Chet Faker
Chet Faker is the stage name of Australian singer, songwriter, and producer Nicholas James Murphy (born 23 June 1988 in Melbourne), renowned for blending soulful vocals with atmospheric electronic and R&B elements.[1][2] Murphy adopted the pseudonym Chet Faker in 2011 as a tribute to jazz musician Chet Baker, initially to distinguish himself from another musician named Nick Murphy, and quickly gained international acclaim through SoundCloud releases.[3][2] His breakthrough came with the 2012 EP Thinking in Textures, featuring the viral track "No Diggity," a cover of Blackstreet's 1996 hit that showcased his smooth falsetto and minimalist production.[2] This led to his self-produced debut album Built on Glass in 2014, which topped the Australian charts, earned five ARIA Awards—including Album of the Year, Best Male Artist, and Producer of the Year—and propelled sold-out tours across five continents, including performances at Coachella, Lollapalooza, Glastonbury, and Primavera Sound.[2] In 2016, seeking greater artistic authenticity, Murphy retired the Chet Faker moniker and reverted to his birth name, releasing the EP Missing Link in 2017 and collaborating with artists like Dave Harrington of Darkside.[2] He maintained this identity until 2020, when he revived the Chet Faker moniker with the album Hotel Surrender in 2021, marking a return to his signature sound with tracks like "Goodnight" and "Back Home."[4] Following a period of experimentation under Nick Murphy, including recordings at Rick Rubin's Shangri-La Studios, Chet Faker reemerged prominently in 2025 with singles such as "Far Side of the Moon," "Inefficient Love," and "This Time For Real," ahead of his anticipated fourth studio album A Love for Strangers, scheduled for release on 13 February 2026 via BMG.[5][6] Throughout his career, Murphy has appeared on major platforms like The Ellen DeGeneres Show, Jimmy Kimmel Live!, and Boiler Room, solidifying his influence in the electronic soul genre.[2]Background
Early life
Nicholas James Murphy, known professionally as Chet Faker, was born on 23 June 1988 in Melbourne, Australia. He grew up primarily in Bendigo after his parents divorced when he was two years old, living with his mother while visiting his father in Melbourne. His father struggled with heavy drinking during Murphy's childhood but has been sober for over 15 years. As the older of two brothers, Murphy shares a close yet tumultuous bond with his younger sibling Oscar, a clinical neuropsychologist; the brothers frequently fought as children, once even putting holes in walls during their arguments, though these experiences helped foster Oscar's confidence.[7][8] Murphy's early years were marked by a mix of stability and challenges, including time spent in both Bendigo and Melbourne. He attended a private school in Bendigo, where he excelled as a sporting champion and natural leader among his peers. The family dynamics, particularly the impact of his parents' separation and his father's alcoholism, contributed to a formative environment that emphasized resilience; Murphy and Oscar witnessed their father's eventual sobriety, which served as a positive influence. Despite these hardships, childhood adventures like bike rides around Bendigo at age six with his brother provided lighter moments in their upbringing.[9][7] From a young age, Murphy showed an interest in music, though it was not initially viewed as a viable pursuit by his family. At 15, he began formal piano lessons and taught himself guitar, channeling his addictive personality—previously directed toward computer games—into electronic music production using early versions of Ableton software. He later studied audio engineering at university, blending self-taught skills with acoustic and digital elements to explore soul-influenced sounds. These early, informal explorations laid the groundwork for his creative development before pursuing music professionally.[10][11]Stage name and artistic beginnings
Nicholas James Murphy adopted the stage name Chet Faker in the early 2010s to distinguish himself from another Australian musician sharing his real name, drawing inspiration from jazz trumpeter Chet Baker's confident yet understated vocal style.[12][13] Murphy's artistic beginnings were rooted in self-taught music production, beginning around age 15 when he took piano lessons, learned guitar independently, and experimented with beat-making using Ableton software.[10] Immersed in Melbourne's tight-knit local music scene, he explored electronic and soul elements, blending them into personal projects before any formal releases.[14] This period of experimentation laid the foundation for his hybrid sound, influenced by soul's gritty passion, electronic's trance-like qualities from techno and house, and indie's hazy introspection.[10][15] A pivotal early moment came in 2011 when Murphy, recording late at night in his home studio, produced a downtempo cover of Blackstreet's "No Diggity" in a single session, layering a custom beat with Wurlitzer and soft vocals to avoid disturbing neighbors.[16] Uploaded spontaneously, the track quickly gained online traction through music blogs, marking his first taste of broader attention and highlighting his affinity for reinterpreting soul classics through an electronic lens.[12]Career
Early career and initial releases (2008–10)
In the late 2000s, Nicholas Murphy, later known as Chet Faker, began his musical journey in Melbourne's vibrant indie and electronic scenes as a self-taught producer and multi-instrumentalist. Starting around age 16, he experimented with beat-making using software like Sony's ACID Pro and Ableton Live, initially treating music as a hobby while studying audio engineering. By 2008, he was actively involved in local projects, including the alt-rock band Sunday Kicks, where he contributed to songwriting and performances in small venues.[17] Murphy also formed the electronic duo The Knicks around 2009, blending dance and experimental sounds that reflected Melbourne's burgeoning underground electronic community. The duo uploaded tracks to platforms like triple j Unearthed, gaining modest local attention through online shares and informal gigs, though without formal commercial releases. Under the pseudonym Atlas Murphy, he produced folk-inspired recordings emphasizing raw, single-take human performances, sharing them informally among peers to build early connections in the indie circuit.[17][18] These formative years featured limited output, primarily self-released demos and beats circulated digitally or at house parties, fostering a small buzz within Melbourne's creative circles. This period laid the groundwork for his shift to the Chet Faker moniker in 2010, prompted by confusion with another local artist named Nick Murphy, as he sought a distinct identity amid the city's competitive music landscape.[11][19]Thinking in Textures and collaborations (2011–13)
In 2012, Chet Faker released his debut EP, Thinking in Textures, through the independent label Opulent Records. The seven-track project showcased his blend of electronic soul and falsetto vocals, with standout cuts like the brooding original "I'm Into You" and a minimalist cover of Blackstreet's 1996 hit "No Diggity," which reimagined the R&B classic with sparse beats and intimate production. The EP's release marked a pivotal moment, earning critical praise for its atmospheric depth and helping to solidify Faker's presence in Australia's indie electronic scene.[20][21] The EP propelled Faker into early live performances across Australia, where he honed his stage presence through intimate club shows and festival slots. Notable appearances included a set at Splendour in the Grass in Byron Bay in July 2012, as well as performances at Laneway Festival in early 2013, drawing crowds with his live looping techniques and emotive delivery. These outings, often featuring tracks from Thinking in Textures, contributed to sold-out headline tours in major cities like Melbourne and Sydney, building a dedicated domestic following.[22][23][24] During this period, Faker's collaborations with producer Flume elevated his profile, beginning with vocals on "Left Alone" from Flume's self-titled debut album in November 2012, a track that fused glitchy electronics with Faker's soulful croon. The partnership continued into 2013 with the co-written single "Drop the Game," a future bass-leaning effort that highlighted their chemistry and introduced Faker to broader electronic audiences. Released via Future Classic, the track's hazy synths and introspective lyrics exemplified their shared interest in textured soundscapes.[25][26] Faker's rising acclaim extended internationally, fueled by blog coverage of "No Diggity" and remixes of his material by producers like Ta-ku, whose 2013 rework of "Left Alone" amplified its reach in global electronic circles. This buzz led to his debut overseas performances, including at the UK's Great Escape Festival in May 2012, where he debuted tracks from the EP to enthusiastic responses from industry tastemakers. Such exposure positioned Faker as an emerging voice in electronic soul, bridging Australian underground scenes with worldwide interest.[27][28][29]Lockjaw EP and Built on Glass (2013–15)
In 2013, Chet Faker collaborated with Australian electronic producer Flume on the EP Lockjaw, released on November 22 via Future Classic. The three-track release featured the single "Drop the Game," which showcased Faker's soulful vocals over Flume's atmospheric production and helped propel both artists into wider recognition within the electronic music scene.[30][31] Faker's breakthrough came with his debut studio album Built on Glass, released on April 11, 2014, also through Future Classic. The album blended indie electronica, soul, and falsetto-driven melodies across tracks like "Talk Is Cheap," "Gold," and "1998," earning praise for its introspective lyricism and polished sound design. It debuted at number one on the ARIA Albums Chart and achieved year-end rankings of number 12 in 2014 and number 43 in 2015, with over 35,000 units sold in Australia that year alone.[32][33] The success of Built on Glass fueled extensive touring, including sold-out Australian runs in 2014–15 with multiple nights at venues like the Palais Theatre in Melbourne and Hordern Pavilion in Sydney, as well as international dates across North America, Europe, and festivals such as Coachella in 2015. Media outlets lauded the album, with Metacritic aggregating a score of 75/100 based on positive reviews highlighting its emotional depth and genre fusion. At the 2014 ARIA Awards, Faker received nine nominations for Built on Glass, winning Best Male Artist, Best Independent Release, and Producer of the Year (with the album's engineer Eric J. Dubowsky winning Engineer of the Year); the album also secured the J Award for Australian Album of the Year.[34][35][36][37] Closing the period, Faker teamed up with English DJ Marcus Marr for the EP Work, released on December 4, 2015, via his own Detail Records imprint. The four-track project included the single "The Trouble with Us," a disco-inflected track that explored relational tensions and marked a stylistic pivot toward upbeat grooves.[38][39]Transition to Nick Murphy (2016–19)
In September 2016, following the commercial success of his 2014 album Built on Glass, Nick Murphy announced his decision to retire the Chet Faker moniker and begin releasing music under his birth name to achieve greater personal authenticity and ownership over his evolving artistry.[40] He explained that the stage name had initially allowed creative freedom but grew limiting as his career expanded, shifting his focus from personal expression to external expectations associated with the persona.[41] This transition marked a deliberate step toward introspection, enabling Murphy to explore his music more directly without the filter of an alias.[42] Under the name Nick Murphy, he debuted with the single "Fear Less" in July 2016, followed by "Stop Me (Stop You)" in November, both showcasing a shift toward more experimental electronic and soul-infused sounds co-produced with collaborators like Dave Harrington.[43] In March 2017, he released the Missing Link EP, a five-track project featuring production from KAYTRANADA and themes of emotional vulnerability, which further distanced his work from the Chet Faker era's polished aesthetic.[44] Having relocated to New York City in early 2015 amid the touring demands of Built on Glass, Murphy found the city's intense, confrontational environment instrumental in fostering creative renewal during this period.[45] The urban energy challenged him to confront new ideas and adapt to solitude, influencing a more introspective songwriting process that emphasized personal growth over commercial output.[46] This phase saw limited releases, with Murphy prioritizing experimentation and self-reflection, culminating in the full-length album Run Fast Sleep Naked in April 2019, which blended soul, indie pop, and electronic elements to reflect his matured perspective.[47]Revival as Chet Faker (2020–present)
In October 2020, Nick Murphy revived his Chet Faker moniker after a five-year hiatus, releasing the single "Low" as the project's first new material since 2015.[48] This marked a return to the alias he had retired in 2016 to focus on releases under his real name, signaling a creative re-engagement with the soulful electronic sound that defined his earlier work.[49] The track's animated music video and brooding atmosphere set the tone for upcoming projects, with Murphy describing the revival as an organic evolution rather than a complete restart.[50] Building on this momentum, Chet Faker announced his second studio album, Hotel Surrender, in April 2021, with the lead single "Whatever Tomorrow" introducing its hazy, introspective vibe.[51] Self-produced and written entirely by Murphy, the 10-track LP was released on July 16, 2021, via his Detail Records imprint in partnership with BMG, blending swaggering basslines and electrifying melodies reminiscent of his debut era.[52] Follow-up singles from the album included "Feel Good" in June 2021, which captured a laid-back, euphoric energy with its smooth vocals and minimalistic production.[53] In 2024, to mark the 10th anniversary of his breakthrough album Built on Glass, Chet Faker released an expanded edition featuring remixes, rarities, and live recordings from an early era performance, available on November 15 via Future Classic.[54] This celebration extended into 2025 with an exclusive one-night-only encore performance at the Sydney Opera House's Forecourt on December 2, featuring special guest Mallrat and focusing on the original album's tracks in an intimate outdoor setting.[55] Recent live activity has included festival appearances, such as the upcoming slot at Meredith Music Festival on December 5, 2025, where he performed a mix of classics and newer material amid Australia's summer festival circuit.[56] Chet Faker furthered this resurgence in October 2025 by announcing his third album, A Love for Strangers, slated for release on February 13, 2026, via BMG, described as a reinvention incorporating lush saxes, breakbeats, and themes of heartbreak and hope.[5] The announcement coincided with the lead single "This Time for Real" on October 23, following earlier previews like "Far Side of the Moon" in July 2025 and "Inefficient Love" in September 2025, each showcasing an evolved, uplifting sound.[57][58][59] To support the album, a world tour was revealed, including a North American leg starting April 30, 2026, in Los Angeles, alongside European and Australian dates, emphasizing intimate venues and festival slots.[60]Musical style and influences
Musical style
Chet Faker's music is characterized by a distinctive blend of soul, electronic, and indie pop elements, often featuring a minimalist production approach that emphasizes space and subtlety. His sound draws from downtempo electronica and R&B, creating an intimate atmosphere through layered, textured beats and subtle atmospheric effects that evoke a sense of quiet introspection. This fusion is evident in his use of looping and sampling techniques, which build hypnotic rhythms without overwhelming the listener.[27] Central to his sonic identity are his falsetto vocals, delivered in a fragile, intimate style that ranges from ethereal highs to plaintive lows, often accompanied by warm electric piano tones, such as the Rhodes, which provide a foundational melodic layer. Beats in his tracks are typically laid-back and groovy, incorporating programmed percussion and subtle synth washes to enhance the emotional depth, while avoiding dense arrangements in favor of stripped-down compositions that highlight vulnerability. Atmospheric effects, including reverb and field recordings, further contribute to a dreamy, immersive quality, making his music feel both personal and expansive.[27][10][61] Over time, Faker's style has evolved from the more electronic, beat-heavy textures of his early releases to a richer, organic sound in later works, incorporating live instrumentation like guitar to add warmth and dynamism. Albums such as Hotel Surrender (2021) shift toward funk-infused, guitar-driven arrangements that retain his core electronic soul but introduce fuller, more collaborative grooves, reflecting a maturation toward joy and surrender. His 2025 singles, including "Far Side of the Moon" and "This Time For Real," ahead of the 2026 album A Love for Strangers, sustain this evolution with continued emphasis on emotional depth and atmospheric production.[62][63][64][65] Thematically, his music frequently explores love, introspection, and vulnerability, with lyrics that delve into personal longing and emotional exposure, often framed through a lens of quiet resilience. These motifs are woven into the fabric of his compositions, using the sparse production to amplify raw sentiment and foster a deep connection with listeners seeking solace in contemplative soundscapes.[65][66]Influences and collaborations
Chet Faker, the stage name of Nick Murphy, drew significant inspiration from jazz legend Chet Baker, adopting the moniker as a tribute to Baker's fragile, intimate vocal style and the moody atmosphere of his music. This influence is evident in Faker's early work, where he emulated Baker's emotive delivery blended with modern electronic elements. Additionally, Faker has cited Bon Iver as a major songwriting influence, particularly praising the track "Re: Stacks" from Bon Iver's debut album as one of the best songs ever written, which shaped his appreciation for introspective, atmospheric compositions. Comparisons to James Blake frequently highlight shared minimalist approaches to electronica and soulful vocals in Faker's sound. Faker's roots in soul and R&B stem from his mother's Motown records, including artists like Smokey Robinson, Aretha Franklin, the Temptations, and Otis Redding, which instilled a love for strong, hook-driven melodies. His breakthrough cover of Blackstreet's 1996 hit "No Diggity" in 2011 exemplified this, reinterpreting the neo-soul track with stripped-down production that propelled his rise. Further influences include funk pioneers Sly & the Family Stone, whose minimalistic instrumentation informed the sparse arrangements on Faker's 2021 album Hotel Surrender, as well as chilled-out Ibiza compilations from his father's collection, contributing to his down-tempo electronic sensibilities. Emerging from Melbourne's vibrant electronic and disco scenes in the late 2000s, Faker was shaped by the Australian indie landscape, particularly through his association with the Future Classic label, which helped redefine the country's electronic sound alongside contemporaries like Flume and Flight Facilities. Electronic producers such as Jamie Woon, Amon Tobin, Burial, Bonobo, and Nicolas Jaar also impacted his production techniques, evident in the layered, atmospheric textures of his early EPs. Other listed inspirations from his social media profiles include The Avalanches, Jamie Lidell, Herbie Hancock, and Abdullah Ibrahim, blending indie electronica with jazz and soul undertones. Key collaborations have further defined Faker's career, notably his 2013 EP Lockjaw with electronic producer Flume, featuring the track "Drop the Game," which has amassed over 340 million streams (as of November 2025) and showcased their synergy in fusing indie pop with bass-heavy beats. In 2015, Faker teamed up with British DJ Marcus Marr for the single "The Trouble with Us," a house-infused track that highlighted his dance-oriented side. Earlier partnerships included features with Kilo Kish on "Melt," as well as collaborations and remixes with Ta-ku on tracks like "Mahal" and "Talk is Cheap," while his 2017 appearance on Bonobo's album Migration integrated his vocals into ambient electronica. Post-2020 revival, Faker's work has leaned more solo, though echoes of these collaborations persist in his return to soulful, groove-driven productions on Hotel Surrender.Personal life
Family
Nicholas James Murphy, known professionally as Chet Faker, was born into a family that experienced significant changes during his early years. His parents separated when he was two years old, after which he lived primarily with his mother, who provided a nurturing environment that emphasized love and decision-making skills. His father's journey from reactive alcoholism to sobriety after 15 years served as an inspiring example of personal transformation for Murphy, influencing his own approaches to overcoming challenges later in life.[7] Murphy shares a close relationship with his younger brother, Oscar Murphy, a clinical neuropsychology student, marked by both conflict and deep support. As children, the brothers had a tumultuous dynamic, frequently arguing and even damaging property during fights, though Nick often led Oscar on adventurous escapades like unauthorized bike rides. Their bond strengthened in adulthood, with Oscar becoming a key source of emotional stability for Murphy amid the pressures of his rising music career. During an exhaustive 2011 tour spanning 120 shows across 92 cities, Murphy frequently sought Oscar's counsel for grounding conversations that functioned like therapy sessions.[7] Oscar's influence extended to pivotal moments in Murphy's personal recovery, particularly following the intense success and turmoil of 2014, which Murphy described as the worst year of his life due to overwhelming fame, self-doubt, and substance issues. Earlier, in a formative letter, Oscar had urged the then-struggling Murphy to curb excessive partying and channel his talents into music, a message that resonated during his post-2014 efforts to rebuild through mindfulness practices and relocation. This familial encouragement helped shape Murphy's decisions to prioritize mental health and authenticity in his artistic evolution.[9][7]Residences and later years
Murphy was born and raised in Melbourne, Victoria, Australia, where he developed his early musical interests amid the city's vibrant arts scene.[67] He maintains strong ties to the city, frequently returning for performances and reflective visits that reconnect him to his roots. For example, in November 2024, he headlined an exclusive one-night show at Live at the Gardens to mark the 10th anniversary of his debut album Built on Glass, drawing crowds eager for his homecoming.[68] In early 2015, seeking a fresh creative environment to stockpile new ideas away from the intensity of his rising fame, Murphy relocated from Melbourne to New York City.[2] The move to Manhattan provided an aggressive, inspiring backdrop for his work, where he settled into a modest apartment on Canal Street and, by early 2020, established a dedicated studio in Soho that became a personal sanctuary during the COVID-19 lockdowns.[69] This relocation marked a pivotal shift, allowing him to experiment beyond the Chet Faker persona amid the city's dynamic energy. Following his 2016 name change to Nick Murphy, which he later described as a way to explore raw, darker emotions and reclaim personal control, he took a career break to prioritize identity and space.[70] The period from 2016 to 2020 involved significant personal growth, including navigating 2019's intense stress that led to weight loss and a sense of everything "falling apart," culminating in his father's sudden death from a heart attack in May 2020.[71] Unable to return to Melbourne for the funeral due to pandemic restrictions, Murphy channeled these challenges into reflections on resilience, stating that such hardships reveal "a strength you didn’t really know you had."[71] His 2020 revival of Chet Faker represented a deliberate embrace of optimism, balancing his "earthy" Nick Murphy side with the lighter, skyward Chet persona to foster emotional well-being and joy in creation.[70]Discography
Studio albums
Chet Faker, the stage name of Australian musician Nick Murphy, debuted with his first studio album under the moniker before transitioning to his birth name for a period and later reviving the project. His studio discography includes full-length releases characterized by electronic, soul, and alternative R&B influences, with chart success primarily in Australia.| Title | Artist | Release date | Label | Format(s) | Peak chart positions | Certifications |
|---|---|---|---|---|---|---|
| Built on Glass | Chet Faker | 11 April 2014 | Future Classic | CD, LP, digital download | AUS: 1 | AUS: Platinum (70,000) |
| Run Fast Sleep Naked | Nick Murphy | 26 April 2019 | Future Classic / Downtown Records | CD, LP, digital download | AUS Digital: 12 | — |
| Hotel Surrender | Chet Faker | 16 July 2021 | Detail Records / BMG | CD, LP, digital download, streaming | AUS: 4 | — |
| A Love for Strangers | Chet Faker | 13 February 2026 (announced) | BMG | TBA | — | — |
Live albums
Chet Faker's live discography consists primarily of intimate session recordings and EPs capturing his performances in controlled settings, emphasizing his soulful electronic sound with minimal production. These releases highlight stripped-back arrangements of his original material and covers, often featuring acoustic elements and live instrumentation. The earliest live release is the Live Sessions EP, recorded in the abandoned Buttery Factory in Newstead, rural Victoria, Australia, and issued as a free digital download on March 21, 2013. Self-produced and mixed by Andrei, the three-track EP includes intimate renditions of "Archangel" (a cover of Burial's track), "Love x Stereo," and "Low," showcasing Faker's raw vocal delivery and looping techniques in a solitary environment.[72][73] In 2014, Faker released the iTunes Session EP exclusively through the iTunes Store on November 28, via Future Classic and Opulent Records. This six-track collection features live performances of songs from his debut album Built on Glass and earlier work, including "I'm Into You," "1998," "To Me," "Cigarettes & Loneliness," "Gold," and a cello-accompanied version of "Talk Is Cheap." Recorded in a studio setting, the EP runs approximately 33 minutes and captures Faker's evolving stage presence with subtle enhancements like string arrangements.[74] To mark the 10th anniversary of Built on Glass, the expanded edition released on November 15, 2024, by Future Classic incorporates several previously unreleased live recordings from Faker's 2014 show at the Enmore Theatre in Sydney. These include "1998 (Live at the Enmore Theatre)," "Dead Body (Live at the Enmore Theatre)," "Talk Is Cheap (Live at the Enmore Theatre)," "Gold (Live at the Enmore Theatre)," and "To Me (Live at the Enmore Theatre)," providing a fuller concert-like snapshot amid remixes and demos. The live tracks emphasize the album's atmospheric depth in a full-band context.[75][76]Extended plays
Chet Faker's debut extended play, Thinking in Textures, was released on 23 March 2012 through Future Classic and Opulent Records.[77] The EP consists of seven tracks, blending alternative R&B and indietronica elements with covers and originals, including a notable reinterpretation of Blackstreet's "No Diggity."[78] Tracks include "I'm Into You" (4:23), "Terms and Conditions" (3:42), "No Diggity" (3:41), "Love and Feeling" (4:10), "Cigarettes and Chocolate" (5:16), "Solo Sunrise" (4:04), and "Everything I Wanted" (3:30).[77] It peaked at number 38 on the Australian Albums Chart.[79] In collaboration with electronic producer Flume, Chet Faker released the Lockjaw EP on 22 November 2013 via Future Classic.[80] The three-track project features downtempo and alternative R&B styles, recorded in Victoria, Australia, and highlights the duo's synergy in production and vocals.[31] The tracklist comprises "Drop the Game" (3:42), "What About Us" (5:08), and "This Song Is Not About a Girl" (4:14).[80] Under his birth name Nick Murphy, he issued the Missing Link EP on 10 March 2017 through Future Classic and Downtown Records.[81] This five-track release marks a transitional work, incorporating Afrobeat, R&B, and soul influences, with production assistance from Kaytranada on the lead single "Your Time."[82] The tracks are "Your Time" (4:04), "Bye" (1:31), "I'm Ready" (4:23), "Forget About Me" (6:46), and "Weak Education" (5:39).[81] It debuted at number 58 on the Canadian Albums Chart and entered the New Zealand Heatseekers Albums Chart.[83]| Title | Release date | Label | Tracks |
|---|---|---|---|
| Thinking in Textures | 23 March 2012 | Future Classic / Opulent | 7 |
| Lockjaw (with Flume) | 22 November 2013 | Future Classic | 3 |
| Missing Link (as Nick Murphy) | 10 March 2017 | Future Classic / Downtown | 5 |
Singles as lead artist
Chet Faker's singles as lead artist span his early viral covers and EP tracks to the breakthrough hits from his debut album Built on Glass, as well as his 2025 revival releases previewing the upcoming album A Love for Strangers. The following table lists key singles, including release years, associated albums or EPs, selected peak chart positions on the ARIA Singles Chart, and certifications where applicable.| Title | Year | Album/EP | Peak (ARIA) | Certifications |
|---|---|---|---|---|
| "No Diggity" (cover of Blackstreet) | 2011 | Thinking in Textures | — | — |
| "Talk Is Cheap" | 2014 | Built on Glass | 6 | Platinum (ARIA) |
| "1998" | 2014 | Built on Glass | 47 | — |
| "Gold" | 2014 | Built on Glass | 40 | Gold (ARIA) |
| "Far Side of the Moon" | 2025 | A Love for Strangers (forthcoming) | — | — |
| "Inefficient Love" | 2025 | A Love for Strangers (forthcoming) | 52 | — |
| "This Time for Real" | 2025 | A Love for Strangers (forthcoming) | — | — |
Singles as featured artist
Chet Faker has appeared as a featured artist on several singles, contributing his distinctive soulful vocals to collaborations across electronic, funk, and indie genres. These tracks highlight his versatility in supporting primary artists while achieving notable chart success in Australia. One of his earliest prominent features was on "Drop the Game," a collaboration with electronic producer Flume, released on November 18, 2013, as the lead single from their joint EP Lockjaw. The track blends Flume's intricate production with Chet Faker's emotive delivery, peaking at number 18 on the ARIA Australian Artist Singles Chart.[26][93] In 2015, Chet Faker featured on "The Trouble with Us" by English DJ Marcus Marr, released on October 16 as the lead single from their collaborative EP Work. The funk-infused track topped the Australian Independent Singles Chart and reached number 8 on the ARIA Singles Chart, underscoring its commercial impact.[94][95] More recently, in the post-2020 revival of his Chet Faker moniker, he appeared on "Take Me Back" by American singer-songwriter Thunder Jackson, released on September 16, 2022, as a standalone single. This introspective track features Chet Faker's harmonies over Jackson's pop-soul arrangement, though it did not achieve significant chart positions.[96]| Title | Primary Artist | Release Date | Peak Chart Positions |
|---|---|---|---|
| "Drop the Game" | Flume | November 18, 2013 | AUS: 18[93] |
| "The Trouble with Us" | Marcus Marr | October 16, 2015 | AUS: 8 AUS Indie: 1[95] |
| "Take Me Back" | Thunder Jackson | September 16, 2022 | — |
Other charted and certified songs
Several album tracks from Chet Faker's debut studio album Built on Glass (2014) garnered significant recognition through fan-voted polls in Australia, despite not being released as official singles. Notably, "1998" peaked at number 8 on Triple J's Hottest 100 of 2014, highlighting its popularity among listeners for its introspective lyrics and atmospheric production.[97] Another standout album track, "Cigarettes and Loneliness," also from Built on Glass, became a fan favorite for its emotional depth and extended runtime, contributing to the album's overall platinum certification in Australia by ARIA, though the song itself did not receive individual certification.Guest appearances and productions
Chet Faker provided guest vocals and co-wrote the track "Left Alone" on Flume's debut studio album Flume, released in 2012.[98] This collaboration marked an early highlight in his career, blending his soulful baritone with Flume's electronic production on the Australian artist's critically acclaimed project. In 2020, Chet Faker appeared as a featured vocalist on the track "You Think You Know Me, You Don't Know Me" from ZEDSIX's debut album The Shape of Jazz.[99] The song, which also credits Lesego Rampolokeng, integrates Faker's distinctive voice into the album's fusion of jazz, hip-hop, and electronic elements, recorded during earlier sessions involving Faker and The Royal Swazi Spa in 2014.[100] Beyond vocal contributions, Chet Faker has limited documented production credits on other artists' full-length albums, with his primary production work centered on his own releases and collaborative EPs such as Lockjaw with Flume in 2013.[101]Remixes
Chet Faker's remixing work spans both reworkings of tracks by other artists and official remixes of his own material, often infusing electronic, soulful, and atmospheric elements into the originals. Early in his career, he gained recognition for reinterpreting established songs, blending hip-hop influences with indie electronic production. This approach marked the origins of his remix style, as seen in his 2011 cover of Blackstreet's "No Diggity," which reimagined the 1996 R&B hit with minimalist beats and falsetto vocals on his debut EP Thinking in Textures.[102][103] In 2012, Faker produced several notable remixes for other artists, showcasing his ability to transform indie rock and alternative tracks into more introspective, groove-oriented versions. For The Temper Trap's "Trembling Hands," his remix added layered synths and a subdued rhythm, extending the track's ethereal quality while emphasizing its lyrical vulnerability; it was released as a single promo in June 2012.[104][105] Similarly, his edit of Radiohead's "Nude" from 2007 stripped the song to a haunting, ambient loop, highlighting Thom Yorke's vocals with subtle electronic pulses; this unofficial but widely shared rework appeared online in 2011 and circulated in music communities.[106] Later that year, Faker remixed MS MR's "Dark Doo Wop," infusing the indie pop track with deep basslines and a sultry vibe, released as part of the band's Candy Bar Creep Show EP in November 2012.[107] Remixes of Faker's own songs have been a staple across his discography, often released as promotional packages or bonus tracks to extend the life of singles from albums like Built on Glass (2014) and Hotel Surrender (2021). These reworkings frequently collaborate with electronic producers, adapting his soulful originals into dancefloor-ready or experimental formats. For instance, Flume's 2014 re-work of "Gold" transformed the laid-back indie track into a glitchy, future bass cut, amplifying its hypnotic hook and becoming a festival staple.[108] The most extensive remix project came with "1998" from Built on Glass, where a June 2014 digital package featured multiple interpretations, including Faker's own Nick Murphy remix (a slower, introspective take), András Fox's morning mix (a lo-fi house vibe), Roland Tings' upbeat electronic version, and others by Homework and NTEIBINT, each highlighting different facets of the song's nostalgic melody.[102] In 2015, D-Pulse remixed "Bend," adding funky breaks and synth stabs to the original's mellow groove, released digitally in September.[109] With the 2021 release of Hotel Surrender, remixes emphasized club-oriented energy: Boys Noize's take on "Low" introduced acid house elements and driving percussion in October 2021; A-Trak's remix of "Feel Good" brought disco-infused beats in September 2021; and Soulwax reworked "Whatever Tomorrow" into a pulsating techno track in May 2021.[110][111] Other notable versions include Vintage Culture and Bruno Be's 2014 remix of "Gold," which added tropical house flair, and Florian Kreidler's 2014 melodic rework of "Talk Is Cheap."[112][113] These efforts underscore Faker's versatility in bridging intimate songwriting with electronic dance music.[114]| Song | Remixer(s) | Release Year | Key Features |
|---|---|---|---|
| Gold | Flume | 2014 | Glitchy future bass, extended drops |
| 1998 | Nick Murphy, András Fox, Roland Tings, Homework, NTEIBINT | 2014 | Varied electronic and house interpretations |
| Bend | D-Pulse | 2015 | Funky breaks, synth-driven |
| Low | Boys Noize | 2021 | Acid house, high-energy percussion |
| Feel Good | A-Trak | 2021 | Disco grooves, upbeat tempo |
| Whatever Tomorrow | Soulwax | 2021 | Techno pulses, driving rhythm |
| Talk Is Cheap | Florian Kreidler | 2014 | Melodic electronic, atmospheric layers |
Awards and nominations
ARIA Music Awards
Chet Faker, the stage name of Nicholas Murphy, achieved significant recognition at the 2014 ARIA Music Awards for his debut studio album Built on Glass, released earlier that year on Future Classic. The album earned him a leading nine nominations across various categories, highlighting his breakthrough in electronic and soul-influenced music. These included Album of the Year, Best Male Artist, Breakthrough Artist, Best Independent Release, Producer of the Year, Engineer of the Year, Best Cover Art, Best Video for "Talk Is Cheap," and Best Dance Release for "Drop the Game" (with Flume).[115][37] At the ceremony held on 26 November 2014 at The Star in Sydney, Chet Faker secured five wins, marking a major milestone in his career and underscoring the album's critical and commercial impact. Built on Glass swept the artisan categories, a rare feat as the first album to win all three since their inception. He also performed at the event, further cementing his prominence in Australian music.[116][115] The following table summarizes Chet Faker's 2014 ARIA Music Awards outcomes:| Category | Work | Result |
|---|---|---|
| Album of the Year | Built on Glass | Nominated |
| Best Male Artist | Built on Glass | Won |
| Breakthrough Artist | Built on Glass | Nominated |
| Best Independent Release | Built on Glass | Won |
| Producer of the Year | Built on Glass | Won |
| Engineer of the Year | Built on Glass | Won |
| Best Cover Art | Built on Glass | Won |
| Best Video | "Talk Is Cheap" | Nominated |
| Best Dance Release | "Drop the Game" (with Flume) | Nominated |