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Boss Level

Boss Level is a 2021 American science fiction action film directed by Joe Carnahan from a screenplay he co-wrote with Chris Borey and Eddie Borey. The story centers on Roy Pulver (Frank Grillo), a former special forces operative who becomes trapped in a time loop, repeatedly dying and reliving the same day as assassins target him, forcing him to unravel a vast conspiracy involving advanced technology. The film stars Grillo alongside Mel Gibson as Roy's estranged boss, Naomi Watts as his ex-wife, and features supporting roles by Annabelle Wallis, Ken Jeong, and Michelle Yeoh. Development on Boss Level began in 2012 under the working title Continue, facing delays before being revived in 2017 by Carnahan, known for films like Narc and The A-Team. He drew inspiration from video game boss battles to craft an over-the-top action narrative. Principal photography took place in various locations in Georgia from March to May 2018, produced by companies including Emmett/Furla Oasis Films, WarParty Films (Grillo's banner), and Scott Free Productions. The film's visual effects, including the time-loop sequences and elaborate fight choreography, were handled by a team emphasizing practical stunts blended with CGI to evoke retro gaming aesthetics. Originally slated for a 2019 theatrical release by Entertainment Studios Motion Pictures, Boss Level encountered setbacks due to the and instead had an advance screening in February 2020 before premiering exclusively on on March 5, 2021. The film's distribution faced legal challenges, including a 2021 lawsuit by against the producers and over contract disputes. It received generally positive reviews for its high-energy action and self-aware humor, earning a 74% approval rating on from critics who praised its genre homage despite uneven effects. The film also resonated with audiences, achieving a 6.8/10 on and highlighting Grillo's charismatic lead performance in the crowded time-loop subgenre.

Narrative

Plot summary

Roy Pulver, a retired operative, finds himself trapped in a repeating on the day of his death, waking up each morning at 7:00 a.m. in his apartment as a mysterious assassin with a bursts through his window to kill him. Over numerous iterations—more than 140 deaths—Roy experiences a series of attempts by a cadre of elite killers, including the savage , the sword-wielding Guan Yin, the Denizen, and others, each encounter ending in his demise by 12:47 p.m., such as being decapitated, shot from a , or exploded in various traps. These loops allow Roy to gradually learn the patterns of his attackers, honing his combat skills through to survive longer each cycle, including a high-stakes helicopter chase where he commandeers the to evade gunfire. As Roy delves deeper into the mystery, he reconnects with his estranged ex-wife, Jemma Wells, a brilliant scientist at Dynow Labs, who reveals that she has initiated the time loop using a prototype device called the Osiris Spindle—a quantum tunnel intended to manipulate time. Jemma explains that she stole Roy's DNA to bind the loop to him as a safeguard against Colonel Clive Ventor, the ruthless head of the project and a former CIA operative, who plans to activate the Spindle for personal power, potentially unraveling the fabric of reality and destroying Earth. Throughout the loops, Roy also bonds with his 11-year-old son, Joe, whom he has been largely absent from due to his divorce; in one poignant cycle, Roy spends quality time with Joe at an arcade, teaching him self-defense and sharing moments of fatherly affection, unaware at first that Joe is a target of Ventor's forces. A key twist emerges when Roy discovers a tracking device implanted in his tooth by a seemingly innocuous hygienist, which alerts the assassins to his location; removing it allows him to extend his survival time and infiltrate Dynow Labs. He confronts Ventor, learning that the Colonel has already killed Jemma in early loops to seize control of the Spindle, though Roy later uncovers that Jemma is alive and has been using the loop's 14-minute activation window to repeatedly attempt to sabotage the device. The conspiracy's origin is tied to the Spindle's experimental activation, which Jemma triggered to trap Ventor in time and prevent his catastrophic plans, inadvertently pulling Roy into the cycle due to their shared DNA connection. In the climactic loops, Roy storms Dynow Labs in intense boss-like confrontations, battling waves of guards and assassins in brutal melee and gunfights, ultimately killing Ventor in a fierce showdown. With Jemma's guidance, Roy saves her from execution and races against the collapsing 14-minute window to shut down the Spindle, but realizes his presence in the loop is exacerbating the global instability. To break the cycle and avert planetary destruction, Roy voluntarily enters the device's unstable core, sacrificing himself to reset time; he awakens outside the loop to a singular day, determined to protect his family without do-overs, as the familiar machete assassin appears once more—but this time, with full knowledge to end it permanently.

Themes and style

Boss Level explores themes of redemption through persistent failure, as protagonist Roy Pulver repeatedly dies and restarts his day, gradually transforming from a self-centered operative into a devoted family man who learns the value of sacrifice and personal growth. This motif underscores the film's emphasis on iterative self-improvement, where each loop forces Roy to confront his shortcomings and make incremental progress toward . Central to the narrative is the father-son bond, depicted through Roy's efforts to reconnect with his estranged child, culminating in emotionally resonant moments that highlight themes of absentee and familial restoration, amplified by the real-life father-son dynamic between lead actor and his onscreen son. The consequences of scientific are woven in via the time loop's origin—a catastrophic experiment involving a particle that spirals out of control, illustrating the perils of unchecked ambition in advanced technology and its ripple effects on innocent lives. Stylistically, the film draws heavily from mechanics, incorporating "respawn" elements where Roy revives after death to retry challenges, structured like levels in a side-scrolling with escalating obstacles from apartment skirmishes to high-stakes confrontations. This is enhanced by that replays key sequences with variations, mimicking loop repetition and building tension through familiar yet evolving action beats, often accompanied by sardonic narration for comedic effect. High-octane action choreography dominates, featuring inventive, over-the-top fight scenes influenced by films like , with more than 100 tracked deaths emphasizing balletic violence and practical stunts that blend balletic precision with visceral impact. Director employs a genre-savvy approach, fusing sci-fi tropes such as multiverse-adjacent time manipulation with and explosive set pieces, creating a breezy tone that satirizes the repetitive thrills of action cinema while nodding to 1980s nostalgia through references like Frogger-inspired perils. Influences from time-loop stories are evident, particularly 's cyclical day structure reimagined as an thriller rather than a comedy of personal , and Edge of Tomorrow's combat-focused resets where failure informs tactical . Classic further shape the aesthetic, evoking boss battles and progression systems that treat the narrative as a high-score run, complete with pixelated callbacks and level-clearing triumphs. Carnahan's direction balances humor and brutality by casting comedians in dramatic roles to heighten emotional authenticity, ensuring the sci-fi framework serves the heartfelt core without overwhelming it, as seen in the seamless integration of witty banter amid chaotic choreography.

Cast and characters

Principal cast

Frank Grillo stars as Roy Pulver, an ex-special forces operative and the central navigating the film's intense sequences. To prepare for the physically demanding role, Grillo intensified his training regimen, incorporating boxing-centric workouts and building 20 pounds of lean muscle through twice-daily sessions to achieve a shredded suitable for the high-stakes . Mel Gibson portrays Colonel Clive Ventor, the primary antagonist whose manipulative oversight of a secretive project drives the central conflict. Gibson's casting brings a seasoned intensity to Ventor's commanding and scheming presence as the head of a high-tech operation. Naomi Watts plays Jemma Wells, Roy Pulver's ex-wife and a brilliant whose expertise forms a pivotal emotional anchor for the . Watts' performance highlights Jemma's intellectual depth and personal ties to , adding layers to the film's relational dynamics.

Supporting roles

Michelle Yeoh portrays Dai Feng, a renowned swordswoman and expert who serves as a key trainer in the film's intense combat sequences, leveraging her distinctive style to elevate the action choreography. Annabelle Wallis plays , a entangled in the protagonist's chaotic day, contributing emotional depth and moments of respite amid the relentless pursuits while her character's resourcefulness aids in navigating the time loop's challenges. Ken Jeong appears as Chef Jake, an quirky diner owner and surveillance specialist whose comedic timing and gadget-savvy antics provide levity and practical support during high-stakes evasion scenes. embodies Guan Yin, a lethal assassin proficient in sword combat, functioning as a recurring adversary that heightens the film's boss-level confrontations with precise and acrobatic fight dynamics. Additional ensemble members include as Brett, a burly enforcer adding brute-force physicality to pursuit encounters, and MMA fighters and Quinton "Rampage" Jackson as the synchronized German twins, whose coordinated attacks introduce tactical teamwork among the antagonistic archetypes.

Production

Development

The for what would become Boss Level originated in , when director announced his involvement in developing a film initially titled *Continue?**, conceived as a centered on a time-loop . The original was written by brothers Chris Borey and Borey. Carnahan attached himself to the early, envisioning it as a high-octane blend of sci-fi elements—like repetitive death cycles reminiscent of mechanics—with intense sequences, though it stalled in for several years. Over the subsequent years, the script underwent significant evolution under Carnahan's guidance, who rewrote portions to deepen emotional stakes and tailor the protagonist's role specifically for actor , emphasizing themes of redemption amid relentless combat loops. This refinement shifted the story from broader speculative elements in the Boreys' draft—such as preventing historical catastrophes—to a more focused personal survival tale infused with genre tropes from both and cinema. Early casting announcements highlighted Grillo's attachment as the lead, Roy Pulver, underscoring the project's personal investment from Carnahan and Grillo through their production banner, WarParty Films. Financing was secured through a $45 million , primarily backed by Films, with additional production support from Highland Film Group, , and producers including , , , and George Furla. Initial planning phases incorporated location scouting in , selected for its tax incentives and urban landscapes suitable for the film's action-heavy set pieces, laying the groundwork for .

Filming and post-production

Principal photography for Boss Level commenced in March 2018 and wrapped in May 2018, primarily in , , with additional locations in Savannah and surrounding areas such as Decatur and Norcross. The shoot emphasized practical stunt work for its high-octane action sequences, including intense and elaborate stunts. Production faced major hurdles, notably a last-minute schedule reduction from 43 days to 27 days due to financing issues, which created ongoing money shortages and risked crew dismissals; director and producer-star navigated these by streamlining scenes while maintaining the film's ambitious scope. One notable incident occurred during a fight scene between Grillo and , where Gibson accidentally dislocated Grillo's jaw despite prior cautions about his strength. Post-production began in November 2018, focusing on assembling the film's intricate non-linear structure to convey the repetitive time-loop premise effectively. Following rejection by Entertainment Studios, Blumhouse Productions oversaw a recut of the film to make it suitable for streaming. Visual effects for key sequences, such as those involving the mysterious device triggering the loop, were provided by Baked Studios under VFX supervisor George Loucas and Encore VFX under Armen V. Kevorkian, integrating practical footage with digital enhancements to heighten the action's intensity. Sound design incorporated recurring audio cues to underscore the looping motif, enhancing the disorienting repetition without overpowering the practical stunt elements. The $45 million production yielded alternate cuts, including a longer international version with revised editing and an additional scene omitted from the Hulu release, originally slated under MoviePass logos before distribution shifts.

Release and distribution

Premiere and platforms

Boss Level had its advance screening premiere in Hollywood, California, on February 11, 2020. The film's wide release was significantly delayed by the , which disrupted theatrical distribution plans worldwide, as well as ongoing legal issues related to production rights. In the , Boss Level made its streaming debut exclusively on on March 5, , following an eight-figure acquisition of domestic distribution rights by the platform. The US streaming version on Hulu is approximately 94 minutes long. Internationally, the film was released on , starting with markets such as the in . Film Group handled international sales and distribution, securing deals for various territories. The rollout included limited theatrical runs in select international markets prior to streaming availability, such as the on February 18, 2021, and on February 25, 2021. Marketing efforts centered on the film's time-loop premise, with Hulu releasing an official trailer in February 2021 that highlighted the repetitive deaths and high-stakes action sequences to draw comparisons to films like . Promotional materials emphasized the and Joe Carnahan's kinetic style to build anticipation for the delayed debut.

Home media and ancillary releases

The home video release of Boss Level in the United States occurred on April 23, 2021, with both DVD and Blu-ray formats distributed by VVS Films. These editions featured the film's 100-minute runtime in , with English audio tracks and in English and French. Physical and some versions feature the longer 100-minute cut, while the US streaming version is shorter at 94 minutes. Internationally, the Blu-ray debuted slightly earlier in select markets, such as on April 19, 2021, through local distributors like . Some international physical releases, including certain Blu-ray editions, incorporated an extended cut approximately six minutes longer than the U.S. streaming version, featuring alternate editing, additional dialogue scenes, and an . Following the initial Hulu exclusivity, digital purchase and rental options became available on platforms like and starting March 5, 2021, allowing permanent ownership of the standard 100-minute cut. The original motion picture soundtrack, composed by Clinton Shorter, was released digitally on March 5, 2021, via platforms including and featuring 15 tracks of score emphasizing the film's high-octane action sequences, such as "We Got Ourselves a Cowboy" and "Osiris." A physical CD edition followed on June 4, 2021. Merchandise tied to Boss Level remained limited, primarily consisting of apparel replicas like leather jackets inspired by character outfits, available through specialty retailers, with no official tie-in produced.

Reception

Critical response

Boss Level received mixed reviews from critics, with praise centered on its energetic sequences and lead , though some found the derivative. On , the film garnered a % approval rating from 87 reviews, with the critics' stating that it "powers up the increasingly crowded time-loop with a gleefully over-the-top sci-fi that revels in its own excess." On , it holds a score of 56 out of 100 based on 16 critic reviews, reflecting "mixed or average" reception. Critics frequently lauded Frank Grillo's charismatic portrayal of the protagonist Roy Pulver, describing him as a "companionable" who carries the film with blasé skill and breezy charm. The inventive action choreography and execution of the time-loop premise were also highlighted, with reviewers noting the film's breakneck pacing and violent repetition as engaging homages to tropes and classics like . However, others criticized the formulaic plot, which blends familiar revenge and time-loop elements without sufficient originality, leading to a sense of repetition. Uneven pacing was another point of contention, as the film shifts from energetic action to a self-serious final act that dilutes earlier pleasures. In a notable review, of awarded the film 2 stars, appreciating its fast-paced despite an overstuffed scenario, while observing that the ending "clearly telegraph a sequel." Other critiques emphasized its tribute to 8-bit arcade games and the broader . was more positive, with an average rating of 6.8 out of 10 on from over 87,000 users. The film did not receive any major awards or nominations.

Box office performance

Boss Level was produced on a budget of $45 million. The film received a primarily in international markets starting in February 2021, grossing approximately $2 million worldwide. Its performance was significantly affected by the ongoing , which led to widespread theater closures and capacity restrictions; global revenues in 2021 were down about 50% from pre-pandemic levels. This timing prompted a direct-to-streaming strategy, with acquiring U.S. distribution rights for $11.75 million in an eight-figure deal finalized in late 2020. Additional revenue came from (VOD) platforms and international licensing. Compared to similar time-loop action films like , which earned over $370 million in theatrical grosses against a $178 million in , Boss Level's limited cinema run highlighted the industry's shift toward streaming during the pandemic.

Legal matters

Production disputes

During the pre-production and filming phases of Boss Level in 2018, director faced significant tensions with the film's financiers over constraints and scheduling, which led to abrupt changes just before began. Originally planned for a 43-day shoot, the production schedule was slashed to 27 days, prompting concerns about potential crew layoffs and forcing rapid adjustments to maintain momentum. These financial pressures necessitated extensive script revisions by Carnahan, who reworked the original screenplay by Chris and Eddie Borey to accommodate the tighter timeline and reduced resources, including trimming action sequences and reallocating shooting priorities. Carnahan and star publicly expressed frustration with the financiers' decisions, highlighting ongoing money shortages that complicated daily operations and required constant on set. On-set safety issues arose during a key fight scene involving and , where Gibson accidentally dislocated Grillo's jaw despite prior warnings about the stunt's physical demands, underscoring the risks inherent in the film's high-octane action choreography. Grillo later described the incident lightheartedly but noted it as part of the production's broader challenges in managing intense stunt work under compressed conditions.

Post-release litigation

In July 2021, Blumhouse Productions filed a lawsuit in the Superior Court of California, Los Angeles County (Case No. 21STCV24384), against the producers of Boss Level—including Emmett Furla Oasis Films (EFO), The Fyzz Facility, and actress-producer Meadow Williams—as well as Hulu, alleging breach of contract, quantum meruit, and seeking declaratory relief. The suit claimed that Blumhouse had been brought in during post-production to recut and salvage the film after an initial version was deemed commercially unviable, incurring over $126,000 in costs for editing, sound, and visual effects work. The core of the dispute centered on unauthorized alterations and licensing. Blumhouse asserted that under their agreement, they were entitled to 5% of any licensing fees, which would have amounted to approximately $587,500 from Hulu's reported $11.75 million payment for streaming rights. However, the producers allegedly failed to remit this payment and, without Blumhouse's approval, further recut the film—shortening it from 100 minutes to 94 minutes by removing scenes and adjusting content to suit streaming parameters—before licensing the modified version to Hulu. This breached Blumhouse's creative control and profit-sharing rights, with the company seeking over $1.5 million in damages, reimbursement of costs, and a court declaration that the producers lacked authority to license the film and that Hulu had no right to distribute it. This litigation underscored tensions in direct-to-streaming arrangements, particularly regarding approvals and , as producers increasingly adapt theatrical cuts for platforms without full stakeholder consent, potentially setting precedents for clarity in hybrid release models.

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