Fact-checked by Grok 2 weeks ago

Blouse

A blouse is a loose-fitting upper garment, typically worn over the and resembling a but distinguished by its fuller that often gathers or "blouses" at the or hips, originally derived from utilitarian smocks. The term entered English in the early from blouse, denoting a light, loose overgarment of or worn by laborers or peasants, with uncertain deeper origins possibly tracing to blouso or regional dialects for loose folds in fabric. Historically, blouses evolved from practical workwear in 19th-century , where they were adopted into women's fashion as tailored shirtwaists during the , enabling greater mobility and marking a shift toward separates in wardrobes rather than restrictive dresses. In modern usage, blouses are versatile apparel items characterized by features such as collars, cuffs, buttons down the front, and decorative elements like ruffles, , or , crafted from breathable materials including for everyday comfort, for elegance, chiffon for fluidity, or synthetics for durability. Their design emphasizes femininity through puffed sleeves, bows, or fitted waists while allowing for casual or formal styling, with regional variations such as the embroidered Garibaldi blouse in 19th-century or tailored in South Asian traditions. Blouses have influenced evolution by promoting gender-specific separates post-Industrial , transitioning from hip- or calf-length smocks to cropped or styles in contemporary wardrobes, reflecting changes in textile technology and social norms around women's attire.

Etymology and Terminology

Origins and Evolution of the Term

The term blouse first appeared in French around 1788, denoting a loose-fitting upper garment of linen or cotton typically worn by manual laborers as an overshirt or smock. Its precise etymology remains uncertain, with proposed derivations including the Provençal blouso ("swollen" or "puffed," evoking the garment's baggy silhouette) or Medieval Latin blodia (a loose overgarment), though some linguists trace it to earlier Middle French variants like blaude or biaude, feminine forms implying a puffed or swollen shape akin to workwear. The word entered English as a from by 1822, initially retaining its of a simple, work garment for peasants or artisans, often made from inexpensive fabrics. By the mid-19th century, semantic occurred as blouse shifted toward describing lighter, less structured women's tops in fashionable contexts, diverging from its proletarian roots while preserving the core idea of looseness. This transition reflected broader linguistic adaptations in garment , where the term's flexibility allowed it to adapt to Victorian-era distinctions between informal, flowing bodices for women and the more rigid, collared shirts associated with male professional attire. In contrast to related terms, blouse emphasized untailored fullness and gather at the waist—hence the verb form to blouse (attested from 1846), meaning to drape loosely—setting it apart from the fitted shirt (from Old English scyrte, implying a tucked, structured underlayer often masculine) or the draped tunic (from Latin tunica, evoking ancient rectangular folds without modern closures). These distinctions solidified by the late 19th century, with blouse denoting a standalone, semi-formal women's piece rather than utilitarian or archaic forms.

Description and Design Features

Defining Characteristics

A blouse is a loose-fitting upper garment primarily designed for women, extending from the shoulders to the waist or slightly below, with a silhouette that emphasizes comfort, airflow, and feminine aesthetics through relaxed proportions rather than structured tailoring. This distinguishes it from shirts, which typically feature a more fitted, rigid form with full button plackets and collars suited for formality or masculinity. Blouses prioritize a non-constricting fit, often incorporating elements like puffed or bishop sleeves and gathered waists to enhance volume and drape, facilitating ease of movement while avoiding the body-hugging constraints of tops like bodysuits or tees. Although predominantly a women's garment, blouses have unisex precedents in styles like the , characterized by full, voluminous sleeves and frilled detailing for a billowing that transcends gender norms, as seen in Romantic-era attire adopted by male poets such as . These variations maintain the core loose fit but adapt for broader wear through adjustable features. Functional attributes include diverse necklines—such as V-shaped, boat, or ruffled designs—and closures like partial button fronts, ties, or pullover openings, which balance modesty with ventilation over the precise alignment of shirt fastenings. This configuration supports a silhouette that drapes softly, prioritizing empirical comfort in daily or semi-formal contexts without compromising on coverage.

Materials and Construction

Blouses are typically constructed from lightweight fabrics to ensure comfort and drape. Common natural fibers include , , and , selected for their breathability and ability to allow air circulation, which is essential for garments worn close to the skin. Cotton, derived from plant sources, provides softness and absorbency, while offers durability from fibers, and delivers smoothness from silkworm cocoons. Synthetic and semi-synthetic materials such as , , and chiffon are also prevalent, prized for affordability and resistance to wrinkling. , a petroleum-based fiber, enables low-cost , and , made from processed chemically, mimics natural drape at reduced expense. These fabrics facilitate in global manufacturing chains, where economic efficiency prioritizes volume over quality. Construction techniques emphasize seams, gathers, and lightweight weaves to achieve volume and fit. Gathers, created by stitching and pulling threads to bunch fabric, add fullness to sleeves or bodices, as seen in puffed designs. Lightweight weaves like chiffon and georgette, with their sheer, flowing properties, enhance fluidity through fine twisting and low thread . Seams are often or flat-felled for durability in delicate fabrics, minimizing bulk. Prior to the , blouses and similar garments were predominantly hand-sewn, limiting production to skilled artisans. The introduction of sewing machines in the mid-19th century, patented by in 1846 and improved by , shifted manufacturing to mechanized processes, increasing output by factors of tenfold and enabling factory-based clothing production. This transition reduced labor costs and standardized construction, though it initially displaced handcraft traditions. Natural fabrics excel in and skin comfort but require more maintenance, such as to combat and vulnerability to shrinkage during . Synthetics, conversely, offer resistance and quick drying, suiting high-volume , yet they trap and odors less effectively, potentially reducing wearer comfort in warm conditions. These trade-offs reflect causal realities in : natural materials' higher sourcing and processing costs versus synthetics' reliance on cheap inputs for global scalability.

Historical Development

Ancient and Pre-Modern Origins

Archaeological evidence from ancient indicates that by the (c. 4100–2900 BCE), upper body garments included fringed shawls and simple tunics made from or , often draped loosely over the shoulders for protection against sun and dust in arid environments. These proto-blouse forms prioritized functionality, with lightweight materials allowing ventilation while covering the torso during labor-intensive activities depicted in cylinder seals and sculptures. In , linen tunics emerged around 3000 BCE as primary upper garments, woven from locally abundant and worn loosely to suit the hot, dry climate; preserved examples from contexts confirm their simple, rectangular construction, sometimes pleated or belted for basic fitting. This adaptation reflected causal priorities of breathability and mobility, evolving minimally until later periods when techniques enabled slight tailoring, as evidenced by reliefs showing variations in drape and length. Pre-modern European peasant attire featured wool or linen overshirts and smocks as protective layers over chemises, designed for durability during fieldwork from the onward; these loose silhouettes, often reaching mid-thigh, shielded underlayers from soil and weather, laying groundwork for blouse-like looseness without ornate fitting. In the , pre-colonial analogues to the appeared by the first century CE as short torso covers derived from unstitched uttariya cloths or stanapatta bands, providing modest coverage paired with draped skirts for ease of movement in tropical conditions, as inferred from sculptural depictions. Such garments emphasized practicality over constriction, with archaeological textile fragments supporting or use for regional climate needs.

19th Century Developments

In the (1837–1901), blouses transitioned from primarily functional undergarments and corset covers to standalone outer garments for women, featuring high necks, fitted bodices, and decorative elements like and ruffles to align with prevailing standards of and . Early examples around 1840 emphasized structured waists with ballooning sleeves, evolving into more refined pieces that complemented full skirts and corseted silhouettes. This shift reflected broader fashion changes toward separable components in women's attire, facilitating customization and adaptability in daily wear. The invention of the , patented by in 1846, catalyzed of garments by automating stitching processes, drastically reducing labor time from hours to minutes per seam and enabling affordable replication of complex designs. Commercial adoption in the onward lowered clothing costs by up to 50% in some cases, extending fashionable blouses to middle-class consumers previously limited to handmade items by seamstresses. This technological advance supported stylistic innovations, such as pleating and gathering, without prohibitive expense, aligning with industrialization's emphasis on efficiency in . A prominent style was the Garibaldi blouse, introduced in women's fashion between 1862 and 1863, drawing from the red shirts of Italian revolutionary 's volunteers and promoted by of France. These loose-fitting tops, often in bright red with pleated or gathered details, served as informal alternatives to rigid bodices, offering practical comfort for active pursuits while maintaining propriety through full coverage. By the 1890s, shirtwaists emerged as tailored blouses with front button plackets, collars, and sometimes ties, resembling men's shirts but adapted for feminine proportions and paired with skirts for a semi-professional aesthetic. These developments underscored the blouse's role in balancing aesthetic refinement with utilitarian demands, as puffed gigot sleeves and fitted waists became feasible through machine-enabled precision, though always subordinate to the era's corset-enforced posture and silhouette.

Early 20th Century to World War I

In the Edwardian period from 1901 to 1914, blouses typically incorporated high collars, often stiffened with boned supports or celluloid inserts covered in fabric, which maintained an upright posture aligned with the era's emphasis on refined femininity and formal daywear. These designs paired with tailored skirt suits, adapting elements of menswear structure for practicality as women increasingly entered clerical and retail professions, necessitating garments that balanced modesty with mobility for office or shop environments. The archetype, popularized through illustrations by around 1900, influenced blouse styles with soft, gathered bodices and puff sleeves that created a monobosom S-curve when worn beneath fitted jackets, prioritizing aesthetic continuity over radical departure from prior corseted forms. This aesthetic persisted amid the expansion of manufacturing, where interchangeable blouses under reusable skirts reduced costs for middle-class consumers, driven by industrialized sewing machines and pattern standardization that increased garment output by factories in urban centers like by the early 1910s. Cotton voile emerged as a favored material for lightweight, semi-sheer blouses suitable for daily wear, its affordability stemming from abundant supplies via transatlantic trade routes supplying American and European mills with raw from colonial plantations in regions like the American South and . With the onset of in 1914, blouse designs simplified in response to material rationing and utilitarian demands, shifting to plainer collars, fewer embellishments, and darker hues like navy or to accommodate women's mobilization into munitions factories and agricultural roles, where blouses paired with divided skirts or for functional overlap with menswear-derived work uniforms. By 1918, these adaptations reflected a pragmatic evolution, with production prioritizing durability over ornamentation as dye shortages and fabric conservation measures curtailed pre-war luxuries like trims.

Interwar Period

During the , women's blouses evolved to feature dropped waists and loose silhouettes, prioritizing ease of movement for activities like dancing, as techniques enabled wider availability of lightweight garments adorned with beads. These designs, often in chiffon or , incorporated intricate beading patterns that accentuated the era's emphasis on fluidity, with production scaling through methods that standardized and reduced costs. Synthetic dyes, developed earlier but widely applied by this decade, facilitated brighter, more durable colors in these blouses, allowing for vivid hues that resisted fading better than natural dyes and supported high-volume output. In the , economic constraints from the prompted adaptations toward practical cotton print blouses, which offered affordability and versatility amid reduced consumer spending, with fitted waists tailored to the torso for a structured yet economical appearance. The introduction of bias cutting—fabric sliced at a 45-degree angle to the weave—enabled these blouses to drape smoothly over the figure, providing subtle flattery without excess material, a that conserved resources while enhancing wearability in varied settings. further democratized such styles, as factories shifted to efficient patterns in cottons and synthetics, aligning with austerity-driven preferences for durable, machine-washable pieces over ornate pre-Depression elaborations. This period saw European textile exports maintain momentum despite global trade contractions, with standardized loose-fit blouses suiting export markets in warmer climates, though overall volumes declined from 1920s peaks due to protectionist policies.

Post-World War II Evolution

In the late and , blouses transitioned from wartime utility designs to more structured, feminine silhouettes aligned with Christian Dior's New Look, unveiled in 1947, which featured tailored shirtwaist styles with fitted bodices and nipped waists to complement full skirts and emphasize post-war opulence. These adaptations responded to consumer demand for elegance after years of , incorporating synthetic fibers like —whose civilian production resumed fully by 1946—for wrinkle resistance and longevity in everyday wear. Shirtwaist blouses, often in cotton-nylon blends, became staples in professional and domestic attire, reflecting economic recovery and a rejection of austerity-driven square-shouldered forms. The introduced mod influences with slim, geometric blouses in bold prints, evolving into the hippie era where loose peasant styles—characterized by smocked necks, embroidery, and off-shoulder cuts—gained prominence amid youth . techniques on fabrics, popularized from the mid- onward, catered to casual rebellion and attire, driven by baby boomer demographics seeking expressive, over formal structures. This shift prioritized comfort and individuality, with production favoring breathable natural fibers despite synthetics' persistence in budget lines. By the 1970s, blouse manufacturing increasingly relocated to Asian hubs like , , and , where labor costs averaged 20-30% of U.S. equivalents, enabling of affordable casual styles for export markets. 's sector, for instance, expanded output from post-1945 refugee-driven factories to control significant spinning by the early 1970s, reducing Western garment prices through efficient assembly lines and quota systems under agreements. This , fueled by U.S. demand for low-cost imports, saw Asian exports rise to comprise over 20% of global totals by decade's end, lowering blouse prices by up to 40% in data from the period.

Late 20th Century to Present Trends

In the , blouses evolved into "power" styles featuring fabrics, high collars, and exaggerated shoulder padding to project authority in professional settings, coinciding with women's labor force participation rate rising from 51.5% in to approximately 57% by the decade's end . This trend reflected broader economic shifts, including increased female entry into corporate roles, where structured blouses paired with tailored skirts or symbolized ambition amid and culture. By the , office blouses shifted toward charmeuse in minimalist silhouettes with softer collars and relaxed fits, maintaining versatility for attire as participation rates continued climbing toward a 1999 peak of 60%. The 2000s marked the rise of fast fashion's influence on blouses, with brands like and accelerating production cycles to deliver affordable trends such as boho chiffon layers and halter-neck styles, enabling rapid consumer adoption of Y2K-inspired casual-professional hybrids. Global expansion from the onward further democratized access, boosting sales of versatile blouses that blended office-ready button-ups with casual elements like ruffles or fabrics. In the , hybrid designs emphasizing multi-occasion adaptability—such as cropped sleeveless blouses in lightweight synthetics—gained prominence, driven by norms and online retail growth, with platforms prioritizing quick-turnover items over . Despite advocacy for sustainable alternatives, synthetic fibers have sustained dominance in blouse production, accounting for 69% of global output as of 2024, projected to reach 73% by 2030, due to superior cost-efficiency, durability, and scalability in mass manufacturing. and recycled naturals have seen niche growth—representing under 5% of fibers in apparel—but empirical data indicate negligible overall environmental impact from these shifts, as total production volumes and global favor synthetics' practical advantages over limited-scale eco-initiatives. dynamics, rather than movements, continue to dictate fabric choices, prioritizing affordability and performance for diverse consumer demands.

Cultural and Regional Variations

European Traditions

In Alpine cultures of and , the blouse integrates with the as a garment with puffed sleeves and a fitted , designed for over the low-necked while allowing arm mobility during 19th-century farm labor. This style evolved from practical servant attire, using or fabrics suited to rural tasks like and harvesting, with the blouse's short puffed sleeves preventing sleeve snags on equipment. Historical examples from the onward show these blouses paired with full skirts and aprons, adapting to physical demands while maintaining coverage in Protestant-influenced communities valuing restraint. In Scottish Highland traditions, the dress incorporates a collared blouse beneath a skirt and , standardized for female national dancers since 1952 to evoke pre-industrial attire. The blouse's simple, long-sleeved design ensures formality and ease during vigorous steps in dances like the Fancy, with patterns on accompanying elements denoting specific s such as or district affiliations for identity in ceremonial contexts. This ensemble, rooted in 19th-century gatherings, uses lightweight wool verified against clan registers, prioritizing visibility of hereditary weaves over everyday functionality. The ia blouse, crafted from homespun and featuring intricate shoulder known as altiță, originated in communities by the as a symbol of manual dexterity and regional motifs derived from agrarian life. Worn by rural women for daily labor and festivals until the mid-19th century, its geometric and floral patterns—stitched with or silk threads—encoded protective symbols and village-specific techniques passed through generations, using up to 100 stitches per square centimeter in Olt region examples. Prior to , the ia's loose fit and layered construction accommodated fieldwork while showcasing craftsmanship, with linen's breathability suiting temperate climates; recognition in 2018 highlights its pre-industrial authenticity over later elite adoptions.

Asian and South Asian Styles

In , the serves as a short, fitted upper garment typically worn with the saree or , tracing its origins to ancient unstitched coverings like the uttariya or stanapatta from the first century CE, which evolved into stitched forms by the Mauryan period (circa 322–185 BCE). During the (circa 320–550 CE), cholis were crafted from fine or , featuring short sleeves and intricate embroidery, adapting draped traditions to more structured designs suited for regional climates. Regional variations persist, such as the embroidered Kutch cholis of with mirror work or the silk Banarasi styles of , reflecting local textile crafts and often paired with breathable or lightweight to accommodate tropical humidity. Post-colonial developments in the 19th and 20th centuries introduced tighter fits and shorter lengths to the , influenced by Victorian-era modesty norms under British rule, transitioning from looser ancient adaptations to contemporary tailored blouses that expose the while covering the bust. This evolution aligned with saree draping practices, where the choli's fitted silhouette—often in for everyday wear or for formal occasions—enhanced mobility and ventilation in hot, humid environments prevalent across and neighboring regions. and dominate global manufacturing of such garments, with Bangladesh's ready-made garment sector exporting over 80% of its apparel production—including blouses—valued at approximately $45 billion in 2023, leveraging low-cost labor and cotton sourcing for breathable, lightweight fabrics ideal for tropical conditions. In , traditional blouse-like upper garments, such as the or in ensembles, date back over 4,000 years to the foundational structure of an upper piece paired with a , using for its durability and sheen in formal settings. By the , in cities like spurred modern adaptations, including high-necked blouses inspired by silhouettes—emerging in the as fitted, side-slit designs for women in Republican-era society—prioritizing elegance and modesty amid rapid industrialization. These styles favored lightweight silks or cottons for practicality in varying climates, though less emphasized for tropical breathability compared to South Asian variants, with contemporary production shifting toward mass export from hubs like those in coastal .

Other Global Influences

The , a loose-fitting woven from or fibers on backstrap looms, serves as an analogue to the blouse among and other Mesoamerican women, with origins traceable to at least 2500 BC in regions from central to . These garments, constructed from rectangular panels sewn together, were worn for daily activities and ritual purposes prior to contact in the , emphasizing breathability in tropical climates through simple, unconstructed forms. Colonial introduced dyes and metallic threads, leading to hybridized patterns that blended motifs with ornamental techniques, as evidenced by 17th-century exchanges documented in Mexican archival records of tribute payments. In , the dashiki—a pullover shirt of loose construction sewn from printed fabrics—functions similarly to blouses in providing ventilation against equatorial heat, originating among Yoruba and other ethnic groups as practical work attire before mid-20th-century commercialization. Its adoption and export surged in the 1960s via Pan-African trade networks, with Nigerian manufacturers shipping vibrant, V-neck variants to U.S. markets, where they numbered in the thousands annually by 1968, influencing fashion without supplanting local variants. This dissemination, tracked through port records from to , highlights functional parallels in loose silhouettes suited to manual labor and cultural expression, with at cuffs and necks adding regional specificity. Pacific Islander draped upper garments, often fashioned from (tapa) beaten from mulberry or fibers, prefigure blouse-like coverings adapted to humid island environments, prioritizing local, renewable materials over imported weaves. In Polynesian societies, such as those in and , these rectangular sheets were wrapped or tied over the as early as 1000 AD, with archaeological evidence from Fijian sites showing stamped designs for status differentiation, sustained by intra-island trade in raw fibers documented in 19th-century European explorer logs. Migration patterns, including post-1800s labor flows to plantations, facilitated minor cross-pollination with blends, yet core techniques remained tied to sustainable harvesting practices yielding up to 10 square meters per bark layer.

Types and Stylistic Variations

Classic and Traditional Forms

The peasant blouse archetype features a loose with gathered or elasticized necklines and cuffs, often incorporating puffy or raglan sleeves for enhanced mobility and a fit providing ample ease. These structural elements, documented in vintage patterns from the 1930s and 1940s, supported home and practical wear through simple, forgiving construction. frequently adorns these blouses, adding decorative reinforcement to seams and edges for longevity in everyday use. The blouse maintains a defining puffed effect at the , achieved by drawing the garment tight with a or band, resulting in fabric blousing over the constriction while keeping the upper body cropped for layering compatibility. This design, rooted in loose historical forms gathered at the , offers versatility as a between blouse and , with origins traceable to early 19th-century adaptations of practical attire. The represents a romantic archetype with ruffled detailing at collars and cuffs, full gathered sleeves on dropped shoulders, and an overall loose, flowing fit typically in breathable fabrics like or . Archival designs emphasize voluminous sleeves and V-neck ties for an artistic, drape that endures beyond specific eras.

Modern and Contemporary Styles

In the 2010s, blouse designs increasingly incorporated oversized silhouettes and cropped lengths, drawing from streetwear influences that emphasized comfort and layering versatility. These variants often blended with athleisure elements, such as elastic fabrics or sport-inspired cuts, allowing for transitional wear between casual and semi-formal settings. Sales trends in women's tops, including blouses, reflected this shift, with fast fashion retailers reporting surges in cropped and loose-fit categories amid broader athleisure market expansion. Efforts toward sustainability in contemporary blouses have promoted materials like viscose and , with the sector growing from $2.38 billion in 2023 to a projected $4.17 billion by 2032 at a 6.4% CAGR. However, these claims often with realities, where like prioritize cycles—releasing thousands of new styles weekly—over , contributing to 92 million tons of waste. 's emissions rose significantly in 2024, underscoring how volume-driven models undermine despite eco-labeling. Technological integrations remain niche, with smart fabrics embedding sensors for biometric monitoring in select garments, though applications in blouses are limited due to high costs and durability challenges. Products like sensor-laden shirts track but see low adoption in everyday blouses, as cost-benefit analyses favor conventional textiles over unproven innovations. Fleeting trends in these styles exacerbate economic waste, with over $400 billion in apparel value discarded prematurely each year, driven by micro-trends that encourage frequent replacements rather than enduring designs. More than half of items, including trendy blouses, are disposed of within a year, amplifying burdens and resource inefficiency in the $150 billion industry.

Controversies and Societal Debates

Cultural Appropriation and Diffusion Claims

In 2024, French luxury brand Louis Vuitton drew criticism for featuring designs reminiscent of the Romanian ie blouse—a traditional garment with intricate embroidery from regions like Transylvania, Oltenia, and Muntenia—in its spring-summer collection without initial attribution. Romanian Culture Minister Raluca Turcan formally requested acknowledgment of the item's UNESCO-recognized heritage, highlighting concerns over uncredited use by global brands. In response, Louis Vuitton credited the inspiration, a move that advocates described as elevating awareness of Romanian craftsmanship and potentially expanding markets for local artisans through heightened international demand. Defenders of such borrowings argue that inspiration from folk motifs is a longstanding norm in , citing precedents like Yves Saint Laurent's collections, which incorporated Asian, Moroccan, and Indian elements—such as silhouettes and Mughal-inspired patterns—without contemporaneous accusations of erasure, instead garnering acclaim for cultural . This practice, they contend, drives economic diffusion: visibility from high-profile adaptations correlates with surges in authentic sales, as seen in artisan communities where traditional production sustains livelihoods amid global trade. Similar dynamics appear in the adoption of the choli—a fitted, cropped blouse worn with sarees or lehengas—into cropped tops, where critics invoke colonial-era exploitation despite scant evidence of cultural diminishment. Exports of Indian ethnic apparel, including choli-style garments, generated over $16 billion in fiscal year 2023, employing approximately 45 million workers, predominantly in rural areas, through legitimate supply chains that amplify demand for origin-specific techniques rather than supplanting them. Broader debates frame these instances as appropriation when dominant cultures profit without reciprocity, a perspective prevalent in academic and analyses often aligned with viewpoints that prioritize symbolic offenses over measurable outcomes. However, empirical assessments reveal limited substantiation for claims of net harm, as blouse styles trace to millennia-old cross-continental exchanges—from Mesopotamian tunics to Eurasian wear—yielding verifiable gains like job preservation and market expansion in source regions, which outweigh unproven narratives of intangible loss.

References

  1. [1]
    BLOUSE Definition & Meaning - Merriam-Webster
    Word History. Etymology. Noun. French. First Known Use. Noun. 1822, in ... : a loose outer garment like a shirt or smock varying from hip-length to calf-length.
  2. [2]
    blouse, n. meanings, etymology and more - Oxford English Dictionary
    A simple, loose-fitting upper garment for a (small) child of either sex. Now rare. First recorded in French contexts; cf. sense 1a. 1840.
  3. [3]
    Blouse - Etymology, Origin & Meaning
    Blouse, from French (1788) of unknown origin, means a light, loose upper garment of linen or cotton; possibly linked to Provençal blouso or Medieval Latin ...Missing: definition | Show results with:definition
  4. [4]
    https://www.fastcompany.com/90547235/the-surprising-origins-of-the-humble-blouse
  5. [5]
    Fashion 101: Understanding The Anatomy And Styling Of A Blouse
    Common blouse fabrics include cotton, silk, chiffon, satin, linen, polyester, and blends. Each fabric type offers different textures, breathability, and care ...What Are The Key Features Of... · How Can You Style A Blouse...
  6. [6]
    The history of the ladies blouse - Salamander Shirts
    Jun 30, 2022 · The silk jumper blouse and the low-cut V-neck shirt were very fashionable in the 1920s. The jumper blouse was made of silk or cotton and had a ...
  7. [7]
    https://preworn.com/blogs/news/womens-blouses
  8. [8]
    blouse, v. meanings, etymology and more | Oxford English Dictionary
    The earliest known use of the verb blouse is in the 1840s. OED's earliest evidence for blouse is from 1846, in New Monthly Magazine. It is also recorded as a ...
  9. [9]
    What is the difference between a Blouse and a Shirt? - Sumissura
    May 6, 2024 · A dress shirt commands respect, its crisp lines speaking of professionalism and poise. A blouse, on the other hand, sings a softer tune, one of creativity and ...
  10. [10]
    https://www.luxeire.com/blogs/news/what-is-the-difference-between-a-shirt-and-a-blouse
  11. [11]
    https://democracyclothing.com/blogs/fit-for-fashion/blouse-vs-shirt
  12. [12]
    What is the difference between a shirt and a blouse?
    A blouse is a shirt for women, wider in the chest and shorter, while a shirt is for men, longer, with less chest fabric and buttons on the right.
  13. [13]
    https://www.stitchfix.com/women/blog/style-guide/what-is-a-blouse/
  14. [14]
    What's the difference between a T-shirt, a top, and a blouse?
    Apr 30, 2025 · A blouse is typically a women's garment that's semi-tailored, detailed, and made from lightweight woven fabrics. Traditionally a Women's Garment.
  15. [15]
    The Clothing of a Regency Poet, Lord Byron (1788–1824) | Costume
    Sep 14, 2021 · This article seeks to examine how his public image and private person were related, the part clothing played in the projection of his public image.
  16. [16]
    The Best Detailed Guide to Differences in Shirt or Blouse - SConfort
    Aug 9, 2025 · Shirts are simpler, looser, and more functional, often buttoned, while blouses are more elegant, fitted, with more details and lighter fabrics.
  17. [17]
    Shirts vs. Blouses: What Are the Differences? - Backdoor Gallery
    Aug 3, 2023 · Blouses have a loose waist, often with a more formal style, while shirts have a tailored waist and are more casual. Blouses may not have full ...
  18. [18]
    Premium Fabric for Blouses - Mood Fabrics
    4.8 4.8K · Free delivery over $150Ideal blouse fabrics include lightweight cotton, silk chiffon, crepe, satin, lace, rayon blends, and designer fabrics offering comfort, ...
  19. [19]
    Women's Blouses: Comprehensive Guide to Fit, Fabric, and Fashion
    Cotton: Breathable, versatile, and perfect for everyday wear. · Silk: Luxurious and elegant, ideal for special occasions or evening wear. · Linen: Lightweight and ...
  20. [20]
    https://www.longancraft.com/blogs/fabric-knowledge/best-fabric-for-blouses-14-popular-and-stylish-blouse-fabrics
  21. [21]
    Shirting & Blouse Weight Fabric - Fabric Mart
    5.0 14 · 30-day returnsShirting & Blouse Weight Fabric · 100% Cotton (81) · 100% Linen (24) · 100% Nylon (1) · 100% Polyester (37) · 100% Rayon (11) · 100% Tencel (2).Missing: characteristics | Show results with:characteristics
  22. [22]
    The Environmental Cost of Natural vs Synthetic Fabrics
    Dec 23, 2020 · Synthetic fabrics are cheaper than natural fabrics. They are inexpensive because they are made from cheap raw materials and are produced very ...Natural vs Synthetic Fabrics · Benefits of Natural Fabrics · Synthetic Fabrics
  23. [23]
    Basics of Garment Construction: Pleats, Tucks & Gathers
    All three techniques are method for creating fullness in a garment. These techniques are often how we get "poofy-ness" in our skirts, dresses, and puff.
  24. [24]
    How Did the Sewing Machine Impact the Industrial Revolution?
    Mar 18, 2025 · The sewing machine changed the way clothing was made and the speed at which clothes were manufactured, transforming how the whole clothing industry operated.
  25. [25]
    Sewing Revolution: The Machine That Changed America
    By making possible the manufacture of inexpensive clothing, it greatly sped up the pace of American industrialization (which had begun only a few decades ...
  26. [26]
    https://cottonfabric.com/blog/post/exploring-the-pros-and-cons-of-natural-vs-synthetic-fibers
  27. [27]
    https://www.softiespjs.com/blogs/news/natural-vs-synthetic-fabrics
  28. [28]
    https://animac-wear.com/blogs/news/natural-vs-synthetic-fabrics-a-guide-to-fabrics
  29. [29]
    Fashion & Dress in Ancient Mesopotamia
    Mar 16, 2023 · By the Uruk Period (4100-2900 BCE), men and women wore ornamented, knee-length kilts or ankle-length skirts known as kaunakes and – based on ...
  30. [30]
    Ancient Mesopotamian Clothes, Textiles and Jewelry
    In ancient Mesopotamia, clothes were made from leather, wool and flax (linen). The Egyptians used linen to wrap mummies. Based on images in sculptures and ...
  31. [31]
    Ancient Egyptian costume and fashion history. - World4
    Ancient Egyptians primarily used linen to create their costumes, owing to the abundance of flax in the region. Linen was highly valued for its lightweight and ...
  32. [32]
    Togas & Tunics—3000 BC To Middle Ages - early church history
    From the Egyptians (c. 3000 BC) all the way into the Middle Ages (c. 1350) people have always worn some form of tunics and togas.
  33. [33]
    Peasant and Laborer Clothing in the Medieval Ages - ThoughtCo
    Sep 14, 2024 · Medieval European Peasant Clothing. What Peasants and Laborers Wore ... It was unusual for peasants and laborers to wear linen, but it ...
  34. [34]
    Choli - MAP Academy
    Apr 21, 2022 · The origin of the choli can be traced to the first century CE, with the uttariya, an unstitched cloth used to cover the upper body and worn by ...
  35. [35]
    Choli | Encyclopedia.com
    Choli At the dawn of Indian civilization in 2500 b.c.e., women left their breasts bare. It was under Muslim rule, which lasted from 1500 to 1700 c.e., ...<|separator|>
  36. [36]
    Victorian Blouses, Tops, Shirts, Vests, Sweaters - Vintage Dancer
    High neck Victorian blouses, called waists, were fashionable in the early Victorian years around 1840. The neckline settled down and sleeves ballooned out ...
  37. [37]
    A Reformation: The Victorian Blouse - Recollections Blog
    Apr 3, 2024 · Victorian blouses emerged as practical daywear with leg-o-mutton sleeves, large shoulders, and ruffles. They were initially informal, later ...
  38. [38]
    A Sewing Revolution | The New York Historical
    Mar 18, 2025 · The introduction of the sewing machine in the mid-nineteenth century drastically and permanently changed both sewing work and fashion.
  39. [39]
    Did the Sewing Machine Mean Liberation or Drudgery?
    Aug 12, 2025 · Machine production of garments transformed the social meaning of clothing in the 19th century, making stylish clothing available to almost ...
  40. [40]
    https://mypacklove.com/blog/label/sewing-machine-invention-how-it-revolutionized-fashion-and-industry/
  41. [41]
    1860s Bodices, Blouses, and Waists - Maggie May Clothing
    Jul 11, 2014 · The garibaldi blouse emerged on the fashion scene between 1862-1863. It was constructed both loose at the waist or sewn into a waistband.<|separator|>
  42. [42]
    1860's Garibaldi Blouse and Skirt - Decor To Adore
    Nov 29, 2019 · The blouse was first introduced as ladies' fashion by Empress Eugenie of France. In 1862 Godey's magazine declared that the Garibaldi shirt was ...
  43. [43]
    Fashion Moments – Garibaldi Shirt | Genealogy Lady
    Sep 13, 2015 · The ancestor of the versatile shirtwaist was the Garibaldi shirt which first appeared in women's fashion around 1860 and was popular during the Civil War.
  44. [44]
    shirtwaist | Fashion History Timeline
    Term originating in 1890s for women's blouses styled like men's shirts with buttons down front, tailored collar, and sometimes worn with black tie.Missing: evolution | Show results with:evolution
  45. [45]
    The Changing Silhouette of Victorian Women's Fashions -1890s
    Aug 4, 2021 · Throughout the 1890s, these bell-shaped skirts were paired with blouses exhibiting the famous puffed, or gigot, sleeves of the decade. The ...
  46. [46]
    High Style: Constructing an Edwardian High Boned Collar
    Oct 31, 2021 · Edwardian and 1910's high boned collars were almost always sewn on by hand, and this is still the easiest method of getting a perfect finish and controlling ...Missing: 1901-1914 tailored
  47. [47]
    1899-1914 Edwardian Classic - Silhouettes Costumes
    Around 1900 collars were held in place by supports made of celluloid which was covered with silk thread · Very deep high lace fabric collars reached right under ...
  48. [48]
    1899-1914 Work & Sport - Silhouettes Costumes
    By the early 1900's, more & more women were earning livings as governesses, shop assistants, & typists · Women needed clothing to adapt to many situations & to ...
  49. [49]
    1900-1909 | Fashion History Timeline
    The suits allowed women to change the bodice or the blouse while keeping the skirt, an economic way to stay fashionable (Fig.7). While the prevailing mode ...
  50. [50]
    1900s Fashion: Clothing Styles in the Edwardian Era - FamilySearch
    Jul 17, 2020 · High lace collars topped long-sleeved tops that were often heavily embellished and bloused loosely at the bodice. Hemlines grazed the floor ...
  51. [51]
    Clothing in America from 1900-1914
    Jan 21, 2011 · In the time period of 1900-1914 clothing develops into a business much more then before, dresses are more complex and the designs are more ...Missing: expansion | Show results with:expansion
  52. [52]
    1900s Edwardian Style Blouses, Tops & Sweaters - Vintage Dancer
    Shop new, vintage inspired, Edwardian style blouses and tops. Featuring romantic lace, Gibson Girl style puff sleeves, and delicate embroidery.Missing: 1901-1914 | Show results with:1901-1914
  53. [53]
    Women's Fashion During World War I: 1914–1920
    Jun 27, 2023 · 1914 began with a strong Edwardian silhouette. Women wore lacy shirtwaists and long, narrow skirts that fell to the top of the foot.
  54. [54]
    1910-1919 | Fashion History Timeline
    Fashion at the start of the 1910s maintained elements of the previous decade, while beginning to move towards a simpler style.
  55. [55]
    1920s Fabrics and Colors in Fashion - Vintage Dancer
    Jun 18, 2013 · Dye ran easily, turning your brightly colored dress into a faded frock quickly. A few special dresses in my collection have never been washed in ...<|separator|>
  56. [56]
    Fit to Be Dyed - Science History Institute
    Sep 7, 2021 · Aniline dyes were strong, vivid, more lightfast, and required fewer chemical interventions to “stick” to fabric. A century of use would, ...
  57. [57]
    The colourful chemistry of artificial dyes - Science Museum
    Apr 9, 2019 · According to historian Laura Kalba, the explosion of aniline dyes onto the market led to an era of fashion characterised by chromatic vibrancy ...
  58. [58]
    1930s Blouses, Tops, Shirt Styles | History - Vintage Dancer
    Apr 23, 2021 · The 1930s blouse ... The waist was fitted to the torso, worn over bias cut skirts, under jumper dresses, and sometimes tucked into waistbands.Missing: adaptations Depression
  59. [59]
    1930-1939 | Fashion History Timeline
    Apr 5, 2019 · To cut fabric on the bias means cutting the fabric 45 degrees against the weave, creating a fluid, body-skimming garment (Morton).Missing: adaptations | Show results with:adaptations
  60. [60]
    [PDF] Trade Blocs and Trade Wars during the Interwar Period
    In. 1910, Europe commanded a 60.0% share of world exports trailed by North America at. 15.0% and Asia at 10.8%. In 1920, the respective values were 39.4%, 33.8% ...Missing: blouses | Show results with:blouses
  61. [61]
    Everything You Need to Know About Christian Dior's New Look ...
    Mar 20, 2024 · The New Look marked a turning point in fashion history and set the course for post-war fashion, although it was less novel than nostalgic. As ...Missing: evolution shirtwaist
  62. [62]
    Christian Dior's New Look - The History and Evolution - Glam Observer
    Mar 14, 2024 · Showcasing at the end of World War 2, Monsieur Dior's New Look was groundbreaking and much ahead of its time. The fashion world had never seen ...
  63. [63]
    A 1950s Fashion History Lesson: Dior's New Look ... - Vogue
    Apr 27, 2024 · The silhouette put forth by Christian Dior in his 1947 New Look Corelle Line collection dominated the 1950s. The nipped-in-the-waist dresses, ...Missing: nylon | Show results with:nylon
  64. [64]
    https://theseamstressofbloomsbury.co.uk/blogs/seamstress-blog/christian-diors-new-look-a-post-war-fashion-revolution
  65. [65]
    1970s Shirts, Tops, Blouses, T-Shirt Styles | History - Vintage Dancer
    mod, western, Victorian, safari, and peasant styles are just the beginning. All of the ...
  66. [66]
    Make DIY tie-dye shirts & other fashions just like hippies did in the ...
    Here are some vintage tips for how to tie-dye clothes, right from the 60s & 70s. The results are vibrant patterns, from geometric to lush organic effects.
  67. [67]
    [PDF] Employment trends in textiles and apparel, 1973-2005
    As a result, a garment could be designed in. New York, produced from a fabric made in Australia, spread and cut in Hong Kong, assembled in China, and eventually.<|control11|><|separator|>
  68. [68]
    Full article: The rise of Hong Kong's textile industry, 1945–1974
    May 26, 2024 · This article aims to explore the role of the Hong Kong Spinners Association (HKSA) which managed to control the cotton spinning of Hong Kong and a share of ...
  69. [69]
    [PDF] China's textile and clothing exports - Open Research Repository
    By 1970, China accounted for less than 14 per cent of total textile exports originating in developing economies, and less than 5 per cent of total clothing ...Missing: blouses | Show results with:blouses
  70. [70]
    Women in the labor force : U.S. Bureau of Labor Statistics
    Jun 25, 2024 · Overall, women's labor force participation increased dramatically from the 1960s through the 1980s and slowed in the 1990s before peaking at 60.0 percent in ...
  71. [71]
    1980s Fashion History. Power Dressing C20Th
    Jul 25, 2023 · The 1980s was a time of bold and dramatic fashion choices, and one of the most iconic trends of the era was the shoulder pads and batwing sleeves.
  72. [72]
    A 1980s Fashion History Lesson: Lycra, Power Suits, and Clothing ...
    May 20, 2024 · 1980s fashion was all about the power suit, Lycra, the rise of hip hop, yuppies, preppy style, and clothes as concept from Japanese ...
  73. [73]
    Wearing 90's Trends to Work, When You Actually Lived Through the ...
    Mar 15, 2021 · Silk charmeuse blouses are more of a late 90's trend whereas the relaxed blazer was more early 90's, but this is what happens when trends ...
  74. [74]
    The Evolution of Fast Fashion: From Trendsetters to Ultra ... - Medium
    Feb 3, 2025 · Brands like Zara and H&M made runway trends accessible, accelerating production cycles to bring affordable fashion to the masses. 2) From ...Missing: blouses | Show results with:blouses
  75. [75]
    Take A Trip Down Memory Lane: 10 Iconic 2000s Fashion Trends ...
    Feb 22, 2023 · Halter neck tops were a popular fashion trend in the 2000s. These tops were sleeveless and featured a strap that wrapped around the neck, ...
  76. [76]
    Blouse Trends 2025 - Wunderlabel
    Blouse Trends 2025: From playful denim to classic white blouses & feminine ruffles. This year: bold designs & vibrant patterns taking center stage.Missing: hybrids e-<|separator|>
  77. [77]
    The future of fashion: Hybrid pieces
    Oct 12, 2020 · The versatile pieces are designed to be worn everyday and can be used for multiple occasions; which therefore, allows the consumer to buy less.Missing: blouse 2020s commerce
  78. [78]
    Major fashion brands still rely on synthetic fibers: report
    Sep 17, 2024 · Synthetic fibers account for 69% of textile production, according to Changing Markets, and that number is expected to rise to 73% by 2030.Missing: apparel 2020s
  79. [79]
    Materials Market Report 2024 - Textile Exchange
    Sep 26, 2024 · For polyamide (nylon), the second most used synthetic fiber, recycled fibers constituted only 2% of the total market share.Missing: 2020s | Show results with:2020s
  80. [80]
    https://aizome-textiles.com/blogs/the-bed-blog/the-383-rise-in-synthetic-fibers-and-its-connection-to-sensitive-skin-conditions
  81. [81]
    The history of the dirndl - Oktoberfest.de
    The term Dirndl is derived from the term "Diernen". This was the name given in the 19th century to the maids who worked on farms in Bavaria and Austria.Missing: blouse Alpine cultures modesty rural
  82. [82]
    https://bavariatrachten.com/blogs/blog/tracht
  83. [83]
    Traditional Bavarian Fashion for Women: Everything You Need to ...
    The dirndl originated as workwear for Alpine servants and maids in the 19th century. Simple cotton fabrics, longer hemlines, and modest designs defined its ...Missing: labor | Show results with:labor
  84. [84]
    History of the dirndl's triumphal march | MOSER Trachten
    Nov 4, 2020 · The dirndl originated from a work dress for young women, evolving from a servant's outfit to a rural-style dress, and now has a fitted bodice ...<|separator|>
  85. [85]
    History of the Aboyne Dress 󠁧󠁢󠁳󠁣󠁴󠁿 - Facebook
    Aug 10, 2022 · This was introduced in 1952 and consists of a skirt of light-weight tartan worn over a white petticoat, with a plaid of the same tartan material.Missing: ceremonial clan identity
  86. [86]
    Tales of Highland Dance - A Little History | ScotlandShop
    Over time, specific tartans were adopted to represent different clans, regions and later, dance schools and solo dancers. For female dancers, tartan kilts or ...Dancer Tartans · Highland Dancing At Robert... · Clan Davidson Dance School
  87. [87]
    https://imperialhighlandsupplies.com/products/aboyne-tartan
  88. [88]
    The art of the traditional blouse with embroidery on the shoulder (altiţă)
    The art of the traditional blouse with embroidery on the shoulder (called altiță) is an essential part of Romanian and Moldovan folk dress for men and women.Missing: linen peasant origins
  89. [89]
    The Peasant Blouse - The Romanian Blouse - ThreadWritten
    Jul 29, 2020 · The blouse, worn exclusively by peasant women until the mid-19th century, gained notoriety when Romanian royalty including Queen Marie began ...Missing: ia origins craftsmanship
  90. [90]
    The Romanian Blouse, IA, its Story, History, and Symbology
    Nov 18, 2021 · Ia, this Romanian embroidered peasant blouse also known as la blouse ... crafts sold by peasants.. Loading... Blanca says: 22/11/2021 ...Missing: craftsmanship | Show results with:craftsmanship
  91. [91]
    History behind blouse which completes the sari - Times of India
    Jun 19, 2023 · The sari blouse, or choli, evolved from "Antariya" to a stitched garment during the Mauryan period. It became integral to the sari, and later ...
  92. [92]
    History of Blouse in India - [Disha] The Best Tailoring School
    During the Gupta Empire, the choli was generally worn with a saree and was constructed of fine muslin or silk fabric. Short sleeves and delicate needlework were ...
  93. [93]
    https://weaverstory.com/blogs/news/blouses-through-the-ages-a-timeline-of-indian-fashion
  94. [94]
    A Garment of History: The Blouse and its Evolution in India
    Nov 17, 2020 · It was result of cross pollination between the conservative Islamic culture and the prevalent culture of the larger Indian subcontinent, where ...
  95. [95]
    https://www.parinita.co.in/blogs/articles/history-of-indian-saree-blouses
  96. [96]
    The ten apparel sourcing countries to watch in 2022 - Just Style
    Dec 17, 2021 · While the US is the largest import partner in textiles and apparel, China, India, Bangladesh, and Vietnam are growing as significant trading ...
  97. [97]
    India to promote its textiles as political crisis hits Bangladesh's ...
    Jan 14, 2025 · India aims to boost its textile and garments industry in next month's budget with financial support, tariff cuts on key inputs and ...
  98. [98]
    4 Traditional Chinese Clothing and Dress: Hanfu, Qipao...
    the majority of Chinese are of Han ethnicity) is the oldest of China's traditional clothes. Legend traces it back to over 4,000 ...
  99. [99]
    Introduction to Traditional Chinese Clothing
    Oct 29, 2024 · Traditional Chinese clothing includes styles from major dynasties like Han, Tang, Ming, and Qing, and also includes clothing of ethnic ...Ming dynasty · Traditional clothing of other... · Traditional clothes in modern...Missing: blouse | Show results with:blouse
  100. [100]
    https://kateyang.co.uk/blogs/traditional-chinese-clothing/different-types
  101. [101]
    https://www.mexicaliblues.com/blogs/our-stories-mexicali-blues-blog/huipiles-indigenous-hand-loomed-history-of-guatemala
  102. [102]
    A Brief History of the Huipil - Mayan Copal
    Apr 2, 2018 · The huipil is a loose-fitting tunic worn by indigenous women from central Mexico to Central America since before the Spanish arrival, and is ...Missing: Latin | Show results with:Latin
  103. [103]
    Expedition Magazine | A Continuous Thread - Penn Museum
    FOR 1,500 YEARS, MAYA WOMEN HAVE WOVEN cotton garments with designs that depict the Maya cosmos and supernatural beings that sustain their world.
  104. [104]
    dashiki | Fashion History Timeline
    Aug 4, 2022 · A dashiki is a loose-fitting, pullover shirt usually sewn from colorful, African-inspired cotton prints or from solid color fabrics, often with patch pockets ...Missing: Pan- | Show results with:Pan-
  105. [105]
    https://nkitidesigns.com/blogs/stories/history-of-the-african-dashiki-clothing
  106. [106]
    Dashiki: An African Fashion Through History
    Mar 18, 2021 · Originated in West Africa, this loose-fitting pullover garment covers the top part of the body and is easily recognizable by its vibrant colors, ornaments, and ...Missing: upper Pan-
  107. [107]
    Shifting Patterns: Pacific Barkcloth Clothing - Google Arts & Culture
    Discover a selection of textiles from the Pacific made from barkcloth. Used to wrap, drape and adorn the body in a myriad of styles and designs.Missing: analogues pareo tops fibers
  108. [108]
    Pareo History & Origins - Black Pearl Designs
    Oct 22, 2013 · Clothing of Tahiti (French Polynesia) traditionally was made of ti leaf, banana leaf, lauhala leaf, coconut fiber, inner wild hibiscus bark, ulu ...Missing: analogues | Show results with:analogues
  109. [109]
    The Timeless Elegance of the Pareo: A Polynesian Essential. - Eimeo
    Apr 3, 2025 · The pareo, also known as pāreu, is a striking emblem of Polynesian culture, celebrated for its remarkable versatility and visual appeal.Missing: Pacific traditional analogues natural fibers
  110. [110]
    https://www.seamwork.com/fabric-guides/behind-the-seams-5
  111. [111]
    https://iandrummondvintage.com/blogs/fashion-history/peasant-blouses
  112. [112]
    Peasant Blouses of the 70s: A Nostalgic Fashion Trend
    Dec 9, 2024 · Peasant blouses of the 70s featured flowing fabrics, intricate embroidery, bell sleeves, and a bohemian aesthetic, embodying the counterculture and free- ...Missing: characteristics | Show results with:characteristics
  113. [113]
    What is a Blouson? – @goodclobber on Tumblr
    So then, what is a 'blouson'? The origin of the word 'Blouson' is probably from the French word 'blouse', first recorded in English in 1828...
  114. [114]
    The History of Blouse
    Mar 30, 2015 · Blouses ornamented with lace or embroidery, known as 'lingerie blouses', were becoming extremely chic between 1900 and 1910. The 'Gibson girl ...
  115. [115]
    Poet Blouse | Pirate Look Cotton Shirt | Vetch & Clover
    Free deliveryFeatures: Ruffled button up cuffs using beautiful mother of pearl buttons. Collar and ties to close or open the V neckline. Drop shoulder sleeves for a ...
  116. [116]
    Trend to Try: Poet Blouse | Jo-Lynne Shane
    Apr 12, 2022 · It's made of a soft, double-weave crinkle-textured cotton, and it has raglan blouson sleeves with a subtly curved hemline. This top runs true to size.
  117. [117]
    Oversize Fashion: Redefining Comfort and Personal Expression
    Feb 20, 2025 · Oversize fashion has conquered both runways and street style, redefining standards of comfort and personal expression.
  118. [118]
    2010s Fashion Trends That Defined a Decade - WWD
    Dec 19, 2019 · The seven biggest 2010s fashion trends that defined the decade, including logos, streetwear, the British royal family and more.Missing: data | Show results with:data
  119. [119]
    A 2010s Fashion History Lesson: Athleisure, Collabs, and Dressing ...
    Jun 12, 2024 · The single most impactful 2010s fashion development did not come from Milan, New York, or Paris, but from Silicon Valley. We're talking about Instagram.Missing: 2020s | Show results with:2020s
  120. [120]
    [PDF] The State of Fashion 2020 - McKinsey
    Oct 1, 2019 · This report sets out how well we are performing and identifies the top priorities, both business and creative, for 2020. Through BoF's extensive ...
  121. [121]
    Bamboo Clothing Market Growth and Industry Analysis
    Bamboo Market Size Was Valued at USD 2,383.52 Million in 2023 and is Projected to Reach USD 4,165.75 Million by 2032, Growing at a CAGR of 6.4% From 2024-2032.Missing: blouses | Show results with:blouses
  122. [122]
    Fast Fashion and Its Environmental Impact in 2025 | Earth.Org
    Jan 20, 2025 · Fast fashion has a massive environmental impact. It is the second-biggest consumer of water and responsible for 10% of global CO2 emissions.
  123. [123]
    Shein is officially the biggest polluter in fast fashion
    Sep 19, 2024 · The company has also come under fire for textile waste, high levels of microplastic pollution, and exploitative labor practices. According to ...
  124. [124]
    Emissions of Fast Fashion Giant Shein Balloon in 2024 | Earth.Org
    Jun 16, 2025 · Fast fashion retail giant Shein's carbon footprint increased significantly in 2024, according to the company's sustainability report.
  125. [125]
    Smart Shirts for Monitoring Physiological Parameters: Scoping Review
    May 27, 2020 · Although smart shirts have been found to be valid and reliable in the monitoring of specific physiological metrics, results were variable for others.
  126. [126]
    Forget wearables: Future washable smart clothes powered by Wi-Fi ...
    Jun 9, 2021 · Purdue University engineers have developed a method to transform existing cloth items into battery-free wearables resistant to laundry.
  127. [127]
    Smart Textiles: Going Beyond Vital Signs Monitoring
    Mar 9, 2023 · Smart textiles are used to monitor and assist in revalidation, supporting independent living for the elderly.
  128. [128]
    The Economic, Social and Environmental Impacts of “Fast Fashion”
    Jan 10, 2019 · The annual value of clothing discarded prematurely is more than $400 billion. The Environmental Impacts. Apparel production is also resource- ...Missing: fleeting | Show results with:fleeting
  129. [129]
    Examining the Era of Micro Trends - Global Fashion Agenda
    Apr 17, 2024 · Micro trends trickle down and fuel fashion's fleeting trend cycle – with many brands latching on to every aesthetic that permeates our feeds.
  130. [130]
    Fast fashion: Addressing waste in the fashion industry - Waste Today
    Feb 1, 2024 · The report estimates that more than half of fast fashion produced is disposed of in less than a year, and about 20 percent of clothing in the ...<|control11|><|separator|>
  131. [131]
    Fast Fashion Statistics 2025 | UniformMarket
    May 28, 2025 · Fast fashion is now a $150.82 billion industry, it has grown by 10.74% from 2024 and is further estimated to reach $291.1 billion by 2032.Missing: fleeting | Show results with:fleeting
  132. [132]
    Inspiration Or Appropriation? A Win For Romania As Louis Vuitton ...
    Jul 1, 2024 · Louis Vuitton had apparently copied the design and style of clothing specific to communities in Romania's Transylvania, Oltenia, and Muntenia regions.
  133. [133]
    Romania's culture minister asks Louis Vuitton to acknowledge a ...
    Jun 4, 2024 · “We will request that Louis Vuitton recognize the heritage and cultural value of the traditional blouse model with ribbons,” Raluca Turcan wrote ...Missing: appropriation | Show results with:appropriation
  134. [134]
    Romania Will Ask Louis Vuitton To Acknowledge UNESCO ...
    Jun 4, 2024 · Romanian Culture Minister Raluca Turcan says she will ask French luxury fashion house Louis Vuitton to acknowledge that a traditional Romanian blouse directly ...
  135. [135]
    Louis Vuitton apologises for appropriating the Romanian blouse
    Oct 6, 2025 · The latter accused the company of culturally appropriating Romania's traditional 'ie' blouse in its 2024 collection, <a href=”https://www ...
  136. [136]
    Yves Saint Laurent's ultimate obsession - BBC
    Oct 9, 2018 · Was the designer's fixation with Asia a homage, cultural appropriation – or fashion fantasy? · – Two new museums pay homage to the iconic Yves ...Missing: precedents | Show results with:precedents
  137. [137]
    Yves Saint Laurent's India – How the Designer Was Inspired by a ...
    Oct 27, 2023 · Yves Saint Laurent may have been inspired by miniatures from India or portraits of Mughal Emperors or Maharajas. But one person was very crucial ...Missing: precedents | Show results with:precedents
  138. [138]
    Curbing cultural appropriation in the fashion industry with ... - WIPO
    Aug 29, 2019 · In addition, for many Indigenous peoples and local communities, making traditional clothes is a source of income; as such, cultural ...Missing: blouses | Show results with:blouses
  139. [139]
    How Cultural Appropriation Became a Hot-button Issue for Fashion
    Nov 3, 2020 · Academics weigh in on the root causes of cultural appropriation in fashion and why consumers' outrage is louder than ever.Missing: blouses benefits