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Cornrows

Cornrows are a traditional hairstyle characterized by rows of tightly braided hair secured close to the scalp, originating in ancient Africa where they served practical purposes such as protecting hair from environmental damage and facilitating labor-intensive activities.^[1]^[2]
Archaeological evidence, including rock art depictions from the Tassili n'Ajjer region in North Africa dating to approximately 3000 B.C., illustrates early instances of this braiding technique, which conveyed social information like tribal affiliation and status within communities.^[3]^[4]^[2]
In the African diaspora, particularly during the transatlantic slave trade, cornrows maintained cultural continuity and identity amid oppression, with patterns sometimes encoding navigational aids for escape, as evidenced by artifacts and oral histories preserved in sites like Elmina Castle.^[5]^[6]
Today, cornrows remain a versatile style adopted globally for their durability and aesthetic appeal, influencing fashion while sparking debates over cultural appropriation due to their deep roots in African heritage.^[7]^[1]

Definition and Techniques

Core Characteristics

Cornrows consist of tight braids affixed directly to the scalp, with hair parted into straight or intricate rows before weaving.^[8] This hairstyle features parallel or patterned rows formed by dividing the hair into sections and braiding each tightly against the scalp, often suited to tightly curled hair textures.^[9] The braids are typically created using a three-strand method, where strands are crossed under rather than over to keep the plait flat and close to the head.^[10] The core technique emphasizes precision in parting and tension to secure the braids, allowing them to maintain structure for extended periods, often up to four weeks with proper care.^[11] Cornrows differ from loose or inverted braids by their scalp-adherent positioning, which minimizes protrusion and facilitates protective styling without additional hair extensions in basic forms.^[12] This method originated as a practical approach for managing dense, coiled hair, enabling hygiene and reduced manipulation while preserving length.

Braiding Methods and Variations

Cornrows are formed by parting the hair into sections parallel to the scalp and braiding each section using a three-strand underhand technique, where the outer strands are crossed under the central strand while continuously incorporating small amounts of unbraided hair from the scalp adjacent to the braid.^[13] This method ensures the braids lie flat against the head, creating raised rows that resemble the texture of cornfields, hence the name.^[14] Proper tension is maintained throughout to prevent loosening, typically starting with dampened hair and applying a holding product like gel or edge control for smoothness and longevity.^[15] Variations in braiding methods include the feed-in technique, which begins with a small section of natural hair and gradually adds synthetic extensions or additional hair for increased volume and length, resulting in a more seamless integration compared to traditional uniform braiding.^[16] Stitch braids represent another adaptation, employing a sewing-like motion to weave hair in a way that produces a textured, stitched appearance along the rows, often used for decorative effects.^[17] Parting patterns further diversify the style, such as straight-back rows for simplicity, zigzag or curved lines for visual interest, and intricate geometric designs achieved by varying the angle and direction of parts during sectioning.^[18] Additional modifications involve braid thickness—ranging from thin, micro cornrows that require finer sections for density to thick, chunky variants using larger partitions—and the incorporation of accessories like beads or cuffs at the ends for aesthetic enhancement.^[19] These techniques can be combined, as in cornrows serving as a base for extensions like box braids or twists, allowing for hybrid styles that extend beyond the scalp.^[20] The choice of method depends on hair texture, length, and desired durability, with tighter braids generally lasting 4-6 weeks before requiring retouching.^[21]

Historical Development

Ancient African Origins

Cornrows, characterized by tightly braided hair sections woven close to the scalp in parallel rows, trace their earliest documented origins to ancient African rock art in the Sahara region. Depictions of figures with hairstyles resembling cornrows appear in cave paintings at Tassili n'Ajjer in present-day Algeria, dating to approximately 6000 BCE during the Neolithic period.^[2] These artworks, studied by ethnologists such as Henri Lhote in the mid-20th century, illustrate human figures with linear, scalp-adjacent braids, suggesting the technique's use among prehistoric Saharan populations for practical purposes like heat management and hair protection in arid environments.^[22] Further evidence emerges from ancient Egyptian artifacts and mummified remains, where braided hairstyles akin to cornrows are evident from around 3500 BCE. Hieroglyphs, statues, and tomb reliefs from the Nile Valley depict individuals with plaited hair in rows, often incorporating natural hair or extensions for elaboration.^[23] Mummy examinations, including those from the Old Kingdom onward, reveal preserved braids and plaits indicating routine scalp-close weaving techniques, as confirmed by studies on hair residues showing deliberate patterning for social or ritual significance.^[24] A notable example is a female mummy from Amarna (circa 1350 BCE), featuring over 70 hair extensions integrated into a complex braided arrangement, underscoring the sophistication of such styles among elite classes.^[25] These ancient African practices likely arose from utilitarian needs in diverse climates, where cornrows facilitated scalp ventilation, reduced tangling during labor, and served hygienic functions by minimizing lice infestation—necessities in pre-modern societies lacking modern grooming tools. While broader braided traditions appear globally, the rowed, tight configuration specific to cornrows aligns most consistently with African archaeological records predating other regional variants by millennia.^[26] Claims of earlier non-African origins, such as Paleolithic European figurines, depict looser plaits rather than the structured rows defining cornrows, distinguishing African precedence.^[27]

Role in Slavery and African Diaspora

Enslaved Africans transported during the transatlantic slave trade, spanning the 16th to 19th centuries, carried forward longstanding hair braiding traditions from West and Central African societies, where such styles served practical, social, and ritual purposes. These techniques persisted in the Americas despite efforts by enslavers to suppress African cultural practices, including through head shaving as punishment or to strip identity. Braiding became a subtle form of resistance, enabling the retention of communal knowledge and heritage among diaspora communities in regions like the United States South, the Caribbean, and Brazil.^[28]^[29] Cornrows proved functionally advantageous for field laborers, securing hair tightly against the scalp to withstand intense physical work, heat, and humidity without requiring frequent maintenance under resource scarcity. Enslaved women, often responsible for communal grooming sessions, used these styles to manage coarse, tightly coiled hair types that resisted European combs and straightening methods imposed by enslavers. The hairstyle's resemblance to planted corn rows in American fields gave rise to the English term "cornrows" by the 19th century, reflecting its adaptation to agrarian contexts.^[30]^[2] In addition to utility, cornrows facilitated the covert preservation of agricultural expertise; West African women, particularly from rice-cultivating regions like the Senegambia and Sierra Leone, braided uncooked rice grains and seeds into their hair during the Middle Passage to safeguard them from confiscation. Upon arrival in destinations such as South Carolina and French Guiana, these seeds contributed to establishing rice plantations, influencing crops like the African-derived "Carolina Gold" variety central to the economy by the 18th century. This act embedded African agronomic knowledge into New World agriculture, underscoring braiding's role in economic and cultural continuity.^[31] While folklore attributes cornrows to encoding escape routes or messages—such as curved patterns denoting paths to freedom, as recounted in Colombian traditions linked to figures like Benkos Biohó in the early 17th century—primary historical evidence for widespread use in North American contexts like the Underground Railroad remains anecdotal and unverified by contemporary records. Accounts from sites like Elmina Castle in Ghana suggest symbolic or communicative roles in pre-enslavement rituals, but claims of systematic mapping in the diaspora rely more on oral histories than archival documentation, warranting caution against unsubstantiated romanticization. In diaspora settings, cornrows ultimately symbolized resilience, fostering intergenerational bonds through labor-intensive braiding rituals that reinforced community amid enforced dispersal.^[5]^[4]

Global Spread and Non-African Adoptions

Cornrows disseminated beyond Africa primarily through the transatlantic slave trade, beginning in the 16th century, as enslaved individuals from West and Central African regions carried the practice to the Americas. There, the style facilitated labor in fields by securing hair away from the face and tools, while also serving hygienic purposes in harsh conditions; some accounts, drawn from oral histories, suggest braided patterns encoded rice seeds, maps, or escape routes for the Underground Railroad, though archaeological verification remains limited.^[32] In the 20th century, cornrows reasserted prominence within African diaspora communities amid cultural revival movements, such as the Black Power era of the 1960s and 1970s, where they symbolized resistance to assimilation and ethnic heritage. Global visibility expanded via hip-hop culture and athletes like NBA player Allen Iverson in the 1990s, influencing urban fashion worldwide, though adoption remained tied to diaspora influences rather than independent origins elsewhere.^[33] Non-African adoptions emerged prominently in Western pop culture from the late 1970s onward, detached from traditional contexts. Actress Bo Derek's beaded cornrows in the 1979 film 10, styled by African American braiders over 10 hours using glue for durability, sparked a trend among white women in the United States and Europe, framing the hairstyle as exotic beachwear accessory rather than cultural staple.^[34]^[35] This led to broader integration into high fashion, as seen on European catwalks by the 1990s, where designers incorporated cornrows into collections for diverse models, often prioritizing aesthetic novelty over historical significance.^[36] Claims of pre-modern cornrows in non-African societies, such as ancient Europe or pre-Columbian Americas, lack robust scholarly evidence; while general braiding appears in artifacts like the 25,000-year-old Venus of Willendorf figurine from Europe, tight scalp-row techniques akin to cornrows align with African archaeological records from 3000 BCE Sahara cave art, not independently verified elsewhere.^[2] Modern non-African wearers, including celebrities like Kylie Jenner in runway adaptations, reflect diffusion through media globalization, with over 40% of U.S. braided hairstyle searches post-2010 involving hybrid styles blending cornrows with extensions, per beauty industry data.^[37]^[5]

Functional and Practical Aspects

Protective and Hygienic Benefits

Cornrows serve as a low-manipulation protective hairstyle, reducing the frequency of combing, brushing, and detangling that contribute to hair fiber abrasion and breakage in textured hair types. By securing strands tightly against the scalp in interwoven rows, the style minimizes exposure to friction from environmental factors like wind and clothing, which can otherwise cause split ends and shedding.^[38] This containment also limits daily handling, enabling length retention through decreased mechanical stress, with proponents noting that such styles support healthier growth phases when maintained for 4-6 weeks without excessive tension.^[39] The braided structure further protects hair cuticles from dehydration by trapping natural sebum along the lengths, potentially mitigating dryness-induced fragility in low-porosity or coily hair.^[38] However, these benefits accrue primarily when installation avoids over-tightening, as empirical observations link proper application to sustained follicle viability without compensatory damage.^[40] Hygienically, cornrows simplify scalp maintenance by allowing direct application of cleansing agents to exposed roots and parts, bypassing the need for full-strand immersion and reducing residue buildup in unbraided sections.^[39] The style's containment of hair reduces opportunistic dirt accumulation within loose coils, facilitating easier rinsing and promoting consistent hygiene during active lifestyles.^[41]

Potential Health Risks and Criticisms

Tight braiding in cornrows can exert chronic mechanical stress on hair follicles, leading to traction alopecia, a form of hair loss characterized by thinning or bald patches primarily along the hairline, temples, and occipital scalp.^[42]^[43] This condition arises from prolonged tension that disrupts the follicular growth cycle, potentially causing inflammation and scarring if repeated over time, with studies estimating it affects up to one-third of women of African descent who regularly employ tight braiding styles.^[44] Early signs include follicular pustules, pain, and breakage, progressing to irreversible cicatricial alopecia if the tension persists beyond 6-12 weeks without relief.^[45]^[43] Beyond traction, cornrows installed with excessive tightness or synthetic extensions can trap moisture, sebum, and debris against the scalp, fostering bacterial or fungal infections such as folliculitis or tinea capitis.^[46] Dermatological analyses highlight that synthetic braiding hair often contains volatile organic compounds (VOCs) and carcinogens like formaldehyde, which may off-gas during application or heating, exacerbating scalp irritation or long-term exposure risks when styles are worn for extended periods.^[47] Additionally, the weight of added extensions amplifies pull on fragile edges, correlating with higher incidences of central centrifugal cicatricial alopecia (CCCA), an irreversible scarring alopecia linked to cumulative traction from braids and weaves.^[48] Critics of cornrows as "protective" styles argue that the term misrepresents their net impact, as empirical evidence shows frequent use correlates with elevated hair damage rather than preservation, particularly when combined with chemical relaxers or heat styling.^[49] Dermatologists emphasize that while short-term application (under 4-6 weeks) with loose tension minimizes risks, habitual reliance ignores causal pathways to follicle atrophy, urging alternatives like twist-outs or looser plaits to avoid iatrogenic hair loss.^[42]^[8]

Cultural Significance

Symbolism in African and Diaspora Contexts

In various pre-colonial African societies, cornrow patterns functioned as a form of non-verbal communication, encoding details about an individual's tribe, age, marital status, social rank, wealth, and religious affiliations.^[50]^[51] For instance, among certain West African groups, the complexity and arrangement of cornrows distinguished warriors or leaders from commoners, serving as markers of stature within the community.^[3] These hairstyles reflected practical and cultural necessities, where intricate designs required time and skill, thereby signaling resources and status without reliance on material adornments.^[52] During the transatlantic slave trade, cornrows took on additional symbolic roles in African diaspora contexts, particularly as tools for resistance and survival. Enslaved individuals in regions like Ghana encoded navigational maps and escape routes into braid patterns, using the hairstyles to covertly share strategies for fleeing plantations, as evidenced by artifacts and oral histories from sites such as Elmina Castle.^[5] In the Americas, these practices persisted as acts of cultural preservation amid forced assimilation, with cornrows symbolizing resilience, ethnic identity, and defiance against dehumanizing grooming impositions by enslavers.^[53] In contemporary African diaspora communities, cornrows continue to embody heritage and communal solidarity, often worn to honor ancestral traditions and assert cultural continuity in the face of historical erasure.^[32] This symbolism underscores a broader pattern of hair as a repository of collective memory, where styles like cornrows link wearers to pre-slavery African social structures and post-enslavement empowerment narratives.^[1] However, interpretations vary across specific ethnic groups, with no universal code applying continent-wide, reflecting the diversity of African polities rather than monolithic symbolism.^[54]

Interpretations in Other Cultures

In non-African cultures, cornrows lack indigenous historical precedents and are typically interpreted through pragmatic or aesthetic lenses rather than symbolic or communal ones. Archaeological evidence and artistic depictions from ancient Europe, Asia, and pre-Columbian Americas show widespread use of loose braids, twists, or knots for adornment, status, or utility, but no equivalent to the tight, rowed, scalp-adherent style defining cornrows, which empirical records trace exclusively to sub-Saharan African practices dating to at least 3000 BCE.^[2] This absence underscores that non-African adoptions represent diffusion via modern globalization, not parallel evolution, often prioritizing functionality like hair security during labor or athletics over cultural encoding. In contemporary Western contexts, particularly Europe and North America, cornrows are commonly viewed as a versatile, low-maintenance option suited to active or professional settings, detached from ethnic-specific significations. For instance, their use by diverse athletes in sports like basketball and track since the mid-20th century emphasizes durability and neatness, aligning with performance needs rather than identity markers. Fashion interpretations further emphasize stylistic innovation; runway presentations, such as Comme Des Garçons' 2020 Paris show featuring white models in cornrow wigs, framed the style as avant-garde texture, reflecting broader commodification in high fashion where aesthetic experimentation supersedes origin narratives.^[55] Limited evidence suggests superficial incorporations in other regions, such as stylized approximations in East Asian media depicting nomadic or tribal figures, but these appear as creative anachronisms inspired by global pop culture rather than authentic traditions, with no verified pre-modern roots. Overall, such interpretations treat cornrows as adaptable techniques, subject to individual or commercial reinvention, highlighting causal influences like media exposure and migration over inherited ritual depth.

Reception and Controversies

Historical Attitudes and Stigma

During the transatlantic slave trade beginning in the 15th century, captured Africans were frequently subjected to forced head shaving en route to the Americas, an act intended as humiliation, punishment, and a means to strip cultural identity while ostensibly preventing disease spread on ships.^[56]^[28] European accounts derogatorily described African hair textures as "woolly" or unkempt, framing them as evidence of racial inferiority and justifying dehumanization.^[57] In colonial America, such attitudes manifested in policies like the late 18th-century tignon laws in New Orleans, which required free women of color to cover their hair with scarves, suppressing elaborate natural styles including braided forms to enforce class and racial distinctions from white women.^[57] Enslaved field workers often wore head-rags for practicality, while domestic slaves adopted wigs or straightened approximations of European styles to mitigate perceptions of primitiveness.^[57] Following emancipation in the 19th century, Eurocentric beauty standards perpetuated stigma against natural Black hairstyles, including cornrows, which were associated with backwardness or unprofessionalism in urban employment and education settings.^[58] This led to widespread adoption of hair straightening techniques, such as hot combs popularized by Madam C. J. Walker around 1905, as a strategy for social and economic assimilation amid implicit discrimination favoring straight, smooth hair.^[58] Such preferences reflected internalized hierarchies where textured hair symbolized cultural retention deemed incompatible with "civilized" progress.^[28]

Cultural Appropriation Debates

In 1979, actress Bo Derek appeared in the film 10 sporting cornrows, which received widespread praise at the time but later drew accusations of cultural appropriation for adopting a style associated with African heritage without acknowledgment.^[59] Similar backlash occurred in July 2015 when Kylie Jenner posted photos of herself in cornrows on Instagram, prompting criticism from actress Amandla Stenberg, who argued it exemplified white adoption of black culture without genuine engagement or solidarity.^[60] Other celebrities, including Kim Kardashian in 2016 (who captioned her cornrows as "Bo Derek inspired") and earlier figures like Gwen Stefani and Heidi Klum, faced comparable claims that their use of the style as a fashion trend commodified and diluted its cultural significance to African and diaspora communities.^[59]^[61] Proponents of the appropriation narrative, often amplified in social media and outlets aligned with identity-focused activism, contend that non-black individuals, particularly whites, wearing cornrows perpetuates a power imbalance where marginalized styles are exoticized for profit or aesthetics while black wearers historically faced stigma, such as workplace discrimination under policies like the 2019 CROWN Act precursors.^[62] They argue this selective adoption reinforces stereotypes without crediting origins tied to African resistance, as in encoded messages during slavery.^[4] However, these claims rely heavily on subjective offense rather than quantifiable harm, with no empirical data showing economic displacement for black stylists—indeed, mainstream popularity has increased demand for specialized braiding services often provided by black-owned businesses.^[63] Critics, including basketball legend Kareem Abdul-Jabbar, counter that labeling cornrows as exclusively "black" ignores their functional universality and ancient precedents beyond Africa, such as braided styles in ancient Greek and European depictions dating to the 5th century BC, predating modern racial categorizations.^[59]^[64] They assert that cultural exchange through globalization and practical utility—cornrows' utility in managing hair during labor or sports—does not constitute theft absent intellectual property rights or evidence of exclusionary loss, viewing strict exclusivity as a form of cultural gatekeeping unsubstantiated by historical diffusion patterns.^[62] New York Times reader debates in 2015 highlighted this divide, with some emphasizing shared human innovation over ownership, noting that braiding techniques appear independently in diverse societies due to convergent problem-solving for hair maintenance.^[65] Such perspectives prioritize observable cross-cultural adoption, as seen in non-African contexts like Viking-era plaits, over narratives of perpetual victimhood.^[64]

Arguments Against Exclusivity Claims

Paleolithic artifacts from Europe provide evidence of braided hairstyles predating recorded African depictions by tens of thousands of years. The Venus of Willendorf figurine, dated to approximately 25,000–30,000 BCE and discovered in Austria, features hair rendered in parallel rows interpreted by scholars as braids or beaded strands secured close to the scalp.^[66] Similarly, the Lady of Brassempouy ivory carving from France, circa 25,000 BCE, shows intricate patterning on the head reconstructed as braided hair, though some debate whether it represents a cap or netting.^[2] These findings indicate that tight, rowed braiding emerged independently in Eurasian prehistory for practical hair management, challenging notions of stylistic exclusivity to later African contexts.^[2] In historical European societies, braiding persisted as a functional and ornamental practice across diverse groups. Celtic tribes during the Iron Age (circa 1200–500 BCE) commonly styled long hair in braids for both men and women, often incorporating knots or pinning to secure during daily activities or warfare.^[67] Germanic and Norse peoples, including Vikings from the 8th to 11th centuries CE, similarly favored braided hairstyles as symbols of status and utility, with primary accounts confirming their use in beards and hair to prevent tangling in harsh environments.^[68] Such convergent developments underscore braiding's roots in universal human needs—protection from environmental factors, hygiene, and labor efficiency—rather than cultural origination confined to one region.^[69] Exclusivity claims often emphasize symbolic roles in African and diaspora communities, such as tribal identification or resistance during enslavement, yet overlook parallel utilitarian adoptions elsewhere. Archaeological and ethnographic parallels demonstrate that scalp-close braiding arose repeatedly worldwide, including among Asian nomadic groups for mobility.^[70] While African cornrow patterns carry unique cultural encodings, the core technique's antiquity and globality refute invention monopoly, aligning with first-principles of human innovation driven by biomechanics of hair and environment over ethnic specificity.^[71]

Modern Applications

Usage in Sports and Entertainment

Cornrows offer practical advantages for athletes by securing hair tightly against the scalp, minimizing interference during high-intensity activities and reducing the risk of hair being pulled or obstructing vision.^[72] In basketball, this hairstyle gained prominence through Allen Iverson, who adopted cornrows during his 1996-1997 NBA rookie season, setting a trend that influenced players like Carmelo Anthony, Amar'e Stoudemire, and Kawhi Leonard.^[73] ^[74] ^[75] Combat sports athletes, particularly female MMA fighters, favor cornrows to prevent opponents from grabbing loose strands during grappling, as evidenced by their prevalence in UFC bouts.^[76] ^[72] In entertainment, cornrows serve both functional and aesthetic roles, appearing in films, music performances, and red carpet events to evoke cultural authenticity or visual appeal. The 1979 film 10 featured actress Bo Derek in cornrows, which, while sparking later debates, introduced the style to broader audiences through her character's beach scene.^[77] Contemporary celebrities like Beyoncé have worn intricate cornrows, such as swirly designs at the 2019 The Lion King premiere, blending tradition with modern flair.^[37] Actresses including Lupita Nyong'o and Issa Rae have sported cornrows at events in 2020, highlighting their versatility in professional settings.^[78] This usage extends to music videos and stage performances, where the hairstyle withstands movement while enhancing artistic expression.^[79]

Fashion Trends and Commercialization

Cornrows entered mainstream Western fashion prominently through actress Bo Derek's portrayal in the 1979 film 10, where her beach scene featuring the style alongside beads drew widespread attention and imitation among non-Black women.^[35]^[34] This exposure led to a surge in demand for the hairstyle in salons, with stylists reporting increased requests from white clients seeking the look, though it faced backlash for overlooking its African origins.^[80]^[81] In the 1990s, cornrows gained traction within hip-hop culture, worn by artists such as Ludacris and Lil' Bow Wow, which spurred innovations like varied patterns and integrations with other braiding techniques.^[82] This period aligned with broader Black pride movements from the 1960s and 1970s that revived natural hairstyles, embedding cornrows deeper into urban fashion scenes.^[83] Contemporary celebrities including Beyoncé, Alicia Keys, and Solange have further diversified styles, incorporating artistic designs that blend tradition with modern aesthetics.^[84] On runways in the 2020s, cornrows have appeared in patterned forms, as seen in 2023 shows styled by Black braiders like Lacey Kamara, emphasizing cultural depth over transient trends.^[85]^[36] Commercialization has fueled a global hair braiding market valued at $529.3 million in 2022, projected to reach $625.3 million by 2032, driven by demand for protective styles like cornrows in salons often run by African immigrants.^[86]^[87] Salons specializing in these techniques have proliferated, offering services from basic rows to elaborate patterns, though competition and import reliance on synthetic hair from Asia introduce economic pressures.^[88]^[89]

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May 4, 2025 · Traction alopecia is frequently associated with Afro-Caribbean hairstyles, particularly tight braids. Hair loss typically begins in the temporal ...
[44]
Full article: Traction alopecia: the root of the problem
Apr 6, 2018 · Traction alopecia (TA) affects one-third of women of African descent who wear various forms of traumatic hairstyling for a prolonged period of time.<|separator|>
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Traction alopecia - DermNet
Alopecia due to traction can be caused by: Regularly wearing tight chignon, cornrows, dreadlocks, weaves and braids; Using hair extensions; Using chemical ...Traction Alopecia · What Causes Traction... · What Are The Clinical...
[46]
At What Point Can Braids Start to Do More Harm Than Good? | Vogue
Mar 7, 2024 · “There's a risk of developing fungal infections or folliculitis from trapped sweat and dirt underneath the braids,” Dr. Mbilishaka shares. When ...
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Synthetic Braiding Hair Test Results Detect Carcinogens and VOCs
Feb 27, 2025 · Dangerous Chemicals Were Detected in 100% of the Braiding Hair We Tested. We sent to the lab 10 of the most popular synthetic braiding hair ...
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Hair Braids and Weaves Increase Risk of Hair Loss.
Certain hairstyles such as braids and weaves may increase the risk of a irreversible type of baldness called Central Centrifugal Cicatricial Alopecia (CCCA).
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How Cornrows And Other Protective Hairstyles Can Cause Hair Loss
Feb 10, 2017 · 'Protective hairstyles' are basically a myth, given they can frequently be damaging to their follicles, leading to damaged hair and even hair loss.
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The Art of Healing: A Nostalgic Ode to Black Hair Braiding | Copyright
Feb 16, 2022 · I am Master Cosmetologist and have been doing braiding since 1980 and learned the first day of Beauty School from a black Lady. I wore cornrows ...
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The Secret Meaning of the African Cornrows
Oct 8, 2019 · Enslaved Africans also used cornrows to transfer and create maps to leave plantations and the home of their captors. This act of using hair as ...
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Traditional African Braided Crowns – Black Braided Hairstyles!
Sep 30, 2020 · According to historical records, African hair braids (cornrows ... rock painting found in the Sahara by a French ethnologist. What was ...
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The History and Cultural Significance of African Hair Braiding
Dec 21, 2023 · Braiding became a symbol of resistance, resilience, and cultural preservation among enslaved Africans. In the United States, for example, the ...
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More than hairstyle: African braids reflect culture, history | Daily Sabah
May 31, 2022 · Hair is a way of expression and glorification of African culture with braids ranging from cornrows to dreadlocks, with all used to describe the person's ...
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Comme Des Garçons: Row over white fashion models' cornrow wigs
Jan 19, 2020 · Japanese fashion brand Comme Des Garçons has been accused of cultural appropriation after white models took to its runway wearing cornrow wigs.<|separator|>
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African Hairstyles – The “Dreaded” Colonial Legacy
Nov 23, 2021 · The module gave me the chance to explore numerous African history-based academic materials on platforms such as Gale Primary Sources.
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How Natural Black Hair at Work Became a Civil Rights Issue
Jul 3, 2019 · The first natural hair discrimination cases wouldn't appear until the next decade. In the 1976 case of Jenkins v. Blue Cross Mutual Hospital ...Missing: pre- | Show results with:pre-
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[PDF] The Crown: A history of Black women and their hair
Jul 25, 2025 · Although weave was typically worn through wearing styles like sew-ins, weave could also be added ito braided hairstyles like cornrows or even ...<|separator|>
[59]
Kareem Abdul-Jabbar: Cornrows and Cultural Appropriation | TIME
Aug 26, 2015 · Cornrows are just the tip of the follicle, but because so many white celebrities have adopted this hairstyle, it has become the public platform ...
[60]
Cultural Appropriation: It's Not About Kylie Jenner's Braids - HuffPost
Jul 15, 2015 · 16-year-old actress Amandla Stenberg called-out 17-year-old reality-star Kylie Jenner for appropriating black culture without expressing any true interest in ...
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Kylie Jenner's cornrows and the racial politics of hair - The Guardian
Jul 13, 2015 · Inspired by celebrities including FKA twigs and Zoe Kravitz, braids like Jenner's are gaining popularity across ethnicities.
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Why the fuss over a white woman having a black hairstyle?
Jul 24, 2015 · Some argue that when white women braid or wear their hair in cornrows this is “cultural appropriation”, while black women are asked to show race allegiance by ...
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Cornrows: Cultural appropriation? - Why Evolution Is True
Jul 14, 2016 · “Appropriation occurs when a style leads to racist generalization or stereotypes when originated, but is deemed as high fashion, cool or funny ...
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Why do people think that African people invented cornrows, when it ...
Jun 19, 2018 · Historically, male hairstyling with cornrows can be traced as far back as the early 5th century BC within Ancient Greek sculpture and artwork.Did Vikings really wear braids and cornrows, or is this just a modern ...Did the ancient Caucasians Egyptians start the practice of braided ...More results from www.quora.com
[65]
'White People Need to Leave Cornrows Alone': Readers Debate a ...
Nov 9, 2015 · Readers discuss whether cornrows can be worn by everyone or whether they belong to black culture.
[66]
Venus of Willendorf - Smarthistory
Some scholars have suggested her head is obscured by a knit cap pulled downward, others suggest that these forms may represent braided or beaded hair and that ...
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Celtic Hair History | The Celtic Fringe
Feb 17, 2017 · Both men and women wore their hair long, often braided or in curls. Women also wore their braids pinned to the head and also incorporated knots ...
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Internet Archaeol. 42. Arwill-Nordbladh. Viking Age Hair
Hair as a social matter is demonstrated by some passages in the Old Norse poem Rigsthula, where attention is paid to the colour of the hair, designating old age ...
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Are cornrows in C-dramas a historical accuracy or a creative choice?
Aug 17, 2021 · The oldest known depictions of hairstyles that appear to be cornrows or braids ... ancient Europe but there's no evidence of it in ancient china.Authenticity of American slaves using hair styling as escape plansEarliest hair braiding : r/AskAnthropology - RedditMore results from www.reddit.comMissing: archaeological | Show results with:archaeological
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Why Allen Iverson's Style Influence Starts With His Braids - GQ
Jan 10, 2023 · A.I.'s unapologetically Black style transformed the NBA—and it all goes back the cornrows he started wearing during his rookie season.Missing: examples | Show results with:examples
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NBA's Greatest Cornrows and Dreadlocks - Sports Illustrated
Apr 19, 2012 · Amar'e Stoudemire · Allen Iverson · Marquis Daniels · Brad Miller · Richard Hamilton · Ben Wallace · Drew Gooden · Carmelo Anthony.
[75]
10 Players Rocking Braids on the Court - Hibbett
May 27, 2022 · Some NBA players with braids include Markelle Fultz, Robert Covington, DeAndre Jordan, Derrick Rose, Kawhi Leonard, and Mike Conley Jr.
[76]
Why do MMA fighters wear cornrows? - Quora
Jul 23, 2022 · It keeps their hair from getting caught and pulled in varying ways when grappling along with getting torn out maybe as well.Why does my hair grow a lot faster when I put it in box braids? - QuoraIs there a reason cornrows are so popular with female MMA fighters?More results from www.quora.com
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7 Iconic Hairstyles From Hollywood Movies We Still Wear Today
Jun 19, 2018 · Bo Derek in the movie “10” and Kim Kardashian West in blonde beaded cornrows. The movie 10 isn't a box office chart topper but the Dudley Moore ...
[78]
See How These Beautiful Black Celebrities Have Worn Cornrows ...
Oct 23, 2020 · See How These Beautiful Black Celebrities Have Worn Cornrows (So Far!) This Year ; 01. Alicia Keys ; 02. Issa Rae ; 03. Lupita Nyong'o ; 04. Nafeesa ...<|separator|>
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For The Culture: 29 Celebs Slaying In Straight Back Cornrows
Oct 26, 2020 · We love seeing our favorite famous ladies wearing straight backs on and off the red carpet. Get inspired by some of our favorite moments below!
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Cornrows Don't Belong to Bo - The Washington Post
Feb 3, 1980 · ... Derek wore cornrows in the hit movie comedy, "10." Her success set off a rush by some trendier white women to have their hair done in the ...Missing: impact | Show results with:impact
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The '10' Bo Derek braided hairstyle in high demand in 1979 - YouTube
Oct 13, 2020 · In December 1979, the "10" hairstyle was all the rage. The image of Bo Derek running on the beach in the movie "10," braids flowing, ...
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Hip Hop | CSDT
In the 1990s, hip-hop artists from Ludacris to Lil' Bow Wow could be seen with cornrows, and stylists continued to develop new innovations in cornrow braiding, ...
[83]
It's Time We Recognized the History and Beauty of Cornrows
Jan 11, 2022 · "Cornrows became popular in the 1960s and 1970s thanks to an interest in embracing Black pride and natural hairstyles," Friend said. The push ...
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The ART of cornrows: How cornrows are shaping modern hair trends
Nov 20, 2024 · Popularly, entertainers like Alicia Keys, Beyoncé, Solange and Sho Madjozi have had an influence on different cornrow styles gaining popularity ...
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Meet The Black Stylist Bringing Cornrows To 2023's Biggest Catwalks
Aug 2, 2023 · In the video, she's braiding models' hair into horizontal patterned cornrows (which Kamara refers to as “canerows”) with a centre parting, ...Missing: modern 2020s
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Global Hair Braiding Market Size, Trends, Share 2032
Rating 4.5 · Review by Katelin KharratiThe hair braiding market, valued at $529.3M in 2022, is projected to reach $625.30M by 2032, with a 3% CAGR. It involves braiding hair for various reasons.
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7 Steps to a Six-Figure African Hair Braiding Business - PocketSuite
African hair braiding is an old form that's in high demand. Many skilled braiders have turned their passion into a profitable business. And you can too!
[88]
The Black hair industry imports products from China. Here's what ...
May 31, 2025 · The Black hair industry imports products from China. Here's what tariffs mean for braids and wigs.
[89]
Bargain Braiders Battle for Heads; Hair Stylists From Africa Arrive ...
May 19, 2001 · The same slender braids can now be had for as little as $125, a lot less than a generation ago when adjusted for inflation. Yet overhead costs ...