Bad Magic
Bad Magic is the 22nd studio album by the English heavy metal band Motörhead, released on 28 August 2015 by the record label UDR.[1] It serves as the band's final album featuring all-new original material, recorded in the midst of frontman Lemmy Kilmister's declining health and released just four months before his death from cancer on 28 December 2015.[2][3] Produced by Cameron Webb, the album was recorded live in the studio at NRG Recording Studios in Hollywood, California, capturing the raw, high-energy style that defined Motörhead's nearly five-decade career.[4] Featuring 13 tracks, it includes the band's cover of the Rolling Stones' 1968 classic "Sympathy for the Devil"—which boasts a guest guitar solo by Queen guitarist Brian May—and originals like "Victory or Die," "Thunder & Lightning," and "Till the End" that exemplify their signature blend of punk-infused heavy metal, fast tempos, and bluesy riffs.[5][1][6] Despite Kilmister's battle with multiple health challenges, including heart issues and diabetes, which affected his vocal delivery and led to tour cancellations around the release, Bad Magic was widely acclaimed by critics for its vitality, aggression, and unyielding spirit, often described as a triumphant return to form that reaffirmed the band's enduring influence on heavy metal.[7][1][8] The album peaked at number six on the UK Albums Chart and number four on the US Billboard Hard Rock Albums chart, underscoring Motörhead's lasting commercial appeal. In 2023, a deluxe reissue titled Bad Magic: Seriously Bad Magic was released via Motörhead Music, expanding the original tracklist with previously unreleased studio recordings such as "Greedy Bastards" and "Bullet in Your Brain," alongside a full live set from the band's 2015 performance at the Fuji Rock Festival in Japan.[9][10] This edition highlights bonus material from the same sessions, including a cover of David Bowie's "Heroes," further cementing Bad Magic's legacy as a poignant capstone to Motörhead's discography.[11][12]Background and recording
Development
In 2014 and 2015, Motörhead stood as a veteran heavy metal band approaching its 40th anniversary, with frontman Lemmy Kilmister grappling with significant health challenges that heightened the urgency to produce new material. Kilmister had been managing diabetes for years and underwent surgery in 2013 to implant a defibrillator for an irregular heartbeat, followed by a hematoma later in 2013 and a gastric illness in early 2015 that forced tour cancellations.[13][14][15] These issues underscored the band's determination to continue creating amid uncertainty, as Kilmister later reflected on his resilience in the face of such setbacks.[13] Following the release of their 21st studio album, Aftershock, in 2013, Motörhead decided to pursue a 22nd record titled Bad Magic, seeking to recapture the raw, high-energy essence of their earlier work while benefiting from the longstanding stability of their lineup. Guitarist Phil Campbell, who joined in 1984, and drummer Mikkey Dee, onboard since 1992, provided a consistent rhythm section that allowed the band to focus on energetic songwriting without lineup disruptions.[16][17] The project aimed to deliver unpolished rock 'n' roll vigor, reflecting the band's enduring commitment to their foundational sound despite the intervening years of touring and personal trials.[18] Pre-production for Bad Magic took place in Los Angeles with longtime producer Cameron Webb, emphasizing a straightforward approach to preserve the band's live-like intensity and avoid excessive studio polish. Webb, who had collaborated with Motörhead on previous albums including Aftershock, facilitated sessions that prioritized capturing the group's spontaneous energy in a room together for the first time in the Campbell-Dee era.[16] Kilmister specifically insisted on incorporating traditional rock elements, such as gritty riffs and unadorned performances, even as his health constraints required adjustments, ensuring the material retained Motörhead's signature ferocity.[18] This preparatory phase set the foundation for the subsequent recording process at NRG Studios.Studio sessions
The recording sessions for Bad Magic took place in April 2015 at NRG Recording Studios in North Hollywood, with additional work at Maple Studios and Grandmaster Studios, both in California.[9][19] Long-time producer Cameron Webb, who had helmed the band's previous five albums, oversaw the process and emphasized live band tracking to capture Motörhead's raw stage energy, speed, and aggression—a first for the longstanding lineup of Lemmy Kilmister, Phil Campbell, and Mikkey Dee.[20][21] The band entered the studio after five days of rehearsal, completing the core tracking in three weeks, though individual sessions were kept shorter to accommodate Lemmy's ongoing health challenges, including fatigue from a prior heart scare and diabetes management.[22] These adjustments affected his vocal and bass performances, yet the results maintained the band's signature intensity, driven by an underlying urgency tied to Lemmy's condition.[23] Webb handled mixing and engineering at NRG Studios, finalizing the album by mid-2015 to align with its August release, including considerations for vinyl mastering to preserve the high-energy sonics.Release and promotion
Singles and artwork
The album Bad Magic was released on August 28, 2015, through UDR in partnership with Motörhead Music worldwide, marking Motörhead's 22nd and final studio album.[24] Pre-release promotion began with the lead track "Thunder & Lightning," made available for streaming on June 10, 2015, as the first preview of the album's sound, emphasizing the band's signature high-energy rock 'n' roll style.[2] On July 31, 2015, official music videos were released for both "Thunder & Lightning" and "Electricity," with the latter promoted as a new single featuring performance footage of the band in a raw, studio-like setting to build anticipation.[25][26] These digital releases served as key marketing tools, available via platforms like YouTube and streaming services without physical formats or B-sides. Following the album's launch, additional promotion included the music video for "When The Sky Comes Looking For You" on December 18, 2015, directed to highlight the track's apocalyptic themes through animated and live elements, further extending the album's digital footprint.[27] A promotional CD single for "Victory or Die" was issued in 2016 for radio and industry use. The cover artwork, featuring a menacing fiery skull against a dark background, was designed by Mark DeVito with creative concept and doodles contributed by Lemmy Kilmister, evoking the band's enduring aggressive aesthetic while diverging from earlier mascot motifs.[28] This visual tied into the album's promotion as a celebratory release for Motörhead's 40th anniversary, aligning with their ongoing tour.[29]Marketing and tour
Motörhead promoted Bad Magic through a series of teaser videos released on their official website and social media platforms, featuring interviews with Lemmy Kilmister, Phil Campbell, and Mikkey Dee discussing the album's raw energy and the band's relentless drive, while emphasizing its status as a powerful return without labeling it as their final effort.[30] These promotions built hype by showcasing snippets of tracks like "Victory or Die" and highlighting the recording sessions at NRG Studios in Los Angeles.[24] The album was distributed worldwide via UDR in partnership with Motörhead Music, marking the fifth collaboration between the label and the band.[24] Special editions included limited colored vinyl pressings, such as white and yellow ochre variants, along with deluxe bundles featuring A1 posters, embroidered back patches, and digital download cards to appeal to collectors. In support of Bad Magic, Motörhead launched their 40th Anniversary World Tour in fall 2015, kicking off with a North American leg that included dates in September across cities like Chicago and Detroit, followed by U.S. shows in October and November.[31] The European winter leg was scheduled to begin on November 15 in Paris but was postponed due to the November 2015 Paris attacks, with performances continuing from November 17 in Dusseldorf through December, in major venues like Le Zenith.[32][33] Setlists prominently featured new material from the album, such as "Captain Misery" and "Murder I Did Not Commit," alongside classics to celebrate the band's milestone.[34] The tour encountered significant challenges due to Lemmy Kilmister's health issues, including a lung infection and altitude sickness, which prompted cancellations of U.S. dates including Denver on August 28, San Antonio on September 2, Dallas on September 4, and Houston on September 5.[35][36] It ended suddenly after the band's final concert on December 11, 2015, at Berlin's Max-Schmeling-Halle, occurring just 17 days before Kilmister's death from cancer on December 28.[37] Setlists opened with classics like "Bomber," tying the promotional rollout to live shows.[24]Music and lyrics
Style and influences
Bad Magic exemplifies Motörhead's signature blend of hard rock, speed metal, and punk rock elements, characterized by aggressive, high-energy compositions that prioritize raw power over technical complexity. The album features prominent guitar riffs driven by Phil Campbell's greasy solos and Mikkey Dee's thunderous drumming, creating a visceral, ear-blasting rock 'n' roll assault with manic energy and a grimy, live-in-the-room feel. While maintaining the band's punk-infused urgency from their roots, the tracks incorporate thrash-like intensity in songs such as "Thunder & Lightning," alongside occasional quasi-ballads that provide dynamic contrast without diluting the overall ferocity.[38][39] The album draws heavily from 1970s hard rock influences, including nods to AC/DC's straightforward riffing and Thin Lizzy's dual-guitar dynamics, while emphasizing bluesy undertones particularly evident in Lemmy Kilmister's prominent bass lines, which often adopt a guitar-like, chord-based approach reminiscent of early rock 'n' roll pioneers like Little Richard and Chuck Berry. This connects Bad Magic to Motörhead's foundational sound, evoking the overdriven energy of 1960s rock 'n' roll, rather than purely metal territory. A cover of The Rolling Stones' "Sympathy for the Devil" further highlights these rock heritage ties, with Kilmister's bass paying homage to Bill Wyman's original line. Compared to the relatively cleaner production of 2013's Aftershock, Bad Magic returns to a dirtier, more distorted aesthetic, amplifying the band's rebellious ethos of "everything louder than everything else."[40][39][13] Produced by Cameron Webb at NRG Studios in Hollywood, California, the album's mix foregrounds distortion and a sense of immediacy, capturing the trio's chemistry through a straightforward recording process that begins with drums and builds outward. Kilmister's gravelly vocals, delivered with snarling conviction despite the natural strain of his age and health challenges, remain central, showcasing his enduring will and confidence even as they exhibit a weathered timbre. This production choice enhances the occult and defiant motifs evoked by the title Bad Magic, aligning with Motörhead's long-standing tradition of themes centered on rebellion, vice, and supernatural edge.[41][38][39]Track analysis
"Victory or Die" opens the album with militaristic lyrics that underscore themes of perseverance and unyielding resolve in the face of adversity, setting a combative tone through lines evoking battle cries and the binary choice of triumph or defeat.[42] Similarly, "Thunder & Lightning" highlights guitarist Phil Campbell's contributions with dynamic dual guitar leads that drive the track's explosive energy, blending rapid riffs and harmonized solos to amplify its thunderous momentum.[43] Lyrical content across the album delves into motifs of war, rebellion, and mortality, capturing the raw intensity of conflict and existential reflection; for instance, "Teach Them How to Bleed" draws from Lemmy Kilmister's own hard-lived experiences, portraying street-level survival and the brutal lessons of endurance amid violence and loss.[44] In contrast, lighter humorous elements emerge in "Doctor Love," where playful innuendos and witty wordplay offer a cheeky respite from the heavier themes, poking fun at romantic escapades with self-deprecating charm.[43] Musically, the album showcases innovations through varied pacing and instrumentation, such as the slower, ballad-like "The Devil," which begins with a sparse acoustic intro before building into a brooding, atmospheric groove that contrasts sharply with the blistering, high-speed assault of "Shoot Out All of Your Lights," where relentless tempo and aggressive rhythms propel a sense of urgent chaos.[43] The standard edition compiles these elements into a concise runtime of 42:57, balancing ferocity with moments of restraint.[45] Songwriting duties are predominantly handled by Lemmy Kilmister, who penned the core lyrics and structures, with Phil Campbell and Mikkey Dee providing key contributions to arrangements and musical enhancements that refine the band's signature sound.[43] This collaborative approach echoes the album's broader rock and metal influences, ensuring a cohesive yet diverse sonic palette.[20]Critical reception
Initial reviews
Upon its release in August 2015, Bad Magic received generally positive reviews from critics, earning a Metacritic aggregate score of 80 out of 100 based on ten reviews, which highlighted the album's raw energy and Lemmy Kilmister's enduring vitality despite his health challenges.[46] Reviewers frequently praised the record for capturing the band's classic sound, with its blistering pace and unyielding rock 'n' roll aggression evoking Motörhead's early days while demonstrating Kilmister's defiant spirit.[47] For instance, Kerrang! awarded it a perfect 5/5, declaring it "proof that Motorhead remain the greatest rock'n'roll band on God's scorched Earth," emphasizing the album's ferocious intensity and timeless appeal.[47] AllMusic praised its energetic sound.[48] Tracks like "Thunder & Lightning" were singled out for embodying Motörhead's signature blend of punk-fueled heavy metal and bluesy swagger, with Uncut giving the album 4/5 stars and calling it "gloriously genre-defying" for its blend of ferocity and subtle experimentation, such as the Rolling Stones cover "Sympathy for the Devil."[47] Critics hailed it as "a roaring triumph" that showcased Kilmister's gravelly vocals and the rhythm section's relentless drive, particularly on high-octane cuts. Some critics, however, pointed to the album's adherence to Motörhead's established formula as a limitation, suggesting it lacked innovation amid the band's extensive discography. Mojo assigned it 3/5 stars, observing that "the album isn’t radically different from the five other records Motörhead have made with [producer Cameron Webb] since Inferno in 2004," implying a sense of repetition in structure and themes of violence and resilience.[47] Kerrang!-adjacent outlets and similar publications noted occasional vocal strain in Kilmister's delivery, attributing it to his age and illness but still deeming the result "solid but not revolutionary," as the hoarse growl added authenticity rather than detracting from the overall power.[49] MetalSucks described the mid-tempo tracks as revealing "some strain but still [with] that unmistakable growl," underscoring how the album balanced vitality with the realities of the band's final studio effort.[49]Retrospective assessments
In the years following Lemmy Kilmister's death in December 2015, Bad Magic has been reevaluated by critics as a poignant swan song that captures the band's unyielding spirit during their final creative phase. A 2020 retrospective described it as "the best damn thing they've ever made," likening its role in Motörhead's discography to Queen's Innuendo as a defiant final statement amid declining health.[50] Similarly, a 2023 review praised its vitality, noting that the album's power is amplified by the awareness of Lemmy's illness during recording, positioning it as an "underrated testament" to their resilience.[51] A 2025 analysis highlighted its blues-infused energy, emphasizing how Lemmy sounded "vital" despite his struggles, marking it as a high point in the band's later years.[40] Fan reception has remained strong, with users on Rate Your Music awarding it an average of 3.4 out of 5 based on over 1,600 ratings, often commending its raw intensity and emotional weight as Motörhead's last studio effort.[52] The 2021 documentary Motörhead: Everything Louder Forever further underscores this appreciation, featuring interviews and footage from the band's final period that portray Bad Magic as a symbol of their relentless drive. Cultural analyses in rock journalism have placed Bad Magic within the heavy metal canon as an exemplar of endurance, particularly through themes of defiance in the face of adversity. A 2015 essay in The Atlantic examined its release amid tour cancellations and Lemmy's frailty at age 69, citing lyrics from "Thunder & Lightning"—"Stand on the stage, promises made / Under the blade, scratching and biting"—as emblematic of the aging rocker's unbowed resolve against health declines like back issues and breathing difficulties.[53] In discography rankings, Bad Magic consistently outperforms 1998's Snake Bite Love but falls short of seminal works like Ace of Spades. A 2025 Louder ranking positioned it at 10th overall, well above Snake Bite Love at 21st, crediting its cohesive sound over the earlier album's inconsistencies.[40] Likewise, a 2024 Hard Times retrospective ranked it fourth-best, highlighting its fresh vigor compared to Snake Bite Love's lower placement amid Motörhead's uneven late-1990s output.[54]Commercial performance
Chart positions
Bad Magic achieved significant commercial success upon its release, marking Motörhead's strongest chart performance in nearly three decades on the UK Albums Chart, where it peaked at No. 10—matching its highest position since Rock 'n' Roll reached No. 10 in 1987. The album entered the chart at No. 10 on the week of September 4, 2015.[55][56] In the United States, Bad Magic debuted at No. 35 on the Billboard 200, selling 10,325 units in its first week, representing the band's performance following Aftershock's debut at No. 32 in 2013. It reached No. 2 on the Hard Rock Albums chart and No. 5 on the Top Rock Albums chart.[57][58] The album performed strongly across international markets, topping the charts in Finland, Germany, and Austria, while reaching No. 2 in Switzerland. It entered the top 10 in several countries, including Sweden (No. 4), Norway (No. 7), Belgium (No. 9), the UK (No. 10), Canada (No. 10), and Spain (No. 10). Other notable peaks included France (No. 12), Italy (No. 12), Hungary (No. 13), Japan (No. 15), Australia (No. 29), and New Zealand (No. 25).[59]| Country | Peak Position |
|---|---|
| Australia | 29 |
| Austria | 1 |
| Belgium | 9 |
| Canada | 10 |
| Czech Republic | 4 |
| Denmark | 66 |
| Finland | 1 |
| France | 12 |
| Germany | 1 |
| Hungary | 13 |
| Italy | 12 |
| Japan | 15 |
| Netherlands | 7 |
| New Zealand | 25 |
| Norway | 7 |
| Poland | 32 |
| Spain | 10 |
| Sweden | 4 |
| Switzerland | 2 |
| UK | 10 |
| US Billboard 200 | 35 |
Sales and certifications
The album received several certifications reflecting its market performance. In Germany, it was awarded gold status by the BVMI for 100,000 units shipped, marking one of Motörhead's strongest showings in the country where it debuted at number 1. The UK British Phonographic Industry (BPI) certified it silver for 60,000 units in 2015, aligning with its number 10 peak on the UK Albums Chart. No RIAA certification was issued in the United States, though the album's sales were bolstered by its independent label release and enduring fanbase support.[60] Long-tail sales continued to contribute to the album's legacy, with the 2023 reissue titled Bad Magic: Seriously Bad Magic expanding availability through bonus content.[9]Track listing and personnel
Original track listing
The original 2015 edition of Bad Magic consists of 13 tracks across standard CD and vinyl formats, with a total runtime of 42:31. All tracks were written by Lemmy Kilmister, Phil Campbell, and Mikkey Dee, except for "Electricity," which is a cover adaptation originally by Blue Öyster Cult's Donald "Buck Dharma" Roeser, and "Sympathy for the Devil," written by Mick Jagger and Keith Richards. The double LP edition is presented as a gatefold sleeve, while digital downloads replicate the CD sequencing.[61]| No. | Title | Duration | Writer(s) |
|---|---|---|---|
| 1 | Victory or Die | 3:09 | Kilmister/Campbell/Dee |
| 2 | Thunder & Lightning | 3:05 | Kilmister/Campbell/Dee |
| 3 | Fire Storm Hotel | 3:34 | Kilmister/Campbell/Dee |
| 4 | Shoot Out All of Your Lights | 3:14 | Kilmister/Campbell/Dee |
| 5 | The Devil | 2:53 | Kilmister/Campbell/Dee |
| 6 | Electricity | 2:17 | Roeser (cover adaptation) |
| 7 | Evil Eye | 2:20 | Kilmister/Campbell/Dee |
| 8 | Teach Them How to Bleed | 3:11 | Kilmister/Campbell/Dee |
| 9 | Till the End | 4:05 | Kilmister/Campbell/Dee |
| 10 | Tell Me Who to Kill | 2:57 | Kilmister/Campbell/Dee |
| 11 | Choking on Your Screams | 3:33 | Kilmister/Campbell/Dee |
| 12 | When the Sky Comes Looking for You | 2:55 | Kilmister/Campbell/Dee |
| 13 | Sympathy for the Devil | 5:18 | Jagger/Richards |
Personnel credits
The personnel for Bad Magic consisted of the core Motörhead lineup performing all instruments, with a guest appearance.[62] Motörhead- Lemmy Kilmister – bass, lead vocals
- Phil Campbell – guitars
- Mikkey Dee – drums [62]
- Brian May – guest guitar on "The Devil"[63]
- Cameron Webb – producer, mixing, engineering [62]
- Howie Weinberg – mastering (Howie Weinberg Mastering) [64]