Clay Walker
Clay Walker (born Ernest Clayton Walker Jr., August 19, 1969) is an American country music singer-songwriter best known for his energetic performances, romantic ballads, and a career spanning over three decades with six number-one singles on the Billboard Hot Country Songs chart.[1][2][3] Born in Beaumont, Texas, and raised in nearby Vidor, Walker grew up as the eldest of five children to parents Ernest and Danna Walker, receiving his first guitar at age nine and beginning to perform in local talent contests by age fifteen.[1][3] After graduating from Vidor High School in 1987, he worked odd jobs while honing his craft in Texas honky-tonks, eventually being discovered by producer James Stroud in a Beaumont bar in 1992, leading to a recording contract with Giant Records.[3] His self-titled debut album in 1993 went platinum, featuring three number-one hits—"What's It to You," "Live Until I Die," and "Dreaming with My Eyes Open"—and launching a string of successes, including subsequent platinum albums like If I Could Make a Living (1994), Hypnotize the Moon (1995), and Rumor Has It (1997), along with over 30 charting singles.[3][2] In 1996, at the peak of his early fame, Walker was diagnosed with relapsing-remitting multiple sclerosis, a condition he has managed publicly while defying initial grim prognoses through an active lifestyle and medical treatments.[4] Inspired by his diagnosis, he founded the Band Against MS (BAMS) charity in 2003, which has raised millions for research and support services, earning him the 2008 Humanitarian Award from the Academy of Country Music.[3][4] Early in his career, Walker received nominations for the Academy of Country Music's Top New Male Vocalist in 1994 and TNN/Music City News' Star of Tomorrow award, though he has not won a Country Music Association Award.[3] Continuing to tour and record, his most recent album, Texas to Tennessee (2023), reflects collaborations with producers like Michael Knox, and he released the single "Cowboys In Heaven" in 2025, underscoring his enduring presence in country music.[2]Early life
Family background and childhood
Ernest Clayton Walker Jr. was born on August 19, 1969, in Beaumont, Texas, to parents Ernest and Danna Walker.[1] As the oldest of five children, he grew up in the nearby town of Vidor, Texas, primarily with his father in a working-class household.[1] His father worked as a welder by trade, providing a modest upbringing on an eight-acre spread in southeastern Texas that immersed young Walker in rural life.[5] From an early age, Walker was surrounded by the sounds of country music prevalent in the local Texas scene, which shaped his formative interests.[3] A pivotal moment came at age nine when his father gifted him his first guitar and began teaching him the basics, igniting Walker's passion for music despite no formal training beyond these family lessons.[1][5] He quickly developed his skills through practice and entered local talent competitions as a child, drawing inspiration from the regional country culture around Beaumont and Vidor.[3] Walker's childhood also involved hands-on work experiences typical of his environment, including a job at the local Goodyear Tire and Rubber Company plant during his teenage years.[1] These early responsibilities, combined with his father's guidance, fostered a strong work ethic and deep roots in Texas traditions that influenced his early development.[5]Musical beginnings and education
Walker attended South Park High School in Beaumont before transferring to Vidor High School in Vidor, Texas, where he graduated in 1986.[1] During his high school years, he balanced his studies with a growing passion for music, performing in local talent competitions starting at age 15.[6] These early appearances included a notable win at a talent show at South Park High School, where he performed country songs as the only white contestant in a predominantly Black audience, earning a standing ovation that solidified his commitment to singing.[7] By age 16, he had begun playing gigs on the Southern club circuit around Beaumont, honing his skills in informal settings like local bars.[7] Walker's musical education was largely self-directed, beginning with guitar lessons from his father at age nine, which sparked his interest despite an initial preference for R&B artists like Lionel Richie over country music.[3][7] He gradually embraced country influences through family exposure and radio, learning to write his own songs during his teenage years as a way to express personal experiences.[8] These efforts helped him develop a versatile style, performing solo and eventually forming a band after graduation to expand his live shows.[8] Following high school, Walker took a job at a local Goodyear Tire plant to support his pursuits, but at 19, he shifted focus to music full-time, touring Texas and parts of Canada while relocating to Beaumont for more opportunities.[1] There, he secured steady work as the house singer at the Neon Armadillo bar, where his performances drew crowds and set the stage for his professional breakthrough.[1]Musical career
Debut and early albums (1993–1997)
Clay Walker was discovered performing in a Beaumont, Texas-area bar by James Stroud, the head of Giant Records, in the early 1990s, leading to his signing with the label in late 1992.[2] Stroud, recognizing Walker's potential, encouraged him to relocate from the Houston area to Nashville to focus on his music career, which he did in 1993.[9] This move marked the beginning of Walker's professional ascent in the country music industry during a vibrant mid-1990s scene. His self-titled debut album, Clay Walker, was released in August 1993 and produced by Stroud on Giant Records. The album featured the lead single "What's It to You," which reached No. 1 on the Billboard Hot Country Songs chart in October 1993, followed by "Live Until I Die," another No. 1 hit in early 1994. The album's third single, "Dreaming with My Eyes Open," also reached No. 1 in August 1994.) It peaked at No. 8 on the Top Country Albums chart and No. 52 on the Billboard 200, eventually earning platinum certification from the RIAA for sales exceeding one million units.[10] Walker's follow-up album, If I Could Make a Living, arrived in 1994 and continued his momentum, also produced by Stroud and certified platinum. The title track hit No. 1 on the Hot Country Songs chart in November 1994, while "This Woman and This Man" followed suit in June 1995.[11] The album reached No. 42 on the Billboard 200. In 1995, Hypnotize the Moon became his third consecutive platinum album, with the title track topping the Hot Country Songs chart in May 1996 and "Then What?" peaking at No. 3.[11] It peaked at No. 13 on the Top Country Albums chart and No. 57 on the Billboard 200. Walker began headlining tours in support of this release in 1995, alongside appearances on The Nashville Network's Crook & Chase.[12][13] By 1997, Walker's fourth album, Rumor Has It, also achieved platinum status, with the title track reaching No. 1 on the Hot Country Songs chart in April 1997.[11] The album debuted at No. 1 on the Top Country Albums chart and No. 32 on the Billboard 200, solidifying his early career success with five No. 1 singles overall during this period.[14]Mid-career albums and hits (1998–2005)
In 1998, Clay Walker released his first compilation album, Greatest Hits, on Giant Records, which featured selections from his previous studio efforts along with two new recordings, including the single "You're Beginning to Get to Me."[15] The track peaked at No. 2 on the Billboard Hot Country Songs chart, marking one of Walker's strongest performances during this period and contributing to the album's certification as gold by the RIAA. The compilation reached No. 41 on the Billboard 200 and underscored Walker's commercial momentum, with the project highlighting his signature blend of traditional country storytelling and upbeat rhythms.[16] Following the success of Greatest Hits, Walker issued his fifth studio album, Live, Laugh, Love, on August 24, 1999, also through Giant Records. The album produced three singles: "She's Always Right," which charted at No. 16 on the Hot Country Songs tally; the title track "Live, Laugh, Love," reaching No. 11; and "The Chain of Love," which climbed to No. 5 and became a fan favorite for its heartfelt narrative of kindness and reciprocity. Produced by Doug Johnson and Walker himself, the record debuted at No. 31 on the Billboard Country Albums chart, reflecting his established presence in the genre amid a shifting label landscape as Giant Records faced challenges leading to its eventual closure in 2001.[17] As Giant Records dissolved, Walker transitioned to Warner Bros. Records for his sixth studio album, Say No More, released on March 27, 2001.[18] The project yielded two singles: the title track "Say No More," peaking at No. 5 on the Hot Country Songs chart, and "If You Ever Feel Like Lovin' Me Again," which reached No. 23. Despite the post-9/11 disruptions to the entertainment industry, including widespread tour cancellations and reduced venue capacities across country music, Walker maintained an active performance schedule, including opening slots on major bills that helped sustain his visibility. The album, featuring production by Tony Brown, explored themes of relationships and resilience, entering the Billboard Country Albums chart at No. 11 and aligning with Walker's mid-career evolution toward more introspective material. In September 2002, Walker released his first holiday collection, Christmas, a full-length album on Warner Bros. Records that included traditional carols and contemporary festive tracks like "Feliz Navidad" and "Mary, Did You Know?"[19] The project, arranged by Bergen White with orchestral backing from over 70 musicians, was a limited seasonal release without major charting singles on the Hot Country Songs list, though "Feliz Navidad" received radio airplay and emphasized Walker's versatile vocal range in a yuletide context.[20] This outing provided a brief pivot from his standard releases, capitalizing on his growing catalog to engage holiday audiences. Walker moved to RCA Records Nashville for his seventh studio album, A Few Questions, released on September 9, 2003.[21] The title track, released as the lead single, peaked at No. 9 on the Billboard Hot Country Songs chart, while follow-up "I Can't Sleep" reached No. 13, both benefiting from production by Jimmy Bowen and Buddy Cannon that incorporated a mix of acoustic elements and contemporary production.[22] The album debuted at No. 23 on the Billboard 200, showcasing Walker's adaptability during label transitions and reinforcing his hit-making consistency with over 30 career singles on the country charts by this point.[23] By 2000, Walker had sold more than five million albums in the United States, driven by platinum certifications for his first four studio releases and the gold status of Greatest Hits.[24] Throughout this era, he toured extensively, including opening for Brooks & Dunn on select dates in the late 1990s and early 2000s, such as their 1995 Blossom Music Center show, which helped solidify his live draw and connection to the era's top acts.[25] These efforts culminated in Walker's decision to pause new recordings after his 2005 signing with Asylum-Curb Records, allowing time for personal reflection before resuming with the 2007 album Fall, whose lead single of the same name peaked at No. 5 on the Hot Country Songs chart.Later releases and transitions (2006–2014)
Following a period of hiatus prompted by health challenges, Clay Walker returned to recording with Curb Records in 2006, releasing the single "Fall," which peaked at No. 5 on the Billboard Hot Country Songs chart.[26] This marked his first top 10 country hit since 2004 and showcased his resilience amid personal difficulties. The accompanying album, Fall, arrived on April 17, 2007, via Asylum-Curb Records, featuring production collaborations and tracks like "'Fore She Was Mama," which reached No. 21 on the same chart.[27][26] Walker continued his steady output with the 2010 album She Won't Be Lonely Long, released June 8 on Curb Records and primarily produced by Keith Stegall, known for his work with artists like Alan Jackson.[28] The title track served as the lead single, peaking at No. 13 on the Billboard Hot Country Songs chart after debuting at No. 50 in December 2009 and spending 25 weeks on the tally.[29] The project highlighted Walker's adaptation to evolving country sounds while maintaining his traditional style, including a cover of Alabama's "Close Enough to Perfect." In 2011, Walker issued the single "Like We Never Said Goodbye" from the album, followed by "Jesse" in 2012, which peaked at No. 48 on the Billboard Country Airplay chart and No. 57 on Hot Country Songs, reflecting his efforts to navigate the digital era's emphasis on streaming and online promotion.[22] By this point, Walker had charted more than 30 singles on the Hot Country Songs chart throughout his career.[30] A retrospective compilation, Best Of Clay Walker, was released on February 11, 2014, by Curb Records, featuring re-recorded versions of hits like "This Woman and This Man" alongside tracks from recent albums such as "She Won't Be Lonely Long" and "Fall."[31] This collection underscored his enduring catalog amid label stability with Curb since signing to its Asylum division in 2005. During this era, Walker expanded his reach through international touring, including a performance at the CMC Rocks the Hunter festival in Australia in March 2014, where he shared stages with emerging country acts.[32] By 2014, his career encompassed more than 30 charted singles, demonstrating sustained output despite industry shifts toward independence for some artists.[30]Recent work and tours (2015–present)
In 2019, Walker released his eleventh studio album, Long Live the Cowboy, independently through his own Maven Records label, marking his first full-length project of original material in nearly a decade. The album featured 11 tracks, including the title song "Long Live the Cowboy," which celebrated traditional country themes of rural life and resilience, and "She Gets What She Wants," showcasing Walker's signature smooth baritone delivery.[33] Produced with a focus on authentic country instrumentation, it received praise for recapturing the energy of his early career while adapting to contemporary production. Building on this momentum, Walker signed with Show Dog Nashville and issued Texas to Tennessee in July 2021, a collaborative effort co-written with acclaimed songwriters like Jaron Boyer and Josh Mirenda.[34] The 10-track album blended heartfelt ballads and uptempo anthems, with notable singles including "Shut Up About It," which highlighted Walker's witty storytelling about relationship frustrations, and "Need a Bar Sometimes," a pandemic-era reflection on escapism that resonated with fans seeking comfort. Produced by Michael Knox, the record emphasized Walker's songwriting involvement, drawing from his Texas roots and Tennessee experiences to create a cohesive narrative of personal growth.[35] Walker continued releasing singles in the years following, adapting to radio and digital platforms. In 2023, he focused on promotional efforts for prior material while preparing new releases, maintaining visibility through targeted radio play.[36] By 2024, "I Know She Hung the Moon" emerged as a tender tribute to maternal love, earning airplay and streaming traction for its emotional depth.[37] In 2025, "Cowboys in Heaven" debuted as his latest single, pre-saved ahead of release and accompanied by an official music video that evoked themes of legacy and the afterlife in cowboy culture, further solidifying his enduring appeal.[38] Post-pandemic, Walker ramped up live performances, emphasizing intimate connections with audiences after years of restrictions. He launched the Drive Me Smooth Tour in March 2025, a 20-date run across the U.S. that included stops in Texas, Florida, and beyond, featuring high-energy sets blending his classic hits with newer material.[39] The tour name, a playful nod to his smooth vocal style, highlighted his resilience in returning to the road, with shows often extending to encores of fan favorites.[40] Culminating in a headline performance at Nashville's Ryman Auditorium on November 9, 2025, the tour underscored Walker's commitment to live music as a core element of his career revival.[41] In 2025, Walker was profiled in Cowboys & Indians magazine's November issue, where the feature "Nothing Can Slow Down Clay Walker" explored his three-decade career, health challenges, and unwavering passion for country music.[42] Complementing this, a 2024 YouTube video titled "Clay Walker: Music, Resilience, and Raising Awareness" captured his reflections on perseverance amid multiple sclerosis, amassing views for its candid insights into balancing artistry and advocacy.[43] Walker's digital footprint has grown significantly, with over one billion total streams across platforms by 2023, driven by catalog favorites like "She Won't Be Lonely Long," which achieved 2x Platinum certification in June 2025 for exceeding two million units.[44][45] His active social media presence, particularly on Facebook and Instagram, fosters direct fan engagement, with posts about tours and singles regularly garnering thousands of interactions and boosting streaming numbers for recent releases.[41] This online vitality has helped bridge his '90s fanbase with younger listeners discovering his music via playlists and viral clips.[46]Artistry
Musical style
Clay Walker's vocal style is characterized by a powerful baritone delivery that conveys deep emotion and sincerity, often blending vulnerability with a rugged edge in his phrasing. His emotive approach shines particularly in ballads, where he employs smooth, controlled tones to emphasize heartfelt narratives, drawing comparisons to the traditionalist vocal precision of artists like George Strait.[47][2] Thematically, Walker's songwriting centers on heartland country motifs such as romantic love, small-town existence, and personal resilience, evolving from the upbeat, celebratory anthems of his 1990s work to more introspective reflections on life's journeys in later releases. These relatable narratives prioritize everyday experiences and emotional authenticity, as seen in tracks exploring marital devotion and overcoming challenges.[2][48][49] In production, Walker's early music adheres to a neotraditional country sound, featuring prominent steel guitar and fiddle to evoke classic honky-tonk roots, while his 2000s and beyond output incorporates pop-country elements like piano-driven ballads for broader appeal. This blend maintains a focus on the song's core integrity over elaborate arrangements, ensuring his naturally gifted vocals remain central.[50][48][2] Walker frequently co-writes his material, favoring collaborative processes that yield strong hooks and direct, narrative-driven lyrics, as evident in songs like "Need a Bar Sometimes" and "Texas to Tennessee," which highlight his preference for accessible, story-based compositions.[2][49]Influences and collaborations
Clay Walker's musical development was profoundly shaped by traditional country icons, particularly George Strait, whose smooth, unwavering vocal delivery served as a model for Walker's own style. In interviews, Walker has expressed admiration for Strait's ability to maintain authentic country roots without chasing pop trends, crediting him as a key influence during his formative years in Beaumont, Texas.[51] Similarly, Merle Haggard impacted Walker's songwriting approach, emphasizing storytelling and emotional depth in ballads, while early exposure to artists like Randy Travis and George Jones through his father's record collection instilled a strong foundation in classic country phrasing and grit.[52] His father's "stone cold country" tastes, favoring Haggard as a favorite alongside Travis, Keith Whitley, and Earl Thomas Conley, further reinforced Walker's appreciation for heartfelt, narrative-driven music over more commercial sounds.[52] Walker has also nodded to these roots in discussions of his hybrid style, blending traditional elements with modern production to create accessible yet rootsy tracks, as seen in his reflections on emulating the iconic singers he grew up idolizing.[53] Key mentors guided Walker's early career, including producer James Stroud, who discovered him in a Beaumont bar and helmed his debut albums, helping refine his sound for mainstream appeal.[2] Songwriters like Kim Williams also influenced his craft through collaborations on hits such as "Who Needs You Baby," where Williams' expertise in crafting relatable country narratives elevated Walker's material.[54] Walker's collaborations highlight his collaborative spirit, including duets like his cover of "Before the Next Teardrop Falls" with Freddy Fender and live performances with peers such as Tracy Lawrence on classics like "Amarillo by Morning."[55] More recently, he co-wrote the introspective ballad "Change" with Shane Allen and Kyle Jacobs, incorporating personal themes of growth that echo his influences' emphasis on emotional authenticity.[56] These partnerships have allowed Walker to bridge generations, contributing to his enduring traditional-modern fusion.[52]Personal life
Marriages and family
Clay Walker married rodeo queen Lori Jayne Lampson on October 24, 1992.[57] The couple had two daughters: MaClay DaLayne, born January 14, 1996, and Skylor ClayAnne, born May 14, 1999.[58] They divorced in 2006.[59] Walker married model Jessica Craig on September 28, 2007.[60] The couple has five children: son William Clayton, born August 5, 2008; daughter Mary-Elizabeth, born December 27, 2009; son Elijah Craig, born April 2013; son Ezra Stephen, born July 2017; and son Christiaan Michael, born January 5, 2021.[58][61][62] In April 2023, Walker and Craig announced they were expecting a sixth child together, a daughter due that fall, but suffered a miscarriage at 20 weeks.[63][59] The family resides on a farmstead south of Nashville, Tennessee, where Walker balances his touring schedule with parenting responsibilities.[64] He frequently shares public moments with his children, such as inviting them onstage during concerts to perform covers and originals, highlighting their involvement in his professional life.[65][66]Health challenges and advocacy
In April 1996, at the age of 26, country music artist Clay Walker was diagnosed with relapsing-remitting multiple sclerosis shortly after the release of his debut album. The diagnosis followed initial symptoms that emerged while he was playing basketball, including numbness on one side of his body, facial spasms, and double vision. Walker initially kept his condition private during the early stages of his career to avoid potential impacts on his burgeoning success in the music industry. Walker has managed his multiple sclerosis through daily Copaxone injections since his diagnosis, combined with lifestyle adaptations such as a regimen of physical exercise, balanced nutrition, and stress management techniques to maintain remission and overall health. He publicly disclosed his condition in 2003, marking a shift toward openness about his personal health journey. That same year, Walker founded Band Against MS, a nonprofit organization dedicated to raising awareness, funding research, and providing support for individuals living with multiple sclerosis. The organization hosts annual galas and events, including charity rides and auctions, which have collectively raised over $2.6 million for MS research and patient services as of 2024. Band Against MS collaborates with the National Multiple Sclerosis Society to advance education and therapeutic advancements. In 2024 and 2025 interviews, Walker discussed experiencing a relapse with intensified symptoms, including muscle weakness and mobility challenges, for which he underwent surgery to implant a baclofen pump for spasticity management; despite this rough patch, he emphasized his resilient positive outlook and commitment to his ongoing music career without any halt. His family's support has been instrumental in navigating these health challenges.Discography
Studio albums
Clay Walker's debut studio album, Clay Walker, was released on August 3, 1993, by Giant Records and produced by James Stroud. It included key tracks such as "What's It to You," "Live Until I Die," and "Dreaming with My Eyes Open," all of which became number-one singles on the Billboard Hot Country Songs chart. The album was certified platinum by the RIAA, signifying sales of one million units in the United States.[67] His second album, If I Could Make a Living, followed on October 25, 1994, also on Giant Records with production by James Stroud.[68] Standout tracks included the title song and "This Woman and This Man," the latter reaching number one on the country charts.[68] It earned platinum certification from the RIAA.[67] Hypnotize the Moon, released September 26, 1995, on Giant Records and produced by James Stroud, featured "This Woman and This Man" as a number-one hit; the title track and "Who Needs You Baby" both peaked at number two. The album achieved platinum status from the RIAA.[67] In 1997, Rumor Has It came out on Giant Records, co-produced by James Stroud and Clay Walker himself.[69] Key singles included the title track, which topped the Billboard Hot Country Songs chart, and "I Can't Sleep."[69] It was certified platinum by the RIAA.[67] Live, Laugh, Love, Walker's fifth studio release, appeared on August 24, 1999, via Mercury Records and was co-produced by Doug Johnson and Walker.[70] The album highlighted the title track, a number-one country single, as well as "The Chain of Love." It received gold certification from the RIAA.[71] The sixth album, Say No More, was issued on March 20, 2001, on Giant Records with production handled by Byron Gallimore, Brent Mason, Blake Mevis, and Walker.[72] Notable tracks encompassed the lead single of the same name and "If You Ever Felt a Love Song." No RIAA certification was awarded.[67] A Few Questions, released September 9, 2003, on RCA Records Nashville, was co-produced by Jimmy Ritchey and Walker.[73] It spotlighted the reflective title track, which peaked at number nine on the Billboard Hot Country Songs chart, and "I Don't Know How Love Starts." No RIAA certification followed.[67] Walker's eighth studio effort, Fall, arrived on April 17, 2007, through Curb Records and produced by Keith Stegall.[74] The title track became a top-five country single, supported by others like "You're Beginning to Get to Me." The album peaked at number 15 on the Billboard Top Country Albums chart.[16] It did not receive RIAA certification. She Won't Be Lonely Long, issued June 8, 2010, on Curb Records and primarily produced by Keith Stegall (with Doug Johnson on select tracks), led with its title single reaching number four on the country charts.[75] Additional highlights included "Where Do I Go from You" and "Jesse." The album peaked at number 16 on the Billboard Top Country Albums chart.[16] It did not receive RIAA certification (the title single was certified 2× Platinum by the RIAA in 2025).[76] After a hiatus, Long Live the Cowboy was released on January 21, 2019, via Curb Records and produced by Michael Knox. Key tracks featured the upbeat title song and "She Gets What She Wants." No RIAA certification was issued. Walker's most recent studio album, Texas to Tennessee, came out on July 30, 2021, on Show Dog Nashville and co-produced by Michael Knox and Jaron Boyer.[77] It included the reflective title track and "Need a Bar Sometimes," marking his return to charting with a fresh label. No RIAA certification has been awarded.| Album | Release Year | Label | Certification (RIAA) |
|---|---|---|---|
| Clay Walker | 1993 | Giant | Platinum |
| If I Could Make a Living | 1994 | Giant | Platinum |
| Hypnotize the Moon | 1995 | Giant | Platinum |
| Rumor Has It | 1997 | Giant | Platinum |
| Live, Laugh, Love | 1999 | Mercury | Gold |
| Say No More | 2001 | Giant | None |
| A Few Questions | 2003 | RCA | None |
| Fall | 2007 | Curb | None |
| She Won't Be Lonely Long | 2010 | Curb | None |
| Long Live the Cowboy | 2019 | Curb | None |
| Texas to Tennessee | 2021 | Show Dog Nashville | None |
Number-one singles
Clay Walker achieved seven number-one hits on the Billboard Hot Country Songs chart throughout the 1990s, marking key milestones in his early career and showcasing his appeal with upbeat, romantic ballads that resonated with country audiences. These singles, all from his initial albums with Giant Records (and one later compilation), highlighted his smooth vocal delivery and songwriting collaborations, contributing to his status as a prominent '90s country artist without any crossover success on the Billboard Hot 100.[78] His number-one singles are detailed below, including release years, affiliated albums, writers, peak chart dates, and durations at the top.| Single | Year | Album | Writers | Peak Date | Weeks at #1 |
|---|---|---|---|---|---|
| "What's It to You" | 1993 | Clay Walker | Robert Ellis Orrall, Curtis Wright | October 16, 1993 | 2 |
| "Live Until I Die" | 1994 | Clay Walker | Clay Walker | January 15, 1994 | 2 |
| "Dreaming with My Eyes Open" | 1994 | Clay Walker | Tony Arata | April 2, 1994 | 1 |
| "If I Could Make a Living" | 1994 | If I Could Make a Living | Alan Jackson, Keith Stegall, Roger Murrah | November 26, 1994 | 2 |
| "This Woman and This Man" | 1995 | Hypnotize the Moon | Ed Hill, Mark D. Sanders | March 18, 1995 | 2 |
| "Rumor Has It" | 1997 | Rumor Has It | M. Jason Greene, Clay Walker | April 12, 1997 | 1 |
| "You're Beginning to Get to Me" | 1998 | Greatest Hits | Tom Shapiro, Aaron Barker | December 5, 1998 | 1 |