Circle Album Chart
The Circle Album Chart is a prominent South Korean record chart that ranks the top 100 physical albums, including full-length albums, extended plays (EPs), and single albums, based on their net shipment volumes (shipments minus returns) from manufacturers to retailers. Operated by the Korea Music Content Association (KMCA), it compiles data from offline distributors and online e-commerce platforms to provide weekly, monthly, half-yearly, and annual rankings, serving as a key measure of domestic music sales popularity.[1][2] Launched in February 2010 as the Gaon Album Chart under the Gaon Music Chart system, it underwent a significant rebranding on July 7, 2022, becoming the Circle Album Chart as part of the broader Circle Chart initiative. This change, announced by the KMCA, rebranded the overall Gaon Chart system to Circle Chart, aiming to establish a global K-pop platform that incorporates international data, particularly in digital and streaming charts, while the Album Chart retained its focus on domestic physical album shipments, with separate reporting for global exports. Post-rebranding, a Retail Album Chart was introduced to display detailed sales data, separating domestic and international physical shipments.[3][4] The chart plays a crucial role in the K-pop industry, influencing artist rankings, sales certifications, and nominations for events like the Circle Chart Music Awards (formerly Gaon Chart Music Awards). By focusing exclusively on physical formats such as CDs, LPs, cassettes, USBs, and platform-specific albums, it highlights the enduring importance of tangible releases in South Korea's music ecosystem, where fan-driven purchases drive significant revenue.[5][6]Overview
Chart Description
The Circle Album Chart is a national record chart that ranks the top 100 most popular physical albums, extended plays (EPs), and single albums in South Korea based on shipment data minus returns.[1] It is compiled by the Korea Music Content Association (KMCA), the organization responsible for tracking music industry metrics.[7] The chart's primary purpose is to measure and reflect the popularity of physical music releases through verifiable sales figures, establishing it as the official domestic standard for album success in South Korea since its inception in 2010.[8] By focusing on physical formats such as CDs, LPs, tapes, and USBs, it provides a benchmark for the commercial performance of artists and labels in the K-pop ecosystem.[9] As a component of the broader Circle Chart system—operated by the KMCA and encompassing digital, streaming, download, and social media metrics—the Album Chart exclusively emphasizes physical sales data to offer a distinct view of tangible music consumption trends.[10] Rankings are released weekly, monthly, half-yearly, and yearly for the top 100 entries on the official Circle Chart website, enabling stakeholders to monitor ongoing and cumulative performance.[11] Since its launch in 2010, the chart has amassed over 15 years of data by 2025, significantly influencing K-pop industry trends, artist promotions, and global recognition of physical album sales. Originally launched as the Gaon Album Chart, it was rebranded to Circle in 2022 to align with expanded international data integration efforts.[8]Scope and Eligibility
The Circle Album Chart includes full-length albums, extended plays (EPs, also known as mini-albums), and single albums, encompassing repackages and special editions released in physical formats such as CDs, LPs, tapes, USBs, and platform-specific variants like KiT albums.[1] These eligible releases must involve verifiable physical production and distribution, distinguishing the chart's focus on tangible media from the digital and streaming-oriented components of the broader Circle system. Digital-only releases and their streaming equivalents are not eligible.[12] The chart's rankings are based on total net shipments (domestic and international) to retailers worldwide, while separately providing domestic and overseas sales data in the Retail Album Chart for transparency.[13] Special provisions apply to pre-order sales, which contribute to an album's debut week tally if shipped within that period, and to multi-version releases like photobook or limited editions, whose sales are consolidated under one unified entry to prevent fragmented rankings.[13] Following the 2022 rebranding from Gaon Chart, the system has prioritized verifiable physical shipments, separating domestic and overseas data to mitigate distortions from bulk pre-orders and enhance overall chart integrity.[13]Methodology
Data Sources and Collection
The Circle Album Chart compiles data primarily from physical album shipments reported by major distributors and record labels in South Korea, including entities like LOEN Entertainment and affiliates of companies such as S.M. Entertainment. These reports cover units shipped from manufacturers to retailers, net of returns, encompassing formats like CDs, LPs, tapes, USBs, and platform albums. Retailers such as Yes24, Hottracks, Synnara, Aladin, Interpark, and Soundwave also contribute data, collectively accounting for the bulk of domestic distribution channels. Hanteo operates independently as a real-time retail sales tracker; while the complementary Retail Album Chart uses similar real-time data from retailers for verification via barcode scans at points of sale, the main Album Chart relies solely on net shipment reports from distributors.[14][1][15] Data collection occurs through weekly aggregation managed by the Korea Music Content Association (KMCA), operating under the oversight of the Ministry of Culture, Sports and Tourism. The chart week spans from Sunday at 12:00 p.m. to the following Saturday at 11:59 a.m., focusing exclusively on physical shipments to reflect market supply. Reports are submitted digitally by participants, with the KMCA centralizing and processing the information to generate rankings. This process emphasizes transparency, as the KMCA has partnered with global platforms for broader K-pop data integration since the 2022 rebranding, though album charts remain rooted in domestic physical metrics.[8] To maintain reliability, the KMCA audits submissions for accuracy, conducting random checks on high-volume releases to deter manipulation. In light of recent tampering allegations involving artist agencies, the association announced in late 2024 plans to potentially exclude implicated parties' data from charts, underscoring ongoing efforts to safeguard integrity. Following the 2022 transition from Gaon Chart, enhancements include partial real-time tracking via barcode scans at select points of sale, primarily bolstering the complementary Retail Album Chart but informing overall verification. Historically, pre-2011 collection under early Gaon operations leaned on manual offline surveys from limited outlets; by 2011, a fully digital reporting framework was established, enabling more comprehensive and timely aggregation.[16] As of 2024, the system handled approximately 93.3 million physical units across South Korea, reflecting a decline from 115.7 million in 2023 but still demonstrating substantial scale. Final weekly figures are typically released 1-2 weeks after the chart period ends, allowing for returns adjustments and audit completion. This structure prioritizes verifiable shipment volumes over end-consumer sales, distinguishing it from real-time retail trackers.[17][18]Ranking and Certification System
The Circle Album Chart ranks albums based on the total physical units shipped to retailers minus returns during the tracking period, encompassing various formats such as cassettes, LPs, CDs, USBs, kits, and platform albums without differential weighting between full-length albums, extended plays, or single albums.[1] Positions are determined solely by these net shipment figures, with the chart listing the top 100 entries; data is compiled from reports by record labels and distributors.[2] Weekly charts cover the period from Sunday at 12:00 p.m. to the following Saturday at 11:59 a.m., with rankings published on Thursdays at 11 a.m. Monthly charts aggregate data from the first to the last day of each calendar month and are released on the second Thursday of the following month, while yearly charts sum monthly figures from January 1 to December 31 without carryover adjustments and are announced on the second Friday of the subsequent January.[19] Certifications for albums are issued by the Korea Music Content Association through the Circle Chart based on cumulative net shipments since release, applying to albums over six weeks old with the same tracklist and medium, excluding promotional or overseas-exclusive releases. For albums released on or after January 1, 2018, Platinum certification requires 250,000 units, with Double Platinum at 500,000, Triple Platinum at 750,000, and Million at 1,000,000, followed by higher multiples such as Double Million (2,000,000 units); pre-2018 releases have a lower Platinum threshold of 100,000 units.[20] These lifetime certifications are non-revocable and announced monthly on the second Thursday via the certification menu, often accompanied by official badges for recognized albums.[21] The cumulative total is calculated as the sum of weekly net shipments post-release, with returns deducted ongoing but finalized annually for accuracy.[19]History
Establishment and Early Years
The Gaon Album Chart was launched on February 25, 2010, by the Korea Music Content Association (KMCA) under the sponsorship of South Korea's Ministry of Culture, Sports and Tourism, with the primary goal of providing transparent and verifiable album sales data to the public and industry stakeholders amid ongoing scandals involving chart manipulation and unreliable reporting by private entities. This initiative marked the first official national music chart in South Korea, modeled after international standards like Billboard, and focused initially on physical album shipments from major distributors to ensure accuracy and fairness in reflecting consumer demand.[8] The chart's inaugural weekly top 100 edition was published shortly after launch in early March 2010, establishing a standardized weekly tracking period and quickly becoming a benchmark for album performance.[22] By 2011, the system expanded to include monthly and yearly compilations, broadening its scope to capture longer-term trends in the market. That same year, Gaon introduced comprehensive offline sales tracking, releasing detailed data for 2010 album shipments to complement its online metrics and provide a fuller picture of physical media consumption.[23] These developments solidified the chart's role in establishing physical album sales as a core metric of success in K-pop, fueling the Hallyu wave's expansion. By 2020, annual shipments for top albums surpassed 10 million units, driven by surging international interest.[24] From 2010 to 2021, the Gaon Album Chart chronicled the evolving dominance of idol groups in the market, redefining chart dynamics through massive fan-driven purchases.[23]Rebranding and Modern Developments
On July 7, 2022, the Korea Music Content Association (KMCA) rebranded the Gaon Chart as the Circle Chart to emphasize its evolution into a global K-pop music tracker, incorporating expanded digital integration and data from international platforms.[24][3] The name "Circle Chart" symbolizes the encompassing "circle of music content," aiming to aggregate K-pop-related metrics worldwide and shed its domestic-only image.[4] This transition retained core album sales tracking while introducing new elements like the Global K-pop Chart to reflect streaming and downloads from services such as Spotify, Apple Music, and YouTube Music.[5] Key updates post-rebranding included the addition of weekly physical album sales breakdowns, complementing the existing monthly and annual formats to provide more granular insights into market trends.[25] The official online portal at circlechart.kr was enhanced for real-time chart access, allowing users to view current rankings, historical data, and certification details directly.[26] In 2023, Circle Chart began publishing dedicated export sales data, tracking overseas shipments of physical albums to capture the growing international demand for K-pop releases.[27] Amid the global K-pop surge, 2024 saw Circle Chart refine its international shipment tracking, reporting a record-high export value of USD $291.8 million for physical albums, though overall domestic shipments stagnated at approximately 93 million units due to market saturation.[17] This adaptation highlighted the chart's role in monitoring the shift toward Western markets, with groups like Seventeen driving significant portions of exports through high-volume releases totaling over 9.76 million units that year.[28][29] In 2024, total physical album sales declined for the first time in a decade, falling approximately 17-20% year-over-year to around 93-98 million units.[17] By 2025, Circle Chart had solidified its status as South Korea's authoritative music metric, serving as a key reference for international benchmarks akin to Billboard's World Albums chart.[30]Performance Records
Number-One Albums
The number-one status on the Circle Album Chart is awarded to the album with the highest weekly physical shipments, net of returns, reflecting consumer demand through outshipments from manufacturers.[1] Since the chart's launch in 2010, over 500 unique albums have reached the top spot, with idol groups dominating approximately 80% of number-ones after 2015, driven by the K-pop industry's emphasis on coordinated fan mobilization and release strategies.[31] Key patterns in number-one albums include a high prevalence of debut-week tops for K-pop releases, accounting for 90% of 2020s chart-leaders, as pre-order systems and global fanbases enable massive initial shipments. Blockbuster albums generally maintain the top position for an average of 2-4 weeks, though seasonal spikes occur in the fourth quarter due to holiday-timed releases and promotional campaigns that boost end-of-year sales.[10] The 2010s featured prominent soloists like BoA, whose albums frequently topped the chart and highlighted individual artistry amid group dominance. The 2020s have shifted focus to boy groups, with Seventeen accumulating over 50 cumulative weeks at number one by 2025 through consistent high-impact releases.[32] Record highlights include the most consecutive number-one debuts by a single artist across 2023-2024, demonstrating sustained momentum in a fragmented market. As of mid-November 2025, the year has featured 47 different number-one albums, illustrating intensified competition among diverse acts. Best-sellers often align with extended number-one tenures, contributing to overall sales leadership.Best-Selling Albums
The Circle Album Chart tracks album shipments, revealing significant growth in the Korean music market over the years. In 2010, the annual top-selling album was Super Junior's Bonamana with 200,193 units, reflecting a nascent physical sales era dominated by established idol groups. By 2024, the landscape had transformed dramatically, with Seventeen's SPILL THE FEELS leading the year at 3,180,338 units, followed closely by the group's best-of compilation 17 IS RIGHT HERE at 3,153,616 units and Stray Kids' ATE at 2,880,052 units.[33][34] As of mid-2025, new releases continued to drive robust figures, with Seventeen's HAPPY BURSTDAY topping the first-half chart at 2,535,883 units, ENHYPEN's DESIRE: UNLEASH at 2,099,514 units, and IVE's IVE EMPATHY at 1,425,992 units—several titles surpassing 2 million shipments in just six months.[35][36] This pattern underscores the chart's focus on cumulative shipments, where multi-version releases—often 10 or more variants per album, including photobooks and merchandise—have amplified sales for K-pop acts.[37] All-time rankings as of October 2025 highlight the dominance of K-pop idol groups, accounting for about 90% of the top entries, with Seventeen holding four of the top five positions. The cumulative sales of the top 100 albums exceed 100 million units, driven largely by post-2020 releases amid the global K-pop surge.[38]| Rank | Album | Artist | Shipments (units) |
|---|---|---|---|
| 1 | FML | Seventeen | 6,419,300 |
| 2 | SEVENTEENTH HEAVEN | Seventeen | 5,960,221 |
| 3 | 5-STAR | Stray Kids | 5,306,371 |
| 4 | Map of the Soul: 7 | BTS | 5,120,676 |
| 5 | Face the Sun | Seventeen | 4,735,822 |
| 6 | Map of the Soul: Persona | BTS | 4,724,240 |
| 7 | ROCK-STAR | Stray Kids | 4,325,471 |
| 8 | ISTJ | NCT Dream | 4,279,203 |
| 9 | SPILL THE FEELS | Seventeen | 3,871,901 |
| 10 | BE | BTS | 3,814,546 |
Artist Achievements
Cumulative Sales Milestones
The Circle Album Chart tracks cumulative physical album shipments for artists across all their releases since 2010, providing a measure of long-term commercial success in the South Korean music market. As of November 8, 2025, SEVENTEEN leads all artists with 44,348,977 copies sold, followed closely by BTS at 41,294,882 copies, underscoring the dominance of boy groups in physical sales driven by global fan engagement.[43] Other top performers include Stray Kids (31,843,428 copies) and NCT DREAM (20,931,733 copies), while established acts like EXO have accumulated 15,149,559 copies.[43] Solo artists trail significantly, with BTS member Jung Kook's debut album GOLDEN contributing over 3 million physical copies to his personal tally.[44]| Rank | Artist | Cumulative Sales (Copies) |
|---|---|---|
| 1 | SEVENTEEN | 44,348,977 |
| 2 | BTS | 41,294,882 |
| 3 | Stray Kids | 31,843,428 |
| 4 | NCT DREAM | 20,931,733 |
| 5 | TXT | 19,262,696 |
| 6 | ENHYPEN | 17,674,875 |
| 7 | EXO | 15,149,559 |
| 8 | TWICE | 14,997,846 |
| 9 | NCT 127 | 14,180,359 |
| 10 | ATEEZ | 11,922,468 |