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Choli

A choli is a tight-fitting, cropped blouse worn by women in the Indian subcontinent, typically extending to the hips or just below the bust, and fastened at the front or back with ties or hooks; it is commonly paired with a sari, ghagra, or lehenga to cover the upper body while accentuating the midriff.^[1]^[2] Derived from the Sanskrit terms chola or cholaka, meaning "long coat" or "jacket," the garment features short or long sleeves and a low neckline, often crafted from materials like cotton, silk, or brocade, and adorned with embroidery, mirrors, or zari work depending on regional styles.^[1]^[3] The origins of the choli trace back to the early centuries CE, evolving from unstitched Vedic-era breast bands like the uttariya or stanapatta into a stitched form possibly introduced by Central Asian influences from the Kushanas or Sakas around the 1st to 2nd century CE.^[1]^[2] By the Gupta period (4th–6th century CE), as depicted in Ajanta cave paintings, it had become a popular fitted bodice among women, particularly palace dancers, and further developed during the medieval era with backless designs tied by cords, as seen in 16th-century Mughal miniatures.^[2] In the 19th century, British colonial influences and social reforms promoted fuller coverage, leading to front-fastened versions, while the 20th-century Indian independence movement and cinema popularized shorter sleeves and khadi fabric, transforming it into a staple of modern Indian attire.^[2] Mughal-era adaptations (16th–19th century) incorporated luxurious elements like velvet and Persian motifs, especially in northern India.^[4] Regionally, the choli varies significantly, reflecting caste, community, and geography; in Gujarat and Rajasthan, it often features intricate embroidery or mirror work in vibrant colors like red, maroon, or green, known locally as kanchali or angiya, and is worn across Hindu and Muslim communities during festivals.^[1]^[3] In South India, during the medieval Chola Dynasty (9th–13th century), early forms were unstitched cloths wrapped tightly for modesty, evolving into stitched ravikalu (Andhra Pradesh) or ravikkai (Tamil Nadu) with floral or paisley motifs.^[2] Northern variants, such as the Maharashtrian coli with elbow-length sleeves, emphasize practicality for daily wear, while bridal cholis in the ghagra choli ensemble use opulent fabrics like organza or satin with zari embellishments.^[2]^[3] In the south, it pairs with langa voni, a pleated skirt, highlighting cultural heritage in wedding and ceremonial contexts.^[3] Culturally, the choli symbolizes modesty, femininity, and regional identity, transitioning from everyday palace attire to a versatile garment for weddings, festivals like Navratri, and contemporary fashion, where it influences global fusion styles while preserving artisanal techniques.^[1]^[4] Its evolution underscores broader sartorial shifts driven by invasions, colonialism, and social movements, making it an enduring icon of Indian textile craftsmanship.^[2]

Introduction

Definition and Description

A choli is a tight-fitting, cropped blouse that serves as an upper garment for women, covering the bust and upper torso while typically leaving the midriff bare.^[1] It is characterized by its short length, ending just below the bust, and features a variety of sleeve options ranging from sleeveless to short or long styles.^[5] The garment is usually fastened at the front or back with hooks, ties, or drawstrings, and it is designed to be worn above the waist to accommodate draped lower garments.^[6] The choli is primarily paired with a sari, functioning as its complementary blouse, or as part of a ghagra choli ensemble alongside a flared skirt (ghagra or lehenga).^[1] This combination highlights its role in traditional South Asian attire, where it provides structured coverage for the upper body while allowing freedom of movement with the draped elements below.^[5] In regional nomenclature, the choli is known by alternative names such as polku in Gujarat and ravike in Karnataka, though "choli" remains the common term across broader South Asian contexts.^[7] Regarding sizing and fit, the choli is custom-tailored to the wearer's body for a body-hugging silhouette, often featuring backless designs, low necklines, or shaped breast cups to enhance its compatibility with flowing, draped outfits.^[5] This snug construction ensures it flatters various body types while maintaining modesty in traditional ensembles.^[1]

Cultural Significance

The choli serves as a potent symbol of femininity and modesty in South Asian traditions, balancing exposure of the midriff with structured coverage of the upper body to embody grace and cultural propriety.^[8] Often paired with a sari, it represents regional identity and heritage, particularly among Hindu women, where its form evokes ancient depictions of goddesses and respectable figures in art from the Ajanta Caves dating to the 5th–6th century CE.^[8] In festivals and weddings, the choli's ornate embroidery and vibrant colors underscore communal celebrations, signifying joy and auspiciousness while adhering to norms of decorum that prioritize elegance over overt sensuality.^[9] Socially, the choli integrates into the attire of diverse South Asian communities, including Hindu, Muslim, and others, adapting to life stages from daily wear to elaborate bridal ensembles.^[8] For instance, in ritual contexts, it is worn during family festivals and community gatherings to affirm collective identity, yet removed for purity during tasks like cooking, reflecting its role in maintaining traditional hierarchies and respectability.^[8] Among communities like the Rabari in regions like Gujarat, variations such as the choli with mirror work symbolize ethnic pride and nomadic heritage, worn across Hindu and some Muslim groups in both everyday and ceremonial settings to denote social status and continuity of folk traditions.^[10] The choli influences perceptions of body image by focalizing the midriff as an aesthetic centerpiece, tied to cultural ideals of beauty that celebrate a poised, curvaceous silhouette without full exposure.^[9] This design promotes notions of grace and sensuality within modest bounds, as seen in its tight-fitting styles that accentuate the figure while contrasting with preferences for looser garments to avoid visibility of body contours.^[8] In contemporary interpretations, such as Bollywood-inspired backless versions, it navigates evolving standards of allure, yet retains ties to traditional femininity that older generations view as essential for respectability.^[9] In the South Asian diaspora, the choli aids in preserving cultural heritage, often blended with Western elements for bi-cultural expression during events like weddings or cultural festivals.^[8] Women in the United States, for example, reserve it for special occasions to evoke nostalgia and identity, adapting styles like pairing it with jeans to negotiate modesty across contexts while honoring ancestral traditions.^[8]

Historical Development

Ancient Origins

The earliest precursors to the choli can be traced to the stanapatta, a simple breast-band or chest wrap used by women in ancient India as early as the 6th century BCE. This garment, also referred to as stanamsuka or uttarasanga, consisted of a loose cloth tied around the upper body to provide support and modest coverage. It is mentioned in classical Sanskrit texts, including Bharata Muni's Natyashastra (circa 200 BCE–200 CE), which describes such bands as part of female attire in dramatic performances and daily wear, often knotted between the breasts or over the shoulders.^[11] Archaeological evidence from the Indus Valley Civilization (circa 2600–1900 BCE) suggests the possible use of rudimentary upper-body coverings, though interpretive; while many terracotta female figurines and seals from sites such as Mohenjo-daro and Harappa depict women bare-chested or with lower garments like skirts or belts, some artifacts indicate shawl-like drapes or basic wraps over the chest, reflecting practical adaptations to the region's climate and social norms.^[12] In the post-Mauryan Shunga period (c. 185–73 BCE), sculptures from sites like Bharhut and the later gateways at Sanchi illustrate upper-body coverings, with yakshi figures often portrayed wearing translucent uttariya shawls draped across the torso or simple bands, emphasizing contours without full enclosure; while the main stupa at Sanchi dates to the Mauryan era (322–185 BCE), the detailed figurative sculptures including yakshis are from around the 1st century BCE.^[13] By the 1st century CE, the stanapatta began evolving into more fitted blouse-like garments, as seen in Buddhist and Jain art from Mathura and Sanchi. Sculptures from Mathura, such as the Shunga-period female statue (3rd century BCE, transitional to early CE), provide some of the earliest evidence of stitched elements, with tight-fitting wraps that hug the body, marking a shift from purely draped to semi-tailored forms. These depictions in railings and panels at Sanchi stupas show women in close-contoured upper garments, influenced by regional artistic traditions and possibly foreign interactions, laying the groundwork for the choli's structured design.^[14] This evolution continued with Central Asian influences from the Kushanas and Sakas around the 1st to 2nd century CE, introducing stitched forms to the traditional unstitched breast bands. By the Gupta period (4th–6th century CE), as depicted in Ajanta cave paintings, the choli had become a popular fitted bodice among women, particularly palace dancers.^[1] Initial materials for these early upper garments were primarily simple cotton fabrics, cultivated in the Indus Valley as early as 2500 BCE, with archaeological remnants confirming woven cotton threads and plain cloth suitable for tying or light draping. Bark cloth, derived from tree fibers, appears in limited tribal or peripheral contexts but was less common for mainstream urban wear compared to breathable cotton, which allowed for easy tying rather than sewing in pre-stitching eras.^[15]^[16]

Evolution Through Art and Media

In medieval Indian art, particularly from the 13th to 16th centuries, miniature paintings from the Mughal and Rajput courts frequently depicted women wearing embroidered cholis tied at the back or sides, often paired with ghaghras and odhnis to reflect royal and courtly attire.^[17] These artworks, such as those in the Rajput style from Rajasthan, showcased cholis with intricate floral and geometric patterns, highlighting the garment's role in portraying feminine grace and status in narrative scenes from epics like the Ramayana.^[18] Mughal miniatures from the early 17th century further illustrated ghaghra-choli ensembles with translucent veils, emphasizing the choli's fitted silhouette and decorative ties influenced by Persian aesthetics introduced via court patronage.^[19] During the colonial era of the 18th and 19th centuries, British photographs and portraits captured the emergence of hybrid choli styles, blending traditional Indian forms with European tailoring for modesty and formality.^[18] Pioneered by figures like Jnanadanandini Devi around 1867, the fitted blouse with high collars and frills was integrated into the Nivi saree drape, as seen in studio portraits that documented elite Bengali women's adoption of these adaptations under Victorian influences. Similarly, images of performers like Gauhar Jaan in early 20th-century postcards (c. 1910) displayed elaborate, puffed-sleeve cholis that merged Indian embroidery with Western structural elements, reflecting cultural negotiations in urban centers like Calcutta.^[18] In the 20th century, from the 1920s to 1950s, early Indian films and photography portrayed the choli's shift toward practicality amid the independence movement, with simplified designs in khadi fabric symbolizing national self-reliance.^[20] Silent films like Karma (1933) featured actresses in ruffled-sleeve cholis paired with sarees, evoking a blend of glamour and everyday wear, while 1940s photography of Swadeshi advocates emphasized unadorned, short-sleeved versions for mobility and ideological alignment.^[21] By the 1950s, as in films starring Madhubala, cholis adopted deeper necklines and brocade accents, capturing a transition to more versatile, post-colonial expressions of femininity without excessive ornamentation. Trade routes along the Silk Roads significantly shaped the choli's evolution by introducing Persian silk weaves and floral motifs, which Mughal artisans adapted into embroidered panels, as evidenced in 16th-century court textiles.^[22] European influences via colonial maritime trade further incorporated structured linings and lace trims, seen in 19th-century hybrid blouses that combined Indian draping with fitted bodices for enhanced durability and aesthetic appeal.^[23]

Regional Variations

Northern Indian Styles

In northern India, the choli is typically characterized by back-tied or hook-fastened closures, providing a fitted silhouette that supports the bust while accentuating the midriff. This design evolved from ancient forms but was refined during the Mughal era, where stitched blouses with tie-cords at the back became prominent, as depicted in 16th-century paintings from the region. Often featuring flared or puffed sleeves for added volume and elegance, these cholis are commonly paired with lehengas or ghagras in Punjab, Rajasthan, and Uttar Pradesh, emphasizing regional practicality and aesthetic flair.^[2]^[24] Regional variations highlight intricate embellishments that reflect local craftsmanship. In Gujarat and Rajasthan, cholis incorporate shisha or mirror work, a technique originating from the Kutch region where small mirrors are appliquéd onto fabric to create shimmering patterns, often for festive occasions like Navratri. These mirrors, sewn with colorful threads, add a reflective quality that enhances movement during dances. In contrast, Lucknowi styles from Uttar Pradesh favor zardozi embroidery, using gold and silver wires coiled around silk threads to form opulent floral and paisley motifs, traditionally reserved for bridal and wedding attire under the patronage of the Nawabs of Awadh. Such heavy ornamentation underscores the choli's role in displaying wealth and cultural heritage. Northern variants, such as the Maharashtrian coli with elbow-length sleeves, emphasize practicality for daily wear.^[25]^[26]^[27]^[28]^[1] The historical ties to Mughal courts further shaped northern cholis toward greater elaboration, with innovations including the integration of Persian embroidery techniques elevating the choli from a simple bodice to a canvas for luxurious detailing, as seen in 19th-century examples from Lucknow featuring gold wire applications. In contemporary contexts, Bollywood has popularized shorter cholis in festive wear, often with cropped lengths and modern cuts inspired by films, blending traditional back fastenings with vibrant prints for urban celebrations in states like Punjab and Uttar Pradesh.^[2]^[29]^[30]

Southern Indian and Regional Adaptations

In southern India, particularly in Kerala and Tamil Nadu, the choli often features front-tied or draped closures, distinguishing it from the back-tied styles prevalent in northern regions. These variants are typically shorter and simpler in design, emphasizing functionality and comfort in humid tropical climates, with lightweight fabrics that allow for ease of movement. Integration with Kanjeevaram silk, known for its fine mulberry weave and subtle sheen, adds a touch of opulence while maintaining breathability, often seen in temple rituals or daily wear paired with traditional sarees.^[2]^[31] Regional examples highlight unique adaptations suited to local customs and environments. In Karnataka, the ravike serves as the traditional choli, characterized by its cropped fit and incorporation of Kasuti embroidery motifs inspired by temple architecture, such as geometric patterns and floral elements drawn from Hoysala-era carvings, evoking spiritual symbolism in everyday attire.^[32] These adaptations reflect broader cultural needs, with southern cholis crafted lighter to suit equatorial heat and humidity, using airy cotton or silk blends that prioritize ventilation over heavy layering. In classical dance forms like Bharatanatyam, originating from Tamil Nadu, the choli is modified with extended sleeves—often three-quarter length—to enhance fluid arm extensions and mudra expressions, ensuring the garment supports intricate choreography without restricting motion.^[33] Historical influences trace back to Dravidian temple sculptures of the 10th century, such as those in Chola-era sites like Brihadeeswarar Temple, where female figures are depicted in early front-closure bodices that wrap or tie across the torso, foreshadowing the draped cholis of today and illustrating a continuity in modest, form-fitting upper garments amid evolving textile techniques.^[34]

Design and Construction

Materials and Fabrics

Cotton remains a primary fabric for everyday cholis, valued for its breathability and comfort in India's hot climates.^[15] Silk, prized for its luster and elegance, is commonly used for formal cholis, with varieties such as Banarasi from Uttar Pradesh and Kanjeevaram from Tamil Nadu featuring intricate weaves suitable for special occasions.^[35] In cooler regions like Kashmir and the northern hills, natural fibers such as wool provide necessary warmth, while brocade offers durability and a rich texture for traditional garments.^[36] Following India's independence, handwoven khadi emerged as a symbolic fabric in clothing, representing self-reliance and nationalist ideals promoted through institutions like the Khadi and Village Industries Commission.^[37] Historically, vegetable dyes derived from sources like indigo, turmeric, and madder colored these fabrics, ensuring vibrant hues through natural, plant-based processes integral to Indian textile traditions.^[35] In the modern era, since the 2010s, sustainable options like organic cotton—cultivated without synthetic pesticides—have gained traction in choli production, supporting eco-friendly practices amid growing environmental awareness.^[38] Fabrics for cholis are often sourced from regional specialties, such as Patan Patola silk from Gujarat, a double-ikat weave crafted by the Salvi community using resist-dyeing techniques on mulberry silk.^[39]

Structural Elements and Embellishments

The choli is fundamentally constructed from multiple sewn panels, typically including front and back pieces cut on the fold, along with sleeve components, to create a fitted upper garment that complements the saree or lehenga. Traditional patterns often consist of three main pieces: two front panels, one back panel, and two sleeves, allowing for precise shaping through darts or gussets at the underarms to ensure mobility and form-fitting contours around the torso. Neckline variations are integral to the structure, with common styles including square, round, and halter designs that expose the midriff while providing coverage for the shoulders and bust; these are achieved by cutting slots in the rectangular fabric base and binding edges with folded fabric or contrasting tape secured via backstitch or hemstitch.^[40]^[41]^[42] Closures on the choli emphasize functionality and adjustability, often featuring ties formed by rolling fabric edges and securing them with overcast stitches, or small buttons paired with twisted thread loops at the back neck and sides; hooks or traditional ghundi (fabric buttons) with tukama (loops) are also employed for secure fastening without compromising the garment's cropped silhouette. Sleeve types vary to balance aesthetics and comfort, including puffed sleeves for volume at the shoulders, fitted tight sleeves that hug the arms, or sleeveless designs that enhance the backless or low-cut styles; tight sleeves that hug the arms, often paired with bajubandh (armbands) as jewelry for added decoration. In traditional forms, bust support is provided through integrated padding, such as bust cups or embroidered roundels that shape and reinforce the chest area, often using lightweight lining fabrics for subtle enhancement.^[42]^[43]^[40] Embellishments elevate the choli's craftsmanship, with techniques like embroidery, sequins, beads, and appliqué applied to borders and panels for decorative and symbolic depth. Regional embroidery such as phulkari in Punjab involves darning stitches with silk threads on cotton bases to create floral and geometric motifs, often worked from the reverse side for a textured effect on the front. Appliqué work patches fabric motifs onto the base, pieced with slip-stitches or running stitches, while sequins and beads are affixed using backstitch or buttonhole filling for shimmer and weight; mirror work, embedding small reflective discs, adds protective and aesthetic elements to structural areas like the bust roundels. These details are integrated post-assembly to preserve the garment's fitted integrity.^[44]^[42] The tailoring process underscores the choli's bespoke nature, handled by skilled darzis (tailors) who take precise measurements of the bust, waist, and shoulders to draft patterns on paper before cutting fabric with seam allowances. Construction proceeds through piecing panels via backstitch or lockstitch on manual machines, followed by fitting trials for adjustments, and final embellishment; this apprenticeship-honed method ensures economical fabric use and a three-dimensional fit via bias cuts and gussets, often involving multiple artisans for complex pieces.^[43]^[40]

Contemporary Trends

Modern Styling Innovations

In the 21st century, choli designs have evolved significantly within Indian fashion, particularly influenced by Bollywood since the early 2000s, introducing bolder and more revealing styles that blend tradition with contemporary aesthetics. The 2002 remake of Devdas, directed by Sanjay Leela Bhansali, contributed to popularizing backless cholis through dramatic ensembles.^[45] Crop-top cholis also gained traction during this period, shortening the blouse to midriff-baring lengths for a modern, youthful silhouette. Asymmetric hemlines emerged as a key trend in the 2010s, with uneven cuts creating visual interest and asymmetry, as exemplified in Kareena Kapoor's peach lehenga ensemble from Kabhi Khushi Kabhie Gham (2001).^[46] Prominent designers have further innovated choli styling through runway presentations starting in the 2010s, incorporating fusion elements that merge Indian craftsmanship with global influences. Sabyasachi Mukherjee has been renowned for blending traditional embroidery with modern elements in collections showcased at Lakme Fashion Week since the 2010s. Similarly, Manish Malhotra has introduced innovative sleeve variations in his runway shows for events like India Couture Week from the mid-2010s onward.^[47] These innovations have elevated the choli from a supportive garment to a focal point in high-fashion ensembles. Practical adaptations have made the choli more versatile for everyday and active use, with brands incorporating stretch fabrics to enhance comfort and functionality since the mid-2010s. Stretch velvet and spandex blends allow for full range of motion, ideal for dance or active wear, as seen in contemporary choli tops designed for Navratri celebrations or Bollywood-inspired fitness routines.^[48] Ready-to-wear lines from brands like FabIndia offer pre-stitched cholis in cotton-silk blends, making them accessible for urban consumers seeking convenience without compromising on ethnic detailing.^[49] Seasonal variations in choli materials address India's diverse climates, prioritizing breathability in warmer months and warmth in cooler ones. Lightweight georgette fabrics dominate summer designs due to their sheer, flowy nature that provides ventilation and ease during festivals, often seen in pastel-hued cholis for daytime events.^[50] In contrast, velvet cholis prevail for winter, offering plush insulation and rich texture suitable for evening weddings, with deeper tones like maroon enhancing the opulent feel.^[51]

Global Influences and Adaptations

The choli has gained prominence in South Asian diaspora communities across the UK, US, and Canada, particularly during weddings where it forms an integral part of lehenga choli ensembles for brides and guests celebrating cultural traditions. In multicultural settings, these outfits blend with Western elements, such as incorporating modern fabrics or accessories, to honor heritage while adapting to local contexts. For instance, diaspora brides often select custom lehenga cholis for ceremonies, reflecting a $130 billion Indian-driven global South Asian wedding industry (as of 2025) that emphasizes ethnic attire.^[52]^[53] Since the 1990s, the choli has been adapted into casual fusion styles, frequently paired with jeans to create Indo-Western looks suitable for everyday wear among younger diaspora members. This trend emerged from broader Indo-Western fusion movements in the late 20th century, where traditional short blouses like the choli inspired cropped tops that complement denim for a contemporary edge. Designers have popularized such pairings, allowing the choli's fitted silhouette to transition from formal ethnic wear to urban casual outfits.^[54]^[55] In Western fashion, the choli's cropped design has influenced designers creating midriff-baring tops, evident in runway shows featuring ethnic-inspired elements. At New York Fashion Week in the 2020s, South Asian ethnic wear collections, including choli-style blouses, appeared in events like the South Asian New York Fashion Week and Indian brand showcases, highlighting global integration. Brands like Anita Dongre have bridged this gap with contemporary lines that reinterpret the choli for international audiences.^[56]^[57]^[58] Celebrity endorsements have amplified the choli's pop culture presence, with figures like Priyanka Chopra incorporating choli-inspired looks at Hollywood-adjacent events. At a 2025 pre-Diwali ball in New York on October 11, Chopra styled a sheer sarong as a choli in a Zuhair Murad ensemble, blending Indian aesthetics with Western glamour and drawing widespread media attention. Online platforms like Etsy have facilitated this reach, offering customizable cholis for global buyers seeking personalized fusion versions.^[59]^[60] However, the choli's global adaptations have sparked debates on cultural appropriation since around 2015, particularly when Western brands replicate Indian elements without acknowledgment or credit to originators. Incidents like Reformation's 2025 lehenga-inspired outfit, which echoed traditional choli pairings, ignited online backlash for commodifying South Asian designs amid power imbalances in fashion. These discussions underscore calls for ethical sourcing and cultural respect in international markets.^[61]^[62] In recent developments as of 2025, choli trends have increasingly incorporated sustainable materials like organic cotton and recycled silk, reflecting growing environmental awareness in Indian fashion. Additionally, AI-driven tools for digital customization have enabled personalized bridal cholis, enhancing accessibility in global markets.^[52]

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Sep 17, 2024 · The Origins of Patola. Patola is a form of handwoven silk textile, historically produced by the Salvi community in Patan, Gujarat. The craft ...
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https://eprints.hud.ac.uk/id/eprint/22389/1/Hilary_Hollingworth_Choli_and_Kanjari.pdf
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[PDF] Sari Blouse Making Guide Read Only
A lehenga-style sari is a modern garment introduced in India that blends elements of the traditional sari and lehenga choli.
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[PDF] Choli and Kanjari - Huddersfield Repository
This is a detail of a kandjari blouse showing traditional patterns and stitching of Pakka style. Choli and Kanjari – an analysis of a small textile collection.
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Looking backwards to go forwards use of Indian pattern making to ...
The Indian darzi (tailor) used his skills astutely to deliver a piece of clothing demonstrating economical usage of fabric, easy fit and adjustable sizes ...
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https://www.idiva.com/fashion/trends/new-blouse-designs-inspired-by-bollywoods-iconic-sarees-and-lehengas/18033051
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The most iconic saris in Bollywood movies through the years
Feb 21, 2019 · The purple embellished number with a backless khidki blouse ... The visual splendour of Sanjay Leela Bhansali's grand opus Devdas (2002) lives on ...
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9 Blouse Designs From 90s and 2000s Bollywood That We'd ... - iDiva
Nov 22, 2022 · We're obsessed with this peach lehenga on Bebo with an asymmetrical blouse. Even Rani's shimmery lehenga has a blouse that's meant for a glam ...Missing: 2010s 2020s
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4 times Alia Bhatt chose a radiant Manish Malhotra lehenga
Oct 16, 2022 · Ditching predictable choli-style designs, Manish Malhotra crafted a navel-grazing button-down top for Bhatt, which came with batwing sleeves. By ...
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Turquoise Sutra Choli Top (Medium) - Tribe Nawaar
In stock 3–4 day deliveryThis classic choli top is made with 4 way stretch velvet that allows for a full range of motion. The closed back choli design means you can easily wear a ...
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https://getethnic.com/blogs/winter-wedding-lehengas/
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https://www.fortuneindia.com/business-news/how-the-big-fat-indian-wedding-has-become-a-12-month-economy/127630
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Stunning Lehengas for Winter Weddings - GetEthnic
For winter lehengas, use heavier fabrics like velvet, brocade, or heavy silk. Consider layered styles, capes, jackets, and rich colors like dark reds, blues, ...Missing: variations | Show results with:variations
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https://sunantamadaan.com/blogs/news/indo-western-fusion-wear-guide
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https://www.houseofindya.com/women-clothing/indo-western-tops/crop-tops/cat
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https://www.vogue.com/article/new-york-fashion-week-indigenous-designers
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Buy Indo Western Crop Tops Online for Women & Girls in India - Indya
2.7 111 · Free delivery over $250Crop tops fit into ethnic fashion trends like a hand fits a glove, courtesy their close resemblance to our saree blouses, cholis etc. These tops have made it ...
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At NYFW, Indigenous Fashion Stood Out | Vogue
Sep 16, 2025 · During New York Fashion Week, Jamie Okuma became the first Native American designer to show as part of the official CFDA calendar. The Luiseño ...
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W for Woman makes its debut at New York Fashion Week
Feb 7, 2025 · W for Woman unveiled its Spring-Summer '25 collection, marking a first for an Indian ethnic wear brand at New York Fashion Week's Made in India segment.Missing: 2020s | Show results with:2020s
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Luxury Couture by Anita Dongre in USA
Shop contemporary styles by Anita Dongre. Timeless styles crafted for the modern woman featuring modern details, nature-inspired motifs & heirloom crafts.
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Priyanka Chopra's Styles Sheer Sarong As Choli At All That Glitters ...
Oct 14, 2025 · The actress attended a pre-Diwali celebration hosted by her manager, Anjula Acharia, in New York on October 11. Dressed in an elegant white ...
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Custom Choli - Etsy
4.7 1.5K Check out our custom choli selection for the very best in unique or custom, handmade pieces from our saree blouses & cholis shops.
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Did Reformation Cross a Line Into South Asian Style?
Apr 9, 2025 · A collaboration with the influencer Devon Lee Carlson looks a lot like a lehenga, joining a list of recent incidents that inspired questions about cultural ...
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Does fashion have a cultural appropriation problem? - BBC
Nov 22, 2018 · Across the fashion industry, many top designers have faced accusations of cultural appropriation. In 2015 Isabel Marant was accused of ...Missing: choli | Show results with:choli