched on May 28, 2000.^[43]^[44] The project transitioned to volunteer-driven maintenance post-academia, emphasizing cross-platform compatibility via libraries like PortAudio and wxWidgets for real-time audio I/O and graphical interface.^[44] Core functionalities include live microphone or mixer recording, waveform visualization, precise editing via cut, copy, paste, and envelope tools, and built-in effects such as equalization, compression, noise reduction, and spectral editing for frequency-domain adjustments.^[42]^[45] It imports and exports numerous formats including WAV, MP3, FLAC, and Ogg Vorbis, with support for batch processing and plugin extensions via LADSPA, LV2, Nyquist, VST, and VST3.^[45] These capabilities make it suitable for tasks ranging from basic podcast cleanup to advanced sound design, though it lacks native MIDI sequencing or real-time collaboration found in proprietary alternatives.^[45] In April 2021, Muse Group acquired stewardship of Audacity, prompting proposed code changes to integrate opt-in telemetry for crash reports, update notifications, and anonymous usage statistics like session duration and plugin crashes.^[46] Community opposition, citing privacy risks from IP logging and restrictions on users under 13, led to accusations of transforming the tool into spyware, amplified by the acquirer's commercial interests in related software like MuseScore.^[46]^[47] Developers reverted the telemetry pull request amid backlash, but a July 2021 privacy policy update retaining data-sharing disclosures for legal compliance sustained distrust, resulting in forks like Tenacity that strip potential tracking elements.^[47]^[48] The latest release, version 3.7.5 on August 5, 2025, incorporates enhancements like OpenVINO AI effects support on macOS, improved device handling, and a new welcome screen, while maintaining its GNU General Public License distribution.^[49] Audacity's adoption stems from its no-cost model and reliability for non-professional workflows, positioning it as a staple in education, hobbyist recording, and entry-level production despite competition from feature-richer paid suites.^[1]

Development and Technical Evolution

Audacity originated as a research project in the fall of 1999 at Carnegie Mellon University, initiated by graduate student Dominic Mazzoni under the supervision of Professor Roger Dannenberg to facilitate the visualization and debugging of audio processing algorithms.^[44] The software's core design emphasized cross-platform compatibility from inception, leveraging libraries such as PortAudio for low-level audio input/output and wxWidgets for the graphical user interface to enable operation on Windows, macOS, and Linux without platform-specific code proliferation.^[44] The first public release, version 0.8, occurred on May 28, 2000, introducing basic recording, playback, and editing capabilities in a multi-track environment, with initial support limited to WAV and raw audio formats.^[43] Early development focused on expanding core functionality, including the addition of Nyquist scripting for custom effects by 2001 and integration of LADSPA plugin support across platforms by version 1.0 in 2004, which allowed modular extension through third-party audio processing modules originally developed for Linux.^[50] Subsequent technical advancements included optional VST plugin compatibility via a LADSPA bridge enabler in the mid-2000s, evolving to native support for VST3, LV2, and Audio Units formats in later releases, enhancing extensibility for professional effects and analysis tools without compromising the open-source GPL license.^[51] FFmpeg library integration, introduced around 2008, broadened import/export handling to over 20 compressed formats like MP3 and OGG, addressing a key limitation of earlier versions reliant on external encoders.^[51] By the 2010s, Audacity's architecture incorporated real-time preview for effects in version 2.1 (2015), spectral editing views, and improved performance through optimized waveform rendering, transitioning from a rudimentary tool to a robust editor capable of handling large multi-channel projects.^[52] Recent iterations, such as version 3.3 (2023), added real-time application of built-in effects, shelf filters, and beta tempo detection, while 3.6 (July 2024) introduced master effects chains, enhanced compression/limiting algorithms, and themeable interfaces for better usability and reduced CPU overhead during playback.^[52] These updates reflect ongoing volunteer-driven refinements, prioritizing stability and plugin interoperability over radical redesigns.^[53]

Features and Impact

Audacity supports multi-track recording and editing, enabling users to layer and manipulate multiple audio streams simultaneously for complex projects such as podcast production or music mixing.^[1] Key functionalities include live audio capture from microphones or other inputs, waveform and spectrogram views for precise visualization, and tools for selecting, splitting, copying, and pasting audio clips.^[54] It accommodates a wide array of audio formats, including WAV, MP3, FLAC, and Ogg, with built-in conversion capabilities and support for third-party plugins via standards like VST and LADSPA to extend effects such as equalization, noise reduction, and reverb.^[1] Additional analyzers measure attributes like frequency spectra and silence detection, while generators create tones or white noise for testing and synthesis.^[55] The software's cross-platform availability on Windows, macOS, Linux, and other Unix-like systems, combined with its no-cost open-source model under the GPL license, has democratized access to professional-grade audio tools, reducing barriers for hobbyists, educators, and independent creators who might otherwise rely on expensive proprietary alternatives.^[42] Audacity's impact extends to fostering a global community of contributors, with ongoing development driven by volunteers and hosted on platforms like SourceForge, where it maintains a 4.6 out of 5 rating from over 290 user reviews as of recent data.^[2] By providing robust, extensible editing without subscription fees, it has influenced open-source audio workflows, serving as a foundational tool for tasks like voice processing in podcasts, ringtone creation, and basic music production, thereby empowering non-professionals to engage in digital audio manipulation since its initial release in 2000.^[56] Its persistence as the most downloaded free audio editor underscores its role in standardizing accessible audio technology across diverse applications.^[1]

Controversies and Criticisms

In July 2021, following the acquisition of Audacity by Muse Group in April of that year, the project released an updated privacy policy that sparked widespread accusations of introducing spyware-like telemetry into the open-source audio editor.^[57] The policy outlined collection of user data including IP addresses (pseudonymized and retained for up to 24 hours), crash reports, operating system details, and opt-in usage statistics to improve the software, with provisions for sharing data with law enforcement if legally compelled.^[58] Critics in the open-source community argued this represented a shift from Audacity's privacy-respecting roots, potentially enabling surveillance or data sales, though the software's source code remained publicly auditable, allowing verification of no undisclosed tracking.^[59] Muse Group responded on July 6, 2021, via Audacity's GitHub repository, denying spyware claims and emphasizing that data collection was limited, anonymized where possible, not sold to third parties, and primarily for crash resolution and development analytics.^[60] On July 23, 2021, the team issued a formal apology for "unclear phrasing" in the legal-text policy, attributing misunderstandings to its overly broad wording, and published a revised version clarifying opt-in mechanisms and GDPR compliance, such as treating UUIDs as personal data.^[61] Despite these clarifications, the incident eroded trust among privacy advocates, prompting forks like Tenacity, though one such alternative was abandoned in July 2021 after its developer faced online harassment and stalking.^[62] Lingering criticisms persist into 2025, with some users avoiding post-2.4.x versions due to perceived risks, citing bugs in updates like 3.6.x (e.g., macro incompatibilities) and a less intuitive GUI as evidence of declining quality under corporate oversight.^[63] However, no major new privacy breaches or data scandals have emerged since 2021, and the project's open-source nature continues to enable community scrutiny, underscoring that initial fears were amplified by policy opacity rather than malicious code.^[64] Additional critiques have targeted the adoption of a Contributor Covenant code of conduct in 2021, viewed by some as injecting ideological standards into technical contributions, though this has not led to significant project disruptions.^[65]

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Audacity turns 25 years old!
May 28, 2025 · On this day, 25 years ago, the very first public version of Audacity was released, Audacity 0.8. Audacity 0.8 was very different to what we have today.
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The Architecture of Open Source Applications (Volume 1)Audacity
Dominic Mazzoni wrote the original version of Audacity in 1999 while he was a research student at Carnegie Mellon University. Dominic wanted to create a ...
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Audacity Manual
Guide to the Audacity Project Window. 1 Menu Bar 2 Transport Toolbar 3 Tools Toolbar 4 Edit Toolbar 5 Audio Setup Toolbar 6 Sharing & Effects Toolbar. 7 ...Index of Effects, Generators... · Getting Started · Audacity Tour Guide · Audio Tracks
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Telemetry Debate Rocks Audacity Community In Open Source Dustup
May 17, 2021 · It's impossible to talk about the proposed changes to Audacity without acknowledging the project's new owner, Muse Group. The organization is ...
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Audacity Controversy continues with newly published Privacy Notice
Jul 4, 2021 · The group's initial plan to collect more Telemetry in Audacity was halted because of the public outcry over the decision. Closing Words.
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Audacity vs Tenacity - Swell AI
The relationship between Audacity and Tenacity began with controversy rather than collaboration. When MuseGroup acquired Audacity in 2021, they implemented ...
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Audacity 3.7.5
Aug 5, 2025 · Audacity 3.7.5 was released on 5 Aug 2025. ... Due to a lack of devices, the Audacity team has not tested the WoA version extensively.
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Effect Menu: LADSPA - Audacity Manual
LADSPA plugins, originally for Linux, are used in Audacity for effects, audio generators, and analysis, but are mostly ancient and no longer maintained.
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FAQ:Installation, Startup and Plugins - Audacity Manual
VST (Virtual Studio Technology): Audacity supports almost all VST effect plugins ... LV2 is a more advanced evolution of the LADSPA plugin architecture which was ...
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Audacity 3.6
Jul 16, 2024 · Major changes in Audacity 3.6 · Master effects · New compressor and limiter · New themes · Increased performance.Missing: timeline | Show results with:timeline
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Credits - Audacity Manual
Audacity was started in 1999 by Dominic Mazzoni while he was a graduate student at Carnegie Mellon University in Pittsburgh, PA (USA). He was working on a ...Missing: initial | Show results with:initial
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How to use Audacity
Editing with Audacity · Selecting audio · Audio Alignment · Copy and Paste a section of audio · Clips - individual sections within an Audio Track · Splitting and ...Tutorials for Audacity · Selecting Audio · Audio Clips · Audio Alignment
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Index of Effects, Generators, Analyzers and Tools - Audacity Manual
Effects change the audio in some way. · Generators create new audio, either in an existing track or in a new track. · Analyzers perform analysis on a selection of ...How to use Audacity · Effect Menu · Audacity Tour Guide · Classic FiltersMissing: editor | Show results with:editor
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https://uqlibrary.github.io/technology-training/Audacity/audacity.html
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Audio editor Audacity denies spyware accusation - BBC
Jul 6, 2021 · Audio-edit software Audacity has denied accusations its new privacy policy has transformed it into "possible spyware".
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Audacity labelled as “spyware” over controversial new data ...
Jul 5, 2021 · Audacity has faced heat over controversial changes to its privacy policy, stating it would employ data collection and even sell user data.
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No, open source Audacity audio editor is not “spyware” - Ars Technica
Jul 6, 2021 · the popular open source audio editing app Audacity is now “spyware.” This would be very alarming if true—there aren't any obvious successors or ...
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Audacity Pushes Back on Spyware Claims - PCMag
Jul 6, 2021 · Audacity's owner Muse Group has now responded to the spyware claims via the Audacity GitHub page with a "Clarification of Privacy Policy" post.
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Apologetic Audacity rewrites privacy policy after 'significant lapse in ...
Jul 23, 2021 · An updated privacy policy accompanied the apology, in which the team insisted it had just been misunderstood, and that a look at the source ...
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Audacity alternative abandoned after developer allegedly subjected ...
Jul 8, 2021 · The programmer behind a fork of audio editor Audacity has abandoned the project after receiving a torrent of abuse.
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Anyone using recent Audacity versions? - [DFO] Drum Forum
Dec 27, 2024 · Due to the controversial changes when Audacity was acquired by Muse Group in 2021, I've stuck to the version 2.4. Based on what I now read ...
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Audacity ® | Desktop Privacy Policy
Feb 1, 2025 · In case you opt-in to UUID creation it's important to note that UUIDs, while random, are considered 'personal information' under GDPR.Missing: controversy | Show results with:controversy
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The uproar at Audacity (and its alternatives) - Smartsound Cloud
Nov 30, 2021 · Audacity is a freeware audio editor. Not only is it free, but it's also equally powerful to a lot of professional and expensive audio editors out there.