Mallrat is the stage name of Grace Kathleen Elizabeth Shaw (born September 25, 1998), an Australian singer, songwriter, rapper, and producer from Brisbane, Queensland.[1] She is recognized for her hip-hop-infused electropop style, characterized by unpretentious melodies, electronic warmth, and themes of light, love, and introspection, often delivered through unhurried vocals and innovative production.[2][3]Shaw began her music career in 2015 at age 16, uploading anthemic, laptop-produced tracks to SoundCloud from her Brisbane suburb home, marking the start of her independent ascent in the Australian alt-pop scene.[1][4] Her early breakthrough came with the 2016 EP Uninvited and the single "Charlie" from her 2019 EP Driving Music, which peaked at No. 3 on triple j's Hottest 100 countdown, establishing her as a rising talent in indie and electronic music circles.[5] By 2022, she released her debut studio album Butterfly Blue, which reached No. 6 on the ARIA Albums Chart and featured collaborations with artists like Azealia Banks on "Surprise Me," blending shimmering piano-pop with experimental elements.[5][6]Throughout the early 2020s, Mallrat expanded her international profile through high-profile partnerships, including remixes and tracks with The Chainsmokers ("Wish on an Eyelash, Pt. 2") and performances alongside Post Malone and Maggie Rogers, alongside appearances on U.S. late-night television.[2] Now based between Melbourne, Australia, and Los Angeles, she has toured extensively, opening for Kylie Minogue's Tension tour in 2024 and earning acclaim as one of Australia's most versatile songwriters for her genre-bending approach that incorporates gritty breakbeats, sampling, and even Gaelic choirs in later works.[5][7]Her second studio album, Light hit my face like a straight right (released February 2025), which debuted at No. 1 on the ARIA Albums Chart, marked a pivotal evolution, co-produced with collaborators like Styalz Fuego and Buddy Ross, and exploring dualities of light and shadow amid personal grief following the sudden death of her younger sister Liv in May 2024—an event that Shaw has described as leaving her "brain like an empty cave" and reshaping her creative process.[8][2][5] Singles from the album, such as "Horses" and "Pavement," highlight her ethereal stage presence and thematic depth, drawing from influences like Brisbane racetrack memories and her passion for boxing, while solidifying her reputation for emotionally resonant, boundary-pushing pop.[2][9]
Early years
Childhood and family background
Grace Kathleen Elizabeth Shaw, professionally known as Mallrat, was born on 25 September 1998 in Brisbane, Queensland, Australia.[10]She grew up in Brisbane's suburbs alongside her younger sister Liv, who is four years her junior and also a writer and poet. Shaw's parents, both writers with no background in music, exposed her to a diverse array of sounds at home, including Dolly Parton, Johnny Cash, Ministry of Sound compilations, and Pet Shop Boys; their only arguments reportedly centered on punctuation rather than creative differences. The family's Irish and Scottish heritage through her maternal grandparents introduced her to cultural touchstones like Riverdance, further shaping her early artistic sensibilities in a non-musical household.[11]During her childhood, Shaw's family navigated their parents' divorce, which deepened the close bond between the two sisters and instilled a resilient "us against the world" dynamic. Raised in a middle-class suburban setting in Brisbane, she absorbed influences from the city's laid-back Australian culture, including its emerging indiemusic undercurrents and youth-oriented community vibes. This environment of suburban leisure informed her stage name Mallrat, chosen to evoke 1990s adolescent loitering, teen movies, and fashion aesthetics that resonated with her experiences of hanging out in Brisbane's sleepy neighborhoods.[11][12][13]Shaw's early personality was shaped by active hobbies such as jiu jitsu and kickboxing, pursuits she embraced with ambitions of becoming a UFC fighter, reflecting her engagement with physical youth subcultures beyond the arts.[11]
Education and initial music involvement
Grace Shaw attended Clayfield College, an all-girls Anglican school in Brisbane, where she studied on an academic scholarship and graduated in 2015.[14][11]During her high school years, Shaw discovered her interest in music around age 16 after attending a concert by Australian rapper Allday, which inspired her to begin experimenting with songwriting, rapping, and singing.[15][16] She started creating music in her bedroom, initially as a personal outlet without any formal training or professional aspirations.[17]Shaw adopted the stage name Mallrat because her real name was already in use by another local artist, drawing inspiration from her affinity for suburban mall and shopping center culture where she spent much of her youth hanging out.[18][19] This moniker reflected her laid-back, youthful experiences in Brisbane's casual social scenes.Her early amateur recordings consisted of lo-fi demos produced on basic equipment, focusing on blending rap verses with melodic hooks, though none were commercially released at the time.[20]Shaw's family provided encouragement for these initial creative endeavors, allowing her to explore music alongside her studies.[21]
Music career
2015–2016: Career beginnings and early releases
Mallrat, whose real name is Grace Shaw, entered the music industry at the age of 16 in 2015 while attending high school in Brisbane, Australia. She began by self-releasing her debut single "Suicide Blonde," produced by Tigerilla, on SoundCloud in July 2015, marking her initial foray into independent music distribution.[22][23] This track, created using GarageBand demos sent to the producer, quickly attracted attention within Brisbane's indie music circles for its blend of rap and pop elements. Shaw drew inspiration from the local scene, connecting with collaborators like Tigerilla through social media outreach during her Year 11 studies.[24]Throughout late 2015, Shaw continued building her portfolio with additional self-released tracks, including "Sunglasses" in December, also produced by Tigerilla, which further amplified her presence on platforms like SoundCloud and helped cultivate early online buzz among Australianyouth audiences.[25] By early 2016, as she entered her final year of high school (Year 12), Shaw balanced her education with music production, initially keeping her pursuits private from classmates to avoid distractions.[24] This period saw her performing at small venues and clubs across Brisbane and nearby areas, often as an underage artist who had to exit events early due to age restrictions, fostering grassroots support in the local indie community.In mid-2016, at age 17, Shaw released her debut EP Uninvited independently, featuring tracks such as "For Real," "Uninvited," "Suicide Blonde," and "Sunglasses," which solidified her emerging reputation for energetic, genre-blending pop-rap.[26][27] The EP's release, supported by positive reviews from Brisbane-based outlets, highlighted her clever lyricism and vocal versatility while she navigated the challenges of completing high school alongside increasing performance demands.[26][24] This independent phase laid the foundation for her growth, emphasizing self-taught production and connections within Queensland's vibrant but compact music ecosystem.[24]
2017–2021: Label signing, EPs, and rising recognition
In 2017, Mallrat, whose real name is Grace Shaw, signed a record deal with the Australian independent label Dew Process and the international label Nettwerk Music Group, marking a significant step in her professional development following her independent debut EP.[28][10] This partnership facilitated her first major national tour, the "Better" tour, where she headlined shows in Brisbane, Sydney, and Melbourne, supported by emerging act Kinder, building momentum through live performances that showcased her blend of pop and rap.[29] She also gained exposure opening for established acts like Peking Duk on their Clowntown tour and performing at festivals such as Splendour in the Grass.[30]The following year, Mallrat released her second EP, In the Sky, on June 1, 2018, through Dew Process, which included the singles "UFO" featuring longtime collaborator Allday and "Groceries."[31][32] "UFO" earned ARIA Gold certification, reflecting growing commercial traction and radio play on platforms like Triple J, while the EP's dreamy, introspective tracks helped solidify her reputation as a rising indie-pop voice in Australia.[33] To promote the release, she embarked on a national headline tour supported by producers Ninajirachi and Eilish Gilligan, performing in major cities and further honing her stage presence.[34]Between 2018 and 2019, Mallrat continued releasing singles that charted on the ARIA Singles Chart, including "Nobody's Home" with Basenji in January 2019, which achieved ARIA Gold status, and "Charlie" in August 2019, debuting at number 50 on the ARIA chart after strong Triple J Hottest 100 placement.[35][36] These tracks highlighted her evolving sound, blending electronic elements with personal lyrics, and contributed to her third EP, Driving Music, released on September 6, 2019, under Nettwerk, which peaked at number 10 on the ARIA Albums Chart.[37] Her rising profile led to larger headline tours in 2019, including sold-out shows at venues like The Triffid in Brisbane, supported by Basenji and Kota Banks.[38]The onset of the COVID-19 pandemic in 2020 disrupted Mallrat's momentum, forcing the postponement of her planned national headline tour and international dates, shifting her focus to virtual engagements and online fan interaction.[39] She adapted by releasing singles like "Rockstar" in March 2020, which gained traction through streaming platforms amid restricted live opportunities, helping to expand her global fanbase as streams surged during lockdowns.[40] Collaborations with emerging Australian talents, such as her feature on Donatachi's work within the hyperpop scene, underscored her role in nurturing the local electronic and pop community during this period.[41] By 2021, as restrictions eased slightly, she resumed limited live appearances, including virtual festival sets, maintaining her upward trajectory toward broader recognition.[39]
2022–2023: Debut album and breakthrough
In early 2022, Mallrat announced her debut studio album, Butterfly Blue, alongside the release of its lead single "Teeth" on March 2. The album arrived on May 13 via Dew Process and Nettwerk Records, marking her first full-length project after a series of EPs that established her signature sound blending introspective lyrics with eclectic beats.[42][43]Produced by a team including Alice Ivy, Styalz Fuego, Japanese Wallpaper, and Jam City, Butterfly Blue delves into themes of youth, self-discovery, romantic longing, and emotional vulnerability across its 11 tracks. Songs like "To You" and "Surprise Me" (featuring Azealia Banks) highlight Mallrat's evolution, incorporating dreamy indie rock, futuristic pop, and hip-hop elements to explore fleeting connections and personal growth.[5][44][45]The album garnered critical acclaim for its seamless fusion of rap-infused verses and shimmering pop hooks, with reviewers praising its emotional depth and sonic versatility. Commercially, it debuted at number six on the ARIA Albums Chart, solidifying Mallrat's breakthrough in the Australian music scene.[43][44][46]In 2023, Mallrat supported the album's momentum with a nationwide Australian headline tour, kicking off in May at Brisbane's Fortitude Music Hall and extending to major cities like Sydney and Melbourne. She also performed at multiple stops of the Laneway Festival across Australia, sharing stages with international acts like HAIM and Joji to expand her international profile.[47][48][49]
2024–2025: Second album, tours, and collaborations
In December 2024, Mallrat announced her sophomore studio album, Light hit my face like a straight right, set for release on February 14, 2025, via Nettwerk and Dew Process.[50][51] The album's themes center on personal growth, girlhood, emotional play-pretend, and human connection, often framed through motifs of light and divine intervention, marking an evolution from the introspective pop of her 2022 debut Butterfly Blue, influenced by personal grief following the death of her younger sister in May 2024.[52][53][2]Promotions for the album began with lead singles released in late 2024 and early 2025, including "Horses" in December 2024, which introduced transportive, bittersweet elements, followed by "Pavement" in January 2025 as the final preview track, blending heartfelt lyrics with spirited club vibes.[54][55] Earlier singles like "Ray of Light" and "Hocus Pocus" (featuring Kito) from 2024 laid groundwork with dreamy, genre-mixing production.[55][56] The album incorporates techno and dance influences alongside retro samples, creating a sophisticated sonic palette that highlights Mallrat's maturing artistry.[57][58] Upon release, the album debuted at No. 1 on the ARIA Albums Chart and critics praised its excellent songwriting and genre-blending innovation, noting a shift toward more vibrant, reflective maturity compared to her earlier work.[59][60][8]In early 2025, Mallrat launched an extensive touring schedule to support the album, beginning with Australian dates as special guest on Kylie Minogue's Tension Tour from February to March.[61][62] This was followed by her headline North American tour starting April 29 in Dallas at House of Blues, with key stops including Austin on May 1, New York City at Elsewhere on May 9, and concluding June 5 in Los Angeles.[63][64] Later in the year, she supported MARINA on a fall U.S. tour and performed at Austin City Limits Festival in October.[65][66] In late 2025, she continued touring with performances at triple j's 50th anniversary event on November 27 in Miami, Queensland, On The Steps with Chet Faker on December 2 in Sydney, and a New Year's festival from December 28, 2025, to January 1, 2026, in Hesse, Victoria.[67]Mallrat's collaborations in 2025 included a remix feature on Spacey Jane's "Estimated Delivery (Magic Megamix)," released in October, which fused indie rock with her pop sensibilities for a dreamy, enchanting track.[68][69] She also contributed a cover of Lana Del Rey's "Radio" in July, shared during her world tour promotions.[65]
Musical style and influences
Musical style
Mallrat's music is characterized by a fusion of indie pop and hip-hop/rap elements, incorporating subtle R&B and electronic textures to create a distinctive sound. Her early extended plays embraced lo-fi rap aesthetics rooted in bedroom pop production, featuring raw, intimate recordings that captured a sense of youthful experimentation. Over time, this evolved into more refined and polished pop arrangements in her full-length albums, allowing for broader accessibility while retaining an alternative edge.[70][71]Vocally, Mallrat employs a playful yet introspective delivery, blending melodic rapping with subdued, quasi-spoken verses to convey emotional nuance. She uses auto-tune sparingly, prioritizing her natural timbre to emphasize vulnerability and relatability in her performances. This approach highlights her ability to shift seamlessly between rhythmic flows and sung hooks, fostering a conversational intimacy with listeners.[72][11][24]Her production style relies on minimalist beats, shimmering synths, and eclectic samples to build expansive, airy soundscapes that underscore thematic depth. Collaborations with producers like Basenji introduce upbeat, glittery elements and intricate breakdowns, enhancing tracks with vibrant energy. Consistent across her work are explorations of youth angst, romantic relationships, and empowerment, providing a cohesive emotional core. In her 2025 album, dance and techno influences further infuse her sound with gritty, rhythmic propulsion.[73][74][75][76]
Influences and artistry
Mallrat's artistic development draws from a diverse array of influences spanning Australian hip-hop, international rap, and pop traditions, shaped by both personal experiences and cultural touchstones. Early inspirations include Australian rapper Allday, whose live performance at age 16 prompted her to begin creating music, and international figures like Kanye West, whom she has cited as an idol for his innovative approach.[15] Her sound also reflects Memphis rap elements from artists such as Three 6 Mafia and Project Pat, which informed her initial forays into production, alongside dreamy pop references that added emotional depth to her tracks.[13] Family background played a role too, with exposure to Gaelic folk through her Irish-Scottish grandparents' love for the 1995 musical Riverdance, instilling an early appreciation for rhythmic and narrative-driven music.[11] The choice of her stage name further nods to 90s film culture, evoking the vibe of Kevin Smith's 1995 comedy Mallrats and its portrayal of youthful, carefree rebellion, which resonated with her vision of nostalgic, teen-centric artistry.[13]Central to Mallrat's artistry is a philosophy rooted in authenticity and a DIY ethos, honed within Brisbane's supportive yet understated musicscene. Starting her career by self-teaching beat-making through online tutorials, she embraced a hands-on approach that prioritized personal expression over industry conventions, allowing her to forge an independent path in a male-dominated rap landscape.[77] This DIY mindset, cultivated in Brisbane's vibrant but compact creative community, underscores her commitment to genuine storytelling, as she has described opting out of formulaic stardom to maintain creative control.[78] Regarding gender dynamics in rap and pop, Mallrat has noted a relatively positive experience, attributing her lack of encountered sexism to luck and the encouragement from female peers, while offering advice to young women in the industry to stay true to their voice amid potential challenges.[79] Brisbane's scene, which she views as surprisingly robust for its size, provided a nurturing environment for this unfiltered style, blending local indie energy with global ambitions.[80]Her artistry has evolved from adolescent experimentation to more mature songwriting, particularly following the release of her 2022 debut album Butterfly Blue, where she gained confidence in production and lyrical depth. This shift is evident in her 2025 sophomore album Light Hit My Face Like a Straight Right, which marks a refinement in blending personal introspection with broader sonic explorations, moving beyond early raw demos to polished yet vulnerable compositions.[81] In public statements, Mallrat has discussed drawing techno influences for the new record to infuse danceable energy while preserving emotional resonance, confessing a tempered affinity for the genre but using it to meld "dancier influences with more broken" elements that align with her core emphasis on feeling-driven music.[82] This progression reflects a broader artistic maturation, prioritizing aspirational yet relatable narratives in her rap-pop hybrid.[83]
Personal life
Family and relationships
Mallrat, born Grace Shaw, was raised in Brisbane, Queensland, by her parents, both of whom are writers with diverse musical influences ranging from Dolly Parton and Johnny Cash to electronic acts like the Pet Shop Boys. Her parents are divorced.[11] Her maternal grandparents, of Irish and Scottish descent, further nurtured her early exposure to music through shared listens to albums like Riverdance.[11] This creative household environment, devoid of professional musicians, emphasized writing and eclectic tastes that subtly informed her artistic development from a young age.Shaw shares a particularly close bond with her younger sister, Olivia (known as Liv), who is four years her junior and a talented poet.[11] The sisters attended the same all-girls parochial school in Brisbane on academic scholarships, where they bonded over mutual interests in artists like Leonard Cohen and Nicki Minaj, as well as childhood activities such as playing with horses.[11] Their relationship strengthened during family challenges, including their parents' divorce, fostering a sense of solidarity that Shaw has described as feeling like "us against the world."[11]Her parents have been notably supportive of her early career pursuits and encouraging her musical endeavors.[84] This familial backing provided an essential emotional foundation, particularly during her initial tours, helping her navigate the demands of rising fame while maintaining stability.[84]Shaw continues to uphold strong ties to her Brisbane roots and family, frequently returning to the city she calls her "first love" even after relocating to Melbourne for her career.[60] These connections remain a grounding force amid her professional commitments.[60]
Health and tragedies
In May 2024, Mallrat's younger sister, Olivia (also known as Liv), died at the age of 21 from an opioid overdose, following a period of struggling with addiction during her teenage years.[11] The tragedy occurred just one month after Mallrat completed work on her second album, marking a profound personal loss that reshaped her emotional landscape. In a January 2025 interview, Mallrat described the immediate aftermath as leaving her "brain like an empty cave," characterized by an overwhelming "black sludge" that impaired her ability to focus, problem-solve, or even remember basic details, such as responding to emails.[2]The grief manifested as significant mental health challenges, including frustration over memory loss and a pervasive sense of numbness that stripped away her initial excitement for her music. Mallrat has spoken about preparing emotionally for the possibility of her sister's death due to Liv's ongoing struggles, noting that this anticipation "does weird things" to one's psyche, yet the reality still felt like a sudden, devastating blow.[11] To cope, she turned to music as a form of therapy, finding gradual reconnection through sharing songs that resonated with her loss, alongside physical outlets like kickboxing to process the emotional weight. Family support in Queensland provided a grounding space during the early months of mourning, helping her navigate the isolation of grief.[2]By early 2025, Mallrat began publicly addressing the tragedy in interviews, marking her first in-depth disclosures since the event and emphasizing a slow path to recovery. She balanced her public career by initially postponing shows to prioritize private healing, later resuming activities while maintaining boundaries around her personal pain, describing a shift from wanting to "hide under a rock" to rediscovering joy in fan connections. Seven months after the loss, she reported turning a corner, though the influence of grief continued to inform her introspective approach to life and art.[2]
Discography
Studio albums
Mallrat has released two studio albums to date, marking her transition from EPs to full-length projects that showcase her evolving indie pop sound.Her debut studio album, Butterfly Blue, was released on May 13, 2022, through Nettwerk Music Group.[85] Comprising 11 tracks clocking in at 36 minutes, it features songs like "Wish on an Eyelash," "To You," "Surprise Me" (featuring Azealia Banks), "Your Love," "Heart Guitar," "Teeth," and the title track "Butterfly Blue."[86] The album peaked at number 6 on the ARIA Albums Chart.[5] Critics praised its introspective lyrics on romance and vulnerability, delivered through shimmering production.[44]Light Hit My Face Like a Straight Right, her sophomore effort, arrived on February 14, 2025, via the same label.[87] The 12-track, 34-minute record includes "My Darling, My Angel," "Pavement," "Something for Somebody," "Virtue," "Defibrillator," "The Light Streams In and Hits My Face," "Hocus Pocus" (featuring Kito), "Hideaway," "Love Songs / Heart Strings," "Ray of Light," "The Worst Thing I Would Ever Do," and "Horses."[88] Incorporating breakbeats and dance influences, it explores humanconnection with greater rhythmic energy than her debut. The album debuted at number 1 on the ARIA Albums Chart.[8] Early reviews highlighted its bold production and emotional depth, though some noted inconsistencies in cohesion.[89]
Extended plays
Mallrat has released three extended plays, all primarily in digital formats with limited physical editions such as CDs and vinyl reissues.[1]Her debut EP, Uninvited, was independently released on 1 July 2016 through Teamtrick Records.[90] The six-track project showcased early indie pop and electronic influences, featuring key tracks like "Tokyo Drift," "Uninvited," and "For Real." It marked her initial foray into recording, produced with a DIY aesthetic, and later received wider distribution via Nettwerk Music Group in 2017.[91]The second EP, In the Sky, arrived on 1 June 2018 via Dew Process and Nettwerk.[92] This five-track release highlighted her evolving sound with breezy, introspective songs including "Groceries," "Texas," and "Better," the latter serving as a prominent single. Produced collaboratively, it was issued in digital and CD formats, with a sky-blue vinyl reissue in 2021.[93] While it did not chart on the ARIA Albums Chart, singles like "Groceries" gained traction, peaking at number 57.[94]Driving Music, her third EP, was released on 6 September 2019 through Dew Process and Universal Music Australia.[95] The five-track effort, available digitally and on vinyl, debuted and peaked at number 10 on the ARIA Albums Chart, representing her first top-10 entry.[96] Key tracks included the lead single "Charlie," which explored personal themes, alongside "Drive Me Round," "Circles," and "When I Get My Braces Off."[94] The EP's commercial success underscored her growing domestic popularity ahead of full-length albums.[97]
Singles
Mallrat has released numerous singles as a lead artist, many of which have achieved commercial success on the ARIA Charts, with several earning certifications for sales and streaming milestones. Her early singles laid the foundation for her breakthrough, while later releases from her albums Butterfly Blue (2022) and Light Hit My Face Like a Straight Right (2025) continued to build her profile. Key examples include tracks that peaked within the ARIA Top 100 and received multi-platinum status, reflecting her growing popularity in Australia.The following table lists selected singles released by Mallrat as lead artist, including peak positions on the ARIA Singles Chart and certifications where applicable:
Title
Year
Peak ARIA Position
Certification (ARIA)
Album/EP
Better
2017
—
Gold
In the Sky
UFO (featuring Allday)
2018
—
Gold
In the Sky
Groceries
2018
57
2× Platinum
In the Sky
Nobody's Home (with Basenji)
2019
—
Platinum
Non-album single
Charlie
2019
50
Platinum
Driving Music
Teeth
2022
—
—
Butterfly Blue
Pavement
2024
—
—
Light Hit My Face Like a Straight Right
Horses
2024
—
—
Light Hit My Face Like a Straight Right
Hideaway
2025
—
—
Light Hit My Face Like a Straight Right
Note: Peaks outside the ARIA Top 50 are listed as "—"; certifications are as of the latest available ARIA data.[98]As a featured artist, Mallrat has appeared on several tracks by other artists, contributing to their chart performance. These features highlight her versatility in electronic and indie pop collaborations up to 2025, often released as digital singles.Mallrat's singles are primarily digital releases, with promotional singles like "Rockstar" in 2020 also charting on the ARIA Singles Chart, marking her continued presence in the top 100.[101]
Other appearances
Mallrat has contributed guest vocals to several tracks by other artists throughout her career. In 2016, she featured on E^ST's "Get Money!", a debut single from the Australian singer-songwriter's albumI'm Doing It, where her playful rap verses complemented the track's upbeat pop production.[102] The following year, 2017, saw multiple collaborations: she appeared on Oh Boy's "Rush Hour," an electronic pop single evoking 90s R&B influences, marking a reunion after their prior work together.[103] Also in 2017, Mallrat provided vocals for Golden Vessel's "Shoulders" alongside Elkkle, the lead track from the EP Right/Side, blending glitchy beats with introspective lyrics about emotional support.[104] That same year, she featured on Allday's "Baby Spiders" from his albumPure Love, delivering ethereal harmonies over indie rock elements, and on "Ultramarine," another album cut exploring themes of introspection.[105][106]In 2020, Mallrat guested on BENEE's "Winter" from the album Hey u, x, contributing verses that enhanced the track's dreamy, atmospheric vibe amid themes of isolation.[107] Her involvement extended to soundtracks and special releases, including "For Real" featured in the 2019 film Babyteeth, where it underscored a pivotal scene of youthful connection on a basketball court and train ride.[108] In 2023, she collaborated with BENEE on "Do It Again," the official anthem for the FIFA Women's World Cup hosted in Australia and New Zealand, a dance-pop track with empowering lyrics that became a tournament staple.[109]More recently, in October 2025, Mallrat appeared on the remix of Spacey Jane's "Estimated Delivery (Magic Megamix)," transforming the indie rock original into a dreamy pop-infused version with her signature laid-back vocals adding emotional depth.[68]
Awards and nominations
APRA Awards
Mallrat, whose real name is Grace Shaw, has received recognition from the APRA Music Awards, primarily for her songwriting contributions. In 2020, she was shortlisted for the peer-voted APRA Song of the Year for her track "Charlie," co-written with Leroy Clampitt, which highlighted her emerging talent in indie pop songcraft.[110]That same year, at the inaugural Global APRA Music Awards in the Los Angeles category, Mallrat won Breakthrough Songwriter of the Year, acknowledging her rapid rise with releases like the EP Driving Music. This victory was presented by APRA AMCOS and celebrated her work published through Kobalt Music Publishing and Dew Process.[111]In 2021, Mallrat earned her first nomination for the main APRA Music Awards' Breakthrough Songwriter of the Year category, competing alongside artists such as Miiesha and Thelma Plum, though the award went to The Kid LAROI. She was also among the first-time nominees in broader songwriter categories, reflecting her growing influence in Australian music.[112][113]As of 2025, Mallrat has secured one APRA win and multiple nominations, with no further accolades reported in subsequent years.
ARIA Music Awards
Mallrat has received four ARIA Music Award nominations to date, recognizing her early breakthrough and recent album work, though she has yet to secure a win.[114][115]In 2020, Mallrat earned two nominations tied to her extended play Driving Music and its lead single "Charlie." She was nominated for Breakthrough Artist – Release for Driving Music, highlighting her rapid rise in the Australian music scene following the EP's release in 2019.[116] Additionally, "Charlie" received a nomination for Song of the Year, acknowledging its cultural impact and chart success as a breakout hit blending pop and hip-hop elements.[114] These nods marked a significant career milestone, boosting her visibility and leading to increased international touring opportunities.[117]Mallrat's 2025 nominations center on her sophomore album Light Hit My Face Like a Straight Right, released earlier that year. The album was nominated for Album of the Year, positioning it among top Australian releases for its innovative pop sound and personal lyricism.[115] It also contended for Best Pop Release, further emphasizing her evolution as a pop artist.[118] As of November 2025, the outcomes remain pending ahead of the ceremony on November 19.[119]
Mallrat has received recognition at various international and regional music awards beyond the major Australian ceremonies. In 2019, she was nominated for Best Australian Act at the MTV Europe Music Awards, competing against Sampa the Great and Tones and I, though Tones and I ultimately won.[120]At the National Live Music Awards, Mallrat earned nominations in 2019 for Live Pop Act of the Year and in 2020 for Best Live Act in QLD, highlighting her rising presence in Australia's live music scene.[121]Regionally, Mallrat was nominated for Best Pop at the 2023 Queensland Music Awards for her track "Surprise Me (feat. Azealia Banks)".[122] In 2025, her single "Hocus Pocus" contributed to a win in the Video category at the same awards, with director Tom Carroll receiving the honor for the visual production.[123]In South Australia, Mallrat's 2018 music video for "Better," directed by Rory Pippan of Young Black Youth, won Best Music Video at the South Australian Music Awards, beating out other regional entries.[124]As a songwriter, Mallrat won the Best Unpublished Work category at the 2018 Vanda & Young Global Songwriting Competition for "Better," securing a $5,000 prize and early career validation from industry judges.[125]