Fact-checked by Grok 2 weeks ago

Buttons and Bows

"Buttons and Bows" is a popular song with music composed by and lyrics written by , first featured in the 1948 Paramount Western comedy film The Paleface, where it is performed as a duet by and . The song's lyrics humorously convey a female character's aversion to frontier life and desire to return to urban comforts, emphasizing elements like "frills and flowers and buttons and bows." It was published on February 25, 1948, and copyrighted by Corp. The track earned Livingston and Evans their first Academy Award for Best Original Song at the ceremony held on March 24, 1949. Dinah Shore's version, recorded urgently just before a musicians' strike at three minutes to midnight, topped the Best Seller chart for ten weeks in and became one of the year's top-selling records. Multiple artists, including and the Dinning Sisters, also charted versions of the song in , contributing to its widespread popularity. Beyond its initial success, "Buttons and Bows" has endured in American popular culture, appearing in various such as the television sitcom as a theme for the character Wrangler Jane. The song's catchy melody and witty lyrics have led to numerous covers and references, solidifying its place as a notable contribution to mid-20th-century American music.

Background and Development

Songwriters

Jay Livingston (March 28, 1915 – October 17, 2001) was an American composer and from , who developed a passion for radio as a youth, logging over 235 stations on his receiver and drawing inspiration from performers like Little Jack Little. After studying piano in , he worked as a stand-by for NBC Radio in during the early stages of his career. Ray Evans (February 4, 1915 – February 15, 2007) was an American lyricist born in , who idolized and was shaped by New York show writers and Hollywood musicals during his formative years. A graduate of the at the with initial aspirations in banking, Evans began writing songs part-time before committing fully to the craft. Livingston and Evans first met in the early at the , where they collaborated in a campus dance band. Following graduation, they joined a orchestra, traveling to ports like , , , and Trinidad, which exposed them to global musical influences. They formalized their songwriting partnership in in the late , relocating to in 1944 and signing as staff writers with around 1945. The duo's breakthrough came in 1946 with "To Each His Own," composed for the film To Each His Own and performed by multiple artists including Andy Russell and ; the song topped the and earned them their first Academy Award for Best Original Song. "Buttons and Bows" emerged in 1947 specifically for the comedy The Paleface, after director Norman Z. McLeod rejected the team's earlier submission, "Skookum"—an actual word meaning "strong" or "good"—deeming it too lighthearted for an scene and undermining the sequence's tension. Frustrated but undeterred, Livingston and Evans returned to their office and pivoted to a Western-themed title drawn from the film's frontier setting, crafting a tune that captured the humorous plight of Bob Hope's cowardly dentist character in a comedic wagon performance. In their collaborative approach, Livingston typically composed the first, followed by Evans fitting to evoke a folksy, satirical tone that aligned with the film's of tropes and Hope's persona.

Film Context

The Paleface is a 1948 American comedy directed by Norman Z. McLeod, starring as the timid dentist "Painless Peter Potter," who poses as a gunslinger, and as the outlaw sharpshooter . Released by on December 24, 1948, the film centers on 's parole from prison to investigate gun smugglers arming Native American tribes, during which she enters a with Potter to aid her undercover mission. Filmed between July and October 1947 with a reported budget of $2 million, The Paleface emphasized a satirical of conventions, including exaggerated gunfights and heroic archetypes, through 's signature cowardly persona. The production paired , a radio and film veteran, with in her second major role following (1943), leveraging their contrasting styles—Hope's verbal wit and Russell's sultry allure—to drive the film's humorous tone. The song "Buttons and Bows," composed by and , is integrated as a performed by and Russell in a sequence, where it highlights Jane's homesickness for Eastern sophistication amid the perils of life, thereby advancing her emotional and providing comedic relief within the espionage-driven . This musical interlude underscores the film's blend of adventure and levity, as Jane's wistful sentiments contrast the Western hardships she faces while protecting Potter. Emerging in the post-World War II period, The Paleface reflected Hollywood's emphasis on escapist fare, with its visuals, musical elements, and lighthearted offering audiences a respite from recent global conflicts through playful subversion of genre tropes. The song's upbeat, nostalgic quality further enhanced this escapist appeal, juxtaposing whimsical domestic yearnings against the film's mock-heroic action.

Composition and Lyrics

Musical Elements

"Buttons and Bows" features an upbeat melody composed by Jay Livingston in the key of C major, characterized by a catchy, repetitive chorus that imparts a folksy charm suitable for its Western film context. The song employs a standard rhythm in 4/4 time, enhancing its whimsical quality through ascending motifs and major chords that blend irony with lightheartedness. The structure adheres to the classic verse-chorus form, often denoted as AABA in Tin Pan Alley conventions for the chorus, which underscores its pop accessibility while incorporating pseudo-folk elements to evoke a Western saloon atmosphere. The original recording, performed by Bob Hope and Jane Russell, lasts approximately 2 minutes and 45 seconds, supported by an orchestral arrangement to maintain an intimate, evocative sound. Influences from pop are evident in the song's straightforward harmonic progression and novelty styling, which Livingston fused with faux-rustic motifs to heighten the comedic contrast between Eastern sophistication and Western ruggedness. Technically, the was published by in , with the original recording featuring a lively pace typical of mid-20th-century pop standards.

Lyrical Content

The lyrics of "Buttons and Bows," penned by with music by , form a witty, first-person expressing regret over leaving the civilized East for the untamed American , capturing a satirical take on through exaggerated complaints about hardships. The song's narrator yearns for the elegance of urban life, decrying the "buckboard bounce" and "cactus [that] hurts my toes" while idealizing "eastern trimmin' where women are women / In high silk hose and peek-a-boo clothes." This comic plea underscores the discomfort of cultural , portraying the as a place of rough handclasps and scarce finery rather than sophistication and romance. Central to the lyrical themes is a playful reversal, amplified by the song's performance in The Paleface (1948), where Bob Hope's cowardly male dentist character delivers lines traditionally suited to a feminine voice, such as a desire to "keep on wearin' / Those frills and flowers and buttons and bows." This inversion heightens the humor, poking fun at the singer's effete preferences amid the film's , while lamenting the absence of "buttons and bows" as symbols of domestic comfort and in the rugged landscape. The chorus reinforces this with repetitive pleas for "rings and things and fine array," building a rhythmic escalation of whimsy that satirizes the pioneer's plight. Evans employs clever throughout, notably in the title and , where "bows" evokes decorative ribbons on women's attire. The structure comprises verses that progressively amplify the comic discontent—starting with geographic contrasts like "East is east and west is / Out where the handclasp's hearty and the men are many," moving to physical woes, and culminating in a that ties back to the titular adornments—creating a layered buildup to the humorous resolution of preferring city glamour over austerity. These elements reflect broader cultural nuances, including gender stereotypes that idealized women in frilly, high-fashion domesticity and a for stable, homebound roles amid societal shifts from wartime mobilization. The ' lighthearted on such inconveniences, enhanced briefly by the melody's upbeat tempo to underscore the irony, made the song a memorable vehicle for in its cinematic context.

Release and Commercial Performance

Original Recording

The primary studio recording of "Buttons and Bows" was performed by and released as a single by under catalog number 38284. Recorded on November 30, 1947, with Shore backed by her Happy Valley Boys, this version was issued on August 16, 1948, as the to promote the song ahead of the film's release. Shore's take featured a lively arrangement directed by , emphasizing the song's playful theme with swinging brass and rhythmic percussion that captured the era's optimistic spirit. This recording marked a significant commercial success, selling over 1 million copies and establishing it as a standout hit of the late . To capitalize on the song's momentum from its debut, several other artists quickly produced initial versions in late 1948. The Dinning Sisters recorded for (catalog 15184), Betty for (catalog 20-3303), and Evelyn Knight for (catalog 24489), each released to align with the movie's promotional campaign. These efforts tied directly into the 's December 24, 1948, premiere, amplifying the song's exposure through radio airplay and record sales.

Chart History

Dinah Shore's recording of "Buttons and Bows," released in late 1947 but charting in 1948, topped the Billboard Best Sellers in Stores chart for 10 weeks, from October 30, 1948, to January 8, 1949, and remained on the chart for a total of 24 weeks. The version sold over one million copies, qualifying as a gold record by contemporary standards and marking Shore's biggest commercial success. Multiple other recordings contributed to the song's chart dominance that year, with six versions appearing on Billboard charts, including the Dinning Sisters peaking at #5, Betty Garrett at #8, Evelyn Knight at #13, and Sara Vaughan at #20 on various charts. Gene Autry's rendition reached #17 on the pop Best Sellers chart while achieving significant play on country outlets, peaking at #6 on the Most Played Juke Box Folk Records chart. The experienced strong sales in , where it aligned with U.S. chart trends due to shared market influences, and in , where Autry's version held the #1 position for 12 weeks beginning in January 1949. Overall, "Buttons and Bows" generated at least two million units across versions, establishing it as a multi-million seller for songwriters and and underscoring their rising prominence in post-war popular music. Later revivals saw limited chart activity, with ' 1962 cover reaching #104 on Billboard's chart for two weeks in April. Minor country interpretations in the 1970s, such as those echoing the song's folk elements, appeared on regional playlists but did not achieve national top-40 placements.

Awards and Recognition

Academy Award Win

"Buttons and Bows," written for the 1948 film The Paleface, was nominated for Best Original Song at the , one of five contenders alongside "For Every Man There's a Woman" from Casbah, "It's Magic" from , "This Is the Moment" from That Lady in Ermine, and "The Woody Woodpecker Song" from Wet Blanket Policy. The Academy recognized original songs that enhanced a motion picture's emotional or narrative impact, and "Buttons and Bows" exemplified this through its humorous portrayal of frontier life, fitting the film's comedic tone. The ceremony took place on March 24, 1949, at the Academy Award Theater in , hosted by . Actress and singer presented the Music Awards, announcing and as winners for music and lyrics. This marked the songwriting duo's second Academy Award for Best Original Song, following their 1947 win for "To Each His Own" from the film of the same name, and the second of four total Oscars they would receive, with subsequent victories for "" at the 23rd Academy Awards in 1951 and "Que Sera, Sera (Whatever Will Be, Will Be)" at the in 1957. The win underscored the song's integral role in advancing The Paleface's lighthearted storyline, where it was performed by , contributing to the film's satirical take on tropes. According to Academy criteria, such songs must be newly composed and substantially advance the film's plot or character development, a standard "Buttons and Bows" met by injecting whimsy and irony into the narrative. Following the victory, the Oscar propelled "Buttons and Bows" to even greater commercial success, with sheet music sales surging and increased radio broadcasts featuring versions by artists like Dinah Shore and The Dinning Sisters, solidifying its status as a postwar hit. The award's prestige amplified the song's visibility, contributing to over a million copies sold in various recordings by 1949.

Other Accolades

"Buttons and Bows" earned recognition from the , ranking at number 87 on its 2004 list of the 100 greatest songs in American films, selected for its enduring popularity from the 1948 film The Paleface. Songwriting duo and , who composed the song, were inducted into the in 1977, with "Buttons and Bows" highlighted as a pivotal achievement in their career as one of their early Academy Award-winning compositions. The song has appeared in multiple rankings of notable Academy Award-winning original songs, including position 54 in a comprehensive list of all such winners compiled by StudioBinder, underscoring its lasting appeal among honorees.

Cover Versions and Adaptations

Early Covers

Following the release of Dinah Shore's chart-topping version of the song from the 1948 film The Paleface, numerous artists produced covers of "Buttons and Bows" in the immediate postwar years, capitalizing on its catchy melody. Other charting versions from 1948 included The Dinning Sisters (peaking at #10 on the pop chart), Evelyn (#17), and Betty Rhodes (#20). Betty Garrett recorded a spirited swing rendition in 1948 with Harold Mooney and His Orchestra for , which appeared on industry charts and reflected the song's quick adaptation to big band formats popular at the time. Gene Autry's December 1947 Columbia recording, released in 1948, infused the tune with authenticity through his signature yodeling cowboy style, reaching #6 on the country charts and aligning the song with frontier themes. Into the 1950s, the song continued to inspire vocal interpretations that highlighted its versatility. featured "Buttons and Bows" in her live radio performances on The Chesterfield Supper Club around 1950, later compiled on albums, where her precise phrasing and orchestral backing emphasized the lyrics' whimsical contrast between East and West. By 1962, delivered a harmonious country-folk arrangement on RCA Victor, spotlighting Jim Ed Brown's lead vocals and evoking rural simplicity, though it bubbled under at #104 on the pop chart. The melody also found non-vocal use in television during the . An adaptation served as the signature theme for Wrangler Jane, portrayed by , in the sitcom from 1965 to 1967, underscoring the character's feisty frontierswoman persona with upbeat and guitar accents. Swing and styles dominated early covers, with ensembles like those led by providing energetic brass and rhythm sections that propelled the song's playful rhythm, while Autry's version grounded it in authentic traditions. These adaptations fueled the track's enduring initial wave of popularity, cementing its place in mid-century American .

Modern Interpretations

In the and , "Buttons and Bows" continued to appear in television programming tied to its original performer, . During his special Hope, Women and Song aired on January 21, 1980, Hope incorporated the song into the show's musical segments, reflecting its enduring association with his career and the comedy genre of The Paleface. This performance highlighted a nostalgic , blending the tune's lighthearted with Hope's signature humor for a contemporary . By the late 1980s, the song saw adaptations in country and styles, diverging from its roots. The , a bluegrass duo, recorded a lively acoustic version on their 1989 album Rice Brothers 2, emphasizing and to infuse the track with energy while preserving its wry lyrics about frontier life. Such covers marked an evolution toward interpretations, appealing to audiences seeking rustic reinterpretations of mid-20th-century standards. Entering the 1990s and 2000s, novelty and comedic takes brought fresh stylistic shifts. In the 1996 episode "Look Before You Leap," the character performs a hilariously bungled rendition of "Buttons and Bows" during a pledge drive, turning the song into a vehicle for slapstick embarrassment and underscoring its versatility in sitcom parody. This appearance introduced the tune to younger viewers through ironic humor, contrasting its original romantic whimsy. The 2010 video game featured Dinah Shore's classic recording on its in-game 1940s radio station, Empire Central Radio, immersing players in period authenticity during the game's historical segments. Later in the decade, actor offered a tongue-in-cheek country-inflected cover on his 2016 charity album Cowboy Classics Sampler, raised funds for the ; his baritone delivery added dramatic flair, blending spoken-word parody with twangy instrumentation. In the digital era, streaming platforms have sustained the song's relevance, with Shore's version accumulating over 2.9 million plays on as of 2025, driven by algorithmic playlists and nostalgia-driven searches. These modern interpretations—from reinventions to comedic sketches and soundtracks—demonstrate the song's adaptability, evolving from wartime pop to cultural touchstone while retaining its core charm.

Cultural Impact and Legacy

Use in Media

The song "Buttons and Bows" has been featured in several films following its debut in The Paleface. In Billy Wilder's 1950 noir classic Sunset Boulevard, a group of struggling Hollywood writers and artists sing a parody of the tune during a New Year's Eve party scene at Artie Green's apartment, underscoring the characters' modest aspirations and the song's contemporary popularity. The lyrics are adapted to reflect their threadbare circumstances, with lines like "Very few clothes, all we earn are buttons and bows." The track was reprised in the 1952 Western comedy sequel , where and perform it once more, maintaining the lighthearted duet dynamic from the original film while advancing the plot involving Junior Potter's misadventures. On television, "Buttons and Bows" plays a central role in the season 3 episode "Look Before You Leap" of the sitcom (aired May 7, 1996), serving as both the episode's title inspiration and a key . () attempts to perform the song live during a pledge drive fundraiser but delivers a comically garbled version with mangled , which exacerbates his insecurities about and leads to broader humorous fallout involving his . The performance, backed by a small , highlights the song's enduring recognizability as a standard from the mid-20th century. The recording of "Buttons and Bows" appears in the 2010 Mafia II, playing on the fictional Empire Central Radio station during 1940s-set segments of the game's narrative. This placement immerses players in the post- American cultural landscape, with the song's upbeat melody contrasting the game's gritty crime story. The song was featured in the 2024 film .

Enduring Influence

"Buttons and Bows" endures as a symbol of 1940s post-war optimism, capturing the era's blend of lighthearted escapism and comedic relief through its playful lyrics that poke fun at roles in . The song's narrator, a woman weary of frontier hardships, yearns for the comforts of Eastern city life "with frills and flowers and buttons and bows," reflecting the decade's cultural shift toward domestic femininity and humorous subversion of rugged cowboy tropes amid broader societal recovery from . This whimsical take on expectations helped define the comedy genre, paving the way for later parodies that echoed its satirical edge on myths. In musicological studies, "Buttons and Bows" is examined for its exemplary use of the AABA song form, a 32-bar structure common in standards, blending country harmonic simplicity (e.g., I-IV-V progressions) with novelty elements that contributed to its Oscar-winning appeal. Scholars highlight how its three A-sections build repetition for catchiness while the contrasting B-section provides lyrical contrast, making it a in mid-20th-century popular song architecture that bridged genres like country and . Additionally, the original for the song is preserved in the Smithsonian Institution's collection, serving as an artifact of 1940s Hollywood musical culture and Bob Hope's performative legacy. The song significantly bolstered the career of composers and , marking their first Academy Award for Best Original Song in and establishing them as premier songwriters capable of crafting chart-topping hits for films. This success directly inspired their subsequent Oscar wins for "" (1950) from Captain Carey, U.S.A. and "Que Sera, Sera (Whatever Will Be, Will Be)" (1956) from Knew Too Much, solidifying their reputation for enduring, versatile compositions that spanned comedy, romance, and drama. Their work on "Buttons and Bows" is frequently showcased in retrospectives of classic film music, underscoring its role in shaping mid-century cinematic soundtracks. In the 2020s, "Buttons and Bows" has experienced renewed interest through digital streaming platforms, where recordings by artists like and remain accessible, introducing the track to new generations exploring classic eras. This accessibility has sparked discussions on its timeless humor and cultural snapshot of post-war America, with the song appearing in online analyses of 1940s music and gender dynamics.

References

  1. [1]
    Buttons And Bows - Livingston & Evans
    The song garnered them their first Oscar and, considering that if Norman McLeod had gone with “Skookum”, BUTTONS AND BOWS would never have been written, the ...
  2. [2]
    The 21st Academy Awards | 1949 - Oscars.org
    Alfred Newman. Music (Song). Winner. The Paleface. Buttons And Bows in "The Paleface" Music and Lyrics by Jay Livingston and Ray Evans. Nominees. Casbah. For ...
  3. [3]
    This Day in Music - Billboard
    Nov 6, 2008 · 2 on Billboard's Hot 100: “The Heat Is On” and “You Belong to the City.” 1948 – No. 1 Billboard Pop Hit: “Buttons and Bows,” Dinah Shore.
  4. [4]
    Buttons and Bows - The Ray & Wyn Ritchie Evans Foundation
    The melody to BUTTONS AND BOWS was used as a character theme for "Wrangler Jane", played by Melody Patterson, in the 1960s ABC-TV sitcom F Troop. BUTTONS AND ...
  5. [5]
    Honors And Awards - Livingston & Evans
    Livingston & Evans received the Academy Award from the Motion Picture Academy for the best original song from a motion picture, BUTTONS AND BOWS from The ...
  6. [6]
    Biography - Livingston & Evans
    Livingston and Evans have had twenty-six songs that have sold over a million records or more, and the total record sales of their songs has exceeded 400 ...
  7. [7]
    Jay Livingston | Pennsylvania Center for the Book
    Livingston took a job as a stand-by pianist for NBC Radio, while Evans worked as an accountant. Fortunately, they had their first success in 1941 with the song ...Missing: early | Show results with:early
  8. [8]
    Jay Livingston, 86, Who Wrote Hit Songs With Ray Evans for the ...
    Oct 18, 2001 · Jay Livingston, the pop composer and lyricist who collaborated with Ray Evans on three movie songs that won Academy Awards -- ''Mona Lisa,'' ''Que Será, Será'' ...<|control11|><|separator|>
  9. [9]
    Ray Evans | Songwriters Hall of Fame
    After graduating from high school, Evans enrolled at the University of Pennsylvania (he would also graduate from the Wharton School of Business). While there, ...
  10. [10]
    Ray Evans - Society of Composers & Lyricists
    Feb 15, 2007 · Ray had aspirations toward a career in banking, but soon found songs were his calling. Ray started writing songs part time, until Eddie Cantor ...
  11. [11]
    Jay Livingston | Songwriters Hall of Fame
    He met a fellow student who joined the band, Ray Evans, and the two began a lifelong collaboration that would become one of the legendary songwriting ...
  12. [12]
    Jay Livingston, 86; Co-Wrote 'Silver Bells,' Other Favorites
    Oct 18, 2001 · In a collaboration that began in the late 1930s, Livingston--who provided the melodies--and the surviving Evans--who wrote the lyrics--wrote 26 ...
  13. [13]
    Ray Evans(1915-2007) - IMDb
    He wrote special material for Olsen and Johnson, then went to Hollywood and was signed to a contract with Paramount in 1945-46, and then became a freelancer.Missing: background | Show results with:background
  14. [14]
    Legends of Songwriting: Livingston and Evans
    Aug 2, 2021 · Jay Livingston (born March 18, 1915 in Pennsylvania) met Ray Evans (born in New York on February 4, 1915) while attending the University of ...
  15. [15]
    The Paleface (1948) - Turner Classic Movies - TCM
    Sharpshooter and outlaw Calamity Jane is released from prison in order to catch renegades who have been smuggling guns to the Indians.
  16. [16]
    The Paleface (1948) - IMDb
    Rating 6.6/10 (4,894) The Paleface: Directed by Norman Z. McLeod. With Bob Hope, Jane Russell, Robert Armstrong, Iris Adrian. Calamity Jane is dispatched to find out who's ...
  17. [17]
    https://www.imdb.com/title/tt0040679/locations
  18. [18]
    Buttons and Bows - Bob Hope - Jane Russell - The Paleface 1948
    Jul 16, 2011 · The Paleface is a 1948 Paramount Pictures western comedy directed by Norman Z. McLeod, starring Bob Hope as Painless Potter - a totally ...
  19. [19]
    Film History of the 1940s - Filmsite.org
    In the 1940s, the panacea for escape from the horror and weariness of the war years was provided by film musicals and their elaborate production numbers.
  20. [20]
    Jay Livingston "Buttons and Bows" Sheet Music in C Major - Download & Print
    No readable text found in the HTML.<|control11|><|separator|>
  21. [21]
    [PDF] AABA, Refrain, Chorus, Bridge, Prechorus - Song Forms and their ...
    Mar 10, 2015 · James/Pepper 1953), and »Buttons And Bows« (Livingstone/Evans 1947). The question as to whether the latter is a country song in AABA form or ...
  22. [22]
    ‎Buttons and Bows (from "The Paleface") (Remastered) - Single
    Listen to Buttons and Bows (from "The Paleface") (Remastered) - Single by Bob Hope & Jane Russell on Apple Music. 2012. 1 Song. Duration: 2 minutes.
  23. [23]
    "Buttons and Bows" | National Museum of American History
    It was published by Famous Music Corporation in New York, New York, in 1948. The cover features an image of Bobe Hope and Jane Russell. "Buttons and Bows" was ...
  24. [24]
    "Buttons and Bows " by Jay Livingston and Ray Evans
    Livingston, Jay and Evans, Ray, "Buttons and Bows" (1948). Vocal Popular Sheet Music Collection. Score 347.
  25. [25]
    LANGUAGE AND LANDSCAPE: AN ONTOLOGY FOR THE ...
    By the end, obeying the sissified hero played by Bob Hope, she is dutifully—and in almost a burlesque of modesty—adorned in “Buttons and Bows.” In both ...
  26. [26]
    Buttons and Bows by Dinah Shore and Her Happy Valley Boys
    Written by: Ray Evans, Jay Livingston ; Language: English ; First recorded on: November 30, 1947 ; Released on · Buttons and Bows Single August 16, 1948 ; Rating.
  27. [27]
    https://www.discogs.com/release/2099477-Dinah-Shore-And-Her-Happy-Valley-Boys-Dinah-Shore-Buttons-And-Bows-Daddy-O-Im-Gonna-Teach-You-Some-B
  28. [28]
    Columbia and RCA Recordings 1942–1948” by Dinah Shore
    Aug 8, 2017 · Sonny Burke ( Joseph Francis Burke, producer, songwriter and Big Band leader ) ... Buttons and Bows ( 1947 song ) (on 1947-11-30). lyricist ...
  29. [29]
    https://www.discogs.com/release/9895520-The-Dinning-Sisters-Buttons-And-Bows-San-Antonio-Rose
  30. [30]
    https://www.discogs.com/release/32388594-Betty-Rhodes-Buttons-And-Bows-I-Still-Get-A-Thrill
  31. [31]
    Billboard: Best Sellers, 1940-1958 - Dave's Music Database
    Sep 6, 2021 · 10 weeks: Dinah Shore & Her Harper Valley Boys “Buttons and Bows” (1948); The Ink Spots “The Gypsy” (1946); Perry Como “Till the End of Time ...
  32. [32]
    Buttons and Bows: Steyn's Song of the Week :: SteynOnline
    Jan 7, 2024 · "Buttons and Bows" was one of three Academy Award winners written by the team of Livingston & Evans.Missing: history | Show results with:history
  33. [33]
    Today in Music (1948): Dinah Shore hit #1 with “Buttons and Bows”
    Nov 6, 1998 · Buttons and Bows. Dinah Shore & Her Harper Valley Boys. Writer(s): Jay Livingston (music), Ray Evans ( ...<|control11|><|separator|>
  34. [34]
    Song artist 343 - Gene Autry - tsort.info
    Gene Autry, Buttons & Bows · 1948, Australia 1 for 12 weeks - Jan 1949, US Billboard 17 - Nov 1948 (3 weeks). 5, Gene Autry, Here Comes Santa Claus, 1947, US ...
  35. [35]
    Buttons and Bows (song by Gene Autry) - Music VF.com
    1948 • Betty Rhodes • Buttons and Bows. 1948 • Evelyn Knight • Buttons and ... UK charts info based on The Official UK Charts Company's charts. Music VF ...Missing: Records | Show results with:Records<|control11|><|separator|>
  36. [36]
    Number one songs in the UK pop charts in 1949
    November 18th 1948. Buttons and Bows. Dinah Shore and Her Happy Valley Boys. Number One for 11 weeks ; February 3rd 1949. On a Slow Boat to China. Kay Kyser and ...
  37. [37]
    https://www.chartcrush.com/1948-main/1948-podcast/
  38. [38]
    1948 Top 10 Pop Countdown Podcast - Chartcrush
    Stars Bob Hope and Jane Russell do it as a Duet in the movie, but the biggest chart hit was Dinah Shore's. At #1, “Buttons and Bows.” ...<|control11|><|separator|>
  39. [39]
    Academy Award for Best Original Song - Wikipedia
    Nominations are made by Academy members who are songwriters and composers, and the winners are chosen by the Academy membership as a whole. ... Buttons and Bows" ...Missing: details | Show results with:details
  40. [40]
    21st Academy Awards - Wikipedia
    Multiple nominations and awards · Johnny Belinda · Hamlet · Joan of Arc · The Snake Pit · I Remember Mama · The Red Shoes · The Search · The Treasure of the Sierra ...
  41. [41]
    Evans won Oscars for popular pic tunes - Variety
    Feb 16, 2007 · Evans and Livingston won song Oscars for “Buttons and Bows,” from the 1948 Bob Hope film “The Paleface”; “Mona Lisa,” from 1950's “Captain ...
  42. [42]
    Buttons and Bows - Wikipedia
    "Buttons and Bows" is a popular song with music written by Jay Livingston and lyrics by Ray Evans. ... The song was published on February 25, 1948 (1948-02-25) by ...
  43. [43]
    https://www.worldradiohistory.com/Archive-All-Music/Cash-Box/40s/49/CB-1949-01-22.pdf
  44. [44]
    AFI's 100 YEARS…100 SONGS - American Film Institute
    Music/Lyrics: Leonard Bernstein/Betty Comden, Adolph Green. On the Town (1949) ... Buttons and Bows". Performer: Bob Hope. Music/Lyrics: Jay Livingston/Ray Evans.
  45. [45]
    Livingston & Evans - The Ray & Wyn Ritchie Evans Foundation
    Ray Evans and Jay Livingston were the legendary Academy Award-winning songwriting team behind some of the most memorable music in film history.Missing: process inspiration Skookum
  46. [46]
    Best Original Song — Every Oscar-Winning Song, Ranked
    Oct 28, 2019 · 54. “Buttons and Bows”. Bob Hope was a national treasure, and nowhere was that on better display than The Paleface. He led a jolly, accordion ...
  47. [47]
    [PDF] Cash Box - World Radio History
    Sonny Burke rounding out the waxing in fair manner. Listen in. "Sulva ... BUTTONS & BOWS (Dinah Shore). 5. DOWN AMONG THE SHELTERING PALMS. (Sammy Kaye).<|separator|>
  48. [48]
    https://hdl.loc.gov/loc.music/eadmus.mu012018.3
  49. [49]
    At The Supper Club, Part 3 - Amazon.com
    Track Listings ; 21, Poor Butterfly ; 22, Girls Were Made to Take Care of Boys ; 23, Buttons and Bows ; 24, The Merry-Go-Round Broke Down ; 25, One Mornin'.
  50. [50]
    https://www.imdb.com/title/tt0582445/
  51. [51]
    750 Greatest Swing Era Songs - DigitalDreamDoor
    Jan 5, 2008 · Buttons And Bows Dinah Shore (1948). 400. Dancing In The Dark Artie Shaw & His Orchestra (I) (1940). 401. I Love You For Sentimental Reasons
  52. [52]
    [PDF] Music from the Bob Hope Collection
    Titles: Buttons and bows; Don't bring Lulu; Down in the depths; A foggy day ... Vocal score for duet; lyric sheets; sheet music. For Doris Day / Bob ...
  53. [53]
    Buttons And Bows - YouTube
    Jul 11, 2019 · Provided to YouTube by Universal Music Group Buttons And Bows · The Rice Brothers Rice Brothers 2 ℗ 1989 Rounder Records, a division of ...Missing: covers | Show results with:covers
  54. [54]
    "Frasier" Look Before You Leap (TV Episode 1996) - IMDb
    Rating 8.2/10 (1,203) Look Before You Leap: Directed by James Burrows. With Kelsey Grammer ... Buttons and Bows. Niles, meanwhile, is in a very good mood, and announces to ...
  55. [55]
    Buttons and Bows | Mafia Wiki - Fandom
    Buttons and Bows is a song in Mafia II. This song has been removed from the digital downloads of Mafia II classic soundtrack. Mafia II Orchestral Score.
  56. [56]
    Patrick Stewart Covers Country Classics for Charity - The Boot
    Jul 5, 2016 · However, the Cowboy Classics Sampler, which features "Buttons and Bows," "Don't Fence Me In," "Ringo," "I'm an Old Cowhand" and "Here Comes ...
  57. [57]
    Buttons and Bows - song and lyrics by Dinah Shore - Spotify
    Lyrics. East is east and west is west. And the wrong one I have chose. Let's go where I'll keep on wearin'. Those frills and flowers and buttons and bows.Missing: streams | Show results with:streams
  58. [58]
    Norma and Delilah - ROUGE
    At Artie's New Year's Eve party, two guys are pounding out a popular song at the time, 'Buttons and Bows ... Sunset Boulevard that is unparalleled in movie lore.
  59. [59]
    Sunset Boulevard (1950) - Trivia - IMDb
    They are singing a parody of their song "Buttons and Bows," from The Paleface (1948), for which they won an Oscar in 1949, the year this film was made.
  60. [60]
    Buttons and Bows | Frasier Wiki - Fandom
    da-da-dahhs, and boppa dohs, things and buttons, buttons and bows! Don't bury me, uh - lovely pea, something, la-la-laaaaa!
  61. [61]
    Laughing Matters: Understanding Film, Television and Radio ...
    ... Buttons and Bows', engendered Son of Paleface, again with Russell and with ... In Shrek 2, as Shrek and Fiona trundle their way in a horse-drawn cart ...<|separator|>
  62. [62]
    American Culture in the 1940s 9780748630349 - DOKUMEN.PUB
    Dinah Shore, 'Buttons and Bows' Vaughn Monroe and the Sons of the Pioneers ... Not surprisingly, music and comedy were effective means by which to ...
  63. [63]
    Who Killed the Western Comedy? - Cinephiled
    Buttons and Bows ...Missing: parodies | Show results with:parodies
  64. [64]
    http://www.gfpm-samples.de/Samples13/appendfrei.pdf
  65. [65]
    Livingston & Evans – A Brief History
    Coming off their first Academy Award winning song in 1948, “Buttons and Bows”, you can imagine how this catapulted Livingston & Evans stature as the go to ...
  66. [66]
    Award-Winning Songwriter Ray Evans Passes - Television Academy
    Mar 2, 2007 · ... Livingston included Oscar winners winning “Buttons and Bows,” “Mona Lisa” and “Whatever Will Be, Will Be (Que Sera, Sera),” died February 15 ...
  67. [67]
    Buttons and Bows - song and lyrics by Gene Autry - Spotify
    Lyrics. East is east and west is west. And the wrong one I have chose. Let's go where I'll keep on wearin'. Those frills and flowers and buttons and bows.