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Boom

Look up [[boom]] in Wiktionary, the free dictionary. '''Boom''' is a versatile English term with multiple meanings, including:

General concepts

Auditory and onomatopoeic uses

In , "boom" denotes a deep, resonant, and hollow sound, typically evoking the abrupt intensity of natural or man-made noises such as thunderclaps, explosions, or the discharge of fire. This auditory phenomenon captures a prolonged, echoing quality that distinguishes it from sharper, higher-pitched sounds, making it a staple in descriptive for impactful . Examples include the rumbling boom of distant thunder during a or the explosive boom accompanying a shot in historical accounts. The term originates as an onomatopoeic expression, directly mimicking the low, humming resonance it represents. It traces back to Middle English forms like "bomben" or "bummen" around the early 16th century, derived from imitative roots shared with Dutch "bommen," meaning to hum, buzz, or drone softly before amplifying into a louder report. This echoic formation reflects a universal human tendency to replicate percussive or bass-heavy sounds through speech, akin to other onomatopoeic words in . Since its early adoption, "boom" has appeared frequently in and colloquial usage to convey sudden, powerful auditory disturbances. For instance, 19th-century writers like Alfred Tennyson employed it to describe the ominous boom of or gunfire, enhancing dramatic tension in narratives of or nature's fury. In everyday , it persists to characterize similar abrupt noises, from the boom of a in music to the structural creak of a falling . From an acoustic perspective, the boom sound arises from low-frequency waves, generally below 250 Hz, which travel as long wavelengths capable of penetrating obstacles and inducing vibrations in surrounding materials. These properties contribute to its resonant character, often amplified by reverberation—where reflected waves overlap with the direct sound, prolonging the perception of depth in spaces like valleys or halls. This combination of low pitch and echoic persistence underscores why "boom" effectively symbolizes forceful, enveloping auditory experiences. The word also briefly references the sonic boom, an intense pressure wave noise generated by supersonic objects.

Economic and demographic phenomena

In , a boom denotes a phase of rapid expansion characterized by accelerating (GDP) growth, declining rates, rising wages, and increased consumer and spending, often leading to inflationary pressures and asset price surges. This period typically follows economic recovery from a downturn and forms part of the broader , where heightened demand outpaces supply in key sectors. Historical examples illustrate this dynamic: the post-World War II economic boom in the United States from 1945 to 1970 saw average annual GDP growth of approximately 3.8%, fueled by the reconversion of wartime industries to civilian production, pent-up consumer demand for automobiles and appliances, and government policies like the that boosted homeownership and education. Similarly, the 1990s dot-com boom in the U.S. technology sector drove NASDAQ index values to rise over 400% between 1995 and 2000, propelled by widespread investments in startups amid optimism about digital commerce, though it ended in a sharp bust. Demographic booms, particularly the post-World War II from 1946 to 1964 in Western countries including the U.S., , and much of , involved a sustained surge in birth rates, with the U.S. climbing from 2.5 children per woman in 1945 to a peak of 3.8 in 1957. Key causes included economic prosperity from wartime savings and job opportunities, the return of millions of soldiers fostering family formation, and a cultural emphasis on traditional gender roles and suburban living that encouraged larger families. The effects reshaped societies profoundly: it strained educational systems with school enrollments doubling in the 1950s, spurred a surge that popularized suburbs, and created a youth-driven in the 1960s through music and social movements, while later bulging the labor force in the and , contributing to wage stagnation and policy shifts like expanded Social Security. Boom and bust cycles represent the recurrent pattern of followed by , observed across history in agrarian, industrial, and modern economies, often exacerbated by speculative bubbles in commodities, , or . For instance, the U.S. experienced a 1920s boom driven by and credit expansion, culminating in the 1929 and , highlighting how overinvestment and inequality can precipitate downturns. These cycles, while varying in duration and severity, underscore the role of and fiscal interventions in mitigating extremes, as seen in post-1930s regulatory reforms that aimed to stabilize financial markets. In recent years, modern booms have emerged in : the 2021 cryptocurrency boom elevated the total of digital assets to nearly $3 by November 2021, spurred by institutional s from firms like and widespread retail adoption amid low interest rates and pandemic-related stimulus. By 2025, an -driven economic surge has further propelled growth, with U.S. GDP expanding at an annualized rate of approximately 1.6% in the first half of 2025 (January to June) largely due to surging investments in data centers and infrastructure, with U.S. private totaling $109.1 billion in 2024, including significant for generative , as of November 2025. This boom has boosted productivity in sectors like software and but raises concerns over demands and job displacement.

Physical objects and equipment

Nautical and structural booms

In nautical contexts, a boom is a long, horizontal spar attached to the foot of a fore-and-aft sail, typically the mainsail, via a gooseneck fitting at the mast. This setup allows sailors to adjust the sail's angle relative to the wind and control its shape for optimal aerodynamic performance, extending from the mast to support and tension the sail's lower edge. The use of booms dates back to the with the development of fore-and-aft rigged vessels, such as early schooners and brigs, where they replaced loose-footed to enhance maneuverability and wind capture during coastal and exploratory voyages. By the , innovations like the Bentinck boom—traditionally attributed to but possibly misattributed from Captain John Bentinck RN—further refined their application on collier brigs and topsail schooners, using lighter spars with chain bridles to reduce effort in handling for trades like the Newcastle-to-London coal route. In modern yachts as of 2025, booms continue to play a central role in precise , often integrated with furling systems for efficient and storage. Structurally, booms refer to rigid, load-bearing arms or poles in mechanical systems, such as those in cranes and , where they extend from a central or base to lift and position heavy loads. Derrick booms emerged in the early for and , evolving from wooden gallows-like frames powered by manual pulleys to steam-assisted models that improved reach and capacity in industrial settings. In logging operations, booms function as floating barriers—chains of interconnected logs anchored across rivers—to contain and direct timber drives, a practice widespread since the mid-19th century in North American waterways like the Kennebec and Saint-Maurice rivers, where they prevented log loss amid rapids and eddies during seasonal floods. Materials for both nautical and structural booms have evolved from traditional , prized for its availability and flexibility in early designs, to aluminum alloys in the mid-20th century for lighter weight and resistance in environments. By 2025, advanced composites like have become prevalent in high-performance booms and experimental crane applications, offering superior strength-to-weight ratios and reduced maintenance, as demonstrated in feasibility studies for composite and crawler crane booms that enhance load capacities while minimizing structural fatigue. Operationally, nautical booms control sail shape by tensioning the foot through lines like the outhaul and vang, distributing loads evenly to prevent twisting and maintain for efficient , while features such as preventers—lines rigged from the boom end to the bow—mitigate risks from accidental gybes by limiting uncontrolled swings. In structural uses, crane booms manage load distribution via adjustable angles and guy wires, ensuring by aligning the center of gravity over the base; protocols emphasize precise calculations of boom length, load weight, and environmental factors to avoid tipping, with modern systems incorporating sensors for real-time monitoring.

Audio and filming equipment

In film and television production, the boom microphone refers to a directional microphone mounted on an extendable pole, known as a boom pole, positioned overhead to capture actors' dialogue without appearing in the camera frame. This device was pioneered in Hollywood during the transition to sound films in the late 1920s, when director Dorothy Arzner improvised the first boom mic by attaching a microphone to a fishing rod for her 1929 film The Wild Party, allowing actress Clara Bow greater mobility during scenes. By the 1940s, boom microphones had become a standard tool in studio productions, with models like the Mole-Richardson Type 103B extending up to 17 feet and widely used in both film and early television setups. Modern boom poles typically range from 8 to 16 feet in length when extended, constructed from lightweight materials such as carbon fiber to reduce operator fatigue while supporting microphones weighing up to several pounds; for example, the Rode Boompole Pro collapses to 3 feet and extends to 10 feet, weighing just 1.17 pounds. The boom operator, also called a production sound assistant, is responsible for maneuvering the boom pole to optimally position the during filming, ensuring clear audio capture of and ambient sounds while avoiding visual intrusion or unwanted like clothing rustle. This role requires physical , as operators often hold the pole aloft for extended takes, and technical skill in angling the mic—typically a type with a supercardioid —to focus on sound sources within a narrow field. Boom operators collaborate closely with the to monitor levels in , adjusting for environmental factors such as or echoes, and their work is essential for on-set recordings that form the basis of audio. In professional crews, the position demands knowledge of acoustics and equipment handling, with operators typically starting as utility sound technicians before advancing. The boom box, or portable stereo system, emerged in the late as a battery-powered cassette player integrated with radio tuner and large speakers, enabling mobile music playback that became iconic in urban culture, particularly within communities where it facilitated street performances and mixtape sharing. Devices like the RC-550, introduced in , emphasized powerful bass and volume to project sound in public spaces, symbolizing personal expression and community gatherings in City's scene during hip-hop's formative years. By the , compact disc compatibility extended their lifespan, but the rise of digital formats led to a decline; however, by 2025, the boom box concept has evolved into wireless speakers that retain the rugged, high-output design, such as the SoundLink Max, which offers up to 20 hours of battery life and IP67 water resistance for outdoor use while streaming from smartphones. These modern iterations prioritize portability and connectivity over tape mechanisms, blending nostalgic aesthetics with app-controlled features like adjustments.

Geographical locations

Settlements and municipalities

Boom is a municipality located in the of , situated along the Rupel River in the . As of 2025, it has an estimated of 19,699 residents across an area of 7.38 square kilometers. The town serves as a suburban community within the broader metropolitan area, with a tied to local clay extraction and brick manufacturing industries that date back to the , contributing to its . Boom gained international prominence as the birthplace and primary host of the electronic dance music festival, which debuted there in 2005 within the De Schorre provincial recreational park. Organized by brothers and Michiel Beers, the inaugural event drew 9,000 attendees and has since expanded into one of the world's largest music festivals, attracting around 400,000 visitors over two weekends annually by the 2020s, significantly boosting the local economy through tourism and related services. This cultural anchor has transformed Boom from a quiet town into a global destination for electronic music enthusiasts, with the festival's elaborate themed stages and international lineups originating from the site's natural park setting. The name "Boom" derives from the Dutch word boom, meaning "tree," a reference to the dense forests that once covered the area and were cleared by early for and in the medieval period. Local attributes the naming to the abundance of trees along the Rupel River, which facilitated initial in the 13th century. In broader contexts, place names like Boom in Dutch-speaking regions often stem from similar natural features, evoking wooded barriers or structural beams in historical landscapes.

Natural or man-made features

In , a "boom" refers to a type of riverine barrier or dike designed to confine or direct flow, often constructed along riverbanks to mitigate or flooding by acting as an that controls and movement. These features, sometimes synonymous with groins, spurs, or deflectors, have been integral to management in various U.S. waterways, where they help stabilize channels and prevent lateral migration of courses. A specialized application of such barriers emerged in the 19th-century lumber industry of the , where log booms—floating enclosures made of chained logs or timbers—were deployed in rivers and coastal waters to collect, sort, and contain felled timber floated downstream from sites. These man-made structures facilitated efficient to sawmills, with historical records indicating their widespread use in and during the late 1800s, as railroads expanded access to remote forests and demand surged from markets. By containing millions of board feet of logs, booms minimized losses from drift and enabled year-round milling operations, though they also contributed to localized riverbed alterations. In the context of resource extraction, "" denotes expansive man-made oil fields characterized by dense clusters of drilling rigs and infrastructure, exemplified by the in western , where hydraulic fracturing and horizontal drilling technologies spurred a production surge starting around 2008. Covering approximately 9,000 square miles, the Bakken features thousands of active wells and rigs, peaking at over 200 operational rigs in the early before stabilizing at around 30-40 in the 2020s, underscoring its role as one of the largest onshore oil plays in the U.S. This development tied into broader in resource extraction, transforming rural landscapes with pads, pipelines, and processing facilities. Boom barriers play a critical environmental role in spill containment, particularly for , where floating booms are rapidly deployed to encircle and corral pollutants on water surfaces. Following the 1989 Exxon Valdez spill in Alaska's , which released about 11 million gallons of crude , responders deployed over 66,000 feet of containment boom to limit shoreline spread and facilitate skimming operations, though challenges like high winds reduced effectiveness. Such deployments highlighted booms' utility in protecting sensitive aquatic ecosystems, informing modern protocols for rapid response in riverine and coastal settings.

Arts and entertainment

Music

In music, "Boom" appears in various artist names, song titles, album titles, and event names across genres such as rock, blues, pop, and electronic, often evoking energy, rhythm, or explosive impact. Among bands, The Boom was a prominent Japanese rock group formed in 1986, blending pop, rock, and Okinawan influences, with key members including vocalist Kazufumi Miyazawa, guitarist Takashi Kobayashi, bassist Hiromasa Yamakawa, and drummer Takao Tochigi; the band remained active until 2014, releasing hits like "Shima Uta" that popularized island music nationally. Similarly, Sha-Boom, a Swedish-Norwegian pop-rock outfit active in the 1990s, gained attention with upbeat tracks like "Let's Party" from their 1990 debut album, capturing the era's Euro-pop energy. The nickname "Boom Boom Mancini" for boxer Ray Mancini inspired Warren Zevon's 1987 rock song of the same name on the album Sentimental Hygiene, which narrates Mancini's career and a tragic bout, showcasing Zevon's storytelling style in rock. Notable songs include John Lee Hooker's "Boom Boom," a 1962 blues standard from his album Burnin', featuring infectious guitar riffs and lyrics about romantic pursuit; it peaked at No. 16 on the R&B charts and No. 60 on the pop charts, becoming Hooker's most successful single and a cornerstone of . Charli XCX's "," a 2014 hit from the soundtrack to , topped the chart for three weeks with its catchy chorus and synth-driven production, marking a breakthrough for the British singer. Key albums featuring "Boom" titles encompass Boom by American garage rock pioneers , released in 1966 on Etiquette Records, which amplified their raw, sound through tracks like "" and "," influencing and for decades. Big Head Todd and the Monsters covered "Boom Boom" on their 1997 album , infusing 's original with jam-band rock elements in a collaboration with Hooker himself, contributing to the album's mainstream success. The , held biennially since 1997 in , , stands as a landmark event in the psytrance and electronic , emphasizing , arts, and global culture; spanning 225 hectares with over 20 stages, it drew tens of thousands in its 2025 edition (July 17–25), fostering a transformative community around psychedelic sounds.

Film and television

In film and television, "Boom" often evokes themes of sudden explosion, rapid growth, or dramatic upheaval, manifesting in narratives ranging from personal crises to high-stakes adventures and interactive challenges.) The 1968 British drama Boom!, directed by , stars as the ailing millionaire Flora "Sissy" Goforth, who retreats to her Mediterranean island villa to dictate her memoirs amid fears of impending death. plays the enigmatic Nat, a poetic intruder who arrives seeking her fortune, leading to tense confrontations laced with ' signature flair; the screenplay adapts Williams' 1963 play The Milk Train Doesn't Stop Here Anymore. portrays the gossipy Witch of , adding layers of intrigue. Filmed on location in with cinematography by and a score by John Barry, the production was marked by the real-life tensions between Taylor and Burton, then in their volatile marriage. Critically divisive upon release, it holds a 20% approval rating on , with critiquing its overwrought style as "a noble failure" that nonetheless showcases Taylor's commanding presence. Over time, it has garnered cult appreciation for its bold aesthetics and exploration of mortality. Boom Town (1940), an American adventure-drama directed by Jack Conway for , follows oil prospectors "Big John" McMasters () and "Squarehead" Sand () as they strike it rich in the early 20th-century oil fields, only for their friendship to fracture over business ambitions and romance with Betsy Bartlett (). joins as a glamorous rival, heightening the interpersonal drama amid the industry's explosive growth. Produced during Hollywood's with a screenplay by John Lee Mahin, the captures the era's fascination with American ingenuity and boom-and-bust cycles. It was a massive commercial hit, grossing $9.17 million worldwide and ranking as the highest-grossing of 1940, reflecting the era's appetite for escapist tales of fortune. Critics praised its energetic pacing and star power, though some noted its formulaic . On television, Boom! is a high-energy format originating from in 2013, where teams of contestants defuse oversized prop bombs by answering trivia questions and severing wires linked to incorrect options, with escalating tension from a countdown timer and potential slime explosions for failures. The format, created by , emphasizes collaboration and quick thinking, blending quiz elements with action-movie thrills. It gained international traction in the , including a short-lived U.S. on from 2015 to 2016, hosted by JD Roberto, where prizes reached up to $100,000 but faced cancellation after one season due to middling ratings. Adaptations aired in countries like the (, 2013) and the (Eat Bulaga!, 2018–2019), maintaining the core mechanic of bomb-defusing quizzes. A notable episode titled "Boom" appears in the British sci-fi series Doctor Who, season 14, episode 3 (2024), written by and directed by . The () lands on the war-ravaged planet Kastarion 3, stepping on a landmine amid a conflict between human soldiers and Not-Things (extremist androids), triggering a fail-safe that threatens planetary detonation tied to his DNA. Companion () navigates automated ambulances controlled by a rogue , weaving themes of , , and ethical dilemmas in a claustrophobic, standoff. Praised for its suspenseful bottle-episode structure and social commentary, it earned a 7.6/10 on and acclaim from critics for Gatwa's charismatic performance under constraint.

Literature and other creative works

In literature, "Boom!" refers to a 1959 satirical by , depicting a nuclear apocalypse through everyday characters conditioned to accept fallout as normal, originally published as a four-page supplement in and later collected in Feiffer: The Collected Works, Volume 3 by Fantagraphics Books in 1992. This work exemplifies Feiffer's early graphic storytelling, blending humor and social critique to address anxieties. Children's literature features titles like "Boom Boom" (2013), a nearly wordless by Sarvinder Naberhaus, illustrated by Margaret Chodos-Irvine, which follows preschoolers discovering seasonal sounds and joys through onomatopoeic bursts like thunder and laughter, published by Beach Lane Books, an imprint of . In publishing, , founded in 2005 by Ross Richie in , has played a pivotal role in the landscape by championing creator-owned series and diverse genres, including and . Notable titles include "Something is Killing the Children" (2019–present), written by and illustrated by Werther Dell'Edera, an Eisner Award-winning series about a young monster hunter that has driven significant sales and inspired adaptations. By 2024, the publisher was acquired by , enabling further expansion, including a 2025 partnership with to adapt titles like "Something is Killing the Children" and "" into digital scrolling formats for broader accessibility. ' output, such as the "" series selling over 1.5 million copies, underscores its contribution to the boom, fostering underrepresented voices and achieving New York Times bestsellers. Theater includes "boom" (2005), a dark comedy by Peter Sinn Nachtrieb that premiered at Woolly Mammoth Theatre Company in Washington, D.C., before its 2008 run at in , exploring , survival, and human connection through a marine biologist sheltering two women during a global catastrophe. Published by Dramatists Play Service in 2009, the play spans billions of years in a single setting, blending with philosophical inquiry on fate and . In , "Boom" appears in motifs post-1960s, evoking explosive energy and cultural disruption, as seen in comic-inspired works like Romero Britto's "Boom Fish" sculpture (limited edition, signed metal piece symbolizing vibrant chaos). Such themes, drawing from , reflect the era's fascination with media violence and , with artists like incorporating similar burst effects in paintings like "Whaam!" (1963) to critique war and pop culture.

People and characters

Real individuals

Ray "Boom Boom" Mancini, born Raymond Michael Mancino on March 4, 1961, in , is a former professional who held the WBA championship from 1982 to 1984. His nickname "Boom Boom" was inherited from his father, Lenny Mancini, a known for his powerful punches, and Ray earned it through his aggressive, knockout-heavy style, compiling a professional record of 29 wins (23 by KO) against 5 losses. Mancini's career peaked with a dramatic title defense in 1982 against Duk Koo Kim, which tragically ended in Kim's death and prompted reforms in safety rules, including shorter rounds in title fights. After retiring in 1985, he made brief comebacks but transitioned into acting, producing, and philanthropy, including work with the Foundation, while remaining a commentator. Shahid "Boom Boom" Afridi, born Sahibzada Mohammad Shahid Khan Afridi on March 1, 1977, in , is a retired international cricketer renowned for his explosive all-round play in One Day Internationals (ODIs) and Twenty20 Internationals (T20Is). The nickname "Boom Boom" originated from his thunderous hitting, highlighted by his record-breaking fastest ODI century off 37 balls in 1996 at age 16, which launched his career. Over 27 years, Afridi scored 8,064 ODI runs at a of 117 and took 395 wickets, captaining in 2010 and contributing to their 2009 T20 World Cup victory with key performances like a match-winning 54 off 40 balls in the semifinal. Post-retirement in , he has remained influential as a commentator and philanthropist through the Shahid Afridi Foundation, aiding education and disaster relief in , including efforts during the 2022 floods. Fred "Boom Boom" Couples, born Frederick Steven Couples on October 3, 1959, in , , is a celebrated for his effortless swing and longevity on the . The nickname "Boom Boom" stems from his prodigious driving distance in the 1980s, averaging over 270 yards per tee shot when such power was rare, helping him secure 15 wins, including the . Couples' smooth style and relaxed demeanor made him a fan favorite, leading to 163 top-10 finishes over 35 years and a successful career on the , where he won the 2022 SAS Championship at age 62. He has also captained the U.S. team to victory in 1995 and contributed to golf's popularity through endorsements and media appearances. Boris "Boom Boom" Becker, born on November 22, 1967, in Leimen, , is a former professional tennis player who dominated the sport in the 1980s and 1990s with his powerful serve and aggressive baseline game. The nickname "Boom Boom" was coined by Indian tennis commentator during Becker's junior career, inspired by the explosive sound of his booming serves, which propelled him to win in 1985 at age 17—the youngest men's singles champion there. Becker claimed six singles titles, including three Wimbledons, and three Davis Cups for , amassing over 49 ATP titles before retiring in 1999. In recent years, he has served as a coach, notably for from 2016 to 2018, aiding three wins. In 2022, Becker was imprisoned for bankruptcy-related offenses, serving time until his release in February 2024. Since then, he has resumed work as a commentator, appeared in podcasts, and published "Inside" in 2025 detailing his experiences. Lee Min-ho, professionally known as Boom (born May 10, 1982, in Yeongwol, South Korea), is a multifaceted entertainer who began as a rapper and singer before becoming a prominent television host and actor. He debuted in 1997 with the short-lived mixed group KEY under JYP Entertainment, followed by unsuccessful rap groups Nuclear (1999) and Rekha (2001), but gained traction as a VJ and MC in the early 2000s. Boom released his digital single "Let Me Play" in 2012, produced by rapper Gaeko, showcasing his hip-hop roots, and has appeared in dramas like "Soulmate" (2006) and films such as "Paper Plane" (2016). Since 2018, he has hosted the variety show "Amazing Saturday ~ DoReMi Market" on tvN, earning praise for his witty improv, and launched his YouTube channel YOUTUBOOM in 2024, amassing subscribers through comedic content and family vlogs following his 2022 marriage and the birth of his daughter in 2024. Kenneth E. "Boom" Gaspar, born February 3, 1953, in , , is an American keyboardist who has been a touring and recording member of the rock band since 2002. Introduced to frontman by bassist , Gaspar's soulful and work added a new layer to Pearl Jam's sound, debuting live during Vedder's solo performances before joining the full band. His contributions appear on albums like the 2003 live release "Live in " and the 2006 self-titled album, where he co-wrote and performed on tracks such as "Army Reserve," as well as subsequent records including "" (2009) and "" (2013). Gaspar has toured extensively with Pearl Jam, enhancing their improvisational jams, and released solo work like the 2020 album "The Boom Sessions," drawing from his Hawaiian roots and influences like .

Fictional characters

In comics, one prominent fictional character named Boom-Boom is , a superhero in the associated with the . First appearing in #193 in 1985, created by writer and artist Jim Mooney, she possesses the ability to generate and control explosive plasmoids—glowing orbs of psionic energy that detonate with concussive force upon impact or after a delay. Her character often embodies a rebellious, energetic , evolving through various team affiliations like and , and adopting additional codenames such as Meltdown and Boomer. Another comic character is Judy Garrick, known as The Boom, from DC Comics' The Flash mythos. Introduced in The Flash #750 in 2020 by writer Joshua Williamson and artist Howard Porter, with a retroactive backstory placing her debut in the 1960s, she is the daughter of Jay Garrick (the original Flash) and gained super-speed powers following a lab accident involving . As her father's , The Boom represents a youthful, dynamic speedster , participating in events like the era and facing threats from the villains. In DC Comics, Boom also refers to a minor villainous figure from the Green Lantern series, debuting in Green Lantern Corps Quarterly #5 in 1993. Created as part of the Poglachian Green Lantern Corps—a satirical, impostor group designed to undermine the real Green Lanterns—this Boom wields a power ring mimicking Lantern abilities but tied to deceptive, low-stakes conflicts on the planet Poglach. The character highlights themes of fraud and parody within the cosmic superhero genre. In animation and television, Boom (real name Byron) appears as a supporting antagonist in the DC Animated Universe's Static Shock series. Voiced by Rickey D'Shon Collins, he first appeared in the episode "Brother-Sister Act" in 2001, transformed into a "Bang Baby" during the Big Bang event, granting him the power to emit devastating sonic waves from a chest-mounted speaker. Portrayed as a reluctant criminal driven by anger issues rather than innate villainy, Boom's explosive sonic archetype leads to clashes with the hero Static, emphasizing themes of uncontrolled power and redemption. In film, Boom is a minor character in the 2023 animated feature Trolls Band Together, part of the boy band Kismet alongside former *NSYNC members. Voiced by Lance Bass, Boom is depicted as a vibrant, yellow-skinned troll with rainbow hair and an energetic, performance-driven personality, contributing to musical sequences that drive the plot's boy-band reunion narrative. His role underscores the film's themes of harmony and spectacle, fitting the broader "Boom" trope of high-energy, burst-like presence in ensemble casts. Across these depictions, characters named Boom or Boom-Boom frequently share an explosive or high-impact archetype, symbolizing sudden energy bursts—whether through plasma blasts, super speed, sonic attacks, or performative flair—often originating from transformative events like mutations, accidents, or awakenings. This pattern reflects creators' use of the name to evoke dynamism and disruption in superhero and adventure genres.

Other uses

Science and technology

A is an impulsive noise resembling thunder, generated by shock waves formed when an object travels through the air faster than the , approximately 750 miles per hour at . These shock waves arise from disturbances that accumulate ahead of the object, coalescing into a cone-shaped as it exceeds Mach 1, the . The resulting boom propagates to the ground, creating a sudden change that can cause structural vibrations or startle observers. The phenomenon was first demonstrated in controlled flight on October 14, 1947, when U.S. Air Force Captain piloted the rocket plane to Mach 1.06, producing the initial recorded during level supersonic flight. This milestone, conducted under the (NACA) program, marked the breakthrough of and spurred decades of research into supersonic aerodynamics. In rocketry, sonic booms occur during ascent and reentry phases as vehicles accelerate beyond Mach 1, with exhaust plumes contributing to complex shock patterns due to high-speed gas flows. For instance, Falcon 9 boosters generate triple sonic booms during atmospheric descent, resulting from interactions between the vehicle's shocks and atmospheric layers. Similarly, the Space Shuttle's launches produced sonic booms from both the orbiter and solid rocket boosters, influencing environmental impact assessments. Nuclear tests in the and generated intense shock waves from explosions, producing boom-like pressure disturbances that propagated through the atmosphere and were audible over vast distances. These waves, simulated in later experiments to mimic nuclear effects, highlighted the destructive potential of high-amplitude pressure fronts akin to those in sonic booms. Efforts to mitigate sonic booms have advanced through engineering innovations, notably by , which is developing the supersonic airliner to achieve 1.7 speeds with reduced ground-level noise via optimized shaping and wing design. The company plans initial passenger flights in 2029, powered by up to 100% sustainable aviation fuel to align with environmental goals. Regulatory frameworks have shaped supersonic applications; in 1973, the U.S. (FAA) prohibited civil overland flights exceeding Mach 1 to prevent disruptive sonic booms, restricting operations like the to oceanic routes. By 2025, FAA updates permit such flights if ground-level booms remain inaudible, facilitating quieter designs and sustainable supersonic travel.

Brands, slang, and miscellaneous

Boom Supersonic is an American aerospace company founded in 2014, specializing in the development of supersonic commercial airliners designed for speed, safety, and sustainability. The company has built the XB-1 demonstrator jet, which achieved its first supersonic flight in January 2025, marking the first independently developed civil supersonic jet in the United States. Backed by investors including Y Combinator and Bessemer Venture Partners, Boom Supersonic has secured orders for its Overture airliner from airlines such as United Airlines. Angie's Boomchickapop, commonly known as Boom Chicka Pop, is a popcorn brand originating from a family recipe developed by Angie and Dan Bastian in their Mankato, Minnesota garage in 2001. Initially focused on kettle corn to fund their children's college education, the company rebranded from Angie's Kettle Corn to Boomchickapop in the mid-2000s, expanding into a range of flavored popcorn products emphasizing natural ingredients. Acquired by Conagra Brands in 2017 for $250 million, it has grown into a major snack brand available internationally. In slang usage, "boom" serves as an interjection to emphasize a decisive, impressive, or successful statement or action, often signaling triumph or finality similar to a mic drop. This exclamation gained prominence in the 2010s through internet memes, particularly the "Boom! Roasted" phrase originating from a 2009 episode of the television series The Office, where character Michael Scott delivers humorous roasts at a dinner party, inspiring viral clips and adaptations in online humor. Miscellaneous uses of "boom" include the term "," referring to a community experiencing sudden and rapid population and economic growth due to a resource discovery or economic opportunity. In the , boomtowns proliferated during rushes, such as the of 1849, where tent cities like expanded dramatically to support miners and related industries. In the energy sector, "oil boom" denotes a period of substantial economic influx from surging oil prices or increased production, often leading to rapid development in regions like the Permian Basin.

References

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