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Catacomb of Callixtus

The Catacomb of Callixtus, also known as the Catacombs of Saint Callixtus, is one of the largest and most important underground Christian cemeteries in Rome, located along the ancient Appian Way near the Church of Domine Quo Vadis. Established in the mid-2nd century AD as a series of family tombs donated by wealthy converted Christians, it evolved into the official burial ground of the Church of Rome in the early 3rd century under the administration of Deacon Callixtus (later Pope Callixtus I, r. 217–222), appointed by Pope Zephyrinus (r. 199–217).^[1]^[2] Spanning approximately 20 kilometers of galleries across four levels and reaching depths of over 20 meters, the complex covers an area of about 90 acres and contains the remains of roughly 500,000 early Christians, including 16 popes, numerous martyrs, and saints such as Cecilia.^[1]^[3] Its significance lies in its role as a primary site for early Christian burial practices, adorned with some of the oldest surviving frescoes depicting sacraments like Baptism and the Eucharist, and it remained in use until the 5th century before being largely abandoned by the 9th century due to barbarian invasions and the transfer of relics to urban churches.^[2]^[1] At the heart of the catacombs is the Crypt of the Popes, a small chapel discovered in 1854 by archaeologist Giovanni Battista de Rossi, which housed the tombs of nine 3rd-century popes, such as Fabian, along with eight other bishops, marked by Greek inscriptions and symbols of early Christian faith.^[2]^[1] Nearby, the Crypt of Saint Cecilia preserves a replica of Stefano Maderno's 17th-century sculpture of the martyr saint, whose original sarcophagus was removed in 821 AD, and the site also features the "Cubicles of the Sacraments," containing frescoes from the late 2nd to early 3rd centuries that illustrate foundational Christian rituals.^[2] The catacombs' rediscovery began in the 16th century with explorer Antonio Bosio and was systematically documented in the 19th century by de Rossi, revealing invaluable insights into the transition from pagan to Christian burial customs and the persecution-era faith of Roman Christians.^[1] Today, managed by the Salesians of Don Bosco since 1930 under the Pontifical Commission for Sacred Archaeology, the site serves as a major pilgrimage destination and archaeological treasure, offering guided tours that highlight its historical and spiritual legacy.^[3]^[1]

History

Origins and Foundation

The Catacomb of Callixtus originated in the mid-2nd century AD as part of a broader shift in Christian burial practices in Rome, where believers increasingly adopted underground hypogea—initially private family tombs—to distance themselves from pagan necropolises and align with emerging communal needs. This development reflected the growing organization of the Christian community amid persecution, with land along the Via Appia acquired through donations and purchases from pre-existing sites, often expanding Christian use of tufa quarries that had served earlier funerary purposes. By around 150-200 AD, these efforts coalesced under the oversight of Pope Zephyrinus (r. 199-217), who sought to centralize burial authority for the Roman Church, transforming scattered hypogea into a unified cemetery complex.^[1]^[4] Pope Zephyrinus appointed Callixtus, then a deacon, as the administrator of this emerging cemetery, marking a pivotal step in its formalization as the Church's official burial ground rather than a private venture. Callixtus, born into slavery in the late 2nd century and manumitted after a tumultuous early life involving financial mishaps and imprisonment, brought practical experience in community management to the role; his oversight involved coordinating expansions and ensuring equitable access for Christian burials. The Liber Pontificalis, compiled in the 6th century but drawing on earlier records, attests to the existence of a distinct "cemetery of Callixtus" by Zephyrinus's death in 217, located on the Via Appia and adjacent to Zephyrinus's own burial site, underscoring the centralizing intent to consolidate papal and communal authority in one location.^[5] Upon ascending to the papacy as Callixtus I (r. 217-222), he further formalized the site, naming it after himself and emphasizing theological principles of unity and mercy that extended to inclusive burial practices for the diverse Christian community, including readmission of lapsed members. This foundational phase established the catacomb as a symbol of ecclesiastical cohesion, with early galleries serving for collective interments of clergy, laity, and martyrs, acquired and adapted from adjacent pre-existing hypogea to accommodate growing numbers. Subsequent popes would build upon this base, but the core structure and purpose were set during Callixtus's tenure.^[5]^[1]

Expansion and Use

Following its initial foundation under Pope Zephyrinus in the early 3rd century, the Catacomb of Callixtus underwent significant enlargement during the mid-3rd century, particularly under popes such as Urban I (222–230 AD) and Pontian (230–235 AD), as the growing Christian community in Rome required expanded burial space.^[5] These expansions added new galleries to the existing network, transforming it into the official cemetery of the Church of Rome and extending the total length of passageways to over 20 kilometers across four levels, reaching depths of up to 20 meters.^[6] The site, covering approximately 90 acres (~36 hectares), became a central hub for Christian interments, accommodating burials of popes, martyrs, and lay believers from diverse social strata, including nobility.^[1] Daily operations at the catacomb revolved around simple yet ritualistic burial practices reflective of early Christian funerary customs, where bodies were wrapped in shrouds and placed in loculi (niche tombs) along the galleries or within family cubicula—private chambers reserved for kin groups.^[7] Families conducted commemorative meals, known as refrigerium, at the tombs to honor the deceased and sustain communal bonds, while the site's designation as a pilgrimage center drew visitors to venerate martyrs, fostering a sense of spiritual continuity amid persecution.^[8] As a major hub among Rome's catacombs, Callixtus accommodated an estimated 500,000 interments, underscoring its role in serving the burgeoning Christian population.^[9] The catacomb's use shifted markedly with changing political fortunes: during the Decian persecution of 250 AD, it served clandestine purposes for burials like that of Pope Fabian, who was interred there after his martyrdom, highlighting its function as a discreet refuge for the faithful under imperial edicts demanding sacrifices to Roman gods.^[10] Following the Edict of Milan in 313 AD, which granted religious tolerance under Constantine, access became more open, allowing continued burials and pilgrimages without the veil of secrecy until the site's active use waned in the early 5th century.^[1] This transition marked the catacomb's evolution from a hidden necropolis to a more publicly acknowledged Christian landmark.^[5]

Decline and Rediscovery

Following its peak use in the 3rd and 4th centuries as a major burial site for early Christians, the Catacomb of Callixtus experienced a gradual decline beginning in the early 5th century. This period coincided with repeated barbarian invasions by the Goths and Lombards, which brought widespread destruction, pillaging, and insecurity to Rome's outskirts, rendering the underground cemeteries vulnerable and impractical for continued use.^[1] As a protective measure, popes initiated the transfer of relics from the catacombs to safer locations within city churches; for instance, Pope Paul I (r. 757–767) ordered the relocation of numerous martyrs' remains in 761 to shield them from further desecration.^[11] Concurrently, evolving Christian burial practices favored above-ground basilicas and cemeteries, accelerating the site's abandonment by the 6th century.^[1] During the medieval period, the catacomb suffered extensive looting by treasure seekers and partial structural collapses due to seismic activity and neglect, leading to the obscuring of entrances by landslides and overgrowth. By the late Middle Ages, the location had been largely forgotten, with only vague traditions preserving knowledge of its existence among local communities.^[1] The site's rediscovery occurred during the Renaissance, fueled by renewed interest in antiquity. In the late 16th century, Italian scholar Antonio Bosio (1575–1629), often called the "Columbus of subterranean Rome," identified and mapped several catacomb entrances, including that of Callixtus, though he encountered significant access challenges from collapsed tunnels and accumulated debris.^[1] Systematic excavation and study began in the 19th century under archaeologist Giovanni Battista de Rossi (1822–1894), who initiated digs around 1850 and uncovered the pivotal Crypt of the Popes in 1854, confirming the site's central role in early papal history.^[2] These efforts established the Catacomb of Callixtus as a cornerstone of Christian archaeology, illuminating the underground legacy of Rome's ancient church.^[1]

Location and Description

Geographical Position

The Catacomb of Callixtus is situated along the Via Appia Antica, near the Church of Domine Quo Vadis, approximately 5 kilometers south of Rome's historic center, at the address Via Appia Antica 110/126.^[12]^[13] This positioning places it within the ancient suburban landscape south of the city walls, facilitating its development as a major burial site in the early Christian era. The Via Appia Antica, on which the catacomb lies, was constructed in 312 BC under the censorship of Appius Claudius Caecus as one of Rome's earliest major consular roads, primarily to expedite military troop movements and trade southward toward Capua.^[14]^[15] Its strategic alignment enhanced accessibility for pilgrims and mourners in antiquity, with the Catacomb of Callixtus located in close proximity to the nearby Catacombs of San Sebastiano, roughly 900 meters away along the same route.^[16] Topographically, the catacomb consists of multi-level underground galleries excavated to depths of more than 20 meters into the soft volcanic tuff rock characteristic of the Roman countryside, with original entrances accessed via staircases descending from surface-level vineyards and open areas.^[17]^[18] In the modern era, the site forms part of the Appian Way Regional Park, a protected green area encompassing ancient ruins and archaeological zones, where visitors can reach it via public bus lines such as the 118 or 218 from central Rome, followed by guided tours mandatory for entry.^[19]^[20]

Layout and Architecture

The Catacomb of Callixtus forms an extensive underground complex spanning approximately 90 acres, with a network of galleries totaling about 12 miles (20 km) in length across four levels and reaching depths of more than 20 meters.^[21] This vast system originated from the connection of independent hypogea and above-ground cemetery areas, creating a unified community burial site managed by the early Christian Church.^[4] The architecture features narrow corridors typically 1 to 1.5 meters wide and 2 to 3 meters high, designed for efficient navigation and burial placement within the soft volcanic tufa rock.^[17] Walls along these galleries are lined with loculi, rectangular niches stacked in multiple tiers to accommodate single-body burials, sealed with marble slabs, tiles, or bricks using lime mortar.^[17] For wealthier families, arcosolia—arched recesses providing more spacious tombs—were incorporated into the walls, while cubicula served as private family chambers branching off the main passages, often housing multiple loculi.^[9] These elements reflect a practical adaptation of Roman funerary practices to underground constraints, prioritizing density and accessibility.^[21] Engineering adaptations ensured habitability and longevity in the subterranean environment, including vertical shafts that provided ventilation and natural light to deeper levels, mitigating air stagnation during construction and use.^[17] The tufa bedrock offered inherent resistance to groundwater infiltration, supplemented by careful site selection on stable terrain along the Appian Way to minimize flooding risks, though periodic drainage efforts were necessary.^[4] Key zones include the central Crypt of the Popes, a prominent gallery serving as the primary burial area for ecclesiastical leaders, connected to surrounding passages for martyrs and dignitaries.^[21] The area of the Trichorae, possibly the burial site of Pope Zephyrinus, encompasses an open area with two above-ground trichorae—small basilicas with three apses—linking to the underground network.^[21] These divisions organized the space hierarchically, with core areas for elite burials radiating into broader communal sections.^[4]

Papal Crypt

Burials of 2nd Century Popes

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Burials of 3rd Century Popes

The Papal Crypt in the Catacomb of Callixtus, named after Pope Callixtus I (217–222 AD) who organized the cemetery as a deacon under Pope Zephyrinus, became the primary burial site for 3rd-century popes amid escalating Roman persecutions that forced clandestine Christian practices.^[1] These burials reflect the era's volatility, including exiles, martyrdoms, and the need for secure underground repositories during imperial crackdowns under emperors like Maximinus Thrax and Decius.^[22] The nine popes buried in the Papal Crypt were: Pontian (230–235 AD), Anterus (235–236 AD), Fabian (236–250 AD), Lucius I (253–254 AD), Stephen I (254–257 AD), Sixtus II (257–258 AD), Dionysius (259–268 AD), Felix I (269–274 AD), and Eutychian (275–283 AD).^[4] The first burial was that of Pope Pontian, who resigned from exile in the Sardinian mines under Emperor Maximinus Thrax; his body was repatriated by Pope Fabian and interred in the crypt on 13 August 235 AD.^[23] Pope Anterus, elected after Pontian's resignation, served only 43 days before his death and was buried in the crypt.^[22] Pope Fabian expanded church organization and missionary efforts before his martyrdom under Emperor Decius's persecution; his tomb in the crypt features an epitaph with the inscription "IN PACEM," uncovered by archaeologist Giovanni Battista de Rossi during 19th-century excavations.^[24] Pope Lucius I, who briefly restored lapsed Christians to the Church, was interred in the crypt following his death amid Emperor Valerian's early persecutions.^[22] The crypt also includes burials of antipope Novatian (c. 200–258 AD), leader of a rigorist schism, evidencing efforts at posthumous reconciliation.^[25] Pope Cornelius (251–253 AD), elected during the aftermath of Decius's edict, faced exile but had his remains returned to a cubicle adjacent to the crypt after dying in Civitavecchia.^[3] Under these pontiffs, the catacomb expanded significantly to serve the burgeoning Roman church, incorporating new galleries for burials.^[1] Today, all papal tombs in the crypt stand empty, their relics having been relocated to urban basilicas between the 8th and 9th centuries by popes like Paschal I to safeguard them from desecration.^[22]

Burials of 4th Century Popes

The burials of late 3rd- and 4th-century popes in the Catacomb of Callixtus represent a transitional phase in the site's use, following the Edict of Milan in 313 AD, which legalized Christianity and reduced the need for clandestine interments. While the central Papal Crypt primarily housed earlier pontiffs, adjacent regions accommodated later burials, reflecting the catacomb's continued role as an official ecclesiastical cemetery amid shifting imperial policies.^[4]^[22] Pope Caius (reigned 283–296 AD), also known as Gaius, was interred in a dedicated region of the catacomb now called the Region of Saints Gaius and Eusebius, where his tomb faced that of a later pope; this area features Greek inscriptions and loculi typical of late 3rd- to early 4th-century Christian funerary practices.^[4]^[22] His burial occurred during the waning years of persecution under Diocletian, underscoring the catacomb's persistence as a papal necropolis despite external pressures.^[25] Pope Eusebius (reigned 309–310 AD) was initially exiled to Sicily during a schism but died there shortly after; his remains were repatriated by his successor and buried in the same region as Caius, with the tomb featuring an original inscription identifying him as "Eusebius Bishop and Martyr."^[4] The tomb, rediscovered in the 19th century, preserves fragments of its marble slab and was fully restored in June 2025, revealing subtle decorative elements including potential remnants of early Christian iconography.^[26] Pope Miltiades (reigned 311–314 AD), the first pope after the Edict of Milan, was buried in a distinct area of the catacomb named after him, which includes cubicles with 4th-century frescoes depicting biblical scenes and symbols of salvation.^[4]^[25] During his pontificate, the catacomb received imperial gifts from Constantine the Great, including basilica structures above ground, enhancing its status as a pilgrimage site.^[22] His tomb, like others, contained simple sarcophagi aligned with the site's modular layout of galleries and arcosolia.^[4] By the 9th century, under Pope Sergius II (844–847 AD), most papal relics from the Catacomb of Callixtus, including those of 4th-century pontiffs, were translated to urban basilicas such as San Silvestro in Capite for better protection against invasions, leaving the tombs largely empty.^[9] Surviving artifacts include inscription fragments, such as those from Eusebius' and Miltiades' tombs, and occasional glass paste medallions depicting pastoral scenes, which provide insight into early 4th-century burial customs.^[27]^[22] These remnants, preserved through 19th-century excavations led by Giovanni Battista de Rossi, highlight the catacomb's evolution from a secretive refuge to a venerated historical site.^[4]

Artistic Features

Frescoes and Paintings

The frescoes and paintings in the Catacomb of Callixtus date from the late 2nd to the 4th centuries, representing some of the earliest surviving examples of Christian funerary art in Rome.^[1] These works were executed using the fresco technique, in which pigments were applied to wet plaster on tuff walls, allowing for detailed layering after the initial drying; the pigments derived from natural minerals, mixed with lime-based binders to ensure durability in the subterranean environment.^[28] This method facilitated the creation of symbolic imagery on irregular surfaces, often in small burial chambers known as cubicula, where the art served both decorative and devotional purposes for early Christian communities.^[29] Prominent among these are the frescoes in the Cubiculum of the Sacraments, dating to around 200 AD, which feature symbolic representations of baptism and the Eucharist to evoke spiritual renewal and communal meal.^[1] In this chamber, fish motifs accompany baptismal scenes, symbolizing abundance and the miraculous feeding narratives associated with Christ, while bread and wine elements underscore Eucharistic themes central to early Christian liturgy.^[1] Nearby, the Jonah cycle in the crypt depicts the prophet's swallowing by the whale, emergence, and rest under the gourd vine, comprising eight distinct images that prefigure resurrection and eternal life, a motif drawn from Old Testament typology adapted for Christian hope amid persecution.^[30] Christological scenes dominate the iconography, including depictions of the Good Shepherd—a youthful, beardless figure carrying a lamb—as a symbol of pastoral care and salvation, often rendered in the 3rd century with classical proportions evoking protection in the afterlife.^[31] Orant figures, shown in prayerful poses with arms raised, represent the deceased interceding for divine mercy, emphasizing communal piety and the soul's ascent.^[31] Among the earliest dated images is a 3rd-century portrayal of Christ in the Chapel of the Sacrament, blending solar attributes with salvific themes to convey divine light overcoming death.^[1] The iconographic evolution in these frescoes reflects a transition from pagan adaptations to distinctly Christian motifs, as explored in recent analyses of salvation visions.^[31] Early works repurpose Roman elements, such as the figure of Victoria reinterpreted as triumph over mortality, to articulate eschatological promises without overt doctrinal confrontation during times of imperial scrutiny.^[31] By the 4th century, motifs like the Jonah cycle and Good Shepherd solidify into explicit symbols of resurrection, marking Christianity's growing confidence in visual expression of faith.^[31] In 2019, archaeologists discovered additional 3rd-century frescoes in the catacombs, further enriching understanding of early Christian iconography.^[32]

Inscriptions and Other Artifacts

The inscriptions in the Catacomb of Callixtus primarily consist of epitaphs carved on marble slabs or directly into tufa walls, serving as memorials for the deceased members of the early Christian community. These texts, numbering in the thousands across the site's extensive galleries, date mainly from the 3rd to 4th centuries AD and employ both Greek and Latin languages, with Greek predominant in the earlier periods. ^[33] Common abbreviations appear in these epitaphs, such as "MPT" denoting "martyr" and monograms like IH for Ἰησοῦ (Jesus) or ΧΡ for Χριστοῦ (Christ), which allowed for concise expression of faith amid persecution. ^[33] Examples from the 250–300 AD period include Greek epitaphs for early popes in the Crypt of the Popes. ^[33] The linguistic shift from Greek to Latin in these inscriptions mirrors the Romanization of the Roman church during the 3rd and 4th centuries, as Latin became more widespread among converts and the community integrated with local customs. ^[33] Bilingual forms occasionally appear, with Latin names transliterated into Greek script, highlighting cultural transitions. ^[33] Numerous such epitaphs contribute to corpora such as the Inscriptiones Christianae Urbis Romae (ICUR). ^[34] Among other artifacts, marble sarcophagi decorated with strigils (S-shaped fluting) and Christian symbols like the chi-rho monogram represent elite burials, though they are rarer than simple loculi. ^[35] Portable finds include terracotta oil lamps etched with symbols such as the fish or anchor, used for illumination during burial rites, and glass vessels placed as grave goods. ^[36] Ossuaries, often plain or inscribed slabs covering bone repositories, were employed for secondary burials after initial decomposition. ^[21] In 1854, archaeologist Giovanni Battista de Rossi's excavations uncovered numerous such items, including inscription fragments and small personal objects, advancing the study of early Christian material culture.

Significance

Religious Importance

The Catacomb of Callixtus served as a pivotal symbol of papal succession and martyrdom in early Christianity, functioning as the official burial ground for several popes, including nine 3rd-century popes in the Crypt of the Popes, and numerous martyrs, thereby reinforcing Rome's primacy within the universal Church.^[1] Often referred to as the "little Vatican," this underground complex unified the Christian community by centralizing the interment of ecclesiastical leaders and witnesses to the faith, emphasizing continuity from the apostolic era amid persecution.^[1] The presence of papal tombs, inscribed with titles such as "bishop" and "martyr," underscored the succession of authority and the redemptive value of suffering, drawing pilgrims to honor the Church's foundational figures.^[1] Early Christians utilized the catacomb's cubicula for liturgical purposes, including Eucharistic celebrations that commemorated the deceased and strengthened communal bonds during times of underground worship.^[37] These gatherings in dedicated chambers, such as those associated with sacramental themes, prefigured the structured rites of later basilicas by integrating memorial meals (agape) with the Eucharist, adapting domestic and funerary spaces to sustain the faith's sacramental life.^[38] The burials within the catacomb offer doctrinal insights into early ecclesiastical debates, particularly those surrounding Pope Callixtus I (r. 217–222), who advocated for broader forgiveness of post-baptismal sins, including grave offenses like adultery, in opposition to the rigorist views of Hippolytus, the first antipope.^[39] Veneration of the site persisted through the 4th and 5th centuries, with popes like Damasus I (r. 366–384) enhancing access via a dedicated staircase to the papal crypt and composing epigrams to guide pilgrims toward spiritual, rather than relic-focused, devotion to the martyrs.^[40] Annual papal commemorations at the catacomb until the 5th century fostered a tradition of honoring these witnesses, whose relics later inspired medieval hagiographical texts that portrayed martyrdom as a model of fidelity.^[40] This ongoing cult reinforced the catacomb's role in transmitting doctrines of resurrection and ecclesiastical authority across generations.^[1]

Archaeological and Cultural Impact

The rediscovery and systematic excavation of the Catacomb of Callixtus in the mid-19th century by Giovanni Battista de Rossi marked a pivotal advancement in Christian archaeology. De Rossi, often regarded as the founder of the discipline, introduced a rigorous topographical methodology that integrated historical texts with on-site monumental evidence to map and interpret underground burial complexes. His work on the catacomb, beginning in 1849, not only uncovered the Crypt of the Popes but also established systematic principles for catacomb studies, influencing subsequent archaeological practices worldwide.^[41] The Pontifical Commission for Sacred Archaeology, proposed by de Rossi and established by Pope Pius IX in 1852, has overseen preservation and excavations at the site into the 21st century. This Vatican body conducts ongoing conservation efforts, including the restoration of key features such as the tomb of St. Eusebius, completed in 2025 to prepare for Jubilee Year visitors. Modern techniques, including laser-based analysis for biofilm removal and fresco cleaning, have been applied in Roman catacombs like Callixtus to combat degradation from environmental factors. These initiatives ensure the site's structural integrity and accessibility for scholarly research.^[41]^[42]^[43] The catacomb's archaeological significance has profoundly shaped art history, particularly through early 20th-century documentation. Joseph Wilpert's 1903 publication Die Malereien der Katakomben Roms provided detailed reproductions and analysis of its frescoes, serving as a foundational resource for understanding early Christian iconography and influencing subsequent studies in symbolic representation. In popular culture, the site has gained visibility through modern media, such as Dan Brown's 2000 novel Angels & Demons, which incorporates Roman catacombs—including elements evocative of Callixtus—in its thriller narrative, broadening public awareness of subterranean Christian heritage.^[44] As a major tourist attraction, the Catacomb of Callixtus draws hundreds of thousands of visitors annually, with numbers expected to rise during the 2025 Jubilee Year under guided tours managed by the Salesians of Don Bosco, including special Jubilee-themed pilgrimages and events emphasizing hope and early Christian witness.^[3]^[20]^[45] Its inclusion within the Via Appia Antica, inscribed as a UNESCO World Heritage Site in 2024, underscores its global cultural value as part of Rome's ancient road network. Recent 2025 studies on its iconography, such as analyses of salvation-themed frescoes, highlight the site's adaptive reuse in educational programs, promoting digital and interpretive tools to engage contemporary audiences with early Christian symbolism.^[46]^[31]

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The catacombs the destination of the Great Jubilee - The Holy See
Bishop Callistus (217-222), who gave his name to the famous catacombs on the Appian Way, had a privileged role in this community. The history of Callistus.Missing: Callixtus
[30]
Catacomb of St. Calixtus
The St. Callixtus complex, between the second and third mile of the ancient Appian Way, is made up by above ground cemetery areas with annexed hypogea.
[31]
St Pontian – Pope and martyr – RELICS OF THE SAINTS
Aug 10, 2025 · Pontian died later that same year after being beaten to death with sticks. He was buried in the papal crypt in the Catacombs of Callixtus.<|control11|><|separator|>
[32]
De Rossi's Deception: Crafting the Crypt of the Popes (5.)
Aug 21, 2020 · In the third century, then, the Catacombs of Callixtus were likely a great deal smaller, and comprised a number of privately commissioned ...Missing: 3rd | Show results with:3rd
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Catacombs of St. Callixtus - ArcheoRoma
Location: Via Appia Antica, 110/126 ; Built by: During the papacy of Callistus I (AD 217-222) ; What to see: Early Christian frescoes, crypts of antipopes, ...Missing: pre- | Show results with:pre-<|control11|><|separator|>
[34]
Pope Eusebius was exiled in the 4th century. Now you can visit his ...
Jun 8, 2025 · The tomb of St. Eusebius at the Catacombs of St. Callistus in Rome has been restored. Vatican officials celebrated the restoration Jun 4.
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The crypt of the Popes - Catacombe di San Callisto
Here are the names of the five popes: Pontianus, Antherus, Fabian, Lucius and Eutichian. In the front wall was laid to rest Pope Sixtus II, a victim of emperor ...
[36]
Petrographic study of lime-based mortars and carbonate incrustation ...
Aug 9, 2025 · In this case, the absence of organic binders along the high amounts of calcite identified seems to point to a fresco painting technique ( ...
[37]
Christian Frescoes in Roman Catacombs - early church history
Christians in the catacombs painted the heroes of their faith on the rough walls of the underground tombs as examples of courage in times of mortal danger.Missing: analysis | Show results with:analysis
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Jonah in the Catacombs: Text, Ritual, and Magic in the Presence of ...
12 The earliest examples of Jonah images are in the Catacomb of Callistus, which contains eight separate images of Jonah (Cubicula A3 and A6, the “Cubicula ...
[39]
Visions of Salvation: Iconography in the Catacombs of San Callisto
Jan 31, 2025 · Key images in the frescoes include depictions of the Good Shepherd, Jonah and the whale, the three youths in the furnace (from the Book of Daniel), and various ...Missing: Callixtus cycle
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Chapter 13 The Use of Greek in the Early Christian Inscriptions from Rome and Italy (3rd–4th Cent.)
### Summary of Greek and Latin Use in Catacomb of Callixtus Inscriptions (Excluding Papal Epitaphs)
[41]
https://www.vatican.va/roman_curia/pontifical_commissions/archeo/inglese/documents/rc_com_archeo_doc_20011010_cenni_en.html
[42]
De Rossi Finds the Catacombs of Callixtus
May 16, 2022 · One day in 1849, Di Rossi happened to poking around a rubbish pile on the Appian Way about an hour outside Rome. There he found a marble slab ...
[43]
Bones Abroad: Catacombs of San Callisto
Jun 12, 2012 · The niches are dug directly into the volcanic rock, and there is often a smaller next immediately next to the grave for placement of an oil lamp ...Missing: de Rossi 1854 rings<|control11|><|separator|>
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The Catacombs of Saint Callixtus in Rome | EWTN
During Valerianus' persecution, Pope Sixtus II was martyred on the land above these catacombs. The emperor had just emanated the edict confiscating Church ...
[45]
https://www.ncregister.com/features/catacombs-of-st-callixtus
[46]
[PDF] HIPPOLYTUS AND THE APOSTOLIC TRADITION
The writer was a presbyter/theologian, named Hippolytus, who opposed. Bishop Callistus of Rome over the latter's laxity in readmitting sinners to church ...
[47]
[PDF] Damasus' curation of the Catacombs of St Callixtus
Mar 23, 2023 · catacomb-of-callixtus/ Accessed 23/03/2023. Page ... the veneration of martyrs, one which viewed the veneration as a means to meeting the.
[48]
The Pontifical Commission for Sacred Archaeology - Historical Notes
The Commission for Sacred Archaeology was created through an idea of Giovanni Battista de Rossi, the Roman archaeologist who laid the scientific bases of ...Missing: methodology | Show results with:methodology
[49]
Vatican Celebrates Restoration of St. Eusebius' Tomb in Rome's ...
Jun 6, 2025 · Vatican officials, archaeologists, and historians gathered mark restoration of the tomb of St. Eusebius, fourth-century pope, ...
[50]
Catacomb frescoes in Rome restored using lasers
Jun 5, 2017 · The underground labyrinth extends 10 miles, and is decorated with both Christian and pagan images which demonstrate the process of conversion ...Missing: adaptations Victoria
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Die Malereien der Katakomben Roms : Wilpert, Josef, 1857-1944
Feb 8, 2019 · Publication date: 1903 ; Topics: Catacombs, Christian art and symbolism, Mural painting and decoration ; Publisher: Freiburg im Breisgau, Herder.Missing: Callixtus | Show results with:Callixtus
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Via Appia. Regina Viarum - UNESCO World Heritage Centre
Aug 1, 2024 · The Via Appia is the oldest and most important of the great roads built by the Ancient Romans. Constructed and developed from 312 BCE to the 4th century CE.