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Crime Busters

Crime Busters (Italian: I due superpiedi quasi piatti) is a 1977 film directed by Enzo Barboni (credited as E.B. Clucher), starring the comedic duo as two unemployed friends who accidentally enlist as officers following a failed attempt. The plot centers on Wilbur Walsh (Bud Spencer), a laid-back giant, and Matt Kirby (), a quick-witted schemer, who plan to rob a in but mistakenly break into the neighboring recruitment office. Impressed by their bold entry, the recruitment officer enlists them on the spot to avoid arrest. As novice cops, the pair navigates a series of mishaps while busting a criminal involved in drug smuggling, relying on their brute strength, street smarts, and antics to succeed where traditional policing fails. Filmed primarily on location in , , with interiors shot at De Paolis Studios in Rome, Italy, Crime Busters exemplifies the buddy cop genre's early influences through its blend of humor, action, and the duo's signature . Hill and Spencer, who rose to fame in spaghetti westerns like (1970), deliver their chemistry-driven performance that made the film a hit among European audiences. It holds a 7.1/10 rating on from over 13,800 user reviews and continues to be celebrated as a in the action-comedy canon.

Synopsis

Plot Summary

In Crime Busters, unemployed drifters Wilbur Walsh () and Matt Kirby () meet at the docks after both fail to secure jobs and decide to rob a nearby to make ends meet. Mistaking the layout in the dark, they break into a recruitment office instead, where they are caught by officers but talk their way out by pretending to enlist voluntarily. To evade for the attempted break-in, the duo signs up for the police force, hoping to perform poorly enough to be dismissed quickly with a payout. Assigned as rookie motorcycle patrolmen under the gruff Captain McBride (), Wilbur and Matt immediately bungle their duties through a series of comedic mishaps, such as Wilbur demanding an oversized uniform at the and the pair accidentally arresting a high-ranking official during a routine stop. Despite their incompetence, their unorthodox methods inadvertently resolve minor crimes, earning reluctant tolerance from their superiors. The dynamic between the laid-back, food-obsessed Wilbur and the quick-witted provides ongoing comic tension as they navigate training exercises and street patrols. The plot escalates when Matt encounters the Wang family, a group of immigrants running a local laundry, and befriends their young niece Susy Lee (). Soon after, the family discovers their uncle, a recent arrival from , has been murdered, his body found floating in the harbor with signs of foul play. Suspicious of the circumstances, Wilbur and Matt begin an unofficial investigation, uncovering ties to a ruthless smuggling ring that hides inside Chinese dolls. The operation is masterminded by mob boss Curly ( Catenacci), with involvement from his enforcers including the bizarre gang leader ( Rossi), who dresses as a Native and drives a vintage . Matt also develops a romance with Susy Lee during the probe. As the duo delves deeper, they face escalating threats from the gang, including ambushes by Geronimo's street thugs and attempts by Curly's operatives to silence witnesses. Key confrontations include a chaotic brawl at a where Wilbur and Matt overpower multiple assailants using improvised weapons, and a rigged football game against Geronimo's team that turns into a full-scale . The investigation leads them to the gang's hideout in a , where they engage in a massive fistfight against dozens of henchmen—employing punches, kicks, and environmental objects like bowling pins—ultimately defeating Curly and Geronimo. With the ring dismantled and the truth exposed, the protagonists return triumphant. Captain McBride, initially skeptical, commends them as for busting the drug operation, awarding them official badges and turning their accidental career into a permanent one.

Comic Style and Elements

Crime Busters exemplifies the slapstick-driven action-comedy style prevalent in Italian cinema, particularly in the films of , where physical humor and choreographed brawls form the core of the entertainment. The movie features recurring gags centered on misunderstandings and exaggerated physical comedy during investigations, such as chaotic chases through streets and botched stakeouts that escalate into comedic mayhem. These elements parody tropes by portraying the protagonists as bumbling rookies who stumble upon solutions through sheer luck and unorthodox methods rather than rigorous procedure, subverting expectations of competent . The buddy dynamic between the mismatched partners—Wilbur Walsh's brute strength contrasting Matt Kirby's cleverness and quick wit—serves as the narrative engine for much of the humor, with their interplay highlighting comedic tension in high-stakes scenarios. In fight scenes, Spencer's character delivers powerful, heavy-handed punches, often knocking out multiple opponents in a single blow, while Hill's agile dodges and acrobatic maneuvers add layers of visual comedy to the slapstick violence. This contrast not only drives the story's action sequences but also amplifies the film's lighthearted tone, making their partnership a hallmark of the genre. The film incorporates cultural for comedic effect in line with 1970s conventions, notably through the depiction of a immigrant involved in the , whose interactions with the protagonists lead to humorous misunderstandings during key investigations. Recurring gags involving the 's quirky dynamics and the duo's clumsy attempts to communicate underscore the movie's reliance on broad, situational humor rather than subtle wit. Overall, these stylistic choices emphasize the film's role as an entertaining, trope-laden entry in the buddy-cop subgenre, prioritizing fun over realism.

Cast

Lead Actors

The lead actors in Crime Busters (1977) are Terence Hill and Bud Spencer, who portray the film's central protagonists, Matt Kirby and Wilbur Walsh, respectively—two small-time crooks who unexpectedly join the police force. Terence Hill plays Matt Kirby, a sly and acrobatic con artist who transitions into a rookie cop, drawing on Hill's established expertise in agile action sequences from his extensive work in spaghetti westerns during the 1960s and 1970s. Hill's performance emphasizes quick-witted maneuvers and physical dexterity, honed through roles in films like They Call Me Trinity (1970), where his athleticism contributed to the character's charm and comedic timing. Bud Spencer portrays Wilbur Walsh, the hulking yet good-hearted enforcer whose brute strength and gentle demeanor drive much of the physical comedy. Spencer's imposing physique, a result of his background as an swimmer who competed for in the 1952 Helsinki and 1956 Games, lends authenticity to Walsh's role as the duo's muscle. Crime Busters marks the eighth collaboration between Hill and Spencer, following their breakthrough partnership in (1970), which popularized their "two against the world" formula of mismatched buddies tackling adversity through humor and brawls. This dynamic, refined across films like Ace High (1968) and Watch Out, We're Mad! (1974), positions Hill as the clever schemer and Spencer as the stoic powerhouse, creating a signature non-verbal humor reliant on expressive reactions and improvised banter. Their interplay in Crime Busters enhances the film's buddy-cop , with Hill's ad-libbed quips contrasting Spencer's silent, responses to amplify the comedic tension.

Supporting Actors

David Huddleston portrayed Captain McBride, the gruff and authoritative police captain who inadvertently recruits the protagonists after their botched robbery attempt leads them to the precinct, serving as a stern mentor and comedic foil to their bumbling antics throughout the film. His performance provided a grounding presence in the Miami-set story, contrasting the leads' chaotic energy with disciplined exasperation during training and investigations. Laura Gemser played Susy Lee, a woman whose sister has been by the criminal gang; she enlists the protagonists' help and provides key information during their investigation into the counterfeiting and operations. Her role complemented the central pair by introducing elements of intrigue in key scenes, enhancing the film's blend of and light elements without dominating the narrative. Luciano Catenacci embodied Fred "Curly" Cline, the sleazy and bombastic leader of the antagonistic , delivering exaggerated villainy in confrontations that highlighted the protagonists' physical prowess and ingenuity. Supported by henchmen like in a tough , Catenacci's drove the 's criminal stakes, providing clear foils for the ' triumphs. April Clough appeared as Angie Crawford, the feisty love interest who sparks romantic subplot dynamics and offers occasional aid to the leads, reinforcing themes of amid the chaos. Other notable supporting players included Ezio Marano as the menacing "Bloodsucker," a operative adding brute force to the antagonists, and minor roles such as the Wang family members, emphasizing the immigrant central to the . These ensemble elements underscored the film's exploration of Miami's diverse underbelly. The casting reflected an international collaboration typical of 1970s Italo-Western comedies, blending American actors like Huddleston for authentic Miami authority figures with Italian performers such as Catenacci and Pizzuti for efficient production of gang roles, creating a multicultural backdrop that enriched the story's setting.

Production

Development

The development of Crime Busters was spearheaded by Enzo Barboni, who wrote the story and screenplay under his pseudonym E.B. Clucher and also directed the film. Barboni envisioned reuniting the popular duo of Terence Hill and Bud Spencer as a pair of bumbling, reluctant police officers, shifting their established comedic dynamic from the western genre to an urban crime comedy setting. This concept drew inspiration from the duo's earlier successes in spaghetti westerns, such as They Call Me Trinity (1970) and Trinity Is Still My Name (1971), both also directed by Barboni, where their physical humor and mismatched partnership had proven highly appealing to international audiences. To enhance its appeal for export markets, particularly in the United States, Barboni incorporated a Miami, Florida, setting, emphasizing vibrant American locales while retaining core elements of Italian commedia all'italiana—satirical takes on authority figures and slapstick action blended with buddy-cop tropes like accidental recruitment and mismatched partners. The script highlighted the protagonists' accidental entry into law enforcement after a botched robbery, focusing on their street-level investigations against a gang, which allowed for the duo's signature fistfights and comedic mishaps without relying on special effects. Production was handled by Tritone Cinematografica and T.O.T.A., with planning centered on leveraging the stars' popularity following a three-year hiatus in their joint projects since Two Missionaries (1974). Development began in 1976 to enable a swift release, capitalizing on the duo's enduring draw in and emerging interest abroad; the script was prepared in the preceding period to facilitate this rapid timeline. As a typical low-to-mid-budget co-production aimed at , the project prioritized the actors' star power and in over elaborate production values, aligning with the era's economical approach to .

Filming

Principal photography for Crime Busters commenced on January 24, 1977, and was conducted mainly on location in , , to provide an authentic urban backdrop for the film's action and comedy sequences. Shooting spanned several weeks across key sites, including city streets, canals (such as the bridge scene at 739 NW 5th St.), supermarkets, and police stations, while interior scenes were captured at De Paolis IN.CI.R. studios in , . The film's execution featured cinematography by Claudio Cirillo, utilizing 35mm color film in a 1.66:1 with mixing; practical effects were prioritized for the high-energy chases and fistfights to enhance . Production faced logistical hurdles in synchronizing the Italian crew with U.S.-based locations, alongside the need to produce dubbed English audio tracks for global distribution. Director Enzo Barboni maintained close involvement on set, fostering a collaborative environment where leads ad-libbed comedic elements, drawing from their established improvisational style in prior collaborations.

Release

Distribution

Crime Busters premiered in on April 6, 1977. The film was released internationally in various European markets shortly thereafter, including on April 1, 1977, followed by on July 29, 1977, and on September 2, 1977. In the United States, it received a theatrical release on June 6, 1979, distributed by under the English title Crime Busters. Marketing efforts emphasized the star power of , with posters prominently featuring the duo in dynamic action poses alongside comedic elements like wrecked cars and brawls. Trailers highlighted the film's blend of humor and high-energy chases, positioning it as a lighthearted buddy-cop adventure to appeal to family audiences. To broaden its global reach, particularly in , the film was dubbed into multiple languages, including German (Zwei außer Rand und Band), French (Les Deux Super Flics), and Spanish (Dos superpolicías), facilitating widespread theatrical rollout across continental markets. The U.S. version underwent edits to secure a rating from the MPAA, resulting in a shortened of 98 minutes compared to the original cut of 115 minutes; these changes primarily removed instances of to tone down the film's roughhouse sequences. distribution began in the 1980s with releases, such as Warner Home Video's 1984 edition, making the film accessible for home viewing. In the , it became available on streaming platforms, including . Recent editions include high-definition Blu-ray releases, enhancing its availability for modern viewers. The film's distribution strategy focused on leveraging the Hill-Spencer pairing's established in while adapting content for American sensibilities, contributing to its strong export beyond .

Box Office

Crime Busters achieved significant commercial success primarily in , grossing approximately 6 billion Italian lire in its home market, making it one of the top-grossing films of the 1976-77 season, second only to . This figure, when adjusted for , equates to roughly €10-15 million in today's terms. The film's strong domestic was bolstered by the established of stars among audiences. Internationally, the film performed robustly in , where it sold over 4.8 million tickets and earned the Golden Screen Award in 1978 for surpassing 3 million admissions, sharing the honor with films like Star Wars. In , it attracted 3.43 million spectators, ranking fourth at the for 1977. saw similarly moderate results, contributing to the film's appeal driven by the duo's fanbase. However, its U.S. release was limited, earning modest returns amid stiff competition from blockbusters like Star Wars. The majority of earnings came from markets. The film's low production costs, typical of Italian genre cinema at the time, significantly amplified its profitability. While Star Wars overshadowed it in the U.S., the release helped solidify the Euro-comedy trend and outperformed prior Hill-Spencer collaborations in non-Italian territories, enhancing their international draw.

Reception

Critical Response

Upon its 1977 release, Crime Busters garnered mixed critical reception, particularly in international markets, with reviewers praising the on-screen chemistry and of leads while critiquing the film's formulaic structure, leisurely pacing, and thin plotting. Enzo Barboni's direction adheres rigidly to the established buddy-comedy template of the duo's prior collaborations, emphasizing episodic and stunts over narrative depth, resulting in a runtime that feels drawn out as the central plot only gains momentum after nearly an hour of introductory misadventures. In the United States and , the film was seen as escapist entertainment appealing to fans of lowbrow action but lacking innovation, with the duo's charismatic interplay—Hill as the sly wiseguy and Spencer as the hulking —carrying much of the appeal amid caricatured supporting roles and repetitive fistfights. analyses echo these sentiments, describing the narrative as clunky and implausible, with somnolent fight sequences and a subplot involving exoticized elements that add little substance, rendering the overall experience generic and unlikely to reward repeat viewings for modern audiences. The humor relies on crude, knockabout antics and surreal one-liners, which influenced later romps but can come across as dated and lowbrow today. In , where the film was released as I due superpiedi quasi piatti, domestic critics gave it a moderate average score of 3.32 out of 5, appreciating its efficient comedic timing and light-hearted action as escapist fare, though some noted stereotypical characterizations in the ensemble. Aggregate scores reflect this divide between professional critiques and popular appeal: reports a 69% audience score based on fewer than 50 verified ratings, indicating solid fan appreciation for the energy. Similarly, users rate it 7.1 out of 10 from over 13,000 votes, underscoring its enduring popularity as a fun, undemanding romp despite critical reservations about its predictability.

Legacy and Cultural Impact

"Crime Busters" exemplifies the shift by toward cop buddy comedies within their collaborative filmography, marking a departure from their earlier spaghetti Westerns and influencing subsequent entries like "" (1985), where the duo reprise undercover law enforcement roles. The pair starred in 17 films together from 1967 to 1985, with "Crime Busters" standing out as one of their most commercially successful ventures due to its blend of action and lighthearted crime-solving antics. The has cultivated a dedicated , revived through releases in the , such as editions that introduced it to new generations beyond theatrical audiences. In the , it gained traction at festivals, including the annual Spencer Hill Festival in , where screenings of "Crime Busters" draw hundreds of fans for marathon events celebrating the duo's work. By the , streaming availability on platforms like in select regions has further broadened its reach, sustaining annual fan gatherings in and that honor its enduring appeal. "Crime Busters" contributed to the 1970s wave of Italian Euro-crime comedies, or variants, by popularizing a buddy-cop formula that emphasized humorous partnerships over gritty realism, predating hits like "" (1987) by a decade. Its influence extended to Italian , inspiring comedic parodies of the in shows that echoed the film's playful take on mishaps. In modern reevaluations, the film has been praised for its affable entertainment value tailored to fans of the , whose charm hinges on the duo's chemistry. Retrospective analyses have also examined its portrayal of ethnic and gender stereotypes, reflecting broader discussions on representation in 1970s Italian cinema. Enhanced availability underscores its , including a 4K UHD Blu-ray release in 2025 and prominent featuring on the official website.

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